Do you think you are safe using private browsing or incognito mode?. :smile: :imp: This will prove that you're wrong. Previously hosted at nothingprivate.ml

Full-throttle, wire-speed hardware implementation of Wireguard VPN, using low-cost Artix7 FPGA with opensource toolchain. If you seek security and privacy, nothing is private in our codebase. Our door is wide open for backdoor scrutiny, be it related to RTL, embedded, build, bitstream or any other aspect of design and delivery package. Bujrum!

CREDITS SEQUENCE NEWSPAPER HEADLINE MONTAGE: HEADLINES flash before us, displaying their accompanying photographs. "UBERMAN - METRO CITY'S HERO AFTER DEFEATING MASTER MIND! PHOTO: A chiseled, statuesque man wearing the COOLEST SUPER HERO SUIT IMAGINABLE, COMPLETE WITH FLOWING CAPE, shines a confident smile at the lens. This is UBERMAN, champion of METRO CITY. "UBERMAN DEFEATS MASTER MIND'S GIANT ROBOT!" PHOTO: Wide-shot of Uberman in mid-flight lifting the GIANT ROBOT in the sky above the city buildings. "MASTER MIND ALL WET AFTER UBERMAN FOILS AQUARIUM HEIST!" PHOTO: Uberman stands knee-deep in water. He has his enemy by the collar. The villain blocks his face from the shot with a METALLIC GAUNTLET. The images start to flash by even quicker, each showing the MYSTERIOUS VILLAIN in various stages of humiliation. In each photograph he successfully blocks his face with his armored glove. We ZOOM IN to the last headline. "MASTER MIND BEHIND BARS ONCE AGAIN - THANKS TO UBERMAN!" PHOTO: Uberman stands in a gallant pose with his fists on his hips, obviously trying to accentuate the "U" insignia on his chest. END OF CREDITS SEQUENCE EXT. BUILDING - DAY We DISSOLVE from the photograph to Uberman standing in the exact same position. WE PULL BACK showing him atop a BUILDING overlooking the city below. A perfect view for our guardian hero. He watches the thriving metropolis, bristling with life as people happily go about their day. Yet, we can't help but detect a hint of sadness in Uberman's expression. 2. UBERMAN You look so peaceful from up here. His serenity is suddenly interrupted by a loud BEEPING SOUND coming from his wrist. He looks down at a BRACELET (a manly one) on his right arm. It's a silver band with a FLASHING red letter "U". UBERMAN (CONT'D) Looks like Roxanne's in trouble again. Uberman leaps off the building and into the air. His cape gracefully flows in the breeze behind him as he shoots off into the distance like a speeding bullet. EXT. OBSERVATORY HIDEOUT - ESTABLISHING SHOT Grime and moss decorate the outside of this long abandoned building overlooking the COAST. Once a place of knowledge and wonder - now home to a great evil. INT. OBSERVATORY HIDEOUT - DAY The inside is in complete contrast to the exterior. The huge hall with a GIANT TELESCOPE teems with advanced ELECTRONIC EQUIPMENT. Computers, monitors and machines which do not have an obvious function FLASH and HUM. A STEEL DOOR slides open, revealing the subject of our story MASTER MIND - a villainous sight to behold. His FACE IS INEXPLICABLY LIGHT BLUE, topped by an OVERSIZED, MUSHROOM- SHAPED HEAD with a CIRCULAR PATCH OF WHITE HAIR ON TOP. He's dressed in the kind of costume only a super villain could pull off: a PURPLE JUMPSUIT AND BLACK BOOT ENSEMBLE WITH A GIANT GREEN "M" ON THE CHEST. His right hand, hanging at his side, is a METAL GAUNTLET WITH THREE SHORT SPIKES PROTRUDING BETWEEN HIS KNUCKLES. Master Mind begins to survey the room with his TWO PERMANENTLY ARCHED EYEBROWS. A man dressed as ALBERT EINSTEIN is busy ranting to two other men. One, a hulking brute, is dressed as LEONARDO DA VINCI. The other, a small intellectual-type carrying a clip-board, is dressed as the philosopher PLATO. EINSTEIN I hate the outfits. I mean, I get it: we're all supposed to be "masterminds" - very clever. (MORE) 3. EINSTEIN(cont'd) I just feel stupid. I mean, what the hell did Einstein really do anyway? PLATO Theory of relativity. Einstein starts feverishly scratching his side. EINSTEIN Well, you'd think he'd invent a wool sweater that didn't itch so much. Da Vinci and Plato's eyes suddenly grow with concern as they see Master Mind walk up behind Einstein. Einstein notices his colleague's staring over his right shoulder and turns around. He turns around and Master Mind SEIZES HIM BY HIS THROAT with his metal gauntlet. MASTER MIND The real Einstein once said, "God does not play dice with the world." He was right, because the world is MY dice. Is that understood? DA VINCI & PLATO Sir! Yes, sir! EINSTEIN (gasping for air) Yes, sir. Master Mind undoes his grip on Einstein's throat. MASTER MIND Alright, then - clean slate. Do we have the girl? DA VINCI Yes, sir. She fell into our trap just like you knew she would. MASTER MIND Reporters are a curious lot, and easily manipulated. He quickly checks his physique in a GIANT MIRROR, adjusts his posture and sucks in his gut. 4. MASTER MIND Alright, let's not keep the lady waiting. MOMENTS LATER Da Vinci escorts a BLINDFOLDED and bound woman, ROXANNE RITCHI, to the back of the room where Plato and Einstein are standing guard over a large BLACK SWIVEL-CHAIR facing away from us. She pulls free of Da Vinci's grasp and waits for him to undo the blindfold. Her face uncovered, we finally see Roxanne's striking features - all of which seem overshadowed by piercing eyes that seem more put off by the situation than afraid of it. MASTER MIND (O.S.) Miss Ritchi, we meet again. The chair turns menacingly slow, finally revealing Master Mind. ROXANNE You didn't need to turn around like that. I can recognize the stench of failure. Master Mind unleashes a wicked laugh. MASTER MIND I trust you gentlemen know the very sassy Roxanne Ritchi, highly regarded investigative journalist who some say has a more than friendly relationship with our super powered foe Uberman. And Miss Ritchi, I trust you've already met my new crew: The Mad Geniuses! Roxanne gives Einstein a once over. ROXANNE Looks like a real group of winners. At the risk of sounding cliche', you'll never get away with this. MASTER MIND In a way, I already have. Roxanne unleashes an exhausted SIGH. 5. ROXANNE We go through this every time. You kidnap me to get to Uberman, he immediately finds your hideout, escapes whatever lame trap you've come up with, and takes you and your cronies to jail. I propose we just save everybody some heartache this time by YOU letting me go, and ME forgetting this whole thing ever happened? MASTER MIND What about my revenge? ROXANNE We can say it was wasting everyone's time. MASTER MIND You have a wicked tongue. I hope you rid yourself of that when you're my queen. Roxanne unleashes a snort-filled laugh. ROXANNE I'm sorry. What makes you think I would want to be your queen? MASTER MIND Power corrupts absolutely, Miss Ritchi. And when I have ultimate power over this city, I have absolutely every intention of corrupting you with it. PLATO Sir! Master Mind turns to Plato who's now standing at a computer terminal. MASTER MIND (annoyed) What is it!? EXT. OBSERVATORY HIDEOUT - DAY Uberman flies toward the Observatory like a rocket. 6. INT. OBSERVATORY HIDEOUT - DAY Uberman crashes through the wall to the room we were just in. He looks around, but there's suddenly NOT A SOUL IN SIGHT. CUT TO: EXT. MASTER MIND'S HYDROFOIL - DAY The boat is shooting through the ocean, away from the observatory. INT. HYDROFOIL CONTROL ROOM - DAY Machines, cables and terminals criss-cross the craft's main bridge. Through the enormous surrounding windows we can see the observatory shrinking in the distance. Master Mind watches Uberman on a small TV monitor as the hero intently searches his hideout. UBERMAN (on monitor) Master Mind! INT. OBSERVATORY HIDEOUT - DAY Uberman throws up his arms in frustration when suddenly - MASTER MIND (O.S.) Over here, old friend. He turns to see a FAMILIAR BLUE FACE OF EVIL ON A GIANT SCREEN. UBERMAN What's the matter, miss your old jail cell? Uberman starts walking toward the monitor. MASTER MIND (ON MONITOR) Actually, I wanted to share the experience with my oldest friend. A MECHANIZED CAGE shoots out of the floor, suddenly trapping Metro City's protector. Totally unfazed, our hero stares on. 7. UBERMAN You can't possibly believe this will work. Master Mind pulls out a SMALL BLACK BOX with a SINGLE RED BUTTON on it. MASTER MIND (ON MONITOR) Oh, can't I? I have attained control of the Earth's most abundant energy source. I doubt even you are strong enough to withstand the FULL CONCENTRATED POWER OF THE SUN!!! He presses the button. EXT. OUTER SPACE A sinister-looking SATELLITE orbits Earth's atmosphere. Its bay doors suddenly open, deploying two huge SOLAR PANELS. The panels shift, angling themselves in the direction of the sun. They immediately start GLOWING as they absorb the burning star's power. The front of the satellite begins to make a loud HUMMING SOUND as it prepares to unleash its unholy power. INT. HYDROFOIL CONTROL ROOM - DAY From the giant window we can see the boat is a good mile from the observatory. PLATO We're now at minimum safe distance, master. Master Mind turns from the CAMERA he was broadcasting on and puts down the control box. MASTER MIND Excellent. Stop here, I like this view. PLATO Twenty seconds until impact. Master Mind turns to Roxanne who is being held by Da Vinci and Einstein. She almost appears a little bored. Disappointed by her lack of horror, he walks over to the monitor now showing Uberman trapped in the cage. 8. MASTER MIND Any last words? Uberman looks up at the screen with a cocky smile. UBERMAN (ON MONITOR) Yes: there's no caging the power of justice. PLATO Ten seconds to impact. On the screen we see Uberman take two of the cage's bars in his hands. He yanks...NOTHING. PLATO (CONT'D) Nine... Master Mind stares at the monitor, slightly confused. PLATO (CONT'D) Eight... Uberman yanks on the bars again, this time using his foot as leverage. MASTER MIND (genuinely concerned) What's going on? UBERMAN (straining) Hold...on...a second. Master Mind looks back at Plato and Einstein. They're equally befuddled at the hero's sudden weakness. PLATO Seven... Uberman loses his grip and FALLS BACKWARD ON HIS ASS. UBERMAN SON OF A BITCH!! Master Mind and the minions all cringe in unison. Da Vinci turns to Roxanne not believing his ears. DA VINCI What did he just say? 9. PLATO Six......Five... Master Mind begins to laugh. MASTER MIND What kind of trick is this? Uberman looks up at the camera with a very grave expression. UBERMAN Like you don't know. These bars are made of copper, aren't they? PLATO Four... MASTER MIND Yeah, so? Uberman tries to shield his grief with his hand. UBERMAN You figured out my weakness, damn you. I CAN'T BEND COPPER! PLATO Three... MASTER MIND Your weakness is copper? PLATO Two...one. Everyone turns to the window. EXT. OUTER SPACE The satellite fires a giant BEAM OF LIGHT toward the earth. EXT. OBSERVATORY HIDEOUT - DAY The beam hits the observatory. The building instantly EXPLODES in a white nova blast of fire. INT. HYDROFOIL CONTROL ROOM - DAY The blast is so bright everyone turns away from the window. Then, as suddenly as it began, the awesome light dies out. One by one, the passengers unshield their eyes and look out toward the observatory. 10. All we can see through the haze of destruction is fire and smoke. PLATO I don't think even he could have survived that. Einstein suddenly turns giddy with excitement. EINSTEIN Whoa! Is it me or did you just finally destroy Uberman? MASTER MIND (carefully skeptical) Well...let's not get ahead of ourselves. Da Vinci suddenly sees something outside. DA VINCI Look, there's something in the sky, coming this way. ROXANNE Uberman! Master Mind turns toward the window. An object is in the air, flying directly toward them. As it closes in we can just make out the FAMILIAR OUTLINE OF A CAPPED FIGURE. MASTER MIND I KNEW IT! PREPARE YOURSELVES! HE'S GONNA RAM US!!! Everyone scatters and braces themselves for the impact. Master Mind, seeing all the good places taken, doesn't know what to do with himself. He just covers his giant head with his hands. The figure CRASHES THROUGH THE WINDOW and lands at his feet. He looks down to see a CHARRED BLACK HUMAN SKELETON. Around its neck is the unmistakable black cape of Uberman. MASTER MIND (CONT'D) (horrified) HOLY SHIT! 11. Roxanne breaks out of Da Vinci's hold and runs over to the body. ROXANNE Uberman? She stares down at the still smoking corpse, the tattered black cape with the yellow "U" on it. Roxanne turns to Master Mind, who's still visibly dumbfounded at the grotesque sight before him. ROXANNE (CONT'D) You killed him! Roxanne's eyes roll back. Da Vinci catches her from behind as she FAINTS. Einstein turns to Master Mind, looking at him as if he's just walked on water. EINSTEIN You did it! Now that he's committed the impossible - our villain is at a complete loss. MASTER MIND ...so I did. EINSTEIN I mean, I know you always wanted to. I mean, all the schemes all the plots - I never thought you'd actually be capable of it. Giddy as a school girl, Einstein turns to his fellow henchmen. EINSTEIN This is history. Every villain and lackey in the history of villains and lackeys dream of this moment, but when does it actually EVER happen? A sudden realization comes over his face. EINSTEIN Good lord...You do all realize what we get to do now, don't you? 12. His question is met with acquisitive looks from Master Mind and the others. EINSTEIN We get to go on a crime wave. CRIME WAVE MONTAGE - SET TO "Fun Fun Fun" by The Beach Boys. SPINNING HEADLINE: "UBERMAN'S DEATH IGNITES CITY WIDE CRIME WAVE!" ARMORED TRUCK It's driving along when the men inside suddenly notice something - THEY'RE FLYING HIGH ABOVE THE CITY STREETS. We PULL BACK to see the truck being carried by a giant claw at the bottom of a BRAIN COPTER. Inside the cockpit Master Mind and his henchmen laugh maniacally. SPINNING HEADLINE: "CHAMPION-LESS CITY AT THE MERCY OF HOOLIGANS." METRO CITY BANK Da Vinci and Einstein run out the front of the bank holding BAGS OF MONEY. Two beat officers see them and take chase after them around the corner and into an alley. After a moment the police reemerge from the alley screaming and running for their lives as a GIANT ROBOT CHASES after them. The robot stops, then suddenly it's head opens up like convertible car top with Master Mind and Plato at the driver's wheel. They smile and shake hands at a bad deed well done. SPINNING HEADLINE: "MASTER MIND BLACKMAILS METRO!!!" A VICIOUS TORNADO It's heading for downtown Metro as Master Mind and the lackeys coolly look on. Three large DUMP TRUCKS pull up, filled to the brim with bricks of CASH. 13. The DRIVERS jump out as the lackeys take the driver seats in the three trucks. Master Mind is about to climb into the passenger seat of one when a drivers taps him on the shoulder and motions toward the tornado. MASTER MIND (absentmindedly) Oh, right. Master Mind pulls a television REMOTE from his pocket and aims it at approaching windstorm of death. He presses the button marked "Tornado Off." The tornado shrinks and disappears just before it hits the city. As they drive through the city streets, Master stares out the window with a hint of something in his eyes. Is it melancholy? END OF MONTAGE EXT. KINGPIN BOWLING - DAY It's Metro City's premier bowling alley. On top of the neon lit building is a GIANT 30 FOOT TALL CEMENT BOWLING BALL. INT. KINGPIN BOWLING - DAY HAL STEWART (early 30's) takes careful aim with his BOWLING BALL. HAL It's a sport of honor, focus and grace. Honor the ball, focus on the pins, release the ball not hard and fast, but as if you were releasing a baby dove. He takes a step, pulls back his arm, and releases the ball, following it with his eyes. It's a horrible shot - INSTANT GUTTER BALL. An aged barmaid type with a cigarette hanging from her mouth looks over at him. HAL Okay, do something like that - but center it more. 14. She picks up her custom made FOGHAT BALL and takes aim. ATTRACTIVE BLOND Tell me how my form looks, honey. Hal focuses on the misshapen bumps of her enormous Johnson administration era derriere. HAL Oh, it's lookin' good. It's lookin' REAL good. It doesn't get anymore clear. This man is a pig. VINNIE (O.S.) Hal, I want to see you in my office! Hal turns to see VINNIE, owner of the bowling alley, calling him. VINNIE Now! INT. KINGPIN BOWLING - VINNIE'S OFFICE - MOMENTS LATER Hal sits down, facing Vinnie who's sitting at his desk. VINNIE You're fired. Leave your shirt and locker key. This bit of news hits Hal like a freight train. HAL Fired? Are you going to tell me why? VINNIE Showing up to work late. Showing up to work late drunk. Sexually harassing customers. Stealing from the register. HAL Vinnie, I don't know where you're getting these accusations - Vinnie takes out a video tape from his desk drawer and puts in a VCR. 15. HAL Oh, which one do you supposedly have here? VINNIE This is all of them at once. TELEVISION A WOMAN walks up to a BOWLING EMPLOYEE and hands him a pair of shoes. As the employee turns to the wall of shoes, a very drunk and disheveled Hal comes running in and pushes him aside. HAL I've got this one, Benny. So, Cinderella. Can I help you find your glass slipper? WOMAN Yeah, I'm looking for a seven. He folds his arms on the counter and leans into her with a cat-like grin on his face. HAL (with a leer) Seven - Well, maybe I could interest you in something in an EIGHT. Namely, me. Disgusted, she walks off screen. HAL Lesbo. Suddenly realizing the register's open, he quickly grabs a stack of cash and shoves it in his pocket. BACK TO OFFICE Vinnie turns off the television and waits for Hal to respond. HAL From the angle of the camera, I can see where you might have gotten the wrong idea. Listen, Vinnie, I don't think you've thought this through. If you fire me, who's gonna be captain of the alley's bowling team? 16. VINNIE Um, I don't know. Maybe somebody who can actually bowl. You guys have never won a game. I hired you because you said you were on the pro circuit. HAL No, I said I WILL BE on the pro circuit. VINNIE Please, a loser like you will never amount to anything. This harsh remark seems to leave Hal genuinely stunned. HAL Wow...If that's how you feel...I guess we should then talk about what kind of severance I'm gonna get. EXT. KINGPIN BOWLING - DAY TWO BRUISERS open the door and throw Hal out onto the street. He quickly picks himself up and turns back toward the building. HAL Hey...what about my ball? A bowling ball sails past him, just missing his head. HAL Thank-you! EXT. CHANNEL 7 NEWS BUILDING - DAY The massive building with a giant 7 on the roof stands in the heart of Metro City. INT. CHANNEL 7 NEWS BUILDING - OFFICE - DAY The cubicles and offices are alive with the hustle and bustle of a busy news day. Phones are RINGING, REPORTERS are TALKING, and Editors are SHOUTING. The elevator doors open and out steps Roxanne Ritchi. 17. Everything stops as the entire office suddenly falls SILENT. Somewhat taken aback by the reaction, Roxanne scans the room to see every eye on her. ROXANNE It's...um...It's good to be back. Thanks for everyone's cards and concerns. I really appreciated it - now I'm ready to climb back on the horse. No one is budging - their looks of pity are really starting to make her uncomfortable. The back office door suddenly opens and out comes FRANK BONIN, the gruff, middle-aged Producer of Channel 7 News. Noticing the silence, he looks up and sees the sad expressions on everybody's face. FRANK Someone die or something? He suddenly notices Roxanne - both feet are placed firmly in his mouth. FRANK (cursing himself) Oh, Jesus. ROXANNE It's okay. Frank quickly walks up to Roxanne and takes her gently by the arm. FRANK Come on into my office, sweetie. INT. CHANNEL 7 NEWS BUILDING - FRANK'S OFFICE - CONTINUOUS He sits her down on his leather couch, then quickly turns toward his door. FRANK Can we get this woman some water for God's sake? (to Rebecca) I gave you two months off. What're you doing back? People are gonna think I'm a slave driver. 18. ROXANNE Aren't you? FRANK Yeah, but I don't want people to think it. ROXANNE Frank, listen. I want to go back to work. I NEED to go back to work. FRANK ...You're hysterical, aren't you? Frank sits down on the couch and blankets Roxanne with A WARM EMBRACE. ROXANNE What're you doing? FRANK Keeping you warm before you go into shock. (toward the open door) DO I HAVE SLICE OPEN A CAMEL HUMP TO GET A GLASS OF WATER AROUND HERE? A SECRETARY quickly enters with a bottled water. She sets it on the table in front of them and leaves. Roxanne pulls herself out of Frank's grasp and stands up to face him. ROXANNE It was a traumatic experience. Yes, everyone knows Uberman and me were...close. But what I really need - what would really make me better is getting back to work. There's a sudden awkward silence from Frank. FRANK Well, that's going to be... ROXANNE I thought you'd be happy to have me back. 19. FRANK Oh, we are. Honey, nothing makes us happier than to have our girl back, but... ROXANNE Yes? FRANK Things have sorta...changed. ROXANNE In three weeks? FRANK Listen, I'm not one who likes to open up wounds - especially ones that are just starting to scab, but you were sorta our go to girl for the exclusive on Uberman. And now that he's gone...I moved Brad into your anchor spot. ROXANNE (disgusted) Brad? Brad Helms? The man is an idiot. FRANK It's the suits. They think it's time to switch things up. ROXANNE Oh, because they can't use me to get the big story. FRANK C'mon, Roxie. Using is in the nature of what we do. They used you, you used Uberman. Everybody's happy. ROXANNE (defensive) I didn't use him. FRANK Oh, I didn't mean that. I know you two were in love or something. My bad. ROXANNE We were. 20. FRANK And that's great. ROXANNE Very in love. There's a hind of self-doubt in Roxanne's expression, as if she's failed to convince even herself of this. ROXANNE Okay. So, where are they going to move me if Brad has my spot? FRANK ...Human interest. ROXANNE Bake sales and pet stories. FRANK I told them I wouldn't be surprised if you just upped and quit. You busted your ass for that desk. Roxanne can hardly get it out - she's busy swallowing her pride ROXANNE I'll take it. Frank looks up at her, not believing what he's hearing. FRANK What? EXT. ABANDONED METRO CITY LIBRARY - NIGHT Amongst the jungle of high rises, one small building stands out from the rest - A tiny, forgotten piece of 19th century Gothic architecture. LIGHTENING FLASHES, revealing TWO CONCRETE GARGOYLES holding a cracked plaque, reading: METRO CITY LIBRARY. INT. ABANDONED METRO CITY LIBRARY - NIGHT A mixture of old and new. Dusty Victorian furniture and dilapidated bookshelves sit side by side with pristinely futuristic machinery. The building has been converted into Master Mind's new SECRET LAIR. 21. In the center of the main room is a three storey tall GLOWING BLUE ORB. At the base of it is a sign that reads "Reactor - Don't Touch." We PAN OVER to the READING ROOM where Master Mind is sitting on a couch watching TELEVISION. REPORTER ON TELEVISION (O.S.) It's been nearly six weeks, and still no word on the whereabouts of billionaire playboy, and philanthropist, Wayne Scott. Tune in at 11:00 as we look into what has become Metro City's biggest mystery. TELEVISION NARRATOR (O.S.) We now return to "The Hero of our Hearts: The Uberman story." Einstein and Plato come into the room holding a BAG OF LOOT. EINSTEIN Just robbed the diamond exchange. MASTER MIND (feigning pleasure) Great, great. Put it on the pile. Einstein tosses it on a LARGE PILE of purloined valuables in the corner of the room. EINSTEIN Anything else today? MASTER MIND No. Master Mind turns his attention back to the screen. Plato sees that Master Mind is in a funk and tries to snap him out of it. PLATO (cheerfully) Sir, the new reactor is installed. Plato nods to the giant orb. PLATO Do you want to throw the switch? I know how you love to start reactors. 22. MASTER MIND Maybe later. Einstein gives Master Mind a funny look then exchanges glances with Plato before leaving the two of them alone. Without turning away from the TV, Master Mind addresses Plato. MASTER MIND (CONT'D) What is it, Plato? PLATO (nervously) Sir, I can't help but notice that you've been...a little down lately. MASTER MIND When I want your opinion I'll beat it out of you. PLATO Yes, sir, I know, but please forgive my impertinence. It's just that you seem to have lost your lust for our profession. You've stopped going on jobs and spend most of your time watching Uberman specials. Master Mind relaxes slightly and turns to face the window in a classically contemplative pose. After an overdramatic beat... MASTER MIND I have defeated my greatest enemy. I have free reign over Metro City. I have more wealth than a thousand Sultans. I've achieved all I have worked for...so why am I so unhappy? He walks over to a PAINTED PORTRAIT that looks almost exactly like him, except slightly older, maybe meaner - MASTER MIND'S FATHER. MASTER MIND I mean, my father, god rest his evil and tormented soul, raised me straight from the test tube to be a symbol of evil. (MORE) 23. MASTER MIND(cont'd) And, I have accomplished something he had only dreamed about - the destruction of Metro City's champion. I tell you, I've always lived with this unquenchable thirst. I thought it was to make him proud or to get absolute power. But now that I've pretty much accomplished both, I am at a loss. PLATO ...I sort of have a theory about all that. MASTER MIND (snippy) Oh, really? PLATO Well, for one thing, maybe Uberman was more important to you than you thought. MASTER MIND He was a worthy rival. Sometimes I wonder, did he consider me his evil equal or was I just an annoying, little gnat to him? ...What's the second part? PLATO I think you sort of have a thing for Roxanne Ritchi. Master Mind quickly takes his lackey by the throat. MASTER MIND YOU WORM! HOW DARE YOU! WHERE WOULD YOU GET SUCH A NOTION? PLATO Sir, your plans always involve Ms. Ritchi either being kidnapped or placed in danger. If that's not love, I don't know what is. It's the grown up equivalent of dipping her pigtails in the ink well. Don't you see? She's the one treasure that's always escaped you. From Master Mind's expression, we see Plato's words beginning to ring true. 24. INT. RESTURAUNT - DAY Roxanne is having lunch with several girlfriends sitting around her, gabbing. FRIEND #1 I can't believe you came back so soon. FRIEND #2 Are you sure it's not TOO SOON, honey? ROXANNE I just wanted to get back to work. FRIEND #3 What we need to do is get you back on the saddle...the love saddle. Friend 1 and 2 give 3 disapproving looks. FRIEND #3 It's been three weeks. FRIEND #2 She just lost the love of her life, Grace. A WAITER comes by with a tray of CAESAR SALADS and begins setting them out for the ladies. ROXANNE I keep trying to tell people it wasn't really like that. Uberman and I - We were kinda having problems. We broke up. The waiter ALMOST DROPS HIS TRAY AT THIS. The women are too shocked by Roxanne's revelation to notice. FRIEND #1 You broke up with Uberman! FRIEND #3 You must have REALLY, REALLY high standards. I mean, you were dating a god. I mean, what's it take? ROXANNE Maybe someone who's a little more aware of his faults. Someone a little more sensitive. 25. FRIEND #3 Right. Someone who listens, sexy but attainable with cute little cheeks like a hamster and heartbreak in his eyes. She turns to Friend one and two to explain. FRIEND #3 She wants John Cusack. FRIEND #2 The actor? FRIEND #3 No, the famous pediatrist - Yes, the actor. Ever since we were teenagers, Roxanne's totally had the hots for him. ROXANNE Well, until he miraculously comes walking into my life, I'm just going to take a little reflection time for myself. The waiter gets a confused look on his face then slips away as Roxanne and her friends continue to chat away. EXT. RESTURAUNT - DAY The waiter tosses his apron in a trash can, then rolls up his sleeve and presses A STRANGE LOOKING DEVICE STRAPPED TO HIS WRIST. His image gets staticy, like a TV station going out, then disappears - revealing the man's true form underneath: MASTER MIND! MASTER MIND Who the hell is John Cusack? EXT. CITY STREET - DAY A YOUNG MOTHER pushes her baby stroller past a building construction site. ACROSS THE STREET A local POLITICIAN addresses a group of REPORTERS on the sidewalk, including Roxanne. 26. POLITICIAN The Fifth Avenue Renovation Project, which I championed, will breath new life into the downtown area. New life means new jobs and new revenue. ROXANNE Councilman, is it true that your brother-in-law's construction company won the contract for this project? POLITICIAN Well...er...yes, but...look I'm not here to answer a lot of crazy questions... YOUNG MOTHER The young mother stops halfway down the block, reaches into the stroller and tries to comfort her now crying baby. Above her, a CRANE is maneuvering a pile of STEEL GIRDERS to an upper floor. Hal comes around the corner and heads in her direction. CRANE The crane GRINDS TO A HALT. The OPERATOR has a confused look on his face as he moves levers back and forth in an effort to fix the problem. Hal stops a few feet from the woman and stoops down to tie his shoe. CRANE The operator's hand slips off the lever, hitting a RED BUTTON. To his horror the crane DROPS ITS LOAD OF STEEL. HAL AND THE WOMAN The woman looks up to see the girders seconds from crushing her and her baby. She screams. Hal looks up and sees it as well. He starts to run out of the way and crashes into the woman and stroller. ACROSS THE STREET 27. The reporters turns their cameras just in time to catch on film what appears to be Hal pushing the woman to safety just as the GIRDERS CRASH TO THE GROUND. HAL AND MOTHER Tears of joy in her eyes, the woman picks up her baby and kisses it. Hal struggles to catch his breath as the mother turns to him. YOUNG MOTHER Thank you! Thank you for saving me and my baby! She hugs him with her free arm, weeping with joy. HAL (not knowing what she's talking about) Huh? He's a little uncomfortable with the woman's public display of affection and the small child in-between their embrace. HAL (CONT'D) There, there. Hal slowly eases out of the woman's grip. HAL (CONT'D) Okay, we better...well, I hear these little guys smother easy. The reporters rush over and surround Hal and the mother. ROXANNE What's it feel like to be a hero? Hal looks up at Roxanne. Instantly, he's captivated by her beauty. HAL Well...I'm just a man doing what men do. You're Roxanne Ritchi, aren't you? They're suddenly interrupted when another reporter pushes his way in between them. REPORTER Were you scared? 28. HAL Scared? Who had time? The reporters eat this up. INT. ABANDONED METRO CITY LIBRARY - NIGHT TELEVISION John Cusack stands in the rain looking up at a window of a two story house. He holds up a BOOMBOX and "In Your Eyes" by Peter Gabriel begins to play. From the couch, Master Mind and his minions watch. MASTER MIND John Cusack, huh? So all I have to do is have a cute puppy dog stare, be willing to make a fool of myself and - Oh, REMOVE BOTH MY BALLS. He turns to see Da Vinci watching the movie and wiping a tear from his cheek. MASTER MIND Please, get a hold of yourself. INT. BOOKSTORE - NIGHT Roxanne is carrying a large paper coffee cup in her hands as she peruses the isles. She sets it down on a shelf to pull a book out and ends up KNOCKING THE DRINK OVER. ROXANNE Shit. She goes to pick it up when someone bends down and picks it up for her. Looking up to thank him, Roxanne is suddenly stunned speechless - It's popular and critically acclaimed actor JOHN CUSACK, or rather Master Mind disguised as him. "JOHN CUSACK" Oh the humanity - it was a Venti. ROXANNE (stunned) You're...you're. "JOHN CUSACK" Yes, it's me. John Cusack...the actor. 29. He notices the book she's reading. "JOHN CUSACK" Hey, is that Shelly? Wait, I think remember something from that one - Let's see: "My head is screaming `I want you and need you' - my heart it keeps reaching to see you and feel you - yet in the end, I'm alone once again." Wow, I scare even myself. I'm sorry. I'm just really into poetry. Probably because I'm so sensitive and always going to great lengths to express myself. But enough about me. Can I fill you up? ROXANNE (captivated) ...Yes. (catching herself) I mean, excuse me? "JOHN CUSACK" Can I fill you up? Your coffee. ROXANNE Right. INT. BOOKSTORE CAFE' - LATER Roxanne talks as John Cusack listens to her every word intently. ROXANNE I did have a boyfriend - until fairly recently. She suddenly begins to feel the stares around her as passers- by being to notice who she's with. ROXANNE I'm sorry - this is so surreal! "JOHN CUSACK" Yeah, they charge way too much at these places - Now back to your boyfriend. I'm interested and compassionate. I want to know about you. 30. ROXANNE Things were complicated. He was a man married to his work. There was...there was a lot of competition in his line of business. I'm sure you know what that's like. "JOHN CUSACK" Sure. In my business, one thing I have is RIVALS. For example, mine is...uh...Lou Ferr...igno. ROXANNE ...The body-builder who used to play The Hulk on TV? "JOHN CUSACK" Did he? Well, we're always up for the same roles. Did your boyfriend have someone like that? A particular rival that was always getting his goat - so to speak? ROXANNE Well...one rival in particular seemed to get more of his attention than I ever did. But enough about my problems. "JOHN CUSACK" NO, TELL ME MORE!!! Suddenly realizing his outburst, he begins COUGHING to mask it. "JOHN CUSACK" (CONT'D) I'm sorry. I got a whooping cough. Had it ever since Serendipity. I WONDER WHERE OUR REFILLS ARE!!! (fakes cough) See, there it goes again. Please, go on. ROXANNE Right, well, he seemed to need him more than he needed me. "JOHN CUSACK" How do you mean? 31. ROXANNE It was conflict he thrived on. He always said he wouldn't know what to do with himself if Master - I mean, this guy were gone. It was like he needed it, like oxygen. The answer to his mental funk hits him like a bolt of lightening. He turns away from her as if for private time. "JOHN CUSACK" (almost to himself) I think I finally understand...The only logical answer is to recreate that rivalry - or if that's impossible, create one of equal structure. That's it! ROXANNE What? John Cusack snaps out of his dream-like haze realizing she's heard every word. "JOHN CUSACK" Oh, sorry, sorry. Just rehearsing for a part...where I play a man who talks to himself at inappropriate times. In a sudden rush, he rises out of his chair. "JOHN CUSACK" I have to go right now, but I'd really like to see you again - if that's alright. Roxanne looks up at him - She can't help but laugh at the craziness of the situation. ROXANNE I'd love that. INT. ABANDONED METRO CITY LIBRARY - DAY Master storms in the office to find Plato and Einstein playing darts with the original Mona Lisa. EINSTEIN Got her nose! MASTER MIND I've got it! 32. Everyone stops what they're doing upon seeing that their master has returned. MASTER MIND I've got it! MASTER MIND It's plain and simple. Extraordinary minds need extraordinary stimulation. Without that stimulus they wither and die. Therefore, there is only one logical conclusion: I must create a new superhero. EINSTEIN Yeah, maybe that's not such hot idea... MASTER MIND (ignoring him) Prepare for Operation Superhero Genesis! INT. ABANDONED METRO CITY LIBRARY - LABORATORY - DAY The lab is slick, white and ultra modern. Dressed in a lab coat, Master Mind enters through a SLIDING GLASS DOOR rubbing his hands excitedly. MASTER MIND Prepare the subject. He glances down into a large HOLE in the floor to see a naked thirty year old man, SEVERS, shivering. Above the hole, a huge vat dangles precariously. Master Mind steps behind a glass partition next to Plato and Einstein. MASTER MIND (CONT'D) Plato, pour the toxic waste. Plato throws a switch causing the vat to tip hundreds of gallons of green and brown goo into the hole. MASTER MIND (CONT'D) Drainage. The slime is sucked out through the floor, leaving a goo- soaked Severs. 33. Master Mind looks into the pit. MASTER MIND (CONT'D) Well, Severs? SEVERS I feel fine. Just a little sticky, but aside from that everything's completely - BOOM - Severs explodes. A hail of blood and tissue covers Master Mind and his men. For a good ten seconds nobody moves an inch. Finally... MASTER MIND Okay then. INT. ABANDONED METRO CITY LIBRARY - LABORATORY - DAY Through a glass WATER TANK we see a man breathing normally. MASTER MIND And this one? PLATO We attached gills to him. He can breath under water. MASTER MIND Ah. Does he have extraordinary strength? PLATO Well...no. MASTER MIND Can he fly? PLATO No. MASTER MIND Resilient to weapons fire? PLATO No. MASTER MIND He just breathes under water, then. PLATO Ah...yeah. 34. Master Mind rolls his eyes and walks away. INT. ABANDONED METRO CITY LIBRARY - LABORATORY - DAY The next guinea-pig, STENWICK, is standing in a sealed glass tube not much wider than himself. MASTER MIND Plato, the radioactive spider, please. Plato throws the switch DROPPING A SINGLE SPIDER onto Stenwick's arm. Stenwick looks and winces as it bites him. STENWICK Ow! He brushes the spider off. MASTER MIND Anything, Stenwick? STENWICK (shaken) No. Ah...sir, I didn't know this was about spiders. I have a pretty severe case of arachnophobia. Master Mind thinks for a moment, then turns to Plato. MASTER MIND We're gonna need more venom. Plato throws another switch, this time DUMPING THOUSANDS OF SPIDERS on poor Stenwick. His SCREAMS begin to fade as he's engulfed with swarms of crawling arachnids. MASTER MIND (CONT'D) How `bout now, Stenwick? ....Stenwick? INT. ABANDONED METRO CITY LIBRARY - OFFICE - DAY Master Mind is pacing back and forth. The muted TV plays in the background. MASTER MIND This has proven to be a challenge. I just don't know what I want. What do I want? 35. He stares at Einstein, Da Vinci and Plato, but they offer no advice. MASTER MIND (CONT'D) I want a man of moral fiber with a strong sense of right and wrong. Someone who doesn't seek power - instead, they must have it thrust upon them and find, within themselves, the courage to rise to the occasion. Einstein lets out a short laugh, getting everyone's attention. EINSTEIN Yeah, well, it sounds like what you want is Uberman. Master Mind snaps the fingers of his non-metal hand. MASTER MIND That's it! Why make a copy when the real thing will do? The lackeys look at each other, they can't believe what they're hearing. EINSTEIN I was just kidding, sir. In case you forgot, you actually burned Uberman alive. MASTER MIND Then we'll make a new one. Plato, bring me the box! MINUTES LATER Master Mind and the lackeys stand in a circle around a small table. Plato places a STAINLESS STEEL CHEST in the tables center. As Master Mind opens it, he's immediately doused in WHITE GLOW emanating from inside. MASTER MIND Behold - Uberessence. The very thing that gave Uberman his superhuman powers. 36. EINSTEIN Where the hell did you get that? MASTER MIND Oh, I shot him with a power sucking gun and had this idea to use this to clone a whole army of evil Ubermen. I'm not sure why I never got around to following up with that. PLATO I believe he defeated you before you could, master. MASTER MIND ...Right. Man, he was good! DA VINCI You want another volunteer, sir? MASTER MIND Not another volunteer driven by the need for personal gain. Somebody else, somebody pure. Master Mind turns to see an INTERVIEW WITH HAL playing on the muted television. Underneath his face is a blue caption with white lettering that reads: "Hal Stewart - Metro City's Newest Hero?" NEWS REPORTER ...who risked his own life to save that of a young mother and her child. HAL Please, please, you're embarrassing me. I saw someone in need and I helped them. What more can we ask of ourselves. I ask you, what more? A smile creeps across the evil one's face. MASTER MIND (CONT'D) Somebody like him! EXT. CITY STREET - DAY Plato is sitting in the van, staring into a pair of binoculars as he speaks on a cellphone. 37. PLATO Yeah, sir. This guy is a real piece of work. He used to teach bowling at Kingpin's. INT. MASTER MIND'S HIDEOUT - DAY Master Mind is sitting with his feet up on a computer console as he speaks to Plato. MASTER MIND (into phone) A modest profession to brilliantly hide his true heroic nature. I love it. EXT. CITY STREET - DAY PLATO Then you are absolutely going to love this - We follow Plato's line of sight across the street where we see HAL PLAYING WITH A LARGE GROUP OF BLIND CHILDREN. PLATO - He volunteers at a school for the blind. INT. MASTER MIND'S HIDEOUT - DAY Intrigued, he suddenly sits up in his chair. MASTER MIND He volunteers. He doesn't ask for any reward for his deeds. The fates are shining down on me. This Mr. Stewart is truly an unselfish soul. EXT. BLIND SCHOOL - DAY From a distance, Hal seems to be consoling an upset child who's sitting on a rock. But up close... HAL You greedy little bastard. I already gave you a twenty. BLIND KID Hey, you want me to play along? Then pay up, bitch! 38. HAL Fine, but you better be convincing. He gives the kid a bill out of his wallet and looks over his shoulder to see a HOT TEACHER walking toward them. HAL Here she comes, go to work. Like a miniature Brando, the blind kid buries his face in his hands and begins to cry. BLIND KID (weeping) Why can't I see! Why God? Hal puts a warm consoling hand on the weeping boy's shoulder. HAL Hey, Peter. C'mon champ, let me look at you. The Hot Teacher stops and curiously watches from a distance. The boy looks up at Hal, tears running down his dark sunglasses - he should get an Oscar. HAL You know, in life we're all given no more than we can bear. This happened to you maybe because you were meant to rise above it - Maybe to be an inspiration to the other little Peteys out there. BLIND KID You really think so, Hal? HAL Hey, does it LOOK like I'm lying? Now c'mon, go feel your way to class before you get your little butt suspended. The boy stands up and is about to take off. HAL Petey, wait a minute. Hal uses his shirt sleeve to wipe the tears away from the boy's face before sending him on his way. 39. The Hot Teacher grabs her chest. Her heart is about to absolutely melt. HAL Don't run into anything! EXT. STREET - CONTINUOUS Plato lowers his binoculars. From his perspective, Hal should be next in line for popehood. PLATO I think I've seen enough, sir. This is your guy. MASTER MIND (O.S.) (over radio) Then return to base. We have much work to do. Plato starts up the van and pulls away. INT. BAR - DAY It's a busy night. A couple of trucker types are shooting pool as the bartender slings drinks. Hal is nursing a beer at the bar when he suddenly notices a very ATTRACTIVE WOMAN sitting next to him. As he goes to straighten his stool-posture, Hal suddenly catches himself on the bar's TELEVISION - it's a story about how he saved the woman and her baby at the construction site. He turns back to the Attractive Woman next to him, then back to the TV. A plan of attack is forming. HAL (obviously playing it up for the woman's benefit) Oh, there it is again. This is really getting embarrassing now. The woman looks up at the screen and gives Hal a double-take. ATTRACTIVE WOMAN Oh my God! It's you! You're the man who saved that woman and her baby the other day! It is you, isn't it? TRUCKER #1, getting a drink at the bar next to them, OVERHEARS. 40. Hal rolls his eyes and puts his hands up in the air. HAL (to Attractive Woman) Oh, crap. You got me. TRUCKER#1 taps Hal on the shoulder. TRUCKER#1 Let me tell you something. That was just about the bravest damn thing I've ever witnessed. (he turns to the rest of the bar) Hey, everybody! This guy's the hero from TV! The bar ERUPTS IN CHEERS. MOMENTS LATER Hal is riding on the shoulders of TRUCKER#2 and TRUCKER#3 as `I'm Holding Out For A Hero' plays on the jukebox. TRUCKER#1 suddenly puts his hands in the air. The room quickly goes silent. TRUCKER#1 I want to give you something. He reaches into his pocket and takes out a medal. He holds it up in the air for everyone to see. TRUCKER#1 (CONT'D) Lost my whole platoon. They were a lot a good boys, a lot of good boys. That was just the way things were in "The Grenada." I'd rather a real hero have this. Trucker#1 gives the medal to a speechless Hal. ATTRACTIVE WOMAN Hey, you're on TV again. The crowd looks up at the Television. TELEVISION - CONTINUOUS The anchor man, BRAD HELMS (early 40's, amazing mustache), suddenly has a memo passed to him. 41. BRAD HELMS This just in. Upon a second look at that tape from this morning, which we'll now replay for you, it appears it was not the heroic act it first seemed to be. The tape shows Hal running in slow motion. BRAD HELMS (O.S.) (CONT'D) With the tape slowed down you can actually see the man push the woman and her child out of the way in an effort to save his own life. The tape shows Hal, in a clear act of self-preservation, pushing the woman and child out of the way. CUT BACK TO: INT. BAR - CONTINUOUS In unison, everyone turns their heads back to Hal. HAL I guess that looks kinda bad. Trucker#1 snatches his medal back. EXT. NEARBY ROOF - NIGHT Master Mind, Da Vinci and Plato look down, spotting Hal cutting through a dark alley. DA VINCI There he is, boss. Da Vinci hands Master Mind a fantastic looking silver rifle. MASTER MIND Now, we're sure this won't kill him? PLATO Yes, sir. He'll just feel a slight electrical shock. MASTER MIND Good. Master Mind raises the rifle and aims it at Hal. 42. EXT. ALLEY - NIGHT Hal wipes the blood from his nose with his shirtsleeve. A LIGHTENING BOLT suddenly zaps Hal in the back. His teeth spark and arc electrons as his entire body shakes and shudders violently. He finally collapses, knocking over a row of garbage cans. EXT. NEARBY ROOF - NIGHT An angry Master Mind slaps Plato. MASTER MIND Slight electrical shock? EXT. ALLEY - NIGHT Hal lies flat on his back, his jacket smoldering. Dazed, he slowly rises to his feet and looks up at the sky. HAL God, I hate the weather in this city. Hal walks off into the night as he attempts to slap the emitting smoke from his jacket. EXT. NEARBY ROOF - NIGHT Master Mind turns to Da Vinci. MASTER MIND Follow him. INT. HAL'S APARTMENT - NIGHT It's a dirty, small studio. Laundry lies everywhere, dishes are piled in the sink and the litter box looks like a minefield. Hal comes staggering in. Through his POV we see the lights wobble and streak like a hallucination. He shakes his head trying to clear thing up, but it looks worse. Hal makes his way to the kitchen table and plops down on a chair. The room begins to swim. His CAT jumps on the table and sits down in front of him. 43. From Hal's POV the cat's face looks like we're seeing it through a kaleidoscope. Hal seems fascinated by it. CAT You don't look so good, man. HAL I don't feel good. I was struck by freaking lightening. Suddenly Hal realizes his cat's talking to him. HAL (CONT'D) AAAAAAHHHHH! You can talk? CAT No, you're just hallucinating. By the way, we're out of orange juice. HAL AAAAAAHHHHH! Hal jumps up, trips over a cardboard box and knocks himself out on the coffee table. INT. HAL'S APARTMENT - MORNING Hal lies in the same position we left him last night. He sits up and grabs his head. He looks like he has the worst hangover in the world. Finally, he remembers last night. He looks around, but not really sure what he's looking for. HAL Man... Shaking his head, he walks to the kitchen and opens the refrigerator. He pulls out an orange juice container and puts it to his mouth. It's empty. As if suddenly remembering something he looks from the carton to the cat, who is busy cleaning himself. He shakes the thought from his mind. BATHROOM Hal lifts the seat and unbuckles his pants. 44. HAL'S FACE He stares at the ceiling with half closed eyes. The inevitable sound of urine hitting water starts. A content look washes over his face. There is a distinct sound of porcelain CRACKING and SPLINTERING. The sound intensifies. Hal looks down to see his URINE STREAM SMASHING THE TOILET. HAL (CONT'D) Oh, God! He whips his stream away only to cut a LONG RIP IN THE WALL. HAL (CONT'D) Oh, God! He freaks out and begins to lose control of his flow as it destroys everything he accidently aims at; the bathroom mirror, a bottle of cheap cologne, the bathroom window. HAL (CONT'D) Oh, God! He aims back for the toilet, which is pretty much rubble now, to see the floor give way. Finally, the pee stops and he glances down the hole. He sees his downstairs NEIGHBOR sitting at his breakfast table. He has a fork halfway to his mouth as he stares at the smashed toilet on his pancakes. EXT. STREET - DAY Hal turns the corner to see his bus pulling away from the stop. HAL Wait! He starts running after it. ZOOM - HE TAKES OFF LIKE LIGHTENING. HAL (CONT'D) Whoa, whoa, whoa! Unable to stop, he SLAMS INTO THE BACK OF THE BUS and falls back to the ground. 45. As the bus continues on he sees an INDENTATION of his torso right below the rear window. Stunned, to say the least, he rises to his feet. HAL (CONT'D) Something's not right here. He slaps himself in the face as hard as he can. HAL (CONT'D) Wake up! Wake up, Hal! HONK! Hal spins around to see a car barreling toward him. He goes to jump out of the way - ZOOM - he FLIES TWO STORIES UP, nails a building and comes crashing back down to the sidewalk. Hal sits up, disheveled and scared. HAL (CONT'D) Okay, okay. Let's get it together, man. He closes his eyes in an attempt to will back his sanity. HAL (CONT'D) This is just some sort of...episode. It will pass, it will pass. He opens his eyes and looks down the street. A BEAUTIFUL NAKED WOMAN is coming toward him. HAL (CONT'D) Well, not too fast I hope. As she passes him and turns the corner out of his view he catches ANOTHER NAKED WOMAN - an old disgusting one. HAL (CONT'D) Yes, fast, fast! He turns away from her in horror only to see AN ENTIRE BLOCK OF NAKED PEOPLE going about their business. He rubs his eyes and looks down the street again. Everyone has returned to a clothed state. 46. He relaxes a little until he looks down and notices that he's floating a foot off the ground. HAL (CONT'D) I think I need to go home. INT. HAL'S APARTMENT - DAY Hal's front door CREAKS as it slowly opens, revealing Master Mind. He walks over to the bathroom and smiles to himself as he notices the giant hole in the floor. MASTER MIND Welcome to your second birth, Hal Stewart. Master Mind continues to survey the room. He stops to look over a "KARATE KID" POSTER on Hal's living room wall. He focuses on the majestic image of Pat Morita teaching a young Ralph Macchio to kick. MASTER MIND (CONT'D) Instruction is very important in the formative years. Every hero needs a mentor, a father figure to look up to. He presses his special watch, causing his body to MORPH INTO THE SPITTING-IMAGE OF PAT MORITA. "PAT MORITA" Perfect. INT. HAL'S APARTMENT - DAY Hal enters, grabs a bottle of vodka from atop of the fridge and takes a long pull from it. VOICE (O.S.) A man will usually find that if he drinks from a bottle, eventually, the bottle drinks from him. Hal does a SPIT TAKE. In the corner a darkened figure stands. HAL Who are you!? 47. VOICE I am the guide on your journey. Fate has chosen you to be it's champion. Pat Morita steps out from the shadows. Hal passes out again. LATER We are close on Hal's face as his eyes flutter open. He appears to be lying on the couch. He hunches up on his elbows, looks around, but everything is as it seems. He lays his head back down. HAL Thank God. It was a dream. Man, I must be losing it. A voice sounds right next to his ear. "PAT MORITA" (O.S.) You know you're out of orange juice? Hal leaps up to find he's been resting his head on Pat's lap. HAL Jesus! This isn't happening, this isn't happening. Hal backs away and trips over a box. "PAT MORITA" Calm. All things must be filtered through calmness. HAL Bullshit! Sometimes it's best to freak out. "PAT MORITA" I think we must work on your attitude first. HAL Look I'm gonna call the cops in about two seconds if you don't get out of here. 48. Pat rises and walks to Hal. He's so calm it makes Hal calm. "PAT MORITA" Are you calm now? HAL Yeah, I'm okay. Pat slaps him across the face hard. "PAT MORITA" Good, because we've got a lot of work to do. Hal grabs his jaw. HAL What the hell was that for? "PAT MORITA" Rule number one: expect the unexpected. HAL Can you just tell me what this is all about? "PAT MORITA" The heavens are not in the habit of bestowing a gift such as this to just anyone. You are being rewarded for being a man of great moral fortitude with an unwavering belief in humanity. HAL That's me alright. "PAT MORITA" I am to train you so you may fulfill your destiny to defeat the great menace to Metro City: Master Mind. Pat gets up and walks toward the door. "PAT MORITA" (CONT'D) Come. HAL We're are we going? 49. "PAT MORITA" To train. EXT. PAT'S CAR - DAY Pat is sitting in the driver's seat. The car is bumping up and down. "PAT MORITA" Strength is just as much in the mind as it is the muscle. Remember, both need to be exercised. We PULL BACK to see Hal lifting the car up over his head. He's hardly straining. HAL I'M LIFTING A FREAKING CAR!!! Pat leans on the HORN. "PAT MORITA" Hey, Corky? You listening? Two highly attractive female joggers run by. They're clearly impressed with Hal's show of strength. He smiles and mouths a "hello." HAL Yeah, work both muscles. EXT. DESERT - DAY Pat cocks back the chamber of a .357 MAGNUM. He holds it up and carefully takes aim...at Hal's chest. "PAT MORITA" Trust me. HAL What are you doing!? "PAT MORITA" An invulnerability test. Something wrong? HAL Uh...yeah. I would prefer not to get shot. Do not fire that thing! Frustrated, Pat lowers the gun. 50. "PAT MORITA" You're bulletproof. HAL Okay, do you know that for sure? Pat quickly aims and fires. Hal lets out a high pitched scream as the bullet ricochets off his chest. "PAT MORITA" I do now. Hal looks down at his chest, not so much as a scratch. HAL You suck. EXT. SKY - DAY Hal is in the air flying in a sitting position. He's weaving back and forth. HAL Ice Man, I got a bogie on my tail. Two Russian Migs coming in hard and fast. "PAT MORITA" Hey! HAL What? Hal looks down to see Pat Morita yelling at him from the roof of a building down below. "PAT MORITA" What did I tell you? Stomach down, hands up. Hal sighs and assumes the proper superhero in-flight position. HAL God, I feel so gay. Pat's CELL PHONE begins to RING. He answers it. "PAT MORITA" (in Master Mind voice) What is it? 51. ROXANNE (V.O.) John? Pat panics. He looks up to make sure no one is in earshot. He sees Hal now doing somersaults in the air. HAL YEEEE HAWWWW! Pat turns his attention back to the phone, talking in his John Cusack voice. "PAT MORITA" (in Cusack voice) Yes, it's John Cusack. ROXANNE (V.O.) Hi, it's Roxanne. Listen, I...I really enjoyed talking with you the other day. "PAT MORITA" ...As did I. ROXANNE (V.O.) Great. God, I feel really silly, and if you have a lot going on I totally understand. But, I was wondering if you maybe wanted to have lunch. He can't believe what he's hearing. "PAT MORITA" (excited) I'd love to! He quickly recovers his composure. "PAT MORITA" (CONT'D) I mean, I AM a little hungry. ROXANNE (V.O.) Great. How does the park sound, around noon-ish? "PAT MORITA" Sure! ROXANNE (V.O.) Great, see you then. 52. Pat hangs up the phone and returns it to his pocket as Hal lands behind him. HAL WHOOOOA! Man, that is so cool. It's like fly - Oh my God, I almost said it was like flying. "PAT MORITA" For the rest of the day I want you to continue to practice your flying posture. HAL Why, where're ya going? "PAT MORITA" ...To do something...mysterious ...and Asian. HAL Say no more, bro. I'll just keep at it, then. EXT. PARK - DAY John Cusack and Roxanne eat WRAPPED SANDWICHES while walking through Metro City Park. ROXANNE How's your sandwich? "JOHN CUSACK" It's quite delicious. ROXANNE Hope you don't think I'm too forward. Some men are intimidated when a woman asks them out. I just find you really easy to talk to. "JOHN CUSACK" And I you. ROXANNE You know, you're not at all like you are in the movies. "JOHN CUSACK" I'm not? 53. ROXANNE Yeah. I don't know - You have this strange, refined way of speaking. "JOHN CUSACK" I do? That is most interesting. ROXANNE Anyway, when we were talking the other day I just felt, even though we only talked for a couple of hours, that we've known each other for years. "JOHN CUSACK" I know just what you mean. Roxanne bites into her sandwich. ROXANNE You know what? This sandwich is disgusting. She tosses it in a nearby garbage can. ROXANNE (CONT'D) Of course I already ate half of it. I wonder what that says about my character? "JOHN CUSACK" It means you don't give up on a sandwich. You see that it has potential, and you give it every chance to be all it can be. Roxanne smiles at his analogy. ROXANNE Thanks, but knowing me, I was probably projecting my expectations of what a lunch should be on the sandwich. It might have been okay at first, but I just made it bitter. John Cusack notices Roxanne's smile starting to fade. "JOHN CUSACK" Is that what happened with your last sandwich - I mean, boyfriend? 54. ROXANNE When I look back, I probably shouldn't of expected so much from him. He was already a giving person. You know, one of those go out and save the world types. "JOHN CUSACK" I've run into a few. ROXANNE I was selfish, I guess. I didn't want to share him with anybody else. "JOHN CUSACK" It sounds like he was a special man. ROXANNE They broke the mold. John Cusack arches his eyebrow in a very familiar manner. "JOHN CUSACK" Perhaps not. INT. ABANDONED WAREHOUSE - DAY Hal walks up to Pat Morita sporting a Lone Ranger-type mask and wearing a purple and red superhero costume. It's not unlike Uberman's except for a giant "T" on his chest. (From here on, Hal is referred to as TITAN) TITAN What's the "T" stand for? "PAT MORITA" Titan. TITAN What's that supposed to mean? "PAT MORITA" It's from Roman mythology. Zeus's father...oh, just go with it. You look perfect. TITAN I don't think this mask is big enough. Are you sure no one is gonna recognize me? 55. "PAT MORITA" It's fine, just don't slouch. It's all in the posture. He grabs Titan's shoulders like a proud papa. "PAT MORITA" (CONT'D) It is time. INT. BANK - DAY There is a long line of people snaked around the velvet ropes. They're all waiting for their chance at the one open teller window. Four men wearing BEATLES MASKS(JOHN,PAUL,GEORGE,AND RINGO)and CARRYING SHOTGUNS enter the bank. John fires a shot in the air, sending everyone into an immediate panic. JOHN Alright folks, this is a robbery. Nobody moves - yadda, yadda, yadda... Ringo jumps over the teller wall and starts stuffing bills into a bag. As John and Paul cover the crowd, George goes to the corner office and puts a gun to the BANK MANAGER'S head. GEORGE The safe. Let's go. BANK MANAGER Okay, just don't hurt anyone. GEORGE Yeah, yeah, yeah. George leads him out by the collar. CRASH - Titan smashes through the window and lands in a bold superhero stance with hands on hips. TITAN Well, boys, there's no need for all this just to get the free toaster. Paul cocks his gun. 56. PAUL What are you suppose to be? We move in for a nice dramatic close up. TITAN Justice. GEORGE Well, justice, suck on this... George, John and Paul open fire on Titan. He just stands there and yawns as the bullets bounce off him. With their guns empty the three just stare at him in amazement. TITAN Now it's my turn. He turns to George. TITAN (CONT'D) Hey, George, here comes the sun. Titan grabs George and throws him into a fluorescent light fixture in the ceiling. Paul tries to run for the door. Titan snatches the collar of his jacket. TITAN (CONT'D) Say, Paul, your mother should know...that you're a scumbag. He tosses Paul out the window and into a parked DELIVERY TRUCK. Titan turns around just as John hits him with the butt of his shotgun. It instantly breaks apart in his hands. Titan lifts him like a rag doll up into the air. TITAN (CONT'D) John, all you need is love... He throws John who lands on top of a cubical wall - GROIN FIRST. TITAN (CONT'D) ...and a good urologist. 57. Titan effortlessly hops over the teller wall to find Ringo cowering on the floor. He grabs him by the shirt and lifts him up. HAL Well, Ringo...um...um...you're under arrest. EXT. BANK - DAY Titan walks out of the bank with Ringo and George under his arm. He's suddenly swarmed by a group of television reporters, including Roxanne. Across the street is Pat Morita. He watches Titan's first news conference with great anxiety. BANK MANAGER (to Hal) On behalf of the First National Bank of Metro City, I'd like to offer you a reward for your act of bravery. He hands Titan a check. TITAN (reading) Ten thousand dollars! Titan looks over to Pat, who violently shakes his head no. TITAN (CONT'D) (unenthusiastically) I...can't except this. Law and order is it's own...um...reward. Pat gives him the thumbs up. Pat turns, suddenly seeing Roxanne with her camera crew. Captivated, his eyes lock on her. Meanwhile, Roxanne and her cameraman, SETH, are maneuvering around the crowd to get closer to Titan. BRAD HELMS (O.S.) Not so fast, Roxanne. They both turn to see Roxanne's reporter rival Brad Helms, Geraldo without the class, and his cameraman, FRANK. BRAD HELMS This story's mine. 58. ROXANNE Listen, Brad. We were just in the area. I was just trying to - BRAD HELMS I've been in this business long enough to know pretty well what you were "just trying to do." Besides, I heard you couldn't take the big game anymore and were put on fluff detail? Dejected, Roxanne turns and motions for Seth to turn the camera off. SETH You're not gonna take that from him, are you? ROXANNE He's right. Old habit, I guess. (to Brad) We'll get out of your way. As they walk off, Brad makes a comment to Frank loud enough for her to hear. BRAD HELMS Besides, I'm sure there's a pancake supper somewhere that needs covering. INT. ABANDONED METRO CITY LIBRARY - OFFICE - DAY ON TELEVISION We see the news conference on the bank's steps. In the corner of the screen is written: "recorded earlier." BRAD HELMS For months now, since the death of Uberman, the citizens of Metro City have been holding out for a hero. Well, it appears they won't have to hold out for much longer as a new costumed crusader has suddenly stormed onto the scene. Today, at the Metro Savings and Trust, a masked mystery man single-handedly defeated "The Fab Four Gang." Just who is this new caped avenger? Brad holds the microphone to Titan's face. 59. BRAD HELMS I'm sure all of our viewers are now wondering, what's the "T" stand for? TITAN It's a message to all the scum out there. Uberman may be gone, but Metro City has a new protector, and his name is "Tighten!" Another reporter leans in. REPORTER How do you spell that? We PULL BACK to see Plato and Da Vinci watching this spectacle. Master Mind is sitting with them, reading a NEWSPAPER. MASTER MIND (reading paper) Oh, for heaven's sake. I can't believe it. He misspelled his name. Master Mind holds up the newspaper. The headline reads "Metro's New Hero: Tighten." MASTER MIND (CONT'D) No matter, I suppose. Master Mind throws the paper on the floor and begins to pace around the room with his arms folded behind his back. MASTER MIND (CONT'D) We've now fully established Titan as Metro City's hero. They will love him just as they loved Uberman. Everything is going according to plan. Einstein leans over and whispers in Plato's ear. EINSTEIN (whispering) Yeah, if the plan is getting us in jail. Master Mind turns around, facing Einstein. He walks over, standing face to face with the rebellious henchmen. 60. MASTER MIND You know, Einstein, maybe I should have called you Socrates. He also didn't know when to keep his thoughts to himself. EINSTEIN I just fail to see the point in all of this. I mean, why are we creating another superhero when it was such a pain in the ass for you to get rid of the other one? I mean, Uberman is destroyed, we should be using this opportunity to...to... MASTER MIND To what? EINSTEIN I don't know. To take over the weather, space, the world - whatever super villains are SUPPOSED to do. MASTER MIND The reason someone like you will always be a minion is because you have no foresight. We take over the earth, like you said. Then what? Women? Cars? Money? Even the grandest treasures will lose their lustre if you don't have someone to hold them over. Einstein throws up his hands. He's had enough. He pulls off his wig and throws it to the floor. EINSTEIN That's it! This balance of the force bullshit is getting way too Oprah for me. I'm blowing. Who's with me? MASTER MIND You dare? EINSTEIN Yeah, I dare. I'm sick of wearing stupid costumes, and I'm sick of working for a super villain who's turning into a softie. 61. Plato and Da Vinci's mouths drop to the floor. They turn to Master Mind for his rebuttal. MASTER MIND What - did - you - call me? EINSTEIN You heard me. You used to be an inhuman monster, now look at you. You're creating super heroes, you don't go with us on robberies anymore, it's been days since you threatened anyone, oh, and not to mention this Roxanne Ritchi thing. MASTER MIND THAT is none of your business, knave! EINSTEIN Hey, you guys haven't sealed the deal yet, have you? MASTER MIND Silence! EINSTEIN (In a woman's voice) Oh, Master, your head is so big. MASTER MIND I'm warning you, Einstein. EINSTEIN (In a woman's voice) Take me! MASTER MIND I said silence! With his metal gauntlet Master Mind grabs Einstein by the throat and lifts him into the air. Einstein looks frightened as he tries to pry himself free of Master Mind's grip. Master Mind's eyes soften as if his heart is suddenly not into what he's about to do. He let's Einstein drop to the floor. MASTER MIND (CONT'D) Get out of my sight. 62. EXT. RESTAURANT - NIGHT Roxanne and John Cusack are eating on the outside patio of a fancy restaurant. ROXANNE Don't get me wrong, I love being a reporter. I don't think I could do anything else. It's the consequences of what we do that I'm having a problem with. He listens intently as he refills her glass with wine. "JOHN CUSACK" That's where journalistic responsibility comes in, no? ROXANNE It's supposed to. "JOHN CUSACK" Sounds to me like you're running from something. ROXANNE I got someone I cared about killed. If it wasn't for me, he wouldn't have been involved. John suddenly gets a disturbed look in his eye, realizing what she's talking about. He reaches across the table and takes her hand. "JOHN CUSACK" You can't blame yourself. My father used to say each of us must answer the great call to truly feel alive. ROXANNE Was he an actor? "JOHN CUSACK" ...No. He was...a landscaper. And a horrible one. I mean he would fail time and time again at his...landscaping. And sometimes he'd get pretty beaten up or thrown in jail - ROXANNE Jail? 63. "JOHN CUSACK" My point is he took the good with the bad. He grew a little each time. Improved, learned. ROXANNE Was he ever successful? "JOHN CUSACK" God, no...but don't let deter you. Roxanne LAUGHS. ROXANNE Thanks for this. You know, this is embarrassing, but it's been a long time since I - It's starting to lightly sprinkle. Roxanne looks up. ROXANNE (CONT'D) I think it's starting to rain. We might want to find a table inside. "JOHN CUSACK" What were you gonna say? ROXANNE Oh, I was gonna say...It's been a long time since...well, I've been with someone I...enjoy being with. John Cusack smiles warmly and raises his glass for a toast. "JOHN CUSACK" To people who enjoy being with each other. They go to clang glasses, when the rain suddenly causes John Cusack's disguise generator to short. His true form of Master Mind is briefly revealed to Roxanne as a BOLT OF ELECTRICITY encircles his body. Roxanne drops her glass and jumps out of her seat. MASTER MIND (CONT'D) Oh, no. Don't look at me. LIKE A BROKEN TV the image keeps switching between MASTER MIND AND JOHN CUSACK. 64. As Master Mind starts to franticly slap at his watch, the Cusack disguise begins to hold steady. He nonchalantly returns to cutting his steak. "JOHN CUSACK" Okay, never mind that. Now, where were we? Roxanne grabs his glass and throws the drink in his face, causing the generator to short out permanently. Master Mind now sits in his true blue form. ROXANNE Oh my God. MASTER MIND You're not gonna get all freaky about this, are you? ROXANNE This...this is too much, even for you. God, I go out with you, tell you my innermost thoughts. MASTER MIND I only did this because I wanted to talk to you on the same level. You know, without all the baggage? ROXANNE Baggage? You burned my boyfriend alive, you sick son-of-a-bitch! MASTER MIND You see, that's exactly what I'm talking about. Roxanne starts to walk away. MASTER MIND (CONT'D) Roxanne! ROXANNE Stay away from me. Master Mind sinks back down to his chair. Despite the now heavy rain bombarding him, he returns to his food. Several resturaunt patron's are looking at him through the window. 65. Our villain turns to them, giving them a villainous glare. MASTER MIND What? INT. MASTER MIND'S BEDROOM - NIGHT Master Mind is lying on his back, wide awake. MASTER MIND (mumbling to himself) Stupid. What was I thinking? Plato, it's his fault. He's the one who sent me on this weak-willed path. I'll filet his scrotum for this. Me, a creature of evil, in love with Roxanne Ritchi. Preposterous. I hardly give such matters thought He rolls onto his side. He yawns and closes his eyes. Suddenly, they shoot back open. CUT TO: EXT. ROXANNE'S APARTMENT - NIGHT Master Mind pulls up in a blue Rolls Royce, across the street from Roxanne's apartment He stares up at the building, hoping to catch a glimpse of her. Finally, she appears, primping her hair in her apartment window's reflection. MASTER MIND I should just go up there and just lay it all out to her. "Roxanne, I like you - I always have. Oh, and I'm sorry I blew up your ex. (realizing the absurdity of his words) Yeah, that would go over like a pants-less clown at a child's birthday party. What the hell am I even doing here? Who cares what she thinks? I'm a supervillain and here I am acting like a love struck schoolboy. Forget this. I control my own destiny! 66. He turns the ignition key - NOTHING HAPPENS. He repeats but gets the same results. MASTER MIND (CONT'D) (disgusted) Perfect. INT. ROXANNE'S APARTMENT - NIGHT She pulls a pack of smokes off her night stand. Empty. ROXANNE Damn. She grabs her long coat and throws it over her robe. EXT. ROXANNE'S APARTMENT BUILDING Roxanne steps outside. ROXANNE Please be open. Across the street is a liquor store. The light is still on. ROXANNE (CONT'D) Thank God. She walks across the street, passing in front of Master Mind's car. Spotting her, he sinks down in his seat. Roxanne walks by, totally unaware of his presence. Relieved, Master Mind sits back up and watches her go into the store. INT. LIQUOR STORE - NIGHT Roxanne walks up to an elderly Korean SHOPKEEPER at the counter. ROXANNE A pack of Lady Strikes, please. EXT. MASTER MIND'S CAR - NIGHT Master Mind is talking on his cell phone. MASTER MIND Hello, Triple A? 67. He suddenly spots something across the street. EXT. LIQUOR STORE - NIGHT A HOODLUM walks up to the entrance of the store and pulls out a gun from under his coat. EXT. MASTER MIND'S CAR - NIGHT Master Mind stares in shock. MASTER MIND I'll call you back. He hangs up the phone and watches the Hoodlum go inside the store. INT. LIQUOR STORE - NIGHT The Hoodlum reaches across the counter and grabs a fist full of cash from the register. SHOPKEEPER Hey! SHOTGUN HOODLUM Shut up, Gramps. He turns to Roxanne, spotting a GOLD NECKLACE around her neck. SHOTGUN HOODLUM (CONT'D) Gimme that necklace! ROXANNE I don't think so. The Hoodlum cocks his shotgun. SHOTGUN HOODLUM I said give it to me! MASTER MIND (O.S.) The lady said no. The hoodlum turns around to see Master Mind in the doorway holding a STRANGE-LOOKING HAND CANNON (GOO GUN) with knobs and blinking lights. The hoodlum starts to laugh. 68. SHOTGUN HOODLUM What the hell's that? A super soaker? MASTER MIND No, it's a goo gun. The hoodlum turns his gun to Master Mind. SHOTGUN HOODLUM Yeah, what's it do? MASTER MIND It goos. Master Mind fires the cannon. It instantly covers the store in a cloud of SMOKE. The smoke clears to reveal the hoodlum STUCK TO THE WALL, covered in a thick, GREEN GUNK. Roxanne stares at him, dumbfounded. MASTER MIND (CONT'D) It's...a prototype. Master Mind starts to walk out when he's suddenly confronted by the shopkeeper. SHOPKEEPER I know you! You Master Brain guy. You a hero. Master Mind points the goo gun at him. MASTER MIND Don't - EVER - say that again. EXT. LIQUOR STORE - NIGHT Master Mind walks out with the cannon resting on his shoulder like he's a short timer in Da Nang. Roxanne follows shortly behind him. ROXANNE Hey! Master Mind turns around. ROXANNE (CONT'D) Are you following me or something? 69. MASTER MIND Don't flatter yourself. He turns away and continues walking. Roxanne runs in front of him blocking his way. ROXANNE Don't walk away from me when I'm talking to you. Finally it occurs to her what's going on. ROXANNE (CONT'D) What a minute...all that stuff you use to say to me when Uberman was alive - about me being the loyal queen by your side as you rule over Metro City. That wasn't just super villain rhetoric, was it? You actually meant it! MASTER MIND My, someone has a rather high opinion of themselves. They stare at each other in silence, their glares locked in conflict. ROXANNE (coldly) Do you really think I would be with someone like you? This stings Master Mind to the bone. And after a brief contemplation, he reaches the only logical, painful conclusion. MASTER MIND No. With that, Master Mind exits into the night, leaving Roxanne with a baffled expression on her face. INT. ABANDONED METRO CITY LIBRARY - NIGHT Master Mind enters in a huff. Da Vinci closes the door behind him as Plato notices his master's agitated state. PLATO Everything alright, sir? Master Mind GRABS PLATO BY THE GROIN with his metal gauntlet causing Plato's eyes to bulge in pain. 70. MASTER MIND (overly calm) Fine, why do you ask? PLATO You...just...seem... Master Mind tightens his grip. MASTER MIND Go on. PLATO ...distracted. Master Mind releases him. MASTER MIND Just with business, my minion. Just with business. I've decided it is time. PLATO You mean? MASTER MIND Yes, we've created our hero, now it's time to give him a little motivation. DA VINCI How do we do that? MASTER MIND To be simply good is not enough. A hero must be driven by an almost relentless desire to right a wrong that can never be corrected. PLATO You mean? MASTER MIND Yes, he must lose someone near and dear to him - his father figure. Gentlemen, it's time for Operation Mentor Kill! EXT. SKY OVER METRO CITY - DAY Titan flies high over and through the city, under bridges, between buildings, etc. He's not really working, just enjoying himself. 71. INT. WOMAN'S APARTMENT - NIGHT A PRETTY WOMAN sits at her makeup table wearing nothing but her bra and panties. Through the reflection in her mirror we see a large window directly behind her. As she applies lipstick we see Titan fly quickly by in the background. After a moment he slowly slides back in view and begins ogling the girl. She sees him in the mirror and quickly covers herself with a robe. Titan tries to hide his face as he zooms off. MOMENTS LATER Titan looks down to see an APARTMENT BUILDING IN RUIN. Emergency lights flash around it as swarms of people run around in chaos. TITAN Man, what the hell happened down there? Wait a sec - He stops in mid-air as he comes to the striking realization. TITAN (CONT'D) THAT'S MY APARTMENT!!! EXT. HAL'S APARTMENT BUILDING - DAY Titan lands in front of the rubble that was once his home. Reporters stand just beyond the police line. TITAN Crap. From the wreckage crawls a dying Pat Morita. TITAN (CONT'D) PAT! Titan goes and kneels beside Pat, holding him in his arms. TITAN (CONT'D) You okay? "PAT MORITA" I'm dying, kid. There is just one last lesson I have for you. It is the most important of all. 72. TITAN What's that? "PAT MORITA" Master Mind did this, you must avenge me. TITAN Master Mind? Why? "PAT MORITA" Because he's evil. You must stop the evil Hal - stop the... Pat's body goes limp. The cameras begin to pop and flash around them. Titan gently lays Pat's body down and stands respectfully over him. The reporters rush over. REPORTER 1 Tighten, Is this the work of Master Mind? REPORTER 2 How will the death of your mentor affect your resolve? REPORTER 3 Was that Pat Morita? Titan walks up to one of the cameras. TITAN This injustice will not go unpunished. Master Mind, if you can hear me, Tighten is coming for you. In the background we see Plato and Da Vinci, DRESSED AS PARAMEDICS, load pat's body onto a stretcher. PLATO ACCIDENTALLY DROPS HIS SIDE. As he bends down to pick it back up, Pat quickly slaps him, then goes back to playing dead. INT. ABANDONED METRO CITY LIBRARY - NIGHT Master Mind and the boys prepare the fortress for Hal's revenge attack. Master Mind is as giddy as a schoolboy. 73. MASTER MIND Alright, people, we don't have much time. Titan should be here any minute, so let's get the lead out. There is a GIANT MOUNTED DEATH RAY in the middle of the hall being tinkered with by Da Vinci. MASTER MIND (CONT'D) How's the death ray coming? DA VINCI Nearly up to full power, sir. MASTER MIND Hum. Let's turn it down a few notches. It's his first time and we don't want to get in a lucky shot, now do we? Plato enters the room. MASTER MIND (CONT'D) Anything on the radar yet? PLATO Not yet, sir. MASTER MIND I see. Well, he must be planning something big. Are the flame androids deployed? PLATO All twelve. Master Mind rubs his hands in anticipation as he sits down on his throne. MASTER MIND Wonderful, wonderful. Plato, Da Vinci, take your places next to me. They move to either side of the chair. MASTER MIND (CONT'D) No slouching. Da Vinci straightens up and sucks in his gut. They remain this way for several long moments. Master Mind occasionally glances at a DIGITAL CLOCK on the wall. Still no Titan. 74. LATER Apparently quite some time has passed. The bold stances have degraded to fatigue. PLATO He's certainly taking his time. MASTER MIND He'll be here. That's the way it works. STILL LATER Master Mind reclines in his chair and taps his metal gauntlet impatiently on the armrest. Plato has squatted down, resting his chin on his hand. MASTER MIND (CONT'D) Unprofessional, that's what this is. No, it's disrespect for the craft. Master Mind rises and begins to pace back and forth. MASTER MIND (CONT'D) Would Uberman have kept us waiting like this? Of course not. He was a pro who knew the score. It's time we spelled out a few things for this Titan. I will not be made a fool of. He storms out of the room. INT. HAL'S NEW APARTMENT - DAY Titan's sitting on the floor in a barren apartment wearing his costume top and some tighty whities. He sips his beer as he watches a basketball game on a tiny TV. Much to his annoyance, there's a KNOCK at the door. TITAN Oh, for crying out loud. He gets up and opens the door. It's Master Mind. MASTER MIND Do you know who I am? 75. It takes a few moments to register, but Titan's suddenly excited. TITAN Yeah, you're Master Mind. Yeah! You're actually the guy I want to see! MASTER MIND Oh, so NOW you want to get down to it. Well, I want to get a few things off my chest first. Master Mind walks past Titan into the apartment. He spins around, pointing at him accusingly with one of his metal fingers. MASTER MIND (CONT'D) Of all the inconsiderate - Do you have any idea how long we waited for you? We're you even planning on coming to me and getting revenge? Titan shuts the apartment door, and turns back toward his guest. TITAN Well, at first I was going to. You know, because that's what I figured I was supposed to do. But then I got to thinking- MASTER MIND (interrupting) -You got to thinking? There's nothing to think about. I'm the villain. I do something bad, you come and get me. TITAN - I got to thinking...what's the point? Master Mind throws up his hands. MASTER MIND Maybe you're right. What's the point? He suddenly notices something in the corner of his eye. He walks over to a futon in the living room. On top of it is a LARGE SACK OVERFLOWING WITH GOLD WATCHES,RINGS AND OTHER VALUABLES. 76. MASTER MIND (CONT'D) What are these? TITAN That's what I wanted to talk to you about. MASTER MIND (baffled) Where did you get all this? TITAN (proudly) Get this: I stole them. MASTER MIND From where? TITAN From all over. You see, once you killed Pat and ruined my other apartment building I was pretty pissed off, so I figured I'd go, find you and kick some ass. Then I thought to myself: "Okay,then what?" I mean, if we were to fight, what would I get out of it? Would I get my apartment back? Would I be able to pay the bills? MASTER MIND Well, what about your mentor? TITAN Tell you the truth? He was kind of a dick. I mean, being a hero is dandy and all, but it's volunteer work. Now you've always had the right take on all this. I mean, when you rob a bank or take over the diamond exchange you get something out of it. I mean, when you don't get caught, which, no offense, isn't very often. And that brings me to what I wanted to propose to you: Who could catch you if I'm by your side? Perplexed by his proposal, Master Mind just stares at Titan awe-struck. MASTER MIND You want to team-up? 77. TITAN You got the brains, I got the brawn. We could even call ourselves that: `Brain' and `Brawn'. Look at this. Titan picks up a piece of POSTER BOARD off the floor and shows it to Master Mind. TITAN (CONT'D) I even designed us some new costumes. The picture is crudely drawn with magic markers and crayons. A big headed man (Master Mind) is standing on a plate of grass in a blue costume with a picture of a brain on his chest. Next to him, is a picture of Titan in a red costume with a black cape, but his chest is mysteriously blank. Titan proudly points to the two figures. TITAN (CONT'D) See, you'd be brain, so you got a little one on your costume, and then I'll have brawn on mine...once I figure out the best, you know, visual interpretation of it. What do you think? MASTER MIND What do I think? Master Mind shakes his head tiredly. MASTER MIND (CONT'D) I think you're probably the biggest idiot I've ever met. I mean, I can't believe you. All your gifts, all your powers, and all you want to use them for is your own financial fulfillment. You know what? Your kind of people make me sick. Titan puts down his drawing. TITAN I worked hard on this. MASTER MIND Oh - gee - I am so sorry! 78. Master Mind looks to Heaven in disgust. MASTER MIND (CONT'D) (under his breath) Of all the people to pick, it had to be this loser. This strikes a cord with Titan. TITAN Now, hold on. You're going a little too far. MASTER MIND I wish your mother said that to your father the night of your conception, they would have saved me a whole lot of heartache. TITAN Hey, I mean it. Master Mind gets right in his face. MASTER MIND Oh, yeah? What are you gonna do? EXT. HAL'S APARTMENT BUILDING - DAY We see Master Mind's body CRASH through the building and land in a DUMPSTER across the street. A car pulls up. The driver's door opens. Da Vinci gets out and runs to help his master. DA VINCI Master! MASTER MIND (O.S.) It hurts. Da Vinci peeks into the dumpster to see Master Mind's body cushioned by a stack of trash bags. DA VINCI What hurts? MASTER MIND It! The overly large henchmen starts to pull his master from the dumpster when they suddenly hear a voice from above. It's Titan peeking through the hole in his apartment wall. 79. TITAN I don't need you, I don't need anybody. I have the power to do and take anything I want. And now, I'm gonna take back everything this city owes me. Beware Metro City, it's time for Titan to collect. Titan shoots up into the air. TITAN (CONT'D) Oh, and from now on - I'M GONNA FLY THE WAY I WANT TO FLY! He takes a sitting position and flies away as if he were piloting an invisible jet. Master Mind climbs out of the dumpster and watches Titan disappear into the distance. DA VINCI How'd the plan go, boss? MASTER MIND I just made myself redundant, old friend. Da Vinci gives Master Mind a whiff. DA VINCI It's not that bad. INT. BANK - DAY Titan, with a happy bounce in his step, enters the bank. The last time he was here he thwarted a robbery. He looks nostalgic. A SECURITY GUARD shyly walks up to him like a kid meeting his TV idol. SECURITY GUARD Morning, Tighten. TITAN Morning. SECURITY GUARD Is there something we can do for you? 80. TITAN Oh, don't bother about me. I'm just here to make a withdrawal. Titan walks across the lobby, drawing stares of admiration from all. A little girl waves to him sweetly. He gives her a good- natured WINK as he heads straight for the vault. The security guard watches him enter and come out with a SACK OF CASH. Sure he must be misunderstanding what's going on, the security guard just stares at Titan as he passes by and out the door. The bank manager comes over to the guard. BANK MANAGER Say, did he just rob us? SECURITY GUARD Not sure. Sort of looks it, don't it? BANK MANAGER Yeah. SECURITY GUARD Should I, you know, stop him? BANK MANAGER Umm...Yeah. As the security guard exits the bank, the manager stares out the window. His eyes suddenly grow wide with terror. The guard's body suddenly smashes through the window, landing at the startled bank manager's feet. BANK MANAGER (CONT'D) (looking down at the guard) He did rob us, didn't he? CUT TO: TELEVISION "A Channel 7 News Special Report." Brad Helms wipes into view. 81. BRAD HELMS "Absolute power corrupts absolutely." When Lord Acton stated that, in a letter to Bishop Mandell Creighton in 1887, no one thought much about it, but today Metro City is reeling from that very prophecy. Tighten, who many thought of as our savior, has turned his back on the cause of justice. CUT TO: TITAN BEING EVIL - MONTAGE EXT. DIAMOND EXCHANGE - DAY Titan flies through the window of the building. He emerges seconds later laughing with his shirt full of booty. EXT. CITY STREET - DAY A woman screams from the window of a BURNING BUILDING. Titan flies up to her, grabs her fur coat and zooms off again, leaving the woman behind, slightly confused. EXT. OUTSIDE MARKET - DAY Titan steals a little boy's lollipop and gooses his mother. EXT. CITY STREET - DAY Dozens of people run through the streets apparently to get out of a downpour. We cut to the top of a building and see Titan ZIPPING UP HIS PANTS and laughing. INT. ABANDONED METRO CITY LIBRARY - NIGHT Master Mind paces back and forth in front of Plato and Da Vinci. PLATO I don't understand it. He seemed to have every characteristic we were looking for in a superhero. MASTER MIND Well, there's no use crying about it now, we must take action. I'm not going to play second fiddle to that crass buffoon. We must destroy Tighten. 82. PLATO It won't be easy. Uberman had a sense of decency and genuine love for the people. That was his weakness and was easily used against him. MASTER MIND Yes, but he possesses the same flaws present in Uberman's DNA - copper. It's like Benjamin Franklin always said: "If something works don't dick with it." EXT. BAR - DAY It looks like a war zone passed through here. Smashed police cars and debris lay everywhere. This seems to be the only building left untouched. INT. BAR - DAY A very tipsy Titan is sitting at the bar, looking deep into the bottom of his beer glass for answers. TITAN I can have anything I want. I'm like a god. The BARTENDER just listens as he wipes down a glass with a dirty rag. TITAN Point to any woman in this bar. I could have her in a second. He follows the bartender's gaze to THE ONLY OTHER PERSON THERE - A passed out, MIDDLE AGED HAG OF A BARFLY. TITAN (to Old Barfly) Hey, you wanna get with this? BARTENDER Buddy, what do you want? Titan carefully considers this for a moment. TITAN What do you want? That's the question, isn't it. I mean, what do you want when you can have everything? (MORE) 83. TITAN(cont'd) I suppose what I really want is to never be forgotten again. I want to do something that can never be cast aside or one-upped. I want a - what's it called? - A legacy. I want a legacy. Yeah, that's it. I like the sound that. BARTENDER I meant, what do you want to drink? TITAN Oh. EXT. BAR - LATER Titan stumbles out of the bar, carrying a large sack of money. MASTER MIND (O.S.) Your time has come to an end, Titan! He looks up to see Master Mind suddenly standing before him. TITAN What? MASTER MIND There can be only one master criminal in this city - and it's me. TITAN Really? Titan melodramatically throws up his arms. TITAN (CONT'D) I guess I should leave town then, huh? MASTER MIND I have a better idea - NOW! Two floors up Da Vinci releases a rope. A COPPER CAGE, like the one that caged Uberman, drops down on top of Titan. Titan nonchalantly surveys the cage. He walks to the bars, tries to pull them apart but can't. MASTER MIND (CONT'D) That's copper my good man. Your one weakness. (MORE) 84. MASTER MIND(cont'd) For all your amazing gifts of brawn you are no match for my intellect. Titan thinks for a moment. Suddenly, he starts to SPIN like a human top, DRILLING HIMSELF INTO THE STREET BELOW. As he disappears beneath the surface, we see a shocked look on Master Mind's face until Titan suddenly explodes out from under the street in front of him. Master Mind stares up at him, dumbfounded. Titan makes like he's going to strike him down, but stops. TITAN You know what? You're nothing but a bug. Not even worth my effort. He turns his back to Master Mind and continues down the street. Plato makes his way from the shadows to join his master. They watch Titan shrink into the distance. MASTER MIND He's not as dumb as I thought. PLATO I guess not...Funny, though. MASTER MIND What's funny? PLATO Funny Uberman didn't think of the same thing. EXT. HIGH ABOVE METRO CITY - DAY As Titan flies, he looks down at the rooftops of the city below. Suddenly, something catches his attention. HAL That's it! He stops, hovering in place as he looks down below. The buildings, which make up the heart of downtown Metro, are in a PERFECT TRIANGLE with a long strip of street leading up to it. It sorta looks like a bowling lane. 85. HAL Hello, Legacy. EXT. KINGPIN BOWLING - DAY Vinnie and his goons come running out as the hear a COMMOTION. They look up to see Titan ripping off THE GIANT BOWLING BALL from the top of the establishment. VINNIE Hey, that's my ball! INT. ROXANNE'S APARTMENT BUILDING - DAY Roxanne enters the building's elevator. Just before the door closes an ELDERLY WOMAN slides in. ELDERLY WOMAN That was a close one. Sixth floor, please. Roxanne smiles and goes to press the button. The elderly woman suddenly pulls out a SPRAY CAN, shooting a MYSTERIOUS-LOOKING MIST into Roxanne's face. She falls to the floor unconscious. INT. ROXANNE'S APARTMENT - DAY Roxanne awakens, finding herself tied to a chair in her living room. We hear NOISE from a TV in the background as she tries to adjust her vision. Slowly, the blurry figure before her becomes clear. It's Master Mind. He sits on her Lazy-Boy, reading what looks to be some kind of JOURNAL. MASTER MIND Wow, I always thought Uberman was your first superhero - but it looks like our little Roxanne dated a linebacker in college. ROXANNE That's my diary. MASTER MIND So it is. 86. ROXANNE It's personal. MASTER MIND Well, then I wouldn't leave it in your underwear drawer for just anyone to find. He throws the diary over his shoulder. ROXANNE What do you want? MASTER MIND I need your help. ROXANNE So you knock me out and tie me to a chair? MASTER MIND You're not going to like what I'm about to tell you. As she tries to shake off her headache from being knocked unconscious, Roxanne spots something on the TV. ON TELEVISION Brad Helms is huddled behind a van. BRAD HELMS It's chaos here in city square as city police - Behind him, Titan picks up a POLICE CAR and throws it at a PADDY WAGON. Both vehicles EXPLODE on impact. BACK TO SCENE ROXANNE He's really out of control. MASTER MIND Tell me about it. As if finally realizing something, Roxanne looks back at Master Mind. ROXANNE I should have known. You have something to do with this, don't you? - With Titan turning evil. 87. MASTER MIND Well, the evil thing he did by himself. My goal was to give MYSELF purpose by creating an intellectual sparring partner. ROXANNE (confused) You're talking like you made him. MASTER MIND And they call me Master Mind. ROXANNE Let me get this straight. You missed getting your ass kicked, so you made a new guy to kick your ass. That's pathetic. MASTER MIND In hindsight... Roxanne turns back to the TV to see a group of POLICE OFFICERS open fire on Titan. The bullets just deflect off his chest. ROXANNE And his powers, they're just like Uberman's. Why would he have his powers? MASTER MIND (almost ashamed) I had some left over from something. I infused him with it. ROXANNE YOU DID WHAT!? Driven by rage, she struggles to tear out of her bonds. She finally relents, giving Master Mind a look fueled by pure hatred. MASTER MIND Yeah, that's why I decided to tie you up. ROXANNE You did all this because you wanted purpose? MASTER MIND He seemed nice. 88. TELEVISION Titan is standing on top of a destroyed police car. He waves for the camera to zoom in on him. TITAN Closer. I want to show the people my real face. He pulls off his mask, revealing himself as Hal Stewart to the public for the first time. TITAN (CONT'D) Recognize me? BACK TO SCENE ROXANNE Hal Stewart. He's the guy we thought saved that woman and kid. Turned out he was just trying to save his own ass. MASTER MIND Yeah, good to know - NOW! TELEVISION Titan throws the mask over this shoulder and hops off the car. TITAN That's right, I'm really Hal Stewart. Former hero and bowling teacher at Kingpin's Bowling. BACK TO SCENE Roxanne turns to Master Mind, condescending him with her eyes. ROXANNE You picked a bowler to give super powers to? MASTER MIND It's a modest profession! TELEVISION 89. TITAN With my new found power, I've recently started to wonder what sort of legacy I should leave. Should I be a hero? I tried that once before - even saved a lady and her baby from being squashed. I was treated like a god until everyone started to shit on me - Okay, so what if I didn't "purposely" save them! He walks over and puts his hand on a large circular concrete shape just off camera. TITAN Well, I'm going to make something that can't be taken away from me. I'm going to create a permanent monument to my greatness. One that won't be so easily forgotten or erased. The camera pulls back revealing THE GIANT CONCRETE BOWLING BALL from Kingpin's. TITAN I intend to create a new category in the Guinness Book of World's Records by rolling the biggest strike in the history of bowling. He grabs the camera and points it to the DOWNTOWN BUILDINGS. We realize they are PERFECTLY ALIGNED IN BOWLING PIN FORMATION. TITAN My thanks to the city planning commission. This wouldn't have been possible without them. Titan grabs the camera so it's pointing back at him again. TITAN Tell your friends and family to tune in right here to this station at noon tomorrow. BACK TO SCENE ROXANNE My god, he's nuts. That'll destroy the whole business triangle. 90. Master Mind seems to be contemplating something - something bad. ROXANNE What? MASTER MIND My lair is in the direct path of the ball. ROXANNE Oh, real nice. Wouldn't want anything to happen to your hideout, would we? MASTER MIND You don't understand. I have certain equipment that's - that's highly unstable. ROXANNE What do you mean? MASTER MIND I sort of have a hydrogen reactor, okay? ROXANNE A HYDROGEN reactor? MASTER MIND It's experimental - only one in the world...Well, how do you think I power all my inventions? Someone like me can't pay for electricity. The bills would be outrageous. ROXANNE A REACTOR? MASTER MIND It creates 100 times the output of a nuclear one...If destroyed it could... ROXANNE - Vaporize the entire city! MASTER MIND (proudly) Pshaw...the whole eastern seaboard, actually. That little baby is amazing. I'm quite proud of it. (MORE) 91. MASTER MIND(cont'd) (off her deadpan reaction) I mean...we'd better find a way to stop him. Master Mind thinks a moment. MASTER MIND Did Uberman have a hideout? ROXANNE What? MASTER MIND A cave, a solitary fortress of some kind. C'mon, all heros have a place to hang their capes up in. Roxanne, it may be our only chance to find something, a clue, anything that could give us a fighting chance. ROXANNE It's under his house. MASTER MIND Whose house? Roxanne can hardly believe what she's telling him. ROXANNE Wayne Scott's. Master Mind shoots up out of his chair. MASTER MIND Wayne Scott? Uberman was Wayne Scott!? Wayne Scott, the wealthy philanthropist? But he disappeared - ROXANNE (interrupting) He disappeared just over two months ago when you killed him. Not only did you rid the world of a hero, you killed a kind, noble, generous man. Perhaps ashamed, the super villain hangs his head. Master Mind walks behind Roxanne and undoes her bonds. Rubbing her wrists, she watches him as he walks over to the door. 92. ROXANNE (CONT'D) Looks like you got what you always wanted. Uberman is out of the picture and Metro City is doomed. He grabs the door knob and stops, considering her words. MASTER MIND "Metro City doomed." You know, I never thought I'd say something like this, but here it goes - He slowly turns to her, CUE HEROIC MUSIC. MASTER MIND (CONT'D) Not if I have anything to say about it. EXT. WAYNE SCOTT'S MANSION - NIGHT Master Mind stands before the huge, Gothic structure in awe. MASTER MIND Such a dark place for one such as you. I wonder, underneath your noble deeds, what inner demons drove you to your endless crusade for justice? He walks to the front entrance. The double doors have been sealed shut with boards and nails. Master Mind begins to tear them off with his metal hand. INT. WAYNE SCOTT'S MANSION - NIGHT The doors opens. A beam of moonlight immediately pierces the darkness, forming an illuminated path into the heart of the manor. Master Mind enters. Covered in dust and cobwebs, the hall looks like a gigantic crypt. MASTER MIND Good lord, man. You've only been dead for two months. Master Mind walks, coming to a gigantic painted PORTRAIT OF WAYNE SCOTT. He stops to reverently admire the image of his fallen foe. 93. MASTER MIND (CONT'D) A disguise so simple, it's ingenious. No wonder I never caught on. Besides the Armani suit, there's nothing to hide the fact that this is the same person as Uberman. In the picture, he's even standing in the same cheesy, heroic pose with his fists on his hips. MASTER MIND (CONT'D) Two lives, yet in both you were an ideal. Perhaps it was you who was victorious in the end, old friend. A BONGING sound suddenly bellows through the dark halls. Master Mind comes to a grandfather clock standing next to a gigantic BOOKCASE. On the twelfth bong it falls silent. Master Mind begins to slide it across the floor until he hears a loud CLICK. The bookcase slides into the wall, REVEALING A HIDDEN PASSAGE. MASTER MIND (CONT'D) I'll miss how predictable you were. The passage way leads Master Mind to a WORKING ESCALATOR. Master Mind gets off the escalator to see a long hallway with stone walls. He begins to hear strange SOUNDS, almost like MUFFLED SCREAMS, coming from a doorway at the end of the hallway. Master Mind starts walking towards it. As he steps closer, he begins to notice a light cracking through the bottom of the door. MASTER MIND (CONT'D) Hello? Anyone here...besides..all the BIG MEN who are with me now? Nothing. MASTER MIND (CONT'D) (to himself) What's the worst you're gonna find? (MORE) 94. MASTER MIND(cont'd) The man was a boy scout, not a serial killer. He opens the door to his immediate amazement. It's some kind of screening room. A PROJECTOR shoots an image onto A DIRTY WHITE SCREEN hanging on the wall. BEER CANS litter the floor; a table in front of a ripped-up couch is covered in discarded snack goods; and a Kiss Pinball machine stands in the far corner next to a CLOSED DOOR. Master Mind turns his attention to the action on the screen. SCREEN A woman dressed in a leather DOMINATRIX OUTFIT is whipping an overweight man lying on a swing-like device with his butt sticking out. DOMINATRIX IN FILM YOU ARE A WORM! She whips him three times. The man CRIES out in pain. FAT MAN IN FILM PINEAPPLE!!! PINEAPPLE!!! Master Mind's eyes are transfixed on the disturbing imagery. The door by the pinball machine suddenly swings open. WAYNE SCOTT, dressed in raggedy sweats, steps into the room carrying a CAN OF BEER and a bowl of JIFFY-POP. Master Mind cannot believe his horrified eyes. MASTER MIND Ahhhhhh! Wayne Scott is just as startled. WAYNE SCOTT Jesus! He drop his drink and snack to the floor. The two men stare at each other as they struggle to regain their normal breathing patterns. Wayne Scott walks over to the couch, brushes off a thick layer of chip crumbs, and sits down. WAYNE SCOTT (CONT'D) What the hell are you doing here? 95. MASTER MIND I might just ask you the same question. I had thought I incinerated you. WAYNE SCOTT You scared the bejesus out of me. How'd you figure out I was still alive? Wait, how do you know my identity!? MASTER MIND Roxanne told me. As for your ruse, I forgot to line the bottom of the copper cage - Somebody pointed that out to me recently. Figured if they could do it, so could you. But one thing I couldn't figure out - WAYNE SCOTT The skeleton? Something I "borrowed" from a medical school a few months before. MASTER MIND A few months? How long had you been planning this? WAYNE SCOTT I always planned to retire - eventually. I mean, come on, you can't do this sort of thing in your fifties. You'd just look ridiculous. The pieces of the puzzle appear to be coming together in Master Mind's head. MASTER MIND I see it all so clearly now. INT. MASTER MIND'S HYDROFOIL - FLASHBACK Master Mind and his minions cover their eyes as the observatory explodes. MASTER MIND (CONT'D - V.O.) You must have done it just seconds before the observatory exploded. 96. INT. OBSERVATORY - FLASHBACK Similar to what Titan did, Uberman bores out from under the cage. MASTER MIND (CONT'D - V.O.) You bore out from under the cage. Then, using your Uber-Speed, - EXT. OBSERVATORY - FLASHBACK Running in a blur-like haze, Uberman screeches to a halt in front of some bushes. MASTER MIND (CONT'D - V.O.) - you made your way to safety, where you had the skeleton safely hidden away somewhere. EXT OBSERVATORY - SKY - DAY Uberman soars high above the clouds. He looks down at the observatory, which is a mere speck in the distance. MASTER MIND (CONT'D - V.O) (CONT'D) Then you must have flown to a safe distance and waited for the explosion, then... Just as the observatory explodes Uberman aims and throws the SKELETON like a javelin. It soars through the air like a missile, tearing through the flames of the explosion, and crashing right into the windshield of Master Mind's hydrofoil. END OF FLASHBACK Wayne stares at Master Mind, clearly impressed. WAYNE Man, you ARE smart. MASTER MIND But why fake your death? Why go through all of it? You could have just quit. WAYNE SCOTT But the responsibility would still be there. (MORE) 97. WAYNE SCOTT(cont'd) A cop can retire and stop handing out speeding tickets - but people expect more from superheroes. I tell you, a volcano couldn't erupt in Zimbabwe without everyone expecting me to do something about it. I figured, out of sight, out of mind. MASTER MIND And Wayne Scott? Why did he have to disappear? WAYNE SCOTT Both of my lives have so much baggage. It's time for new baggage, you know? Master Mind's is absolutely flabbergasted. MASTER MIND I just can't believe it. This whole time you've been in hiding while a force of great evil is tearing your city apart? Wayne rises to his feet, waving his hands for Master Mind to say no more. WAYNE SCOTT I don't want to hear about it. That's why I don't have a television in here to remind me of all the things I SHOULD be doing. Hell, I could get a wife to do that. MASTER MIND There's a demented supervillain out there about to destroy our - I mean, your city. Wayne shrugs indifferently. MASTER MIND You're really going to do nothing? WAYNE SCOTT Good and evil have a way of balancing themselves out. If this guy is as bad as you say, somebody will rise up to fight him. It's just the order of things. You found me, didn't you? 98. Wayne puts a condescending hand on Master Mind's shoulder. WAYNE SCOTT (CONT'D) I know it's hard, but you'll find someone else someday. He then starts walking to the door. MASTER MIND You're the only one who can stop him. Wayne turns around. WAYNE SCOTT Couldn't if I wanted to. Gotta a plane to catch. MASTER MIND A plane? WAYNE SCOTT Going to Barbados for a little change in climate. Now, if you'll excuse me, I got to go pack. He reads the still defeated look on Master Mind's face. WAYNE SCOTT (CONT'D) You were a good foe. I'm sorry if I've let you down. If it makes a difference, you were the best foe a hero could ask for. MASTER MIND Not smart enough to come up with a full-proof trap. WAYNE SCOTT Well, you did almost have me when you figured out my weakness was copper. Now that made me sweat a little. Took me way too long to drill out from under that cage. MASTER MIND I got lucky. WAYNE SCOTT Anyway, it's a good thing for my sake that I could always count on you for an out. 99. MASTER MIND (suddenly confused) What do you mean? WAYNE SCOTT C'mon, we always threw each other a couple of bones. You would always leave me an out in one of your `full-proof' traps, and I'd never had you incarcerated at a penitentiary that you couldn't eventually escape from. It kept our little game going. Master Mind seems deflated. MASTER MIND Game? - Was that all this ever was to you? You know, I was trying my best every time I fought you. Those `outs' as you call them were unintentional. WAYNE SCOTT Oh. MASTER MIND I guess I was never really a match for you, was I? Wayne shrugs. MASTER MIND (CONT'D) (thoughtfully) Then how can I expect to be one for Titan? A beaten man, Master Mind heads for the door, but stops and turns around. MASTER MIND (CONT'D) What about Roxanne? Wayne unleashes an exhausted sigh. WAYNE SCOTT I think we both got what we wanted out of our relationship. She got a career out of me, and I got plenty of other things out of her. But I'm ready to move on to greener pastures. 100. Master Mind's steel hand clinches into a fist at his side. Wayne's oblivious to this. MASTER MIND I guess I wasn't the villain I thought I was, and you...you weren't the hero I thought you were. He turns to make his exit when he suddenly sees ROXANNE STANDING IN THE DOOR FRAME. Wayne is almost at a loss for words. WAYNE SCOTT Roxanne! How long have you been... ROXANNE Long enough. Roxanne looks at Master Mind. ROXANNE (CONT'D) Don't you have something else you can go do? Master Mind leaves Roxanne and Wayne facing each other in silence. EXT. ANOTHER BAR - DAY Titan emerges with Brad and Frank. He's holding a BEER CAN and a bag of PORK RINDS. TITAN Alright, I want this whole thing to look ESPN professional, understand? A distant MECHANIZED RUMBLE can be heard. The noise rises, signaling the approach of something powerful. Titan and his crew walk out to the center of the plaza as the sound becomes almost deafening. A TANK TRACK as it moves over the street. We PULL BACK to see a whole line of TANKS rolling along the street. PLAZA From the five streets branching off the plaza, a dozen tanks roll toward Titan. 101. Titan turns to Brad and Frank. TITAN (CONT'D) You guys are about to get some good footage. I might need a little room, though. Brad and Frank look at each other and run to take cover behind a nearby building. Meanwhile, Titan nonchalantly sips from his beer as the tanks begin to surround them. FEEDBACK belts out of one of the tank's loudspeaker's, causing Titan to do a mock wince. TANK LOUDSPEAKER Titan, we have orders from the city of Metro to take you into custody. If you do not give your self up willingly, we will be forced to open fire. There's a long pause as no one says anything. TANK LOUDSPEAKER What is your answer? Titan takes a sip of his beverage and UNLEASHES A GIGANTIC BURP - The shockwave of which sends several of the tanks flying into a nearby building. Two of the remaining tanks close in on the villain. Both have him dead to rights at point-blank range with their massive guns. Titan sets down his beer, then calmly plugs a fist into each barrel. They FIRE. The FORCE OF THE BLAST SENDS THEM BOTH FLYING IN OPPOSITE DIRECTIONS where they CRASH into nearby buildings. Titan bends down and pick his beet back up. TITAN (to beer) Miss me? Titan is suddenly bombarded by a massive barrage of machine- gun fire. The force sends him flying into the windshield of a nearby car. 102. He looks up to see an APACHE ASSAULT COPTER. It's nose- mounted GATLING-GUN is turning toward him. Titan gets up to his feet and looks down at his beer can. The bottom of it was blown apart in the blast. TITAN (CONT'D) Didn't mean to get you involved in all of this. He stared daggers up at the helicopter pilot just as the gun gets a bead on him. TITAN (CONT'D) Hey, man! You killed my suds! Titan throws the can up and slaps it with the palm of his hand. It flies with so much force it knocks the helicopter blade clean off. The rest of the Apache crashes to the street like a car dropped off a building. TITAN (CONT'D) That's one was for you, beer. Titan salutes the wreckage and walks away to find Brad and Frank still hiding behind the building. TITAN Guys, please tell me you got that last bit. BRAD HELMS Huh? TITAN You're kidding me. I give you my sexiest moves and you mean to tell me it was for nothing? BRAD HELMS We were afraid something might hit us. TITAN Looks like I've given the story of the century to the wrong man. He thinks about this for a moment, then it hits him. 103. TITAN Wait. What about that other reporter. Blond. Not so lumpy on the topper half, but killer legs. BRAD HELMS Roxanne. You want Roxanne. She's a much better reporter than I am. You want her. TITAN Where can I find her. FRANK We're actually not supposed to give out that sort of information. BRAD HELMS 1314 Mockingbird Lane. I believe she lives in a penthouse. TITAN You've been very helpful. He tosses Brad over his shoulder like a discarded ice cream cone. In the faint distance we see him splash down in the middle of the Metro City river. INT. ABANDONED METRO CITY LIBRARY - DAY Master Mind, pacing anxiously as Plato and Da Vinci pack boxes. Obviously Master Mind is going on the lamb. MASTER MIND Hurry, we must be on our way as soon as possible. DA VINCI Master, why must we flee? MASTER MIND I told you, Titan is too powerful. If he's set on destroying us, there's precious little we could do about it. DA VINCI Where are we going? 104. MASTER MIND To another city, someplace with a shitload of superheroes to fight. We'll start over, we'll go back to doing what we do best. PLATO With our tails between our legs? The old Master Mind would never have let this comment slip by, but as we have seen, he's not the same man. MASTER MIND Plato, do you have a better plan?! Master Mind's cell phone rings. He turns in shame from his men and answers it. MASTER MIND (CONT'D) Hello...Roxanne? INT. ROXANNE'S APARTMENT Roxanne paces back and forth on the phone. ROXANNE What are you going to do about Tighten? INTERCUT between Master Mind and Roxanne on phone. MASTER MIND Right now I'm packing, later I'll have a snack on the train. ROXANNE You're running away? MASTER MIND In a word - yes. ROXANNE You created this monster... MASTER MIND I didn't create this - the god's of irony did and I am eating the crow I so richly deserve. ROXANNE There's no time for self pity. 105. MASTER MIND I'll make the time. Roxanne can't believe what she's hearing. MASTER MIND (CONT'D) You can leave with us. You'll be safe. ROXANNE I'm not going anywhere. MASTER MIND Will you listen to me, no one can stop him. ROXANNE You have to try. The city needs your help. MASTER MIND I'm afraid you have an inflated opinion of me. ROXANNE What the hell's happened to you? The Master Mind I knew would never have run from a fight even though he knew deep in his heart that he didn't have a chance in hell of winning it. It was your best quality. You need to be that man right now...I... MASTER MIND What? ROXANNE (heart felt) I believe in you. Master Mind is taken aback, in a good way. But he catches himself before the words swell his heart. MASTER MIND Sweet words, but that man is dead. Please, Roxanne, just come with me. ROXANNE No...I guess you are a coward after all. Suddenly, there's a loud crash. 106. Roxanne looks up to see a huge hunk of her ceiling has been completely ripped off. Titan is flying above, holding the debris as casually as if it were a paper plate at a barbecue. He looks down at her and smiles. TITAN Man, have I got a story for you. Master Mind can hears Titan's familiar laugh from his side of the line. MASTER MIND Roxanne? Roxanne? EXT. KINGPIN BOWLING - DAY Titan is standing in front of the bowling alley, trying to decide on an appropriate pose for the occasion. TITAN What pose would be best? The corny folded arms thing? He demonstrates, arching his chin proudly in the air. TITAN Or maybe on the hips, like this. It's the classic Superman pose, only not as masculine. TITAN No, makes me look like a flamer pirate. As Titan starts to fix his hair in the window, Frank pretends to fix the lens on his camera as he speaks to Roxanne. FRANK (whispering) Shouldn't we be making a run for it right about now? ROXANNE (whispering) The guy can outrun bullets. I don't think either one of us is in that kind of shape. TITAN She's right, Frank. 107. Frank looks up, stunned that Titan could have possibly heard him. TITAN Also got super hearing. I promise not to keep the both of you long, but you'll thank me when this is all over. Frank and Roxanne exchange helpless expressions. INT. ABANDONED METRO CITY LIBRARY - DAY Master Mind reverently stares up at the painted portrait of his father. MASTER MIND Dad, it's me... (he looks around to make sure no one can hear) ...Bubsy. I know we haven't talked in a while, and I'm sorry. It's been a little crazy trying to live up to a legacy. The painting's menacing stare seems to reach into his very soul. MASTER MIND Anyway...You raised me to be the worst that I could possibly be. And I've tried to live up to that as best as I could - even dropping out of dentistry school like you wanted me to. But I'm about to do something now that would really piss you off. I'm going to go against everything you ever taught me. I hope...I hope that maybe you'll look down at what I'm about to do as not so much a good deed, but more like the outright defiance of a hateful and ungrateful, son. If you could do that, then maybe - in your own little way - you could - for probably the first time - find a reason to be proud of me. He looks back up at the picture. Is it our imagination, or does the painting's stare suddenly seem even angrier? 108. MASTER MIND Well...either way, you're probably going to see me real soon. (calling over his shoulder) Men? Plato and Da Vinci suddenly stop what they're doing and look up at him. PLATO AND DA VINCI Yes Sir? MASTER MIND Stop packing. Our work is not finished here. PLATO AND DA VINCI YES SIR! TELEVISION A news report shows an aerial shot of Titan setting the giant ball down in the middle of a vacant city street. REPORTER We interrupt your regular afternoon programming to show you live footage of a potential dangerous situation in downtown Metro. The former hero knows as Titan is placing what appears to be a giant ball... INT. ABANDONED METRO CITY LIBRARY - CONTINUOUS Da Vinci stops in front of a television set, seeing the news report in progress. REPORTER Hold on...It appears our own Roxanne Ritchi is somehow at the scene. We now go to her with a live report. DA VINCI Sir, I think you should see this! CUT TO: 109. EXT. CITY STREET - DAY Roxanne is standing in front of a camera with a mike in her hand. ROXANNE I'm here with the cause of the destruction in Metro City. He has kidnapped me and a cameraman to chronicle what he refers to as the creation of a monument to his invincibility and overall "Asskickiness." He will use this giant concrete bowling ball to play the largest game of bowling ever using the buildings of downtown Metro City as his pins. Titan suddenly steps into the shot. TITAN And I'm going for the biggest strike ever. He leans into the camera. TITAN And you, Metro City, have a ringside seat as I cement my name in the anal of history. ROXANNE Annals. TITAN What? ROXANNE Nevermind. EXT. CITY STREET - MOMENTS LATER Titan holds up the massive bowling ball, lining up his shot. TITAN (in quiet professional bowler announcer voice) Like Tiger before him, a young savior has come to raise a sport from the ashes. Rookie Hal Stewart, a young man with a dream, realizing that dream here today, folks. (MORE) 110. TITAN(cont'd) One might click there heels and say "There's no place like home" upon finding themselves in such a fantasy. Well, Hal looks very much at home right were he is - with a ball in hand and glory in his sights. INT. METRO CITY LIBRARY - CONTINUOUS In the bowels of Master Mind's hideout, the HYDROGEN REACTOR glows and HUMS MENACINGLY. BACK TO SCENE Roxanne just stand helpless as Frank films away. ROXANNE Hal, I know everyone treated you like shit, but you don't have to do this. TITAN You're right. I don't HAVE to do anything. Isn't that cool? Titan lines up his shot. TITAN Here's one for the record books! Titan flies a few feet and rolls the ball down the main street. ROXANNE Her face is utter horror as she watches the inevitable destruction of Metro City. As the ball rolls - it demolishes everything in it's wake; cars, street lamps - windows shatter as the giant concrete sphere brushes along side buildings. TITAN He smiles in anticipation and uses "body English" to direct the ball. GIANT BOWLING BALL POV It's nearly halfway to its target. ROXANNE 111. She closes her eyes. Titan's smile fades. He looks around as if he hears something we don't. About two hundred feet in front of the first building a GIANT SPIDER WEB flies across the path of the ball, creating a defensive barrier. An enormous letter "M" is etched in the web's center. TITAN (CONT'D) What the...? The ball breaks through the web, but it's speed is greatly reduced. FRANK Look, what's that flying in the air? We suddenly see MASTER MIND FLYING OVER THE ROLLING BALL IN A JET PACK. He quickly pulls out his goo gun and starts laying down a path of sticky plasm to stop the destructive sphere's path. MASTER MIND C'mon, slow down Master Mind looks down to see the meter of the gun close to empty. MASTER MIND C'mon. The ball slows drastically then starts rolling to the side. It heads off an embankment and rolls harmlessly into a CANAL. MASTER MIND Gutterball! TITAN He's furious to say the least. TITAN YOU! Master Mind gives him a mocking grin. MASTER MIND Bowling? What other trailer park sports can you play? 112. TITAN You are becoming a real pain in my ass. I should have done this a long time ago. Titan lunges at his tormentor. Master Mind hits the BOOSTER on his jet pack and heads back toward the other side of the city with Titan in hot pursuit. MASTER MIND (CONT'D) (into walkie talkie) Plato, Da Vinci. Secure Roxanne, he's falling for it. ELSEWHERE A flustered Titan lands. He begins searching the city streets, but Master Mind is nowhere in sight. He turns upon hearing an EEKING sound to his left. Sitting on the ground is a CHIMPANZEE wearing a strange collar. It smiles at him. TITAN What the hell? From behind, Titan is immediately set upon by five more RADIO CONTROLLED APES. TITAN (CONT'D) GODAMNIT! The critters bite hop and hit Titan. As soon as he throws one off two more jump him. Titan breaks free and with his mighty breath blows them across the street into a fruit stand. With Titan out of their sight they begin to attack the fruit. MASTER MIND He's a block away frantically hitting his remote. MASTER MIND Shit! Stupid monkeys and their fruit. Titan flies away from the mad monkeys and lands to find Master Mind sitting on the ground wrapped in a long cape with only his head sticking out. 113. TITAN (CONT'D) No more games. Titan FIRES HIS LASER VISION AT MASTER MIND's CHEST. Master Mind pulls the cloak away to reveal a FIRE HYDRANT. Titan's EYE LASERS burn through the hydrant releasing a high pressure stream of water. Master Mind uses the last remote which dumps two tons of CEMENT mix into the truck. The crowd, police and news crews move in closer when Titan doesn't emerge. Master Mind drops his last remote and walks toward the truck cautiously. MASTER MIND Could it really be that easy-- - BOOM - The back of the truck explodes, throwing dust and concrete everywhere. When the dust clears we see and enraged Titan. MASTER MIND (CONT'D) Didn't think so. As the villain walks toward him, he pulls back his fist to give Master Mind the killing blow. TITAN If you don't mind, I'm going to punch trough your face now. Preparing himself for the end, Master Mind shuts his eyes as a SUDDEN GUST OF WIND BEGINS TO PICK UP. AS Titan goes to strike, a BLURRY FIGURE RUNS IN AND SNATCHES MASTER MIND OUT OF THE AWAY. Stunned, Master Mind begins to feel around his body as if to make sure everything's still in place. MASTER MIND I'm alive. He turns to see UBERMAN standing next to him. MASTER MIND Uberman? 114. The terrified bystanders start to notice the figure standing next to Master Mind. BYSTANDER 1 It's Uberman! BYSTANDER 2 Uberman's alive! BYSTANDER 3 We're saved! As the CROWD CHEERS, A confused Master Mind turns to Metro City's newly resurrected champion. MASTER MIND I thought. UBERMAN So did I. He puts a hand on Master Mind's shoulder. UBERMAN Thank you, old enemy. MASTER MIND For what? UBERMAN Showing me the error of my ways, Showing me I'm meant to be this city's savior, showing me that, while we can try, there is no running away from our true destiny. With that, UBERMAN IS STRICKEN BY A LASER BLAST, INSTANTLY TURNING HIM INTO A CHARRED HUMAN SKELETON. Master Mind turns to see Titan smiling with his STILL SMOKING EYES. TITAN Oh...Did I interrupt something? Master Mind turns to run, but, suddenly Titan is before him. TITAN Where you going, buddy? Titan grabs Master Mind by the collar and throws him across the street into a parked car. 115. TITAN (CONT'D) Welcome to Paintown. Population: you. Master Mind manages to stand on shaky legs. He seems in a daze, unable to move. Titan flies up in the air. TITAN (CONT'D) Time to finish this. With his fist front and center, Titan speeds toward Master Mind. He's like a human torpedo, coming in for the killing blow. Master Mind comes to his senses and puts up his hands. MASTER MIND WAIT!!! Titan screeches to a halt and stops just in front of him like an old Warner Bros cartoon. TITAN What? MASTER MIND Quick joke - What's the capital of Thailand? TITAN Huh - I don't know. MASTER MIND It's bang cock! In a sudden surge of strength, MASTER MIND PUNCHES TITAN IN THE GROIN. The once mighty man instantly drops to his knees, searching, with tears in his eyes, for the proper word to express the pain suddenly surging through his member. TITAN (CONT'D) Ow. Baffled, he looks up at Master Mind's hand and sees his gauntlet is now made ENTIRELY OUT OF COPPER. MASTER MIND So, I guess pennies are good for something. 116. He punches Titan in the face, knocking him out cold. Master Mind looks down on Titan with more than a little pride. Suddenly he hears something behind him. He spins to see the crowd making a strange noise - APPLAUSE. Roxanne comes up to him. The crowd starts to go wild and cheers for Master Mind. He's not sure what to make of it. ROXANNE Pretty strange, huh? MASTER MIND They're cheering for me. ROXANNE You saved them. You saved everybody. How's it feel? Master Mind looks at the smiles all around him. He begins to well up a little. MASTER MIND It's a...it's nice, you know? I usually don't get a lot of feedback. (whispering) But I also kind of caused all this. What happens when they find that out I was the cause of some of this? Roxanne looks at the cheering crowd, then back at Master Mind. ROXANNE What they don't know won't hurt them. MASTER MIND I guess that is all in the past. ROXANNE You're the hero. MASTER MIND I don't think I'd go that far...I mean I just...er... ROXANNE Master Mind? 117. MASTER MIND Yes? ROXANNE Stop talking. She kisses him. The crowd erupts in a cheer. TELEVISION The channel 7 he channel 7 logo zooms in followed by the title "Eye on Metro City." A picture of Master Mind smiling appears on the screen behind her. SAMANTHA SUMMERS Who's bad? Well, not Master Mind. It seems the former villain has done a career 180 after defeating Tighten and saving Metro City from certain enslavement. And here he is getting a full pardon by Metro City's Mayor, Steve Dent. Cut to ceremony on capital steps. The MAYOR is shaking Master Mind's metal gauntlet when it suddenly STARTS TO CRUSH HIS HAND. MAYOR Ahhh! Secret service men quickly start to draw their weapons and take aim at Master Mind. Realizing what's happening, he quickly lets the mayor's hand go and puts his arms in the air. MASTER MIND Sorry - Metal hand. Force of habit. He elbows the mayor. MASTER MIND (CONT'D) We're okay, right? Wincing, the mayor signals the men to put their guns down. WE CUT to video of Titan behind bars in a regular prison. 118. BRAD HELMS And what about Tighten? Is there a prison in existence that can hold this super powered menace? Well, the answer we found is no. A man in a white lab coat stands in front of Titan's cell just out of reach. PRISON SCIENTIST Of course normally he could break out of there anytime, but as you can see we've taken some special precautions. The news camera pans over see Titan in his cell wearing a copper JOCK STRAP with electrical cables hooked to it. Back to Samantha at the desk. BRAD HELMS What is a Hero? It seems never has that question needed to be asked more than it does tonight. We go to our very own Roxanne Ritchi, making her triumphant return to our news desk for the answer. Brad turns. The camera pans over to Roxanne who we now see has been sitting beside him. ROXANNE What is a hero? Well, there are many different kinds. There are those who hear a call, like the policeman or doctor, then there's the kind the public creates in their search for meaning and hope. Then, there are those who have the courage to change. DARK ALLEY - NIGHT A woman is being chased by two large thugs. They're gaining on her. She comes to a brick wall - a dead end. The thugs laugh. THUG #1 Hey, gimme that purse? 119. MASTER MIND (O.S) I don't think it would go with your outfit. The thugs turn around to see Master Mind, standing with his arms folded across his chest. THUG #2 It's Master Mind! Thug #1 draws a knife. THUG #1 So? It's not like he has any superpowers. Thug #1 puts his fingers to his mouth and whistles. Suddenly two more Thugs appear behind Master Mind. MASTER MIND I'm gonna give you a chance to surrender. THUG #1 Four against one. For a Master Mind, you're really bad at math. Master Mind throws a hand signal up in the air. Suddenly a giant robotic foot crashes down on the two men behind him. Thug #1 and Thug #2 drop their knives and raise their hands in the air. Master Mind looks up and waves. MASTER MIND Way to take out those two goons, guys! We see Da Vinci and Plato at the wheel of a gigantic robot. DA VINCI What two goons? The giant robot lifts its foot to check the bottom of it's sole. It KNOCKS OVER WATER TOWER in the process. The woman looks at Master Mind, horrified. 120. MASTER MIND (apologetically) Sorry, we're new at this. THE END

According to all known laws of aviation, there is no way that a bee should be able to fly. Its wings are too small to get its fat little body off the ground. The bee, of course, flies anyway. Because bees don’t care what humans think is impossible.” SEQ. 75 - “INTRO TO BARRY” INT. BENSON HOUSE - DAY ANGLE ON: Sneakers on the ground. Camera PANS UP to reveal BARRY BENSON’S BEDROOM ANGLE ON: Barry’s hand flipping through different sweaters in his closet. BARRY Yellow black, yellow black, yellow black, yellow black, yellow black, yellow black...oohh, black and yellow... ANGLE ON: Barry wearing the sweater he picked, looking in the mirror. BARRY (CONT’D) Yeah, let’s shake it up a little. He picks the black and yellow one. He then goes to the sink, takes the top off a CONTAINER OF HONEY, and puts some honey into his hair. He squirts some in his mouth and gargles. Then he takes the lid off the bottle, and rolls some on like deodorant. CUT TO: INT. BENSON HOUSE KITCHEN - CONTINUOUS Barry’s mother, JANET BENSON, yells up at Barry. JANET BENSON Barry, breakfast is ready! CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 1. INT. BARRY’S ROOM - CONTINUOUS BARRY Coming! SFX: Phone RINGING. Barry’s antennae vibrate as they RING like a phone. Barry’s hands are wet. He looks around for a towel. BARRY (CONT’D) Hang on a second! He wipes his hands on his sweater, and pulls his antennae down to his ear and mouth. BARRY (CONT'D) Hello? His best friend, ADAM FLAYMAN, is on the other end. ADAM Barry? BARRY Adam? ADAM Can you believe this is happening? BARRY Can’t believe it. I’ll pick you up. Barry sticks his stinger in a sharpener. SFX: BUZZING AS HIS STINGER IS SHARPENED. He tests the sharpness with his finger. SFX: Bing. BARRY (CONT’D) Looking sharp. ANGLE ON: Barry hovering down the hall, sliding down the staircase bannister. Barry’s mother, JANET BENSON, is in the kitchen. JANET BENSON Barry, why don’t you use the stairs? Your father paid good money for those. "Bee Movie" - JS REVISIONS 8/13/07 2. BARRY Sorry, I’m excited. Barry’s father, MARTIN BENSON, ENTERS. He’s reading a NEWSPAPER with the HEADLINE, “Queen gives birth to thousandtuplets: Resting Comfortably.” MARTIN BENSON Here’s the graduate. We’re very proud of you, Son. And a perfect report card, all B’s. JANET BENSON (mushing Barry’s hair) Very proud. BARRY Ma! I’ve got a thing going here. Barry re-adjusts his hair, starts to leave. JANET BENSON You’ve got some lint on your fuzz. She picks it off. BARRY Ow, that’s me! MARTIN BENSON Wave to us. We’ll be in row 118,000. Barry zips off. BARRY Bye! JANET BENSON Barry, I told you, stop flying in the house! CUT TO: SEQ. 750 - DRIVING TO GRADUATION EXT. BEE SUBURB - MORNING A GARAGE DOOR OPENS. Barry drives out in his CAR. "Bee Movie" - JS REVISIONS 8/13/07 3. ANGLE ON: Barry’s friend, ADAM FLAYMAN, standing by the curb. He’s reading a NEWSPAPER with the HEADLINE: “Frisbee Hits Hive: Internet Down. Bee-stander: “I heard a sound, and next thing I knew...wham-o!.” Barry drives up, stops in front of Adam. Adam jumps in. BARRY Hey, Adam. ADAM Hey, Barry. (pointing at Barry’s hair) Is that fuzz gel? BARRY A little. It’s a special day. Finally graduating. ADAM I never thought I’d make it. BARRY Yeah, three days of grade school, three days of high school. ADAM Those were so awkward. BARRY Three days of college. I’m glad I took off one day in the middle and just hitchhiked around the hive. ADAM You did come back different. They drive by a bee who’s jogging. ARTIE Hi Barry! BARRY (to a bee pedestrian) Hey Artie, growing a mustache? Looks good. Barry and Adam drive from the suburbs into the city. ADAM Hey, did you hear about Frankie? "Bee Movie" - JS REVISIONS 8/13/07 4. BARRY Yeah. ADAM You going to his funeral? BARRY No, I’m not going to his funeral. Everybody knows you sting someone you die, you don’t waste it on a squirrel. He was such a hot head. ADAM Yeah, I guess he could’ve just gotten out of the way. The DRIVE through a loop de loop. BARRY AND ADAM Whoa...Whooo...wheee!! ADAM I love this incorporating the amusement park right into our regular day. BARRY I guess that’s why they say we don’t need vacations. CUT TO: SEQ. 95 - GRADUATION EXT. GRADUATION CEREMONY - CONTINUOUS Barry and Adam come to a stop. They exit the car, and fly over the crowd to their seats. * BARRY * (re: graduation ceremony) * Boy, quite a bit of pomp...under * the circumstances. * They land in their seats. BARRY (CONT’D) Well Adam, today we are men. "Bee Movie" - JS REVISIONS 8/13/07 5. ADAM We are. BARRY Bee-men. ADAM Amen! BARRY Hallelujah. Barry hits Adam’s forehead. Adam goes into the rapture. An announcement comes over the PA. ANNOUNCER (V.O) Students, faculty, distinguished bees...please welcome, Dean Buzzwell. ANGLE ON: DEAN BUZZWELL steps up to the podium. The podium has a sign that reads: “Welcome Graduating Class of:”, with train-station style flipping numbers after it. BUZZWELL Welcome New Hive City graduating class of... The numbers on the podium change to 9:15. BUZZWELL (CONT’D) ...9:15. (he clears his throat) And that concludes our graduation ceremonies. And begins your career at Honex Industries. BARRY Are we going to pick our job today? ADAM I heard it’s just orientation. The rows of chairs change in transformer-like mechanical motion to Universal Studios type tour trams. Buzzwell walks off stage. BARRY (re: trams) Whoa, heads up! Here we go. "Bee Movie" - JS REVISIONS 8/13/07 6. SEQ. 125 - “FACTORY” FEMALE VOICE (V.O) Keep your hands and antennas inside the tram at all times. (in Spanish) Dejen las manos y antennas adentro del tram a todos tiempos. BARRY I wonder what it’s going to be like? ADAM A little scary. Barry shakes Adam. BARRY AND ADAM AAHHHH! The tram passes under SIGNS READING: “Honex: A Division of Honesco: A Part of the Hexagon Group.” TRUDY Welcome to Honex, a division of Honesco, and a part of the Hexagon group. BARRY This is it! The Honex doors OPEN, revealing the factory. BARRY (CONT’D) Wow. TRUDY We know that you, as a bee, have worked your whole life to get to the point where you can work for your whole life. Honey begins when our valiant pollen jocks bring the nectar to the hive where our top secret formula is automatically color-corrected, scent adjusted and bubble contoured into this... Trudy GRABS a TEST TUBE OF HONEY from a technician. "Bee Movie" - JS REVISIONS 8/13/07 7. TRUDY (CONT’D) ...soothing, sweet syrup with its distinctive golden glow, you all know as... EVERYONE ON THE TRAM (in unison) H-o-n-e-y. Trudy flips the flask into the crowd, and laughs as they all scramble for it. ANGLE ON: A GIRL BEE catching the honey. ADAM (sotto) That girl was hot. BARRY (sotto) She’s my cousin. ADAM She is? BARRY Yes, we’re all cousins. ADAM Right. You’re right. TRUDY At Honex, we also constantly strive to improve every aspect of bee existence. These bees are stress testing a new helmet technology. ANGLE ON: A STUNT BEE in a HELMET getting hit with a NEWSPAPER, then a SHOE, then a FLYSWATTER. He gets up, and gives a “thumb’s up”. The graduate bees APPLAUD. ADAM (re: stunt bee) What do you think he makes? BARRY Not enough. TRUDY And here we have our latest advancement, the Krelman. "Bee Movie" - JS REVISIONS 8/13/07 8. BARRY Wow, what does that do? TRUDY Catches that little strand of honey that hangs after you pour it. Saves us millions. ANGLE ON: The Krelman machine. Bees with hand-shaped hats on, rotating around a wheel to catch drips of honey. Adam’s hand shoots up. ADAM Can anyone work on the Krelman? TRUDY Of course. Most bee jobs are small ones. But bees know that every small job, if it’s done well, means a lot. There are over 3000 different bee occupations. But choose carefully, because you’ll stay in the job that you pick for the rest of your life. The bees CHEER. ANGLE ON: Barry’s smile dropping slightly. BARRY The same job for the rest of your life? I didn’t know that. ADAM What’s the difference? TRUDY And you’ll be happy to know that bees as a species haven’t had one day off in 27 million years. BARRY So you’ll just work us to death? TRUDY (laughing) We’ll sure try. Everyone LAUGHS except Barry. "Bee Movie" - JS REVISIONS 8/13/07 9. The tram drops down a log-flume type steep drop. Cameras flash, as all the bees throw up their hands. The frame freezes into a snapshot. Barry looks concerned. The tram continues through 2 doors. FORM DISSOLVE TO: SEQ. 175 - “WALKING THE HIVE” INT. HONEX LOBBY ANGLE ON: The log-flume photo, as Barry looks at it. ADAM Wow. That blew my mind. BARRY (annoyed) “What’s the difference?” Adam, how could you say that? One job forever? That’s an insane choice to have to make. ADAM Well, I’m relieved. Now we only have to make one decision in life. BARRY But Adam, how could they never have told us that? ADAM Barry, why would you question anything? We’re bees. We’re the most perfectly functioning society on Earth. They walk by a newspaper stand with A SANDWICH BOARD READING: “Bee Goes Berserk: Stings Seven Then Self.” ANGLE ON: A BEE filling his car’s gas tank from a honey pump. He fills his car some, then takes a swig for himself. NEWSPAPER BEE (to the bee guzzling gas) Hey! Barry and Adam begin to cross the street. "Bee Movie" - JS REVISIONS 8/13/07 10. BARRY Yeah but Adam, did you ever think that maybe things work a little too well around here? They stop in the middle of the street. The traffic moves perfectly around them. ADAM Like what? Give me one example. BARRY (thinks) ...I don’t know. But you know what I’m talking about. They walk off. SEQ. 400 - “MEET THE JOCKS” SFX: The SOUND of Pollen Jocks. PAN DOWN from the Honex statue. J-GATE ANNOUNCER Please clear the gate. Royal Nectar Force on approach. Royal Nectar Force on approach. BARRY Wait a second. Check it out. Hey, hey, those are Pollen jocks. ADAM Wow. FOUR PATROL BEES FLY in through the hive’s giant Gothic entrance. The Patrol Bees are wearing fighter pilot helmets with black visors. ADAM (CONT’D) I’ve never seen them this close. BARRY They know what it’s like to go outside the hive. ADAM Yeah, but some of them don’t come back. "Bee Movie" - JS REVISIONS 8/13/07 11. The nectar from the pollen jocks is removed from their backpacks, and loaded into trucks on their way to Honex. A SMALL CROWD forms around the Patrol Bees. Each one has a PIT CREW that takes their nectar. Lou Loduca hurries a pit crew along: LOU LODUCA You guys did great! You’re monsters. You’re sky freaks! I love it! I love it! SCHOOL GIRLS are jumping up and down and squealing nearby. BARRY I wonder where those guys have just been? ADAM I don’t know. BARRY Their day’s not planned. Outside the hive, flying who-knows-where, doing who-knows-what. ADAM You can’t just decide one day to be a Pollen Jock. You have to be bred for that. BARRY Right. Pollen Jocks cross in close proximity to Barry and Adam. Some pollen falls off, onto Barry and Adam. BARRY (CONT’D) Look at that. That’s more pollen than you and I will ever see in a lifetime. ADAM (playing with the pollen) It’s just a status symbol. I think bees make too big a deal out of it. BARRY Perhaps, unless you’re wearing it, and the ladies see you wearing it. ANGLE ON: Two girl bees. "Bee Movie" - JS REVISIONS 8/13/07 12. ADAM Those ladies? Aren’t they our cousins too? BARRY Distant, distant. ANGLE ON: TWO POLLEN JOCKS. JACKSON Look at these two. SPLITZ Couple of Hive Harrys. JACKSON Let’s have some fun with them. The pollen jocks approach. Barry and Adam continue to talk to the girls. GIRL 1 It must be so dangerous being a pollen jock. BARRY Oh yeah, one time a bear had me pinned up against a mushroom. He had one paw on my throat, and with the other he was slapping me back and forth across the face. GIRL 1 Oh my. BARRY I never thought I’d knock him out. GIRL 2 (to Adam) And what were you doing during all of this? ADAM Obviously I was trying to alert the authorities. The girl swipes some pollen off of Adam with a finger. BARRY (re: pollen) I can autograph that if you want. "Bee Movie" - JS REVISIONS 8/13/07 13. JACKSON Little gusty out there today, wasn’t it, comrades? BARRY Yeah. Gusty. BUZZ You know, we’re going to hit a sunflower patch about six miles from here tomorrow. BARRY Six miles, huh? ADAM (whispering) Barry. BUZZ It’s a puddle-jump for us. But maybe you’re not up for it. BARRY Maybe I am. ADAM (whispering louder) You are not! BUZZ We’re going, oh-nine hundred at JGate. ADAM (re: j-gate) Whoa. BUZZ (leaning in, on top of Barry) What do you think, Buzzy Boy? Are you bee enough? BARRY I might be. It all depends on what oh-nine hundred means. CUT TO: SEQ. 450 - “THE BALCONY” "Bee Movie" - JS REVISIONS 8/13/07 14. INT. BENSON HOUSE BALCONY - LATER Barry is standing on the balcony alone, looking out over the city. Martin Benson ENTERS, sneaks up behind Barry and gooses him in his ribs. MARTIN BENSON Honex! BARRY Oh, Dad. You surprised me. MARTIN BENSON (laughing) Have you decided what you’re interested in, Son? BARRY Well, there’s a lot of choices. MARTIN BENSON But you only get one. Martin LAUGHS. BARRY Dad, do you ever get bored doing the same job every day? MARTIN BENSON Son, let me tell you something about stirring. (making the stirring motion) You grab that stick and you just move it around, and you stir it around. You get yourself into a rhythm, it’s a beautiful thing. BARRY You know dad, the more I think about it, maybe the honey field just isn’t right for me. MARTIN BENSON And you were thinking of what, making balloon animals? That’s a bad job for a guy with a stinger. "Bee Movie" - JS REVISIONS 8/13/07 15. BARRY Well no... MARTIN BENSON Janet, your son’s not sure he wants to go into honey. JANET BENSON Oh Barry, you are so funny sometimes. BARRY I’m not trying to be funny. MARTIN BENSON You’re not funny, you’re going into honey. Our son, the stirrer. JANET BENSON You’re going to be a stirrer?! BARRY No one’s listening to me. MARTIN BENSON Wait until you see the sticks I have for you. BARRY I can say anything I want right now. I’m going to get an ant tattoo. JANET BENSON Let’s open some fresh honey and celebrate. BARRY Maybe I’ll pierce my thorax! MARTIN BENSON (toasting) To honey! BARRY Shave my antennae! JANET BENSON To honey! "Bee Movie" - JS REVISIONS 8/13/07 16. BARRY Shack up with a grasshopper, get a gold tooth, and start calling everybody “Dawg.” CUT TO: SEQ. 760 - “JOB PLACEMENT” EXT. HONEX LOBBY - CONTINUOUS ANGLE ON: A BEE BUS STOP. One group of bees stands on the pavement, as another group hovers above them. A doubledecker bus pulls up. The hovering bees get on the top level, and the standing bees get on the bottom. Barry and Adam pull up outside of Honex. ADAM I can’t believe we’re starting work today. BARRY Today’s the day. Adam jumps out of the car. ADAM (O.C) Come on. All the good jobs will be gone. BARRY Yeah, right... ANGLE ON: A BOARD READING: “JOB PLACEMENT BOARD”. Buzzwell, the Bee Processor, is at the counter. Another BEE APPLICANT, SANDY SHRIMPKIN is EXITING. SANDY SHRIMPKIN Is it still available? BUZZWELL Hang on. (he looks at changing numbers on the board) Two left. And...one of them’s yours. Congratulations Son, step to the side please. "Bee Movie" - JS REVISIONS 8/13/07 17. SANDY SHRIMPKIN Yeah! ADAM (to Sandy, leaving) What did you get? SANDY SHRIMPKIN Picking the crud out. That is stellar! ADAM Wow. BUZZWELL (to Adam and Barry) Couple of newbies? ADAM Yes Sir. Our first day. We are ready. BUZZWELL Well, step up and make your choice. ANGLE ON: A CHART listing the different sectors of Honex. Heating, Cooling, Viscosity, Krelman, Pollen Counting, Stunt Bee, Pouring, Stirrer, Humming, Regurgitating, Front Desk, Hair Removal, Inspector No. 7, Chef, Lint Coordinator, Stripe Supervisor, Antennae-ball polisher, Mite Wrangler, Swatting Counselor, Wax Monkey, Wing Brusher, Hive Keeper, Restroom Attendant. ADAM (to Barry) You want to go first? BARRY No, you go. ADAM Oh my. What’s available? BUZZWELL Restroom attendant is always open, and not for the reason you think. ADAM Any chance of getting on to the Krelman, Sir? BUZZWELL Sure, you’re on. "Bee Movie" - JS REVISIONS 8/13/07 18. He plops the KRELMAN HAT onto Adam’s head. ANGLE ON: The job board. THE COLUMNS READ: “OCCUPATION” “POSITIONS AVAILABLE”, and “STATUS”. The middle column has numbers, and the right column has job openings flipping between “open”, “pending”, and “closed”. BUZZWELL (CONT’D) Oh, I’m sorry. The Krelman just closed out. ADAM Oh! He takes the hat off Adam. BUZZWELL Wax Monkey’s always open. The Krelman goes from “Closed” to “Open”. BUZZWELL (CONT’D) And the Krelman just opened up again. ADAM What happened? BUZZWELL Well, whenever a bee dies, that’s an opening. (pointing at the board) See that? He’s dead, dead, another dead one, deady, deadified, two more dead. Dead from the neck up, dead from the neck down. But, that’s life. ANGLE ON: Barry’s disturbed expression. ADAM (feeling pressure to decide) Oh, this is so hard. Heating, cooling, stunt bee, pourer, stirrer, humming, inspector no. 7, lint coordinator, stripe supervisor, antenna-ball polisher, mite wrangler-- Barry, Barry, what do you think I should-- Barry? Barry? "Bee Movie" - JS REVISIONS 8/13/07 19. Barry is gone. CUT TO: SEQ. 775 - “LOU LODUCA SPEECH” EXT. J-GATE - SAME TIME Splitz, Jackson, Buzz, Lou and two other BEES are going through final pre-flight checks. Barry ENTERS. LOU LODUCA Alright, we’ve got the sunflower patch in quadrant nine. Geranium window box on Sutton Place... Barry’s antennae rings, like a phone. ADAM (V.O) What happened to you? Where are you? Barry whispers throughout. BARRY I’m going out. ADAM (V.O) Out? Out where? BARRY Out there. ADAM (V.O) (putting it together) Oh no. BARRY I have to, before I go to work for the rest of my life. ADAM (V.O) You’re going to die! You’re crazy! Hello? BARRY Oh, another call coming in. "Bee Movie" - JS REVISIONS 8/13/07 20. ADAM (V.O) You’re cra-- Barry HANGS UP. ANGLE ON: Lou Loduca. LOU LODUCA If anyone’s feeling brave, there’s a Korean Deli on 83rd that gets their roses today. BARRY (timidly) Hey guys. BUZZ Well, look at that. SPLITZ Isn’t that the kid we saw yesterday? LOU LODUCA (to Barry) Hold it son, flight deck’s restricted. JACKSON It’s okay Lou, we’re going to take him up. Splitz and Jackson CHUCKLE. LOU LODUCA Really? Feeling lucky, are ya? A YOUNGER SMALLER BEE THAN BARRY, CHET, runs up with a release waiver for Barry to sign. CHET Sign here. Here. Just initial that. Thank you. LOU LODUCA Okay, you got a rain advisory today and as you all know, bees cannot fly in rain. So be careful. As always, (reading off clipboard) watch your brooms, hockey sticks, dogs, birds, bears, and bats. "Bee Movie" - JS REVISIONS 8/13/07 21. Also, I got a couple reports of root beer being poured on us. Murphy’s in a home because of it, just babbling like a cicada. BARRY That’s awful. LOU LODUCA And a reminder for all you rookies, bee law number one, absolutely no talking to humans. Alright, launch positions! The Jocks get into formation, chanting as they move. LOU LODUCA (CONT’D) Black and Yellow! JOCKS Hello! SPLITZ (to Barry) Are you ready for this, hot shot? BARRY Yeah. Yeah, bring it on. Barry NODS, terrified. BUZZ Wind! - CHECK! JOCK #1 Antennae! - CHECK! JOCK #2 Nectar pack! - CHECK! JACKSON Wings! - CHECK! SPLITZ Stinger! - CHECK! BARRY Scared out of my shorts - CHECK. LOU LODUCA Okay ladies, let’s move it out. Everyone FLIPS their goggles down. Pit crew bees CRANK their wings, and remove the starting blocks. We hear loud HUMMING. "Bee Movie" - JS REVISIONS 8/13/07 22. LOU LODUCA (CONT'D) LOU LODUCA (CONT’D) Pound those petunia's, you striped stem-suckers! All of you, drain those flowers! A FLIGHT DECK GUY in deep crouch hand-signals them out the archway as the backwash from the bee wings FLUTTERS his jump suit. Barry follows everyone. SEQ. 800 - “FLYING WITH THE JOCKS” The bees climb above tree tops in formation. Barry is euphoric. BARRY Whoa! I’m out! I can’t believe I’m out! So blue. Ha ha ha! (a beat) I feel so fast...and free. (re: kites in the sky) Box kite! Wow! They fly by several bicyclists, and approach a patch of flowers. BARRY (CONT'D) Flowers! SPLITZ This is blue leader. We have roses visual. Bring it around thirty degrees and hold. BARRY (sotto) Roses. JACKSON Thirty degrees, roger, bringing it around. Many pollen jocks break off from the main group. They use their equipment to collect nectar from flowers. Barry flies down to watch the jocks collect the nectar. JOCK Stand to the side kid, it’s got a bit of a kick. The jock fires the gun, and recoils. Barry watches the gun fill up with nectar. "Bee Movie" - JS REVISIONS 8/13/07 23. BARRY Oh, that is one Nectar Collector. JOCK You ever see pollination up close? BARRY No, Sir. He takes off, and the excess pollen dust falls causing the flowers to come back to life. JOCK (as he pollinates) I pick some pollen up over here, sprinkle it over here, maybe a dash over there, pinch on that one...see that? It’s a little bit of magic, ain’t it? The FLOWERS PERK UP as he pollinates. BARRY Wow. That’s amazing. Why do we do that? JOCK ...that’s pollen power, Kid. More pollen, more flowers, more nectar, more honey for us. BARRY Cool. The Jock WINKS at Barry. Barry rejoins the other jocks in the sky. They swoop in over a pond, kissing the surface. We see their image reflected in the water; they’re really moving. They fly over a fountain. BUZZ I’m picking up a lot of bright yellow, could be daisies. Don’t we need those? SPLITZ Copy that visual. We see what appear to be yellow flowers on a green field. "Bee Movie" - JS REVISIONS 8/13/07 24. They go into a deep bank and dive. BUZZ Hold on, one of these flowers seems to be on the move. SPLITZ Say again...Are you reporting a moving flower? BUZZ Affirmative. SEQ. 900 - “TENNIS GAME” The pollen jocks land. It is a tennis court with dozens of tennis balls. A COUPLE, VANESSA and KEN, plays tennis. The bees land right in the midst of a group of balls. KEN (O.C) That was on the line! The other bees start walking around amongst the immense, yellow globes. SPLITZ This is the coolest. What is it? They stop at a BALL on a white line and look up at it. JACKSON I don’t know, but I’m loving this color. SPLITZ (smelling tennis ball) Smells good. Not like a flower. But I like it. JACKSON Yeah, fuzzy. BUZZ Chemical-y. JACKSON Careful, guys, it’s a little grabby. Barry LANDS on a ball and COLLAPSES. "Bee Movie" - JS REVISIONS 8/13/07 25. BARRY Oh my sweet lord of bees. JACKSON Hey, candy brain, get off there! Barry attempts to pulls his legs off, but they stick. BARRY Problem! A tennis shoe and a hand ENTER FRAME. The hand picks up the ball with Barry underneath it. BARRY (CONT'D) Guys! BUZZ This could be bad. JACKSON Affirmative. Vanessa walks back to the service line, BOUNCES the ball. Each time it BOUNCES, the other bees cringe and GASP. ANGLE ON: Barry, terrified. Pure dumb luck, he’s not getting squished. BARRY (with each bounce) Very close...Gonna Hurt...Mamma’s little boy. SPLITZ You are way out of position, rookie. ANGLE ON: Vanessa serving. We see Barry and the ball up against the racket as she brings it back. She tosses the ball into the air; Barry’s eyes widen. The ball is STRUCK, and the rally is on. KEN Coming in at you like a missile! Ken HITS the ball back. Barry feels the g-forces. ANGLE ON: The Pollen Jocks watching Barry pass by them in SLOW MOTION. "Bee Movie" - JS REVISIONS 8/13/07 26. BARRY (in slow motion) Help me! JACKSON You know, I don't think these are flowers. SPLITZ Should we tell him? JACKSON I think he knows. BARRY (O.S) What is this?! Vanessa HITS a high arcing lob. Ken waits, poised for the return. We see Barry having trouble maneuvering the ball from fatigue. KEN (overly confident) Match point! ANGLE ON: Ken running up. He has a killer look in his eyes. He’s going to hit the ultimate overhead smash. KEN (CONT'D) You can just start packing up Honey, because I believe you’re about to eat it! ANGLE ON: Pollen Jocks. JACKSON Ahem! Ken is distracted by the jock. KEN What? No! He misses badly. The ball rockets into oblivion. Barry is still hanging on. ANGLE ON: Ken, berating himself. KEN (CONT’D) Oh, you cannot be serious. We hear the ball WHISTLING, and Barry SCREAMING. "Bee Movie" - JS REVISIONS 8/13/07 27. BARRY Yowser!!! SEQ. 1000 - “SUV” The ball flies through the air, and lands in the middle of the street. It bounces into the street again, and sticks in the grille of an SUV. INT. CAR ENGINE - CONTINUOUS BARRY’S POV: the grille of the SUV sucks him up. He tumbles through a black tunnel, whirling vanes, and pistons. BARRY AHHHHHHHHHHH!! OHHHH!! EECHHH!! AHHHHHH!! Barry gets chilled by the A/C system, and sees a frozen grasshopper. BARRY (CONT’D) (re: grasshopper) Eww, gross. CUT TO: INT. CAR - CONTINUOUS The car is packed with a typical suburban family: MOTHER, FATHER, eight-year old BOY, LITTLE GIRL in a car seat and a GRANDMOTHER. A big slobbery DOG is behind a grate. Barry pops into the passenger compartment, hitting the Mother’s magazine. MOTHER There’s a bee in the car! They all notice the bee and start SCREAMING. BARRY Aaahhhh! Barry tumbles around the car. We see the faces from his POV. MOTHER Do something! "Bee Movie" - JS REVISIONS 8/13/07 28. FATHER I’m driving! Barry flies by the little girl in her CAR SEAT. She waves hello. LITTLE GIRL Hi, bee. SON He’s back here! He’s going to sting me! The car SWERVES around the road. Barry flies into the back, where the slobbery dog SNAPS at him. Barry deftly avoids the jaws and gross, flying SPITTLE. MOTHER Nobody move. If you don’t move, he won’t sting you. Freeze! Everyone in the car freezes. Barry freezes. They stare at each other, eyes going back and forth, waiting to see who will make the first move. Barry blinks. GRANNY He blinked! Granny pulls out a can of HAIR SPRAY. SON Spray him, Granny! Granny sprays the hair spray everywhere. FATHER What are you doing? GRANNY It’s hair spray! Extra hold! MOTHER Kill it! Barry gets sprayed back by the hair spray, then sucked out of the sunroof. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 29. EXT. CITY STREET - CONTINUOUS BARRY Wow. The tension level out here is unbelievable. I’ve got to get home. As Barry flies down the street, it starts to RAIN. He nimbly avoids the rain at first. BARRY (CONT’D) Whoa. Whoa! Can’t fly in rain! Can’t fly in rain! Can’t fly in-- A couple of drops hit him, his wings go limp and he starts falling. BARRY (CONT'D) Mayday! Mayday! Bee going down! Barry sees a window ledge and aims for it and just makes it. Shivering and exhausted, he crawls into an open window as it CLOSES. SEQ. 1100 - “VANESSA SAVES BARRY” INT. VANESSA’S APARTMENT - CONTINUOUS Inside the window, Barry SHAKES off the rain like a dog. Vanessa, Ken, Andy, and Anna ENTER the apartment. VANESSA Ken, can you close the window please? KEN Huh? Oh. (to Andy) Hey, check out my new resume. I made it into a fold-out brochure. You see? It folds out. Ken holds up his brochure, with photos of himself, and a resume in the middle. ANGLE ON: Barry hiding behind the curtains, as Ken CLOSES THE WINDOW. "Bee Movie" - JS REVISIONS 8/13/07 30. BARRY Oh no, more humans. I don’t need this. Barry HOVERS up into the air and THROWS himself into the glass. BARRY (CONT’D) (dazed) Ow! What was that? He does it again, and then multiple more times. BARRY (CONT'D) Maybe this time...this time, this time, this time, this time, this time, this time, this time. Barry JUMPS onto the drapes. BARRY (CONT'D) (out of breath) Drapes! (then, re: glass) That is diabolical. KEN It’s fantastic. It’s got all my special skills, even my top ten favorite movies. ANDY What’s your number one? Star Wars? KEN Ah, I don’t go for that, (makes Star Wars noises), kind of stuff. ANGLE ON: Barry. BARRY No wonder we’re not supposed to talk to them. They’re out of their minds. KEN When I walk out of a job interview they’re flabbergasted. They can’t believe the things I say. Barry looks around and sees the LIGHT BULB FIXTURE in the middle of the ceiling. "Bee Movie" - JS REVISIONS 8/13/07 31. BARRY (re: light bulb) Oh, there’s the sun. Maybe that’s a way out. Barry takes off and heads straight for the light bulb. His POV: The seventy-five watt label grows as he gets closer. BARRY (CONT’D) I don’t remember the sun having a big seventy five on it. Barry HITS the bulb and is KNOCKED SILLY. He falls into a BOWL OF GUACAMOLE. Andy dips his chip in the guacamole, taking Barry with it. ANGLE ON: Ken and Andy. KEN I’ll tell you what. You know what? I predicted global warming. I could feel it getting hotter. At first I thought it was just me. Barry’s POV: Giant human mouth opening. KEN (CONT’D) Wait! Stop! Beeeeeee! ANNA Kill it! Kill it! They all JUMP up from their chairs. Andy looks around for something to use. Ken comes in for the kill with a big TIMBERLAND BOOT on each hand. KEN Stand back. These are winter boots. Vanessa ENTERS, and stops Ken from squashing Barry. VANESSA (grabs Ken’s arm) Wait. Don’t kill him. CLOSE UP: on Barry’s puzzled face. KEN You know I’m allergic to them. This thing could kill me. "Bee Movie" - JS REVISIONS 8/13/07 32. VANESSA Why does his life have any less value than yours? She takes a GLASS TUMBLER and places it over Barry. KEN Why does his life have any less value than mine? Is that your statement? VANESSA I’m just saying, all life has value. You don’t know what he’s capable of feeling. Barry looks up through the glass and watches this conversation, astounded. Vanessa RIPS Ken’s resume in half and SLIDES it under the glass. KEN (wistful) My brochure. There’s a moment of eye contact as she carries Barry to the window. She opens it and sets him free. VANESSA There you go, little guy. KEN (O.C) I’m not scared of them. But, you know, it’s an allergic thing. ANDY (O.C) * Hey, why don’t you put that on your * resume-brochure? * KEN (O.C) It’s not funny, my whole face could puff up. ANDY (O.C) Make it one of your “Special Skills.” KEN (O.C) You know, knocking someone out is also a special skill. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 33. EXT. WINDOWSILL - CONTINUOUS Barry stares over the window frame. He can’t believe what’s just happened. It is still RAINING. DISSOLVE TO: SEQ. 1200 - “BARRY SPEAKS” EXT. WINDOWSILL - LATER Barry is still staring through the window. Inside, everyone’s saying their good-byes. KEN Vanessa, next week? Yogurt night? VANESSA Uh, yeah sure Ken. You know, whatever. KEN You can put carob chips on there. VANESSA Good night. KEN (as he exits) Supposed to be less calories, or something. VANESSA Bye. She shuts the door. Vanessa starts cleaning up. BARRY I’ve got to say something. She saved my life. I’ve got to say something. Alright, here it goes. Barry flies in. "Bee Movie" - JS REVISIONS 8/13/07 34. INT. VANESSA’S APARTMENT - CONTINUOUS Barry hides himself on different PRODUCTS placed along the kitchen shelves. He hides on a Bumblebee Tuna can, and a “Greetings From Coney Island” MUSCLE-MAN POSTCARD on the fridge. BARRY (on fridge) What would I say? (landing on a bottle) I could really get in trouble. He stands looking at Vanessa. BARRY (CONT'D) It’s a bee law. You’re not supposed to talk to a human. I can’t believe I’m doing this. I’ve got to. Oh, I can’t do it! Come on! No, yes, no, do it! I can’t. How should I start it? You like jazz? No, that’s no good. Here she comes. Speak, you fool. As Vanessa walks by, Barry takes a DEEP BREATH. BARRY (CONT’D) (cheerful) Umm...hi. Vanessa DROPS A STACK OF DISHES, and HOPS BACK. BARRY (CONT’D) I’m sorry. VANESSA You’re talking. BARRY Yes, I know, I know. VANESSA You’re talking. BARRY I know, I’m sorry. I’m so sorry. VANESSA It’s okay. It’s fine. It’s just, I know I’m dreaming, but I don’t recall going to bed. "Bee Movie" - JS REVISIONS 8/13/07 35. BARRY Well, you know I’m sure this is very disconcerting. VANESSA Well yeah. I mean this is a bit of a surprise to me. I mean...you’re a bee. BARRY Yeah, I am a bee, and you know I’m not supposed to be doing this, but they were all trying to kill me and if it wasn’t for you...I mean, I had to thank you. It’s just the way I was raised. Vanessa intentionally JABS her hand with a FORK. VANESSA Ow! BARRY That was a little weird. VANESSA (to herself) I’m talking to a bee. BARRY Yeah. VANESSA I’m talking to a bee. BARRY Anyway... VANESSA And a bee is talking to me... BARRY I just want you to know that I’m grateful, and I’m going to leave now. VANESSA Wait, wait, wait, wait, how did you learn to do that? BARRY What? "Bee Movie" - JS REVISIONS 8/13/07 36. VANESSA The talking thing. BARRY Same way you did, I guess. Mama, Dada, honey, you pick it up. VANESSA That’s very funny. BARRY Yeah. Bees are funny. If we didn’t laugh, we’d cry. With what we have to deal with. Vanessa LAUGHS. BARRY (CONT’D) Anyway. VANESSA Can I, uh, get you something? BARRY Like what? VANESSA I don’t know. I mean, I don’t know. Coffee? BARRY Well, uh, I don’t want to put you out. VANESSA It’s no trouble. BARRY Unless you’re making anyway. VANESSA Oh, it takes two minutes. BARRY Really? VANESSA It’s just coffee. BARRY I hate to impose. "Bee Movie" - JS REVISIONS 8/13/07 37. VANESSA Don’t be ridiculous. BARRY Actually, I would love a cup. VANESSA Hey, you want a little rum cake? BARRY I really shouldn’t. VANESSA Have a little rum cake. BARRY No, no, no, I can’t. VANESSA Oh, come on. BARRY You know, I’m trying to lose a couple micrograms here. VANESSA Where? BARRY Well... These stripes don’t help. VANESSA You look great. BARRY I don’t know if you know anything about fashion. Vanessa starts POURING the coffee through an imaginary cup and directly onto the floor. BARRY (CONT'D) Are you alright? VANESSA No. DISSOLVE TO: SEQ. 1300 - “ROOFTOP COFFEE” "Bee Movie" - JS REVISIONS 8/13/07 38. EXT. VANESSA’S ROOF - LATER Barry and Vanessa are drinking coffee on her roof terrace. He is perched on her keychain. BARRY ...He can’t get a taxi. He’s making the tie in the cab, as they’re flying up Madison. So he finally gets there. VANESSA Uh huh? BARRY He runs up the steps into the church, the wedding is on... VANESSA Yeah? BARRY ...and he says, watermelon? I thought you said Guatemalan. VANESSA Uh huh? BARRY Why would I marry a watermelon? Barry laughs. Vanessa doesn’t. VANESSA Oh! Is that, uh, a bee joke? BARRY Yeah, that’s the kind of stuff that we do. VANESSA Yeah, different. A BEAT. VANESSA (CONT’D) So anyway...what are you going to do, Barry? "Bee Movie" - JS REVISIONS 8/13/07 39. BARRY About work? I don’t know. I want to do my part for the hive, but I can’t do it the way they want. VANESSA I know how you feel. BARRY You do? VANESSA Sure, my parents wanted me to be a lawyer or doctor, but I wanted to be a florist. BARRY Really? VANESSA My only interest is flowers. BARRY Our new queen was just elected with that same campaign slogan. VANESSA Oh. BARRY Anyway, see there’s my hive, right there. You can see it. VANESSA Oh, you’re in Sheep Meadow. BARRY (excited) Yes! You know the turtle pond? VANESSA Yes? BARRY I’m right off of that. VANESSA Oh, no way. I know that area. Do you know I lost a toe-ring there once? BARRY Really? "Bee Movie" - JS REVISIONS 8/13/07 40. VANESSA Yes. BARRY Why do girls put rings on their toes? VANESSA Why not? BARRY I don’t know. It’s like putting a hat on your knee. VANESSA Really? Okay. A JANITOR in the background changes a LIGHTBULB. To him, it appears that Vanessa is talking to an imaginary friend. JANITOR You all right, ma’am? VANESSA Oh, yeah, fine. Just having two cups of coffee. BARRY Anyway, this has been great. (wiping his mouth) Thanks for the coffee. Barry gazes at Vanessa. VANESSA Oh yeah, it’s no trouble. BARRY Sorry I couldn’t finish it. Vanessa giggles. BARRY (CONT'D) (re: coffee) If I did, I’d be up the rest of my life. Ummm. Can I take a piece of this with me? VANESSA Sure. Here, have a crumb. She takes a CRUMB from the plate and hands it to Barry. "Bee Movie" - JS REVISIONS 8/13/07 41. BARRY (a little dreamy) Oh, thanks. VANESSA Yeah. There is an awkward pause. BARRY Alright, well then, I guess I’ll see you around, or not, or... VANESSA Okay Barry. BARRY And thank you so much again, for before. VANESSA Oh that? BARRY Yeah. VANESSA Oh, that was nothing. BARRY Well, not nothing, but, anyway... Vanessa extends her hand, and shakes Barry’s gingerly. The Janitor watches. The lightbulb shorts out. The Janitor FALLS. CUT TO: SEQ. 1400 - “HONEX” INT. HONEX BUILDING - NEXT DAY ANGLE ON: A TEST BEE WEARING A PARACHUTE is in a wind tunnel, hovering through increasingly heavy wind. SIGNS UNDER A FLASHING LIGHT READ: “Test In Progress” & “Hurricane Survival Test”. 2 BEES IN A LAB COATS are observing behind glass. "Bee Movie" - JS REVISIONS 8/13/07 42. LAB COAT BEE 1 This can’t possibly work. LAB COAT BEE 2 Well, he’s all set to go, we may as well try it. (into the mic) Okay Dave, pull the chute. The test bee opens his parachute. He’s instantly blown against the rear wall. Adam and Barry ENTER. ADAM Sounds amazing. BARRY Oh, it was amazing. It was the scariest, happiest moment of my life. ADAM Humans! Humans! I can’t believe you were with humans! Giant scary humans! What were they like? BARRY Huge and crazy. They talk crazy, they eat crazy giant things. They drive around real crazy. ADAM And do they try and kill you like on TV? BARRY Some of them. But some of them don’t. ADAM How’d you get back? BARRY Poodle. ADAM Look, you did it. And I’m glad. You saw whatever you wanted to see out there, you had your “experience”, and now you’re back, you can pick out your job, and everything can be normal. "Bee Movie" - JS REVISIONS 8/13/07 43. ANGLE ON: LAB BEES examining a CANDY CORN through a microscope. BARRY Well... ADAM Well? BARRY Well, I met someone. ADAM You met someone? Was she Bee-ish? BARRY Mmm. ADAM Not a WASP? Your parents will kill you. BARRY No, no, no, not a wasp. ADAM Spider? BARRY You know, I’m not attracted to the spiders. I know to everyone else it’s like the hottest thing with the eight legs and all. I can’t get by that face. Barry makes a spider face. ADAM So, who is she? BARRY She’s a human. ADAM Oh no, no, no, no. That didn’t happen. You didn’t do that. That is a bee law. You wouldn’t break a bee law. BARRY Her name’s Vanessa. "Bee Movie" - JS REVISIONS 8/13/07 44. ADAM Oh, oh boy! BARRY She’s so-o nice. And she’s a florist! ADAM Oh, no. No, no, no! You’re dating a human florist? BARRY We’re not dating. ADAM You’re flying outside the hive. You’re talking to human beings that attack our homes with power washers and M-80’s. That’s 1/8 of a stick of dynamite. BARRY She saved my life. And she understands me. ADAM This is over. Barry pulls out the crumb. BARRY Eat this. Barry stuffs the crumb into Adam’s face. ADAM This is not over. What was that? BARRY They call it a crumb. ADAM That was SO STINGING STRIPEY! BARRY And that’s not even what they eat. That just falls off what they eat. Do you know what a Cinnabon is? ADAM No. "Bee Movie" - JS REVISIONS 8/13/07 45. BARRY It’s bread... ADAM Come in here! BARRY and cinnamon, ADAM Be quiet! BARRY and frosting...they heat it up-- ADAM Sit down! INT. ADAM’S OFFICE - CONTINUOUS BARRY Really hot! ADAM Listen to me! We are not them. We’re us. There’s us and there’s them. BARRY Yes, but who can deny the heart that is yearning... Barry rolls his chair down the corridor. ADAM There’s no yearning. Stop yearning. Listen to me. You have got to start thinking bee, my friend. ANOTHER BEE JOINS IN. ANOTHER BEE Thinking bee. WIDER SHOT AS A 3RD BEE ENTERS, popping up over the cubicle wall. 3RD BEE Thinking bee. EVEN WIDER SHOT AS ALL THE BEES JOIN IN. "Bee Movie" - JS REVISIONS 8/13/07 46. OTHER BEES Thinking bee. Thinking bee. Thinking bee. CUT TO: SEQ. 1500 - “POOLSIDE NAGGING” EXT. BACKYARD PARENT’S HOUSE - DAY Barry sits on a RAFT in a hexagon honey pool, legs dangling into the water. Janet Benson and Martin Benson stand over him wearing big, sixties sunglasses and cabana-type outfits. The sun shines brightly behind their heads. JANET BENSON (O.C) There he is. He’s in the pool. MARTIN BENSON You know what your problem is, Barry? BARRY I’ve got to start thinking bee? MARTIN BENSON Barry, how much longer is this going to go on? It’s been three days. I don’t understand why you’re not working. BARRY Well, I’ve got a lot of big life decisions I’m thinking about. MARTIN BENSON What life? You have no life! You have no job! You’re barely a bee! Barry throws his hands in the air. BARRY Augh. JANET BENSON Would it kill you to just make a little honey? Barry ROLLS off the raft and SINKS to the bottom of the pool. We hear his parents’ MUFFLED VOICES from above the surface. "Bee Movie" - JS REVISIONS 8/13/07 47. JANET BENSON (CONT'D) (muffled) Barry, come out from under there. Your father’s talking to you. Martin, would you talk to him? MARTIN BENSON Barry, I’m talking to you. DISSOLVE TO: EXT. PICNIC AREA - DAY MUSIC: “Sugar Sugar” by the Archies. Barry and Vanessa are having a picnic. A MOSQUITO lands on Vanessa’s leg. She SWATS it violently. Barry’s head whips around, aghast. They stare at each other awkwardly in a frozen moment, then BURST INTO HYSTERICAL LAUGHTER. Vanessa GETS UP. VANESSA You coming? BARRY Got everything? VANESSA All set. Vanessa gets into a one-man Ultra Light plane with a black and yellow paint scheme. She puts on her helmet. BARRY You go ahead, I’ll catch up. VANESSA (come hither wink) Don’t be too long. The Ultra Light takes off. Barry catches up. They fly sideby-side. VANESSA (CONT’D) Watch this! Vanessa does a loop, and FLIES right into the side of a mountain, BURSTING into a huge ball of flames. "Bee Movie" - JS REVISIONS 8/13/07 48. BARRY (yelling, anguished) Vanessa! EXT. BARRY’S PARENT’S HOUSE - CONTINUOUS ANGLE ON: Barry’s face bursting through the surface of the pool, GASPING for air, eyes opening in horror. MARTIN BENSON We’re still here, Barry. JANET BENSON I told you not to yell at him. He doesn’t respond when you yell at him. MARTIN BENSON Then why are you yelling at me? JANET BENSON Because you don’t listen. MARTIN BENSON I’m not listening to this. Barry is toweling off, putting on his sweater. BARRY Sorry Mom, I’ve got to go. JANET BENSON Where are you going? BARRY Nowhere. I’m meeting a friend. Barry JUMPS off the balcony and EXITS. JANET BENSON (calling after him) A girl? Is this why you can’t decide? BARRY Bye! JANET BENSON I just hope she’s Bee-ish. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 49. SEQ. 1700 - “STREETWALK/SUPERMARKET” EXT. VANESSA’S FLORIST SHOP - DAY Vanessa FLIPS the sign to say “Sorry We Missed You”, and locks the door. ANGLE ON: A POSTER on Vanessa’s door for the Tournament of Roses Parade in Pasadena. BARRY So they have a huge parade of just flowers every year in Pasadena? VANESSA Oh, to be in the Tournament of Roses, that’s every florist’s dream. Up on a float, surrounded by flowers, crowds cheering. BARRY Wow, a tournament. Do the roses actually compete in athletic events? VANESSA No. Alright, I’ve got one. How come you don’t fly everywhere? BARRY It’s exhausting. Why don’t you run everywhere? VANESSA Hmmm. BARRY Isn’t that faster? VANESSA Yeah, okay. I see, I see. Alright, your turn. Barry and Vanessa walk/fly down a New York side street, no other pedestrians near them. BARRY Ah! Tivo. You can just freeze live TV? That’s insane. "Bee Movie" - JS REVISIONS 8/13/07 50. VANESSA What, you don’t have anything like that? BARRY We have Hivo, but it’s a disease. It’s a horrible, horrible disease. VANESSA Oh my. They turn the corner onto a busier avenue and people start to swat at Barry. MAN Dumb bees! VANESSA You must just want to sting all those jerks. BARRY We really try not to sting. It’s usually fatal for us. VANESSA So you really have to watch your temper? They ENTER a SUPERMARKET. CUT TO: INT. SUPERMARKET BARRY Oh yeah, very carefully. You kick a wall, take a walk, write an angry letter and throw it out. You work through it like any emotion-- anger, jealousy, (under his breath) lust. Barry hops on top of some cardboard boxes in the middle of an aisle. A stock boy, HECTOR, whacks him with a rolled up magazine. VANESSA (to Barry) Oh my goodness. Are you okay? "Bee Movie" - JS REVISIONS 8/13/07 51. BARRY Yeah. Whew! Vanessa WHACKS Hector over the head with the magazine. VANESSA (to Hector) What is wrong with you?! HECTOR It’s a bug. VANESSA Well he’s not bothering anybody. Get out of here, you creep. Vanessa pushes him, and Hector EXITS, muttering. BARRY (shaking it off) What was that, a Pick and Save circular? VANESSA Yeah, it was. How did you know? BARRY It felt like about ten pages. Seventy-five’s pretty much our limit. VANESSA Boy, you’ve really got that down to a science. BARRY Oh, we have to. I lost a cousin to Italian Vogue. VANESSA I’ll bet. Barry stops, sees the wall of honey jars. BARRY What, in the name of Mighty Hercules, is this? How did this get here? Cute Bee? Golden Blossom? Ray Liotta Private Select? VANESSA Is he that actor? "Bee Movie" - JS REVISIONS 8/13/07 52. BARRY I never heard of him. Why is this here? VANESSA For people. We eat it. BARRY Why? (gesturing around the market) You don’t have enough food of your own? VANESSA Well yes, we-- BARRY How do you even get it? VANESSA Well, bees make it... BARRY I know who makes it! And it’s hard to make it! There’s Heating and Cooling, and Stirring...you need a whole Krelman thing. VANESSA It’s organic. BARRY It’s our-ganic! VANESSA It’s just honey, Barry. BARRY Just...what?! Bees don’t know about this. This is stealing. A lot of stealing! You’ve taken our homes, our schools, our hospitals. This is all we have. And it’s on sale? I’m going to get to the bottom of this. I’m going to get to the bottom of all of this! He RIPS the label off the Ray Liotta Private Select. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 53. SEQ. 1800 - “WINDSHIELD” EXT. BACK OF SUPERMARKET LOADING DOCK - LATER THAT DAY Barry disguises himself by blacking out his yellow lines with a MAGIC MARKER and putting on some war paint. He sees Hector, the stock boy, with a knife CUTTING open cardboard boxes filled with honey jars. MAN You almost done? HECTOR Almost. Barry steps in some honey, making a SNAPPING noise. Hector stops and turns. HECTOR (CONT’D) He is here. I sense it. Hector grabs his BOX CUTTER. Barry REACTS, hides himself behind the box again. HECTOR (CONT’D) (talking too loud, to no one in particular) Well, I guess I’ll go home now, and just leave this nice honey out, with no one around. A BEAT. Hector pretends to exit. He takes a couple of steps in place. ANGLE ON: The honey jar. Barry steps out into a moody spotlight. BARRY You’re busted, box boy! HECTOR Ah ha! I knew I heard something. So, you can talk. Barry flies up, stinger out, pushing Hector up against the wall. As Hector backs up, he drops his knife. BARRY Oh, I can talk. And now you’re going to start talking. "Bee Movie" - JS REVISIONS 8/13/07 54. Where are you getting all the sweet stuff? Who’s your supplier?! HECTOR I don’t know what you’re talking about. I thought we were all friends. The last thing we want to do is upset any of you...bees! Hector grabs a PUSHPIN. Barry fences with his stinger. HECTOR (CONT’D) You’re too late. It’s ours now! BARRY You, sir, have crossed the wrong sword. HECTOR You, sir, are about to be lunch for my iguana, Ignacio! Barry and Hector get into a cross-swords, nose-to-nose confrontation. BARRY Where is the honey coming from? Barry knocks the pushpin out of his hand. Barry puts his stinger up to Hector’s nose. BARRY (CONT'D) Tell me where?! HECTOR (pointing to a truck) Honey Farms. It comes from Honey Farms. ANGLE ON: A Honey Farms truck leaving the parking lot. Barry turns, takes off after the truck through an alley. He follows the truck out onto a busy street, dodging a bus, and several cabs. CABBIE Crazy person! He flies through a metal pipe on the top of a truck. BARRY OOOHHH! "Bee Movie" - JS REVISIONS 8/13/07 55. BARRY (CONT'D) Barry grabs onto a bicycle messenger’s backpack. The honey farms truck starts to pull away. Barry uses the bungee cord to slingshot himself towards the truck. He lands on the windshield, where the wind plasters him to the glass. He looks up to find himself surrounded by what appear to be DEAD BUGS. He climbs across, working his way around the bodies. BARRY (CONT’D) Oh my. What horrible thing has happened here? Look at these faces. They never knew what hit them. And now they’re on the road to nowhere. A MOSQUITO opens his eyes. MOOSEBLOOD Pssst! Just keep still. BARRY What? You’re not dead? MOOSEBLOOD Do I look dead? Hey man, they will wipe anything that moves. Now, where are you headed? BARRY To Honey Farms. I am onto something huge here. MOOSEBLOOD I’m going to Alaska. Moose blood. Crazy stuff. Blows your head off. LADYBUG I’m going to Tacoma. BARRY (to fly) What about you? MOOSEBLOOD He really is dead. BARRY Alright. The WIPER comes towards them. "Bee Movie" - JS REVISIONS 8/13/07 56. MOOSEBLOOD Uh oh. BARRY What is that? MOOSEBLOOD Oh no! It’s a wiper, triple blade! BARRY Triple blade? MOOSEBLOOD Jump on. It’s your only chance, bee. They hang on as the wiper goes back and forth. MOOSEBLOOD (CONT'D) (yelling to the truck driver through the glass) Why does everything have to be so dog-gone clean?! How much do you people need to see? Open your eyes! Stick your head out the window! CUT TO: INT. TRUCK CAB SFX: Radio. RADIO VOICE For NPR News in Washington, I’m Carl Kasell. EXT. TRUCK WINDSHIELD MOOSEBLOOD But don’t kill no more bugs! The Mosquito is FLUNG off of the wiper. MOOSEBLOOD (CONT'D) Beeeeeeeeeeeeee! BARRY Moose blood guy! "Bee Movie" - JS REVISIONS 8/13/07 57. Barry slides toward the end of the wiper, is thrown off, but he grabs the AERIAL and hangs on for dear life. Barry looks across and sees a CRICKET on another vehicle in the exact same predicament. They look at each other and SCREAM in unison. BARRY AND CRICKET Aaaaaaaaaah! ANOTHER BUG grabs onto the aerial, and screams as well. INT. TRUCK CAB - SAME TIME DRIVER You hear something? TRUCKER PASSENGER Like what? DRIVER Like tiny screaming. TRUCKER PASSENGER Turn off the radio. The driver reaches down and PRESSES a button, lowering the aerial. EXT. TRUCK WINDSHIELD - SAME TIME Barry and the other bug do a “choose up” to the bottom, Barry wins. BARRY Aha! Then he finally has to let go and gets thrown into the truck horn atop cab. Mooseblood is inside. MOOSEBLOOD Hey, what’s up bee boy? BARRY Hey, Blood! DISSOLVE TO: "Bee Movie" - JS REVISIONS 8/13/07 58. INT. TRUCK HORN - LATER BARRY ...and it was just an endless row of honey jars as far as the eye could see. MOOSEBLOOD Wow. BARRY So I’m just assuming wherever this honey truck goes, that’s where they’re getting it. I mean, that honey’s ours! MOOSEBLOOD Bees hang tight. BARRY Well, we’re all jammed in there. It’s a close community. MOOSEBLOOD Not us, man. We’re on our own. Every mosquito is on his own. BARRY But what if you get in trouble? MOOSEBLOOD Trouble? You're a mosquito. You're in trouble! Nobody likes us. They’re just all smacking. People see a mosquito, smack, smack! BARRY At least you’re out in the world. You must meet a lot of girls. MOOSEBLOOD Mosquito girls try to trade up; get with a moth, dragonfly...mosquito girl don’t want no mosquito. A BLOOD MOBILE pulls up alongside. MOOSEBLOOD (CONT'D) Whoa, you have got to be kidding me. Mooseblood’s about to leave the building. So long bee. "Bee Movie" - JS REVISIONS 8/13/07 59. Mooseblood EXITS the horn, and jumps onto the blood mobile. MOOSEBLOOD (CONT'D) Hey guys. I knew I’d catch you all down here. Did you bring your crazy straws? CUT TO: SEQ. 1900 - “THE APIARY” EXT. APIARY - LATER Barry sees a SIGN, “Honey Farms” The truck comes to a stop. SFX: The Honey farms truck blares its horn. Barry flies out, lands on the hood. ANGLE ON: Two BEEKEEPERS, FREDDY and ELMO, walking around to the back of the gift shop. Barry follows them, and lands in a nearby tree FREDDY ...then we throw it in some jars, slap a label on it, and it’s pretty much pure profit. BARRY What is this place? ELMO Bees got a brain the size of a pinhead. FREDDY They are pinheads. The both LAUGH. ANGLE ON: Barry REACTING. They arrive at the back of the shop where one of them opens a SMOKER BOX. FREDDY (CONT’D) Hey, check out the new smoker. "Bee Movie" - JS REVISIONS 8/13/07 60. ELMO Oh, Sweet. That’s the one you want. FREDDY The Thomas 3000. BARRY Smoker? FREDDY 90 puffs a minute, semi-automatic. Twice the nicotine, all the tar. They LAUGH again, nefariously. FREDDY (CONT’D) Couple of breaths of this, and it knocks them right out. They make the honey, and we make the money. BARRY “They make the honey, and we make the money?” Barry climbs onto the netting of Freddy’s hat. He climbs up to the brim and looks over the edge. He sees the apiary boxes as Freddy SMOKES them. BARRY (CONT'D) Oh my. As Freddy turns around, Barry jumps into an open apiary box, and into an apartment. HOWARD and FRAN are just coming to from the smoking. BARRY (CONT’D) What’s going on? Are you okay? HOWARD Yeah, it doesn’t last too long. HE COUGHS a few times. BARRY How did you two get here? Do you know you’re in a fake hive with fake walls? HOWARD (pointing to a picture on the wall) "Bee Movie" - JS REVISIONS 8/13/07 61. Our queen was moved here, we had no choice. BARRY (looking at a picture on the wall) This is your queen? That’s a man in women’s clothes. That’s a dragqueen! The other wall opens. Barry sees the hundreds of apiary boxes. BARRY (CONT'D) What is this? Barry pulls out his camera, and starts snapping. BARRY (CONT’D) Oh no. There’s hundreds of them. (V.O, as Barry takes pictures) Bee honey, our honey, is being brazenly stolen on a massive scale. CUT TO: SEQ. 2100 - “BARRY TELLS FAMILY” INT. BARRY’S PARENT’S HOUSE - LIVING ROOM - LATER Barry has assembled his parents, Adam, and Uncle Carl. BARRY This is worse than anything the bears have done to us. And I intend to do something about it. JANET BENSON Oh Barry, stop. MARTIN BENSON Who told you that humans are taking our honey? That’s just a rumor. BARRY Do these look like rumors? Barry throws the PICTURES on the table. Uncle Carl, cleaning his glasses with his shirt tail, digs through a bowl of nuts with his finger. "Bee Movie" - JS REVISIONS 8/13/07 62. HOWARD (CONT'D) UNCLE CARL That’s a conspiracy theory. These are obviously doctored photos. JANET BENSON Barry, how did you get mixed up in all this? ADAM (jumping up) Because he’s been talking to humans! JANET BENSON Whaaat? MARTIN BENSON Talking to humans?! Oh Barry. ADAM He has a human girlfriend and they make out! JANET BENSON Make out? Barry? BARRY We do not. ADAM You wish you could. BARRY Who’s side are you on? ADAM The bees! Uncle Carl stands up and pulls his pants up to his chest. UNCLE CARL I dated a cricket once in San Antonio. Man, those crazy legs kept me up all night. Hotcheewah! JANET BENSON Barry, this is what you want to do with your life? BARRY This is what I want to do for all our lives. Nobody works harder than bees. "Bee Movie" - JS REVISIONS 8/13/07 63. Dad, I remember you coming home some nights so overworked, your hands were still stirring. You couldn’t stop them. MARTIN BENSON Ehhh... JANET BENSON (to Martin) I remember that. BARRY What right do they have to our hardearned honey? We’re living on two cups a year. They’re putting it in lip balm for no reason what-soever. MARTIN BENSON Even if it’s true, Barry, what could one bee do? BARRY I’m going to sting them where it really hurts. MARTIN BENSON In the face? BARRY No. MARTIN BENSON In the eye? That would really hurt. BARRY No. MARTIN BENSON Up the nose? That’s a killer. BARRY No. There’s only one place you can sting the humans. One place where it really matters. CUT TO: SEQ. 2300 - “HIVE AT 5 NEWS/BEE LARRY KING” "Bee Movie" - JS REVISIONS 8/13/07 64. BARRY (CONT'D) INT. NEWS STUDIO - DAY DRAMATIC NEWS MUSIC plays as the opening news sequence rolls. We see the “Hive at Five” logo, followed by shots of past news events: A BEE freeway chase, a BEE BEARD protest rally, and a BEAR pawing at the hive as the BEES flee in panic. BOB BUMBLE (V.O.) Hive at Five, the hive’s only full hour action news source... SHOTS of NEWSCASTERS flash up on screen. BOB BUMBLE (V.O.) (CONT'D) With Bob Bumble at the anchor desk... BOB has a big shock of anchorman hair, gray temples and overly white teeth. BOB BUMBLE (V.O.) (CONT'D) ...weather with Storm Stinger, sports with Buzz Larvi, and Jeanette Chung. JEANETTE is an Asian bee. BOB BUMBLE (CONT'D) Good evening, I’m Bob Bumble. JEANETTE CHUNG And I’m Jeanette Chung. BOB BUMBLE Our top story, a tri-county bee, Barry Benson... INSERT: Barry’s graduation picture. BOB BUMBLE (CONT'D) ...is saying he intends to sue the human race for stealing our honey, packaging it, and profiting from it illegally. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 65. INT. BEENN STUDIO - BEE LARRY KING LIVE BEE LARRY KING, wearing suspenders and glasses, is interviewing Barry. A LOWER-THIRD CHYRON reads: “Bee Larry King Live.” BEE LARRY KING Don’t forget, tomorrow night on Bee Larry King, we are going to have three former Queens all right here in our studio discussing their new book, “Classy Ladies,” out this week on Hexagon. (to Barry) Tonight, we’re talking to Barry Benson. Did you ever think, I’m just a kid from the hive, I can’t do this? BARRY Larry, bees have never been afraid to change the world. I mean, what about Bee-Columbus? Bee-Ghandi? Be-geesus? BEE LARRY KING Well, where I’m from you wouldn’t think of suing humans. We were thinking more like stick ball, candy stores. BARRY How old are you? BEE LARRY KING I want you to know that the entire bee community is supporting you in this case, which is certain to be the trial of the bee century. BARRY Thank you, Larry. You know, they have a Larry King in the human world, too. BEE LARRY KING It’s a common name. Next week on Bee Larry King... "Bee Movie" - JS REVISIONS 8/13/07 66. BARRY No, I mean he looks like you. And he has a show with suspenders and different colored dots behind him. BEE LARRY KING Next week on Bee Larry King... BARRY Old guy glasses, and there’s quotes along the bottom from the guest you’re watching even though you just heard them... BEE LARRY KING Bear week next week! They’re scary, they’re hairy, and they’re here live. Bee Larry King EXITS. BARRY Always leans forward, pointy shoulders, squinty eyes... (lights go out) Very Jewish. CUT TO: SEQ. 2400 - “FLOWER SHOP” INT. VANESSA’S FLOWER SHOP - NIGHT Stacks of law books are piled up, legal forms, etc. Vanessa is talking with Ken in the other room. KEN Look, in tennis, you attack at the point of weakness. VANESSA But it was my grandmother, Ken. She’s 81. KEN Honey, her backhand’s a joke. I’m not going to take advantage of that? "Bee Movie" - JS REVISIONS 8/13/07 67. BARRY (O.C) Quiet please. Actual work going on here. KEN Is that that same bee? BARRY (O.C) Yes it is. VANESSA I’m helping him sue the human race. KEN What? Barry ENTERS. BARRY Oh, hello. KEN Hello Bee. Barry flies over to Vanessa. VANESSA This is Ken. BARRY Yeah, I remember you. Timberland, size 10 1/2, Vibram sole I believe. KEN Why does he talk again, Hun? VANESSA (to Ken, sensing the tension) Listen, you’d better go because we’re really busy working. KEN But it’s our yogurt night. VANESSA (pushing him out the door) Oh...bye bye. She CLOSES the door. KEN Why is yogurt night so difficult?! "Bee Movie" - JS REVISIONS 8/13/07 68. Vanessa ENTERS the back room carrying coffee. VANESSA Oh you poor thing, you two have been at this for hours. BARRY Yes, and Adam here has been a huge help. ANGLE ON: A EMPTY CINNABON BOX with Adam asleep inside, covered in frosting. VANESSA How many sugars? BARRY Just one. I try not to use the competition. So, why are you helping me, anyway? VANESSA Bees have good qualities. BARRY (rowing on the sugar cube like a gondola) Si, Certo. VANESSA And it feels good to take my mind off the shop. I don’t know why, instead of flowers, people are giving balloon bouquets now. BARRY Yeah, those are great...if you’re 3. VANESSA And artificial flowers. BARRY (re: plastic flowers) Oh, they just get me psychotic! VANESSA Yeah, me too. BARRY The bent stingers, the pointless pollination. "Bee Movie" - JS REVISIONS 8/13/07 69. VANESSA Bees must hate those fake plastic things. BARRY There’s nothing worse than a daffodil that’s had work done. VANESSA (holding up the lawsuit documents) Well, maybe this can make up for it a little bit. CUT TO: EXT. VANESSA’S FLORIST SHOP They EXIT the store, and cross to the mailbox. VANESSA You know Barry, this lawsuit is a pretty big deal. BARRY I guess. VANESSA Are you sure that you want to go through with it? BARRY Am I sure? (kicking the envelope into the mailbox) When I’m done with the humans, they won’t be able to say, “Honey, I’m home,” without paying a royalty. CUT TO: SEQ. 2700 - “MEET MONTGOMERY” EXT. MANHATTAN COURTHOUSE - DAY P.O.V SHOT - A camera feed turns on, revealing a newsperson. "Bee Movie" - JS REVISIONS 8/13/07 70. PRESS PERSON #2 (talking to camera) Sarah, it’s an incredible scene here in downtown Manhattan where all eyes and ears of the world are anxiously waiting, because for the first time in history, we’re going to hear for ourselves if a honey bee can actually speak. ANGLE ON: Barry, Vanessa, and Adam getting out of the cab. The press spots Barry and Vanessa and pushes in. Adam sits on Vanessa’s shoulder. INT. COURTHOUSE - CONTINUOUS Barry, Vanessa, and Adam sit at the Plaintiff’s Table. VANESSA (turns to Barry) What have we gotten into here, Barry? BARRY I don’t know, but it’s pretty big, isn’t it? ADAM I can’t believe how many humans don’t have to be at work during the day. BARRY Hey, you think these billion dollar multinational food companies have good lawyers? CUT TO: EXT. COURTHOUSE STEPS - CONTINUOUS A BIG BLACK CAR pulls up. ANGLE ON: the grill filling the frame. We see the “L.T.M” monogram on the hood ornament. The defense lawyer, LAYTON T. MONTGOMERY comes out, squashing a bug on the pavement. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 71. INT. COURTHOUSE - CONTINUOUS Barry SHUDDERS. VANESSA What’s the matter? BARRY I don’t know. I just got a chill. Montgomery ENTERS. He walks by Barry’s table shaking a honey packet. MONTGOMERY Well, if it isn’t the B-Team. (re: the honey packet) Any of you boys work on this? He CHUCKLES. The JUDGE ENTERS. SEQ. 3000 - “WITNESSES” BAILIFF All rise! The Honorable Judge Bumbleton presiding. JUDGE (shuffling papers) Alright...Case number 4475, Superior Court of New York. Barry Bee Benson vs. the honey industry, is now in session. Mr. Montgomery, you are representing the five major food companies, collectively. ANGLE ON: Montgomery’s BRIEFCASE. It has an embossed emblem of an EAGLE, holding a gavel in one talon and a briefcase in the other. MONTGOMERY A privilege. JUDGE Mr. Benson. Barry STANDS. JUDGE (CONT’D) You are representing all bees of the world? "Bee Movie" - JS REVISIONS 8/13/07 72. Montgomery, the stenographer, and the jury lean in. CUT TO: EXT. COURTHOUSE - CONTINUOUS The spectators outside freeze. The helicopters angle forward to listen closely. CUT TO: INT. COURTHOUSE BARRY Bzzz bzzz bzzz...Ahh, I’m kidding, I’m kidding. Yes, your honor. We are ready to proceed. ANGLE ON: Courtroom hub-bub. JUDGE And Mr. Montgomery, your opening statement, please. Montgomery rises. MONTGOMERY (grumbles, clears his throat) Ladies and gentlemen of the jury. My grandmother was a simple woman. Born on a farm, she believed it was man's divine right to benefit from the bounty of nature God put before us. If we were to live in the topsy-turvy world Mr. Benson imagines, just think of what it would mean. Maybe I would have to negotiate with the silk worm for the elastic in my britches. Talking bee. How do we know this isn’t some sort of holographic motion picture capture Hollywood wizardry? They could be using laser beams, robotics, ventriloquism, cloning...for all we know he could be on steroids! Montgomery leers at Barry, who moves to the stand. "Bee Movie" - JS REVISIONS 8/13/07 73. JUDGE Mr. Benson? Barry makes his opening statement. BARRY Ladies and Gentlemen of the jury, there’s no trickery here. I’m just an ordinary bee. And as a bee, honey’s pretty important to me. It’s important to all bees. We invented it, we make it, and we protect it with our lives. Unfortunately, there are some people in this room who think they can take whatever they want from us cause we’re the little guys. And what I’m hoping is that after this is all over, you’ll see how by taking our honey, you’re not only taking away everything we have, but everything we are. ANGLE ON: Vanessa smiling. ANGLE ON: The BEE GALLERY wiping tears away. CUT TO: INT. BENSON HOUSE Barry’s family is watching the case on TV. JANET BENSON Oh, I wish he would dress like that all the time. So nice... CUT TO: INT. COURTROOM - LATER JUDGE Call your first witness. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 74. INT. COURTHOUSE - LATER BARRY So, Mr. Klauss Vanderhayden of Honey Farms. Pretty big company you have there? MR. VANDERHAYDEN I suppose so. BARRY And I see you also own HoneyBurton, and Hon-Ron. MR. VANDERHAYDEN Yes. They provide beekeepers for our farms. BARRY Beekeeper. I find that to be a very disturbing term, I have to say. I don’t imagine you employ any bee free-ers, do you? MR. VANDERHAYDEN No. BARRY I’m sorry. I couldn’t hear you. MR. VANDERHAYDEN (louder) No. BARRY No. Because you don’t free bees. You keep bees. And not only that, it seems you thought a bear would be an appropriate image for a jar of honey? MR. VANDERHAYDEN Well, they’re very lovable creatures. Yogi-bear, Fozzy-bear, Build-a-bear. BARRY Yeah, you mean like this?! Vanessa and the SUPERINTENDANT from her building ENTER with a GIANT FEROCIOUS GRIZZLY BEAR. He has a neck collar and chains extending from either side. "Bee Movie" - JS REVISIONS 8/13/07 75. By pulling the chains, they bring him directly in front of Vanderhayden. The bear LUNGES and ROARS. BARRY (CONT'D) Bears kill bees! How would you like his big hairy head crashing into your living room? Biting into your couch, spitting out your throwpillows...rowr, rowr! The bear REACTS. BEAR Rowr!! BARRY Okay, that’s enough. Take him away. Vanessa and the Superintendant pull the bear out of the courtroom. Vanderhayden TREMBLES. The judge GLARES at him. CUT TO: INT. COURTROOM- A LITTLE LATER Barry questions STING. BARRY So, Mr. Sting. Thank you for being here. Your name intrigues me, I have to say. Where have I heard it before? STING I was with a band called "The Police". BARRY But you've never been a police officer of any kind, have you? STING No, I haven't. "Bee Movie" - JS REVISIONS 8/13/07 76. BARRY No, you haven’t. And so, here we have yet another example of bee culture being casually stolen by a human for nothing more than a prance-about stage name. STING Oh please. BARRY Have you ever been stung, Mr. Sting? Because I'm feeling a little stung, Sting. Or should I say, (looking in folder) Mr. Gordon M. Sumner? The jury GASPS. MONTGOMERY (to his aides) That’s not his real name? You idiots! CUT TO: INT. COURTHOUSE- LATER BARRY Mr. Liotta, first may I offer my belated congratulations on your Emmy win for a guest spot on E.R. in 2005. LIOTTA Thank you. Thank you. Liotta LAUGHS MANIACALLY. BARRY I also see from your resume that you’re devilishly handsome, but with a churning inner turmoil that’s always ready to blow. LIOTTA I enjoy what I do. Is that a crime? "Bee Movie" - JS REVISIONS 8/13/07 77. BARRY Not yet it isn’t. But is this what it’s come to for you, Mr. Liotta? Exploiting tiny helpless bees so you don’t have to rehearse your part, and learn your lines, Sir? LIOTTA Watch it Benson, I could blow right now. BARRY This isn’t a goodfella. This is a badfella! LIOTTA (exploding, trying to smash Barry with the Emmy) Why doesn’t someone just step on this little creep and we can all go home? You’re all thinking it. Say it! JUDGE Order! Order in this courtroom! A MONTAGE OF NEWSPAPER HEADLINES FOLLOWS: NEW YORK POST: “Bees to Humans: Buzz Off”. NEW YORK TELEGRAM: “Sue Bee”. DAILY VARIETY: “Studio Dumps Liotta Project. Slams Door on Unlawful Entry 2.” CUT TO: SEQ. 3175 - “CANDLELIGHT DINNER” INT. VANESSA’S APARTMENT Barry and Vanessa are having a candle light dinner. Visible behind Barry is a “LITTLE MISSY” SET BOX, with the flaps open. BARRY Well, I just think that was awfully nice of that bear to pitch in like that. "Bee Movie" - JS REVISIONS 8/13/07 78. VANESSA I’m telling you, I think the jury’s on our side. BARRY Are we doing everything right...you know, legally? VANESSA I’m a florist. BARRY Right, right. Barry raises his glass. BARRY (CONT’D) Well, here’s to a great team. VANESSA To a great team. They toast. Ken ENTERS KEN Well hello. VANESSA Oh...Ken. BARRY Hello. VANESSA I didn’t think you were coming. KEN No, I was just late. I tried to call. But, (holding his cell phone) the battery... VANESSA I didn’t want all this to go to waste, so I called Barry. Luckily he was free. BARRY Yeah. KEN (gritting his teeth) Oh, that was lucky. "Bee Movie" - JS REVISIONS 8/13/07 79. VANESSA Well, there’s still a little left. I could heat it up. KEN Yeah, heat it up. Sure, whatever. Vanessa EXITS. Ken and Barry look at each other as Barry eats. BARRY So, I hear you’re quite a tennis player. I’m not much for the game myself. I find the ball a little grabby. KEN That’s where I usually sit. Right there. VANESSA (O.C) Ken, Barry was looking at your resume, and he agreed with me that “eating with chopsticks” isn’t really a special skill. KEN (to Barry) You think I don’t see what you’re doing? BARRY Hey look, I know how hard it is trying to find the right job. We certainly have that in common. KEN Do we? BARRY Well, bees have 100% employment, of course. But we do jobs like taking the crud out. KEN That’s just what I was thinking about doing. Ken holds his table knife up. It slips out of his hand. He goes under the table to pick it up. "Bee Movie" - JS REVISIONS 8/13/07 80. VANESSA Ken, I let Barry borrow your razor for his fuzz. I hope that was alright. Ken hits his head on the table. BARRY I’m going to go drain the old stinger. KEN Yeah, you do that. Barry EXITS to the bathroom, grabbing a small piece of a VARIETY MAGAZINE on the way. BARRY Oh, look at that. Ken slams the champagne down on the table. Ken closes his eyes and buries his face in his hands. He grabs a magazine on the way into the bathroom. SEQ. 2800 - “BARRY FIGHTS KEN” INT. BATHROOM - CONTINUOUS Ken ENTERS, closes the door behind him. He’s not happy. Barry is washing his hands. He glances back at Ken. KEN You know, I’ve just about had it with your little mind games. BARRY What’s that? KEN Italian Vogue. BARRY Mamma Mia, that’s a lot of pages. KEN It’s a lot of ads. BARRY Remember what Van said. Why is your life any more valuable than mine? "Bee Movie" - JS REVISIONS 8/13/07 81. KEN It’s funny, I just can’t seem to recall that! Ken WHACKS at Barry with the magazine. He misses and KNOCKS EVERYTHING OFF THE VANITY. Ken grabs a can of AIR FRESHENER. KEN (CONT'D) I think something stinks in here. He sprays at Barry. BARRY I love the smell of flowers. KEN Yeah? How do you like the smell of flames? Ken lights the stream. BARRY Not as much. Barry flies in a circle. Ken, trying to stay with him, spins in place. ANGLE ON: Flames outside the bathroom door. Ken slips on the Italian Vogue, falls backward into the shower, pulling down the shower curtain. The can hits him in the head, followed by the shower curtain rod, and the rubber duck. Ken reaches back, grabs the handheld shower head. He whips around, looking for Barry. ANGLE ON: A WATERBUG near the drain. WATERBUG Waterbug. Not taking sides. Barry is on the toilet tank. He comes out from behind a shampoo bottle, wearing a chapstick cap as a helmet. BARRY Ken, look at me! I’m wearing a chapstick hat. This is pathetic. ANGLE ON: Ken turning the hand shower nozzle from “GENTLE”, to “TURBO”, to “LETHAL”. "Bee Movie" - JS REVISIONS 8/13/07 82. KEN I’ve got issues! Ken fires the water at Barry, knocking him into the toilet. The items from the vanity (emory board, lipstick, eye curler, etc.) are on the toilet seat. Ken looks down at Barry. KEN (CONT'D) Well well well, a royal flush. BARRY You’re bluffing. KEN Am I? Ken flushes the toilet. Barry grabs the Emory board and uses it to surf. He puts his hand in the water while he’s surfing. Some water splashes on Ken. BARRY Surf’s up, dude! KEN Awww, poo water! He does some skate board-style half-pipe riding. Barry surfs out of the toilet. BARRY That bowl is gnarly. Ken tries to get a shot at him with the toilet brush. KEN Except for those dirty yellow rings. Vanessa ENTERS. VANESSA Kenneth! What are you doing? KEN You know what? I don’t even like honey! I don’t eat it! VANESSA We need to talk! "Bee Movie" - JS REVISIONS 8/13/07 83. She pulls Ken out by his ear. Ken glares at Barry. CUT TO: INT. HALLWAY - CONTINUOUS VANESSA He’s just a little bee. And he happens to be the nicest bee I’ve met in a long time. KEN Long time? What are you talking about? Are there other bugs in your life? VANESSA No, but there are other things bugging me in life. And you’re one of them! KEN Fine! Talking bees, no yogurt night...my nerves are fried from riding on this emotional rollercoaster. VANESSA Goodbye, Ken. KEN Augh! VANESSA Whew! Ken EXITS, then re-enters frame. KEN And for your information, I prefer sugar-free, artificial sweeteners, made by man! He EXITS again. The DOOR SLAMS behind him. VANESSA (to Barry) I’m sorry about all that. Ken RE-ENTERS. "Bee Movie" - JS REVISIONS 8/13/07 84. KEN I know it’s got an aftertaste! I like it! BARRY (re: Ken) I always felt there was some kind of barrier between Ken and me. (puts his hands in his pockets) I couldn’t overcome it. Oh well. VANESSA Are you going to be okay for the trial tomorrow? BARRY Oh, I believe Mr. Montgomery is about out of ideas. CUT TO: SEQ. 3300 - “ADAM STINGS MONTY” INT. COURTROOM - NEXT DAY ANGLE ON: Medium shot of Montgomery standing at his table. MONTGOMERY We would like to call Mr. Barry Benson Bee to the stand. ADAM (whispering to Vanessa) Now that’s a good idea. (to Barry) You can really see why he’s considered one of the very best lawyers-- Oh. Barry rolls his eyes. He gets up, takes the stand. A juror in a striped shirt APPLAUDS. MR. GAMMIL (whispering) Layton, you’ve got to weave some magic with this jury, or it’s going to be all over. Montgomery is holding a BOOK, “The Secret Life of Bees”. "Bee Movie" - JS REVISIONS 8/13/07 85. MONTGOMERY (confidently whispering) Oh, don’t worry Mr. Gammil. The only thing I have to do to turn this jury around is to remind them of what they don’t like about bees. (to Gammil) You got the tweezers? Mr. Gammil NODS, and pats his breast pocket. MR. GAMMIL Are you allergic? MONTGOMERY Only to losing, son. Only to losing. Montgomery approaches the stand. MONTGOMERY (CONT’D) Mr. Benson Bee. I’ll ask you what I think we’d all like to know. What exactly is your relationship to that woman? Montgomery points to Vanessa. BARRY We’re friends. MONTGOMERY Good friends? BARRY Yes. MONTGOMERY (softly in Barry’s face) How good? BARRY What? MONTGOMERY Do you live together? BARRY Wait a minute, this isn’t about-- "Bee Movie" - JS REVISIONS 8/13/07 86. MONTGOMERY Are you her little... (clearing throat) ... bed bug? BARRY (flustered) Hey, that’s not the kind of-- MONTGOMERY I’ve seen a bee documentary or two. Now, from what I understand, doesn’t your Queen give birth to all the bee children in the hive? BARRY Yeah, but-- MONTGOMERY So those aren’t even your real parents! ANGLE ON: Barry’s parents. MARTIN BENSON Oh, Barry. BARRY Yes they are! ADAM Hold me back! Vanessa holds him back with a COFFEE STIRRER. Montgomery points to Barry’s parents. MONTGOMERY You’re an illegitimate bee, aren’t you Benson? ADAM He’s denouncing bees! All the bees in the courtroom start to HUM. They’re agitated. MONTGOMERY And don’t y’all date your cousins? "Bee Movie" - JS REVISIONS 8/13/07 87. VANESSA (standing, letting go of Adam) Objection! Adam explodes from the table and flies towards Montgomery. ADAM I’m going to pin cushion this guy! Montgomery turns around and positions himself by the judge’s bench. He sticks his butt out. Montgomery winks at his team. BARRY Adam, don’t! It’s what he wants! Adam shoves Barry out of the way. Adam STINGS Montgomery in the butt. The jury REACTS, aghast. MONTGOMERY Ow! I’m hit! Oh, lordy, I am hit! The judge BANGS her gavel. JUDGE Order! Order! Please, Mr. Montgomery. MONTGOMERY The venom! The venom is coursing through my veins! I have been felled by a wing-ed beast of destruction. You see? You can’t treat them like equals. They’re strip-ed savages! Stinging’s the only thing they know! It’s their way! ANGLE ON: Adam, collapsed on the floor. Barry rushes to his side. BARRY Adam, stay with me. ADAM I can’t feel my legs. Montgomery falls on the Bailiff. BAILIFF Take it easy. "Bee Movie" - JS REVISIONS 8/13/07 88. MONTGOMERY Oh, what angel of mercy will come forward to suck the poison from my heaving buttocks? The JURY recoils. JUDGE Please, I will have order in this court. Order! Order, please! FADE TO: SEQ. 3400 - “ADAM AT HOSPITAL” INT. HOSPITAL - STREET LEVEL ROOM - DAY PRESS PERSON #1 (V.O) The case of the honey bees versus the human race took a pointed turn against the bees yesterday, when one of their legal team stung Layton T. Montgomery. Now here’s Don with the 5-day. A NURSE lets Barry into the room. Barry CARRIES a FLOWER. BARRY Thank you. Barry stands over Adam, in a bed. Barry lays the flower down next to him. The TV is on. BARRY (CONT'D) Hey buddy. ADAM Hey. BARRY Is there much pain? Adam has a BEE-SIZED PAINKILLER HONEY BUTTON near his head that he presses. ADAM (pressing the button) Yeah...I blew the whole case, didn’t I? "Bee Movie" - JS REVISIONS 8/13/07 89. BARRY Oh, it doesn’t matter. The important thing is you’re alive. You could have died. ADAM I’d be better off dead. Look at me. Adam THROWS the blanket off his lap, revealing a GREEN SANDWICH SWORD STINGER. ADAM (CONT’D) (voice cracking) They got it from the cafeteria, they got it from downstairs. In a tuna sandwich. Look, there’s a little celery still on it. BARRY What was it like to sting someone? ADAM I can’t explain it. It was all adrenaline...and then...ecstasy. Barry looks at Adam. BARRY Alright. ADAM You think that was all a trap? BARRY Of course. I’m sorry. I flew us right into this. What were we thinking? Look at us, we’re just a couple of bugs in this world. ADAM What do you think the humans will do to us if they win? BARRY I don’t know. ADAM I hear they put the roaches in motels. That doesn’t sound so bad. "Bee Movie" - JS REVISIONS 8/13/07 90. BARRY Adam, they check in, but they don’t check out. Adam GULPS. ADAM Oh my. ANGLE ON: the hospital window. We see THREE PEOPLE smoking outside on the sidewalk. The smoke drifts in. Adam COUGHS. ADAM (CONT’D) Say, could you get a nurse to close that window? BARRY Why? ADAM The smoke. Bees don’t smoke. BARRY Right. Bees don’t smoke. Bees don’t smoke! But some bees are smoking. Adam, that’s it! That’s our case. Adam starts putting his clothes on. ADAM It is? It’s not over? BARRY No. Get up. Get dressed. I’ve got to go somewhere. You get back the court and stall. Stall anyway you can. CUT TO: SEQ. 3500 - “SMOKING GUN” INT. COURTROOM - THE NEXT DAY Adam is folding a piece of paper into a boat. ADAM ...and assuming you’ve done step 29 correctly, you’re ready for the tub. "Bee Movie" - JS REVISIONS 8/13/07 91. ANGLE ON: The jury, all with paper boats of their own. JURORS Ooh. ANGLE ON: Montgomery frustrated with Gammil, who’s making a boat also. Monty crumples Gammil’s boat, and throws it at him. JUDGE Mr. Flayman? ADAM Yes? Yes, Your Honor? JUDGE Where is the rest of your team? ADAM (fumbling with his swordstinger) Well, your honor, it’s interesting. You know Bees are trained to fly kind of haphazardly and as a result quite often we don’t make very good time. I actually once heard a pretty funny story about a bee-- MONTGOMERY Your Honor, haven’t these ridiculous bugs taken up enough of this court’s valuable time? Montgomery rolls out from behind his table. He’s suspended in a LARGE BABY CHAIR with wheels. MONTGOMERY (CONT'D) How much longer are we going to allow these absurd shenanigans to go on? They have presented no compelling evidence to support their charges against my clients who have all run perfectly legitimate businesses. I move for a complete dismissal of this entire case. JUDGE Mr. Flayman, I am afraid I am going to have to consider Mr. Montgomery’s motion. "Bee Movie" - JS REVISIONS 8/13/07 92. ADAM But you can’t. We have a terrific case. MONTGOMERY Where is your proof? Where is the evidence? Show me the smoking gun. Barry bursts through the door. BARRY Hold it, your honor. You want a smoking gun? Here is your smoking gun. Vanessa ENTERS, holding a bee smoker Vanessa slams the beekeeper's SMOKER onto the judge’s bench. JUDGE What is that? BARRY It’s a Bee smoker. Montgomery GRABS the smoker. MONTGOMERY What, this? This harmless little contraption? This couldn’t hurt a fly, let alone a bee. He unintentionally points it towards the bee gallery, KNOCKING THEM ALL OUT. The jury GASPS. The press SNAPS pictures of them. BARRY Members of the jury, look at what has happened to bees who have never been asked, "Smoking or Non?" Is this what nature intended for us? To be forcibly addicted to these smoke machines in man-made wooden slat work camps? Living out our lives as honey slaves to the white man? Barry gestures dramatically towards Montgomery's racially mixed table. The BLACK LAWYER slowly moves his chair away. GAMMIL What are we going to do? "Bee Movie" - JS REVISIONS 8/13/07 93. MONTGOMERY (to Pross) He's playing the species card. Barry lands on the scale of justice, by the judge’s bench. It balances as he lands. BARRY Ladies and gentlemen, please, FreeThese-Bees! ANGLE ON: Jury, chanting "Free the bees". JUDGE The court finds in favor of the bees. The chaos continues. Barry flies over to Vanessa, with his hand up for a “high 5”. BARRY Vanessa, we won! VANESSA Yay! I knew you could do it. Highfive! She high 5’s Barry, sending him crashing to the table. He bounces right back up. VANESSA (CONT'D) Oh, sorry. BARRY Ow!! I’m okay. Vanessa, do you know what this means? All the honey is finally going to belong to the bees. Now we won’t have to work so hard all the time. Montgomery approaches Barry, surrounded by the press. The cameras and microphones go to Montgomery. MONTGOMERY (waving a finger) This is an unholy perversion of the balance of nature, Benson! You’ll regret this. ANGLE ON: Barry’s ‘deer in headlights’ expression, as the press pushes microphones in his face. "Bee Movie" - JS REVISIONS 8/13/07 94. PRESS PERSON 1 Barry, how much honey do you think is out there? BARRY Alright, alright, one at a time... SARAH Barry, who are you wearing? BARRY Uhhh, my sweater is Ralph Lauren, and I have no pants. The Press follows Barry as he EXITS. ANGLE ON: Adam and Vanessa. ADAM (putting papers away) What if Montgomery’s right? VANESSA What do you mean? ADAM We’ve been living the bee way a long time. 27 million years. DISSOLVE TO: SEQ. 3600 - “HONEY ROUNDUP” EXT. HONEY FARMS APIARY - MONTAGE SARAH (V.O) Congratulations on your victory. What are you going to demand as a settlement? BARRY (V.O) (over montage) First, we’re going to demand a complete shutdown of all bee work camps. Then, we want to get back all the honey that was ours to begin with. Every last drop. We demand an end to the glorification of the bear as anything more than a filthy, smelly, big-headed, bad breath, stink-machine. "Bee Movie" - JS REVISIONS 8/13/07 95. I believe we’re all aware of what they do in the woods. We will no longer tolerate derogatory beenegative nick-names, unnecessary inclusion of honey in bogus health products, and la-dee-da tea-time human snack garnishments. MONTAGE IMAGES: Close-up on an ATF JACKET, with the YELLOW LETTERS. Camera pulls back. We see an ARMY OF BEE AND HUMAN AGENTS wearing hastily made “Alcohol, Tobacco, Firearms, and Honey” jackets. Barry supervises. The gate to Honey Farms is locked permanently. All the smokers are collected and locked up. All the bees leave the Apiary. CUT TO: EXT. ATF OUTSIDE OF SUPERMARKET - MONTAGE Agents begin YANKING honey off the supermarket shelves, and out of shopping baskets. CUT TO: EXT. NEW HIVE CITY - MONTAGE The bees tear down a honey-bear statue. CUT TO: EXT. YELLOWSTONE FOREST - MONTAGE POV of a sniper’s crosshairs. An animated BEAR character looka-like, turns his head towards camera. BARRY Wait for my signal. ANGLE ON: Barry lowering his binoculars. BARRY (CONT'D) Take him out. The sniper SHOOTS the bear. It hits him in the shoulder. The bear looks at it. He gets woozy and the honey jar falls out of his lap, an ATF&H agent catches it. "Bee Movie" - JS REVISIONS 8/13/07 96. BARRY (V.O) (CONT'D) ATF&H AGENT (to the bear’s pig friend) He’ll have a little nausea for a few hours, then he’ll be fine. CUT TO: EXT. STING’S HOUSE - MONTAGE ATF&H agents SLAP CUFFS on Sting, who is meditating. STING But it’s just a prance-about stage name! CUT TO: INT. A WOMAN’S SHOWER - MONTAGE A WOMAN is taking a shower, and using honey shampoo. An ATF&H agent pulls the shower curtain aside, and grabs her bottle of shampoo. The woman SCREAMS. The agent turns to the 3 other agents, and Barry. ANGLE ON: Barry looking at the label on the shampoo bottle, shaking his head and writing in his clipboard. CUT TO: EXT. SUPERMARKET CAFE - MONTAGE Another customer, an old lady having her tea with a little jar of honey, gets her face pushed down onto the table and turned to the side by two agents. One of the agents has a gun on her. OLD LADY Can’t breathe. CUT TO: EXT. CENTRAL PARK - MONTAGE An OIL DRUM of honey is connected to Barry’s hive. "Bee Movie" - JS REVISIONS 8/13/07 97. BARRY Bring it in, boys. CUT TO: SEQ. 3650 - “NO MORE WORK” INT. HONEX - MONTAGE ANGLE ON: The honey goes past the 3-cup hash-mark, and begins to overflow. A WORKER BEE runs up to Buzzwell. WORKER BEE 1 Mr. Buzzwell, we just passed 3 cups, and there’s gallons mores coming. I think we need to shutdown. KEYCHAIN BEE (to Buzzwell) Shutdown? We’ve never shutdown. ANGLE ON: Buzzwell overlooking the factory floor. BUZZWELL Shutdown honey production! Stop making honey! ANGLE ON: TWO BEES, each with a KEY. BUZZWELL (CONT’D) Turn your key, Sir! They turn the keys simultaneously, War Games-style, shutting down the honey machines. ANGLE ON: the Taffy-Pull machine, Centrifuge, and Krelman all slowly come to a stop. The bees look around, bewildered. WORKER BEE 5 What do we do now? A BEAT. WORKER BEE 6 Cannon ball!! He jumps into a HONEY VAT, doesn’t penetrate the surface. He looks around, and slowly sinks down to his waist. "Bee Movie" - JS REVISIONS 8/13/07 98. EXT. HONEX FACTORY THE WHISTLE BLOWS, and the bees all stream out the exit. CUT TO: INT. J-GATE - CONTINUOUS Lou Loduca gives orders to the pollen jocks. LOU LODUCA We’re shutting down honey production. Mission abort. CUT TO: EXT. CENTRAL PARK Jackson receives the orders, mid-pollination. JACKSON Aborting pollination and nectar detail. Returning to base. CUT TO: EXT. NEW HIVE CITY ANGLE ON: Bees, putting sun-tan lotion on their noses and antennae, and sunning themselves on the balconies of the gyms. CUT TO: EXT. CENTRAL PARK ANGLE ON: THE FLOWERS starting to DROOP. CUT TO: INT. J-GATE J-Gate is deserted. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 99. EXT. NEW HIVE CITY ANGLE ON: Bees sunning themselves. A TIMER DINGS, and they all turn over. CUT TO: EXT. CENTRAL PARK TIME LAPSE of Central Park turning brown. CUT TO: EXT. VANESSA’S FLORIST SHOP CLOSE-UP SHOT: Vanessa writes “Sorry. No more flowers.” on a “Closed” sign, an turns it facing out. CUT TO: SEQ. 3700 - “IDLE HIVE” EXT. NEW HIVE CITY - DAY Barry flies at high speed. TRACKING SHOT into the hive, through the lobby of Honex, and into Adam’s office. CUT TO: INT. ADAM’S OFFICE - CONTINUOUS Barry meets Adam in his office. Adam’s office is in disarray. There are papers everywhere. He’s filling up his cardboard hexagon box. BARRY (out of breath) Adam, you wouldn’t believe how much honey was out there. ADAM Oh yeah? BARRY What’s going on around here? Where is everybody? Are they out celebrating? "Bee Movie" - JS REVISIONS 8/13/07 100. ADAM (exiting with a cardboard box of belongings) No, they’re just home. They don’t know what to do. BARRY Hmmm. ADAM They’re laying out, they’re sleeping in. I heard your Uncle Carl was on his way to San Antonio with a cricket. BARRY At least we got our honey back. They walk through the empty factory. ADAM Yeah, but sometimes I think, so what if the humans liked our honey? Who wouldn’t? It’s the greatest thing in the world. I was excited to be a part of making it. ANGLE ON: Adam’s desk on it’s side in the hall. ADAM (CONT’D) This was my new desk. This was my new job. I wanted to do it really well. And now...and now I can’t. Adam EXITS. CUT TO: SEQ. 3900 - “WORLD WITHOUT BEES” INT. STAIRWELL Vanessa and Barry are walking up the stairs to the roof. BARRY I don’t understand why they’re not happy. We have so much now. I thought their lives would be better. "Bee Movie" - JS REVISIONS 8/13/07 101. VANESSA Hmmm. BARRY They’re doing nothing. It’s amazing, honey really changes people. VANESSA You don’t have any idea what’s going on, do you? BARRY What did you want to show me? VANESSA This. They reach the top of the stairs. Vanessa opens the door. CUT TO: EXT. VANESSA’S ROOFTOP - CONTINUOUS Barry sees Vanessa’s flower pots and small garden have all turned brown. BARRY What happened here? VANESSA That is not the half of it... Vanessa turns Barry around with her two fingers, revealing the view of Central Park, which is also all brown. BARRY Oh no. Oh my. They’re all wilting. VANESSA Doesn’t look very good, does it? BARRY No. VANESSA And who’s fault do you think that is? "Bee Movie" - JS REVISIONS 8/13/07 102. BARRY Mmmm...you know, I’m going to guess, bees. VANESSA Bees? BARRY Specifically me. I guess I didn’t think that bees not needing to make honey would affect all these other things. VANESSA And it’s not just flowers. Fruits, vegetables...they all need bees. BARRY Well, that’s our whole SAT test right there. VANESSA So, you take away the produce, that affects the entire animal kingdom. And then, of course... BARRY The human species? VANESSA (clearing throat) Ahem! BARRY Oh. So, if there’s no more pollination, it could all just go south here, couldn’t it? VANESSA And I know this is also partly my fault. Barry takes a long SIGH. BARRY How about a suicide pact? VANESSA (not sure if he’s joking) How would we do it? BARRY I’ll sting you, you step on me. "Bee Movie" - JS REVISIONS 8/13/07 103. VANESSA That just kills you twice. BARRY Right, right. VANESSA Listen Barry. Sorry but I’ve got to get going. She EXITS. BARRY (looking out over the park) Had to open my mouth and talk... (looking back) Vanessa..? Vanessa is gone. CUT TO: SEQ. 3935 - “GOING TO PASADENA” EXT. NY STREET - CONTINUOUS Vanessa gets into a cab. Barry ENTERS. BARRY Vanessa. Why are you leaving? Where are you going? VANESSA To the final Tournament of Roses parade in Pasadena. They moved it up to this weekend because all the flowers are dying. It’s the last chance I’ll ever have to see it. BARRY Vanessa, I just want to say I’m sorry. I never meant it to turn out like this. VANESSA I know. Me neither. Vanessa cab drives away. "Bee Movie" - JS REVISIONS 8/13/07 104. BARRY (chuckling to himself) Tournament of Roses. Roses can’t do sports. Wait a minute...roses. Roses? Roses!? Vanessa! Barry follows shortly after. He catches up to it, and he pounds on the window. Barry follows shortly after Vanessa’s cab. He catches up to it, and he pounds on the window. INT. TAXI - CONTINUOUS Barry motions for her to roll the window down. She does so. BARRY Roses?! VANESSA Barry? BARRY (as he flies next to the cab) Roses are flowers. VANESSA Yes, they are. BARRY Flowers, bees, pollen! VANESSA I know. That’s why this is the last parade. BARRY Maybe not. The cab starts pulling ahead of Barry. BARRY (CONT'D) (re: driver) Could you ask him to slow down? VANESSA Could you slow down? The cabs slows. Barry flies in the window, and lands in the change box, which closes on him. "Bee Movie" - JS REVISIONS 8/13/07 105. VANESSA (CONT'D) Barry! Vanessa lets him out. Barry stands on the change box, in front of the driver’s license. BARRY Okay, I made a huge mistake! This is a total disaster, and it’s all my fault! VANESSA Yes, it kind of is. BARRY I’ve ruined the planet. And, I wanted to help with your flower shop. Instead, I’ve made it worse. VANESSA Actually, it’s completely closed down. BARRY Oh, I thought maybe you were remodeling. Nonetheless, I have another idea. And it’s greater than all my previous great ideas combined. VANESSA I don’t want to hear it. Vanessa closes the change box on Barry. BARRY (opening it again) Alright, here’s what I’m thinking. They have the roses, the roses have the pollen. I know every bee, plant, and flower bud in this park. All we’ve got to do is get what they’ve got back here with what we’ve got. VANESSA Bees... BARRY Park... VANESSA Pollen... "Bee Movie" - JS REVISIONS 8/13/07 106. BARRY Flowers... VANESSA Repollination! BARRY (on luggage handle, going up) Across the nation! CUT TO: SEQ. 3950 - “ROSE PARADE” EXT. PASADENA PARADE BARRY (V.O) Alright. Tournament of Roses. Pasadena, California. They’ve got nothing but flowers, floats, and cotton candy. Security will be tight. VANESSA I have an idea. CUT TO: EXT. FLOAT STAGING AREA ANGLE ON: Barry and Vanessa approaching a HEAVILY ARMED GUARD in front of the staging area. VANESSA Vanessa Bloome, FTD. Official floral business. He leans in to look at her badge. She SNAPS IT SHUT, VANESSA (CONT’D) Oh, it’s real. HEAVILY ARMED GUARD Sorry ma’am. That’s a nice brooch, by the way. VANESSA Thank you. It was a gift. "Bee Movie" - JS REVISIONS 8/13/07 107. They ENTER the staging area. BARRY (V.O) Then, once we’re inside, we just pick the right float. VANESSA How about the Princess and the Pea? BARRY Yeah. VANESSA I can be the princess, and-- BARRY ...yes, I think-- VANESSA You could be-- BARRY I’ve-- VANESSA The pea. BARRY Got it. CUT TO: EXT. FLOAT STAGING AREA - A FEW MOMENTS LATER Barry, dressed as a PEA, flies up and hovers in front of the princess on the “Princess and the Pea” float. The float is sponsored by Inflat-a-bed and a SIGN READS: “Inflat-a-bed: If it blows, it’s ours.” BARRY Sorry I’m late. Where should I sit? PRINCESS What are you? BARRY I believe I’m the pea. PRINCESS The pea? It’s supposed to be under the mattresses. "Bee Movie" - JS REVISIONS 8/13/07 108. BARRY Not in this fairy tale, sweetheart. PRINCESS I’m going to go talk to the marshall. BARRY You do that. This whole parade is a fiasco! She EXITS. Vanessa removes the step-ladder. The princess FALLS. Barry and Vanessa take off in the float. BARRY (CONT’D) Let’s see what this baby will do. ANGLE ON: Guy with headset talking to drivers. HEADSET GUY Hey! The float ZOOMS by. A young CHILD in the stands, TIMMY, cries. CUT TO: EXT. FLOAT STAGING AREA - A FEW MOMENTS LATER ANGLE ON: Vanessa putting the princess hat on. BARRY (V.O) Then all we do is blend in with traffic, without arousing suspicion. CUT TO: EXT. THE PARADE ROUTE - CONTINUOUS The floats go flying by the crowds. Barry and Vanessa’s float CRASHES through the fence. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 109. EXT. LA FREEWAY Vanessa and Barry speed, dodging and weaving, down the freeway. BARRY (V.O) And once we’re at the airport, there’s no stopping us. CUT TO: EXT. LAX AIRPORT Barry and Vanessa pull up to the curb, in front of an TSA AGENT WITH CLIPBOARD. TSA AGENT Stop. Security. Did you and your insect pack your own float? VANESSA (O.C) Yes. TSA AGENT Has this float been in your possession the entire time? VANESSA (O.C) Since the parade...yes. ANGLE ON: Barry holding his shoes. TSA AGENT Would you remove your shoes and everything in your pockets? Can you remove your stinger, Sir? BARRY That’s part of me. TSA AGENT I know. Just having some fun. Enjoy your flight. CUT TO: EXT. RUNWAY Barry and Vanessa’s airplane TAKES OFF. "Bee Movie" - JS REVISIONS 8/13/07 110. BARRY (O.C) Then, if we’re lucky, we’ll have just enough pollen to do the job. DISSOLVE TO: SEQ. 4025 - “COCKPIT FIGHT” INT. AIRPLANE Vanessa is on the aisle. Barry is on a laptop calculating flowers, pollen, number of bees, airspeed, etc. He does a “Stomp” dance on the keyboard. BARRY Can you believe how lucky we are? We have just enough pollen to do the job. I think this is going to work, Vanessa. VANESSA It’s got to work. PILOT (V.O) Attention passengers. This is Captain Scott. I’m afraid we have a bit of bad weather in the New York area. And looks like we’re going to be experiencing a couple of hours delay. VANESSA Barry, these are cut flowers with no water. They’ll never make it. BARRY I’ve got to get up there and talk to these guys. VANESSA Be careful. Barry flies up to the cockpit door. CUT TO: INT. COCKPIT - CONTINUOUS A female flight attendant, ANGELA, is in the cockpit with the pilots. "Bee Movie" - JS REVISIONS 8/13/07 111. There’s a KNOCK at the door. BARRY (C.O) Hey, can I get some help with this Sky Mall Magazine? I’d like to order the talking inflatable travel pool filter. ANGELA (to the pilots, irritated) Excuse me. CUT TO: EXT. CABIN - CONTINUOUS Angela opens the cockpit door and looks around. She doesn’t see anybody. ANGLE ON: Barry hidden on the yellow and black “caution” stripe. As Angela looks around, Barry zips into the cockpit. CUT TO: INT. COCKPIT BARRY Excuse me, Captain. I am in a real situation here... PILOT (pulling an earphone back, to the co-pilot) What did you say, Hal? CO-PILOT I didn’t say anything. PILOT (he sees Barry) Ahhh! Bee! BARRY No, no! Don’t freak out! There’s a chance my entire species-- CO-PILOT (taking off his earphones) Ahhh! "Bee Movie" - JS REVISIONS 8/13/07 112. The pilot grabs a “DUSTBUSTER” vacuum cleaner. He aims it around trying to vacuum up Barry. The co-pilot faces camera, as the pilot tries to suck Barry up. Barry is on the other side of the co-pilot. As they dosey-do, the toupee of the co-pilot begins to come up, still attached to the front. CO-PILOT (CONT'D) What are you doing? Stop! The toupee comes off the co-pilot’s head, and sticks in the Dustbuster. Barry runs across the bald head. BARRY Wait a minute! I’m an attorney! CO-PILOT Who’s an attorney? PILOT Don’t move. The pilot uses the Dustbuster to try and mash Barry, who is hovering in front of the co-pilot’s nose, and knocks out the co-pilot who falls out of his chair, hitting the life raft release button. The life raft inflates, hitting the pilot, knocking him into a wall and out cold. Barry surveys the situation. BARRY Oh, Barry. CUT TO: INT. AIRPLANE CABIN Vanessa studies her laptop, looking serious. SFX: PA CRACKLE. BARRY (V.O) (in captain voice) Good afternoon passengers, this is your captain speaking. Would a Miss Vanessa Bloome in 24F please report to the cockpit. And please hurry! "Bee Movie" - JS REVISIONS 8/13/07 113. ANGLE ON: The aisle, and Vanessa head popping up. CUT TO: INT. COCKPIT Vanessa ENTERS. VANESSA What happened here? BARRY I tried to talk to them, but then there was a Dustbuster, a toupee, a life raft exploded...Now one’s bald, one’s in a boat, and they’re both unconscious. VANESSA Is that another bee joke? BARRY No. No one’s flying the plane. The AIR TRAFFIC CONTROLLER, BUD, speaks over the radio. BUD This is JFK control tower. Flight 356, what’s your status? Vanessa presses a button, and the intercom comes on. VANESSA This is Vanessa Bloome. I’m a florist from New York. BUD Where’s the pilot? VANESSA He’s unconscious and so is the copilot. BUD Not good. Is there anyone onboard who has flight experience? A BEAT. BARRY As a matter of fact, there is. "Bee Movie" - JS REVISIONS 8/13/07 114. BUD Who’s that? VANESSA Barry Benson. BUD From the honey trial? Oh great. BARRY Vanessa, this is nothing more than a big metal bee. It’s got giant wings, huge engines. VANESSA I can’t fly a plane. BARRY Why not? Isn’t John Travolta a pilot? VANESSA Yes? BARRY How hard could it be? VANESSA Wait a minute. Barry, we’re headed into some lightning. CUT TO: Vanessa shrugs, and takes the controls. SEQ. 4150 - “BARRY FLIES PLANE” INT. BENSON HOUSE The family is all huddled around the TV at the Benson house. ANGLE ON: TV. Bob Bumble is broadcasting. BOB BUMBLE This is Bob Bumble. We have some late-breaking news from JFK airport, where a very suspenseful scene is developing. Barry Benson, fresh off his stunning legal victory... "Bee Movie" - JS REVISIONS 8/13/07 115. Adam SPRAYS a can of HONEY-WHIP into his mouth. ADAM That’s Barry. BOB BUMBLE ...is now attempting to land a plane, loaded with people, flowers, and an incapacitated flight crew. EVERYONE Flowers?! CUT TO: INT. AIR TRAFFIC CONTROL TOWER BUD Well, we have an electrical storm in the area, and two individuals at the controls of a jumbo jet with absolutely no flight experience. JEANETTE CHUNG Just a minute, Mr. Ditchwater, there’s a honey bee on that plane. BUD Oh, I’m quite familiar with Mr. Benson’s work, and his no-account compadres. Haven’t they done enough damage already? JEANETTE CHUNG But isn’t he your only hope right now? BUD Come on, technically a bee shouldn’t be able to fly at all. CUT TO: INT. COCKPIT. Barry REACTS BUD The wings are too small, their bodies are too big-- "Bee Movie" - JS REVISIONS 8/13/07 116. BARRY (over PA) Hey, hold on a second. Haven’t we heard this million times? The surface area of the wings, and the body mass doesn’t make sense? JEANETTE CHUNG Get this on the air. CAMERAMAN You got it! CUT TO: INT. BEE TV CONTROL ROOM An engineer throws a switch. BEE ENGINEER Stand by. We’re going live. The “ON AIR” sign illuminates. CUT TO: INT. VARIOUS SHOTS OF NEW HIVE CITY The news report plays on TV. The pollen jocks are sitting around, playing paddle-ball, Wheel-o, and one of them is spinning his helmet on his finger. Buzzwell is in an office cubicle, playing computer solitaire. Barry’s family and Adam watch from their living room. Bees sitting on the street curb turn around to watch the TV. BARRY Mr. Ditchwater, the way we work may be a mystery to you, because making honey takes a lot of bees doing a lot of small jobs. But let me tell you something about a small job. If you do it really well, it makes a big difference. More than we realized. To us, to everyone. That’s why I want to get bees back to doing what we do best. "Bee Movie" - JS REVISIONS 8/13/07 117. Working together. That’s the bee way. We’re not made of Jello. We get behind a fellow. Black and yellow. CROWD OF BEES Hello! CUT TO: INT. COCKPIT Barry is giving orders to Vanessa. BARRY Left, right, down, hover. VANESSA Hover? BARRY Forget hover. VANESSA You know what? This isn’t so hard. Vanessa pretends to HONK THE HORN. VANESSA (CONT’D) Beep, beep! Beep, beep! A BOLT OF LIGHTNING HITS the plane. The plane takes a sharp dip. VANESSA (CONT’D) Barry, what happened? BARRY (noticing the control panel) Wait a minute. I think we were on autopilot that whole time. VANESSA That may have been helping me. BARRY And now we’re not! VANESSA (V.O.) (folding her arms) Well, then it turns out I cannot fly a plane. "Bee Movie" - JS REVISIONS 8/13/07 118. BARRY (CONT'D) Vanessa struggles with the yoke. CUT TO: EXT. AIRPLANE The airplane goes into a steep dive. CUT TO: SEQ. 4175 - “CRASH LANDING” INT. J-GATE An ALERT SIGN READING: “Hive Alert. We Need:” Then the SIGNAL goes from “Two Bees” “Some Bees” “Every Bee There Is” Lou Loduca gathers the pollen jocks at J-Gate. LOU LODUCA All of you, let’s get behind this fellow. Move it out! The bees follow Lou Loduca, and EXIT J-Gate. CUT TO: INT. AIRPLANE COCKPIT BARRY Our only chance is if I do what I would do, and you copy me with the wings of the plane! VANESSA You don’t have to yell. BARRY I’m not yelling. We happen to be in a lot of trouble here. VANESSA It’s very hard to concentrate with that panicky tone in your voice. BARRY It’s not a tone. I’m panicking! CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 119. EXT. JFK AIRPORT ANGLE ON: The bees arriving and massing at the airport. CUT TO: INT. COCKPIT Barry and Vanessa alternately SLAP EACH OTHER IN THE FACE. VANESSA I don’t think I can do this. BARRY Vanessa, pull yourself together. Listen to me, you have got to snap out of it! VANESSA You snap out of it! BARRY You snap out of it! VANESSA You snap out of it! BARRY You snap out of it! VANESSA You snap out of it! CUT TO: EXT. AIRPLANE A GIGANTIC SWARM OF BEES flies in to hold the plane up. CUT TO: INT. COCKPIT - CONTINUOUS BARRY You snap out of it! VANESSA You snap out of it! "Bee Movie" - JS REVISIONS 8/13/07 120. BARRY You snap-- VANESSA Hold it! BARRY (about to slap her again) Why? Come on, it’s my turn. VANESSA How is the plane flying? Barry’s antennae ring. BARRY I don’t know. (answering) Hello? CUT TO: EXT. AIRPLANE ANGLE ON: The underside of the plane. The pollen jocks have massed all around the underbelly of the plane, and are holding it up. LOU LODUCA Hey Benson, have you got any flowers for a happy occasion in there? CUT TO: INT. COCKPIT Lou, Buzz, Splitz, and Jackson come up alongside the cockpit. BARRY The pollen jocks! VANESSA They do get behind a fellow. BARRY Black and yellow. LOU LODUCA (over headset) Hello. "Bee Movie" - JS REVISIONS 8/13/07 121. Alright you two, what do you say we drop this tin can on the blacktop? VANESSA What blacktop? Where? I can’t see anything. Can you? BARRY No, nothing. It’s all cloudy. CUT TO: EXT. RUNWAY Adam SHOUTS. ADAM Come on, you’ve got to think bee, Barry. Thinking bee, thinking bee. ANGLE ON: Overhead shot of runway. The bees are in the formation of a flower. In unison they move, causing the flower to FLASH YELLOW AND BLACK. BEES (chanting) Thinking bee, thinking bee. CUT TO: INT. COCKPIT We see through the swirling mist and clouds. A GIANT SHAPE OF A FLOWER is forming in the middle of the runway. BARRY Wait a minute. I think I’m feeling something. VANESSA What? BARRY I don’t know, but it’s strong. And it’s pulling me, like a 27 million year old instinct. Bring the nose of the plane down. "Bee Movie" - JS REVISIONS 8/13/07 122. LOU LODUCA (CONT'D) EXT. RUNWAY All the bees are on the runway chanting “Thinking Bee”. CUT TO: INT. CONTROL TOWER RICK What in the world is on the tarmac? ANGLE ON: Dave OTS onto runway seeing a flower being formed by millions of bees. BUD Get some lights on that! CUT TO: EXT. RUNWAY ANGLE ON: AIRCRAFT LANDING LIGHT SCAFFOLD by the side of the runway, illuminating the bees in their flower formation. INT. COCKPIT BARRY Vanessa, aim for the flower! VANESSA Oh, okay? BARRY Cut the engines! VANESSA Cut the engines? BARRY We’re going in on bee power. Ready boys? LOU LODUCA Affirmative. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 123. INT. AIRPLANE COCKPIT BARRY Good, good, easy now. Land on that flower! Ready boys? Give me full reverse. LOU LODUCA Spin it around! The plane attempts to land on top of an “Aloha Airlines” plane with flowers painted on it. BARRY (V.O) I mean the giant black and yellow pulsating flower made of millions of bees! VANESSA Which flower? BARRY That flower! VANESSA I’m aiming at the flower! The plane goes after a FAT GUY IN A HAWAIIAN SHIRT. BARRY (V.O) That’s a fat guy in a flowered shirt! The other other flower! The big one. He snaps a photo and runs away. BARRY (CONT'D) Full forward. Ready boys? Nose down. Bring your tail up. Rotate around it. VANESSA Oh, this is insane, Barry. BARRY This is the only way I know how to fly. CUT TO: "Bee Movie" - JS REVISIONS 8/13/07 124. AIR TRAFFIC CONTROL TOWER BUD Am I koo-koo kachoo, or is this plane flying in an insect-like pattern? CUT TO: EXT. RUNWAY BARRY (V.O) Get your nose in there. Don’t be afraid of it. Smell it. Full reverse! Easy, just drop it. Be a part of it. Aim for the center! Now drop it in. Drop it in, woman! The plane HOVERS and MANEUVERS, landing in the center of the giant flower, like a bee. The FLOWERS from the cargo hold spill out onto the runway. INT. AIPLANE CABIN The passengers are motionless for a beat. PASSENGER Come on already! They hear the “ding ding”, and all jump up to grab their luggage out of the overheads. SEQ. 4225 - “RUNWAY SPEECH” EXT. RUNWAY - CONTINUOUS The INFLATABLE SLIDES pop out the side of the plane. The passengers escape. Barry and Vanessa slide down out of the cockpit. Barry and Vanessa exhale a huge breath. VANESSA Barry, we did it. You taught me how to fly. Vanessa raises her hand up for a high five. "Bee Movie" - JS REVISIONS 8/13/07 125. BARRY Yes. No high five. VANESSA Right. ADAM Barry, it worked. Did you see the giant flower? BARRY What giant flower? Where? Of course I saw the flower! That was genius, man. Genius! ADAM Thank you. BARRY But we’re not done yet. Barry flies up to the wing of the plane, and addresses the bee crowd. BARRY (CONT’D) Listen everyone. This runway is covered with the last pollen from the last flowers available anywhere on Earth. That means this is our last chance. We’re the only ones who make honey, pollinate flowers, and dress like this. If we’re going to survive as a species, this is our moment. So what do you all say? Are we going to be bees, or just Museum of Natural History key chains? BEES We’re bees! KEYCHAIN BEE Keychain! BARRY Then follow me... Except Keychain. BUZZ Hold on Barry. You’ve earned this. Buzz puts a pollen jock jacket and helmet with Barry’s name on it on Barry. "Bee Movie" - JS REVISIONS 8/13/07 126. BARRY I’m a pollen jock! (looking at the jacket. The sleeves are a little long) And it’s a perfect fit. All I’ve got to do are the sleeves. The Pollen Jocks toss Barry a gun. BARRY (CONT’D) Oh yeah! ANGLE ON: Martin and Janet Benson. JANET BENSON That’s our Barry. All the bees descend upon the flowers on the tarmac, and start collecting pollen. CUT TO: SEQ. 4250 - “RE-POLLINATION” EXT. SKIES - CONTINUOUS The squadron FLIES over the city, REPOLLINATING trees and flowers as they go. Barry breaks off from the group, towards Vanessa’s flower shop. CUT TO: EXT. VANESSA’S FLOWER SHOP - CONTINUOUS Barry REPOLLINATES Vanessa’s flowers. CUT TO: EXT. CENTRAL PARK - CONTINUOUS ANGLE ON: Timmy with a frisbee, as the bees fly by. TIMMY Mom, the bees are back! "Bee Movie" - JS REVISIONS 8/13/07 127. Central Park is completely repollinated by the bees. DISSOLVE TO: INT. HONEX - CONTINUOUS Honex is back to normal and everyone is busily working. ANGLE ON: Adam, putting his Krelman hat on. ADAM If anyone needs to make a call, now’s the time. I’ve got a feeling we’ll be working late tonight! The bees CHEER. CUT TO: SEQ. 4355 EXT: VANESSA’S FLOWER SHOP With a new sign out front. “Vanessa & Barry: Flowers, Honey, Legal Advice” DISSOLVE TO: INT: FLOWER COUNTER Vanessa doing a brisk trade with many customers. CUT TO: INT: FLOWER SHOP - CONTINUOUS Vanessa is selling flowers. In the background, there are SHELVES STOCKED WITH HONEY. VANESSA (O.C.) Don’t forget these. Have a great afternoon. Yes, can I help who’s next? Who’s next? Would you like some honey with that? It is beeapproved. SIGN ON THE BACK ROOM DOOR READS: “Barry Benson: Insects at Law”. "Bee Movie" - JS REVISIONS 8/13/07 128. Camera moves into the back room. ANGLE ON: Barry. ANGLE ON: Barry’s COW CLIENT. COW Milk, cream, cheese...it’s all me. And I don’t see a nickel. BARRY Uh huh? Uh huh? COW (breaking down) Sometimes I just feel like a piece of meat. BARRY I had no idea. VANESSA Barry? I’m sorry, have you got a moment? BARRY Would you excuse me? My mosquito associate here will be able to help you. Mooseblood ENTERS. MOOSEBLOOD Sorry I’m late. COW He’s a lawyer too? MOOSEBLOOD Ma’am, I was already a bloodsucking parasite. All I needed was * a briefcase. * ANGLE ON: Flower Counter. VANESSA (to customer) Have a great afternoon! (to Barry) Barry, I just got this huge tulip order for a wedding, and I can’t get them anywhere. "Bee Movie" - JS REVISIONS 8/13/07 129. BARRY Not a problem, Vannie. Just leave it to me. Vanessa turns back to deal with a customer. VANESSA You’re a life-saver, Barry. (to the next customer) Can I help who’s next? Who’s next? ANGLE ON: Vanessa smiling back at Barry. Barry smiles too, then snaps himself out of it. BARRY (speaks into his antennae) Alright. Scramble jocks, it’s time to fly! VANESSA Thank you, Barry! EXT. FLOWER SHOP - CONTINUOUS ANGLE ON: Ken and Andy walking down the street. KEN (noticing the new sign) Augh! What in the world? It’s that bee again! ANDY (guiding Ken protectively) Let it go, Kenny. KEN That bee is living my life! When will this nightmare end? ANDY Let it all go. They don’t break stride. ANGLE ON: Camera in front of Barry as he flies out the door and up into the sky. Pollen jocks fold in formation behind him as they zoom into the park. BARRY (to Splitz) Beautiful day to fly. "Bee Movie" - JS REVISIONS 8/13/07 130. JACKSON Sure is. BARRY Between you and me, I was dying to get out of that office. FADE OUT: "Bee Movie" - JS REVISIONS 8/13/07 131.

{ "releases": { "2.0.4": [ "[Fixed] Refresh for Enterprise repositories did not handle API error querying branches - #7713", "[Fixed] Missing \"Discard all changes\" context menu in Changes header - #7696", "[Fixed] \"Select all\" keyboard shortcut not firing on Windows - #7759" ], "2.0.4-beta1": [ "[Fixed] Refresh for Enterprise repositories did not handle API error querying branches - #7713", "[Fixed] Missing \"Discard all changes\" context menu in Changes header - #7696", "[Fixed] \"Select all\" keyboard shortcut not firing on Windows - #7759" ], "2.0.4-beta0": [ "[Added] Extend crash reports with more information about application state for troubleshooting - #7693", "[Fixed] Crash when attempting to update pull requests with partially updated repository information - #7688", "[Fixed] Crash when loading repositories after signing in through the welcome flow - #7699" ], "2.0.3": [ "[Fixed] Crash when loading repositories after signing in through the welcome flow - #7699" ], "2.0.2": [ "[Added] Extend crash reports with more information about application state for troubleshooting - #7693" ], "2.0.1": [ "[Fixed] Crash when attempting to update pull requests with partially updated repository information - #7688" ], "2.0.0": [ "[New] You can now choose to bring your changes with you to a new branch or stash them on the current branch when switching branches - #6107", "[New] Rebase your current branch onto another branch using a guided flow - #5953", "[New] Repositories grouped by owner, and recent repositories listed at top - #6923 #7132", "[New] Suggested next steps now includes suggestion to create a pull request after publishing a branch - #7505", "[Added] .resx syntax highlighting - #7235. Thanks @say25!", "[Added] \"Exit\" menu item now has accelerator and access key - #6507. Thanks @AndreiMaga!", "[Added] Help menu entry to view documentation about keyboard shortcuts - #7184", "[Added] \"Discard all changes\" action under Branch menu - #7394. Thanks @ahuth!", "[Fixed] \"Esc\" key does not close Repository or Branch list - #7177. Thanks @roottool!", "[Fixed] Attempting to revert commits not on current branch results in an error - #6300. Thanks @msftrncs!", "[Fixed] Emoji rendering in app when account name has special characters - #6909", "[Fixed] Files staged outside Desktop for deletion are incorrectly marked as modified after committing - #4133", "[Fixed] Horizontal scroll bar appears unnecessarily when switching branches - #7212", "[Fixed] Icon accessibility labels fail when multiple icons are visible at the same time - #7174", "[Fixed] Incorrectly encoding URLs affects issue filtering - #7506", "[Fixed] License templates do not end with newline character - #6999", "[Fixed] Conflicts banners do not hide after aborting operation outside Desktop - #7046", "[Fixed] Missing tooltips for change indicators in the sidebar - #7174", "[Fixed] Mistaken classification of all crashes being related to launch - #7126", "[Fixed] Unable to switch keyboard layout and retain keyboard focus while using commit form - #6366. Thanks @AndreiMaga!", "[Fixed] Prevent console errors due to underlying component unmounts - #6970", "[Fixed] Menus disabled by activity in inactive repositories - #6313", "[Fixed] Race condition with Git remote lookup may cause push to incorrect remote - #6986", "[Fixed] Restore GitHub Desktop to main screen if external monitor removed - #7418 #2107. Thanks @say25!", "[Fixed] Tab Bar focus ring outlines clip into other elements - #5802. Thanks @Daniel-McCarthy!", "[Improved] \"Automatically Switch Theme\" on macOS checks theme on launch - #7116. Thanks @say25!", "[Improved] \"Add\" button in repository list should always be visible - #6646", "[Improved] Pull Requests list loads and updates pull requests from GitHub more quickly - #7501 #7163", "[Improved] Indicator hidden in Pull Requests list when there are no open pull requests - #7258", "[Improved] Manually refresh pull requests instead of having to wait for a fetch - #7027", "[Improved] Accessibility attributes for dialog - #6496. Thanks @HirdayGupta!", "[Improved] Alignment of icons in repository list - #7133", "[Improved] Command line interface warning when using \"github open\" with a remote URL - #7452. Thanks @msztech!", "[Improved] Error message when unable to publish private repository to an organization - #7472", "[Improved] Initiate cloning by pressing \"Enter\" when a repository is selected - #6570. Thanks @Daniel-McCarthy!", "[Improved] Lowercase pronoun in \"Revert this commit\" menu item - #7534", "[Improved] Styles for manual resolution button in \"Resolve Conflicts\" dialog - #7302", "[Improved] Onboarding language for blank slate components - #6638. Thanks @jamesgeorge007!", "[Improved] Explanation for manually conflicted text files in diff viewer - #7611", "[Improved] Visual progress on \"Remove Repository\" and \"Discard Changes\" dialogs - #7015. Thanks @HashimotoYT!", "[Improved] Menu items now aware of force push state and preference to confirm repository removal - #4976 #7138", "[Removed] Branch and pull request filter text persistence - #7437", "[Removed] \"Discard all changes\" context menu item from Changes list - #7394. Thanks @ahuth!" ], "1.7.1-beta1": [ "[Fixed] Tab Bar focus ring outlines clip into other elements - #5802. Thanks @Daniel-McCarthy!", "[Improved] Show explanation for manually conflicted text files in diff viewer - #7611", "[Improved] Alignment of entries in repository list - #7133" ], "1.7.0-beta9": [ "[Fixed] Add warning when renaming a branch with a stash - #7283", "[Fixed] Restore Desktop to main screen when external monitor removed - #7418 #2107. Thanks @say25!", "[Improved] Performance for bringing uncommitted changes to another branch - #7474" ], "1.7.0-beta8": [ "[Added] Accelerator and access key to \"Exit\" menu item - #6507. Thanks @AndreiMaga!", "[Fixed] Pressing \"Shift\" + \"Alt\" in Commit summary moves input-focus to app menu - #6366. Thanks @AndreiMaga!", "[Fixed] Incorrectly encoding URLs affects issue filtering - #7506", "[Improved] Command line interface warns with helpful message when given a remote URL - #7452. Thanks @msztech!", "[Improved] Lowercase pronoun in \"Revert this commit\" menu item - #7534", "[Improved] \"Pull Requests\" list reflects pull requests from GitHub more quickly - #7501", "[Removed] Branch and pull request filter text persistence - #7437" ], "1.7.0-beta7": [ "[Improved] Error message when unable to publish private repository to an organization - #7472", "[Improved] \"Stashed changes\" button accessibility improvements - #7274", "[Improved] Performance improvements for bringing changes to another branch - #7471", "[Improved] Performance improvements for detecting conflicts from a restored stash - #7476" ], "1.7.0-beta6": [ "[Fixed] Stash viewer does not disable restore button when changes present - #7409", "[Fixed] Stash viewer does not center \"no content\" text - #7299", "[Fixed] Stash viewer pane width not remembered between sessions - #7416", "[Fixed] \"Esc\" key does not close Repository or Branch list - #7177. Thanks @roottool!", "[Fixed] Stash not cleaned up when it conflicts with working directory contents - #7383", "[Improved] Branch names remain accurate in dialog when stashing and switching branches - #7402", "[Improved] Moved \"Discard all changes\" to Branch menu to prevent unintentionally discarding all changes - #7394. Thanks @ahuth!", "[Improved] UI responsiveness when using keyboard to choose branch in rebase flow - #7407" ], "1.7.0-beta5": [ "[Fixed] Handle warnings if stash creation encounters file permission issue - #7351", "[Fixed] Add \"View stash entry\" action to suggested next steps - #7353", "[Fixed] Handle and recover from failed rebase flow starts - #7223", "[Fixed] Reverse button order when viewing a stash on macOS - #7273", "[Fixed] Prevent console errors due to underlying component unmounts - #6970", "[Fixed] Rebase success banner always includes base branch name - #7220", "[Improved] Added explanatory text for \"Restore\" button for stashes - #7303", "[Improved] Ask for confirmation before discarding stash - #7348", "[Improved] Order stashed changes files alphabetically - #7327", "[Improved] Clarify \"Overwrite Stash Confirmation\" dialog text - #7361", "[Improved] Message shown in rebase setup when target branch is already rebased - #7343", "[Improved] Update stashing prompt verbiage - #7393.", "[Improved] Update \"Start Rebase\" dialog verbiage - #7391", "[Improved] Changes list now reflects what will be committed when handling rebase conflicts - #7006" ], "1.7.0-beta4": [ "[Fixed] Manual conflict resolution choice not updated when resolving rebase conflicts - #7255", "[Fixed] Menu items don't display the expected verbiage for force push and removing a repository - #4976 #7138" ], "1.7.0-beta3": [ "[New] Users can choose to bring changes with them to a new branch or stash them on the current branch when switching branches - #6107", "[Added] GitHub Desktop keyboard shortcuts available in Help menu - #7184", "[Added] .resx file extension highlighting support - #7235. Thanks @say25!", "[Fixed] Attempting to revert commits not on current branch results in an error - #6300. Thanks @msftrncs!", "[Improved] Warn users before rebase if operation will require a force push after rebase complete - #6963", "[Improved] Do not show the number of pull requests when there are no open pull requests - #7258", "[Improved] Accessibility attributes for dialog - #6496. Thanks @HirdayGupta!", "[Improved] Initiate cloning by pressing \"Enter\" when a repository is selected - #6570. Thanks @Daniel-McCarthy!", "[Improved] Manual Conflicts button styling - #7302", "[Improved] \"Add\" button in repository list should always be visible - #6646" ], "1.7.0-beta2": [ "[New] Rebase your current branch onto another branch using a guided flow - #5953", "[Fixed] Horizontal scroll bar appears unnecessarily when switching branches - #7212", "[Fixed] License templates do not end with newline character - #6999", "[Fixed] Merge/Rebase conflicts banners do not clear when aborting the operation outside Desktop - #7046", "[Fixed] Missing tooltips for change indicators in the sidebar - #7174", "[Fixed] Icon accessibility labels fail when multiple icons are visible at the same time - #7174", "[Improved] Pull requests load faster and PR build status updates automatically - #7163" ], "1.7.0-beta1": [ "[New] Recently opened repositories appear at the top of the repository list - #7132", "[Fixed] Error when selecting diff text while diff is updating - #7131", "[Fixed] Crash when unable to create log file on disk - #7096", "[Fixed] Race condition with remote lookup could cause push to go to incorrect remote - #6986", "[Fixed] Mistaken classification of all crashes being related to launch - #7126", "[Fixed] Prevent menus from being disabled by activity in inactive repositories - #6313", "[Fixed] \"Automatically Switch Theme\" on macOS does not check theme on launch - #7116. Thanks @say25!", "[Fixed] Clicking \"Undo\" doesn't repopulate summary in commit form - #6390. Thanks @humphd!", "[Fixed] Emoji rendering in app broken when account name has special characters - #6909", "[Fixed] Files staged outside Desktop for deletion are incorrectly marked as modified after committing - #4133", "[Improved] Visual feedback on \"Remove Repository\" and \"Discard Changes\" dialogs to show progress - #7015. Thanks @HashimotoYT!", "[Improved] Onboarding language for blank slate components - #6638. Thanks @jamesgeorge007!", "[Improved] Manually refresh pull requests instead of having to wait for a fetch - #7027" ], "1.6.6": [ "[Fixed] Clicking \"Undo\" doesn't repopulate summary in commit form - #6390. Thanks @humphd!", "[Fixed] Handle error when unable to create log file for app - #7096", "[Fixed] Crash when selecting text while the underlying diff changes - #7131" ], "1.6.6-test1": [ "[Fixed] Clicking \"Undo\" doesn't repopulate summary in commit form - #6390. Thanks @humphd!", "[Fixed] Handle error when unable to create log file for app - #7096", "[Fixed] Crash when selecting text while the underlying diff changes - #7131" ], "1.6.5": [ "[Fixed] Publish Repository does not let you publish to an organization on your Enterprise account - #7052" ], "1.6.5-beta2": [ "[Fixed] Publish Repository does not let you choose an organization on your Enterprise account - #7052" ], "1.6.5-beta1": [ "[Fixed] Publish Repository does not let you choose an organization on your Enterprise account - #7052" ], "1.6.4": [ "[Fixed] Embedded Git not working for core.longpath usage in some environments - #7028", "[Fixed] \"Recover missing repository\" can get stuck in a loop - #7038" ], "1.6.4-beta1": [ "[Fixed] Embedded Git not working for core.longpath usage in some environments - #7028", "[Fixed] \"Recover missing repository\" can get stuck in a loop - #7038" ], "1.6.4-beta0": [ "[Removed] Option to discard when files would be overwritten by a checkout - #7016" ], "1.6.3": [ "[New] Display \"pull with rebase\" if a user has set this option in their Git config - #6553 #3422", "[Fixed] Context menu does not open when right clicking on the edges of files in Changes list - #6296. Thanks @JQuinnie!", "[Fixed] Display question mark in image when no commit selected in dark theme - #6915. Thanks @say25!", "[Fixed] No left padding for :emoji:/@user/#issue autocomplete forms. - #6895. Thanks @murrelljenna!", "[Fixed] Reinstate missing image and update illustration in dark theme when no local changes exist - #6894", "[Fixed] Resizing the diff area preserves text selection range - #2677", "[Fixed] Text selection in wrapped diff lines now allows selection of individual lines - #1551", "[Improved] Add option to fetch when a user needs to pull changes from the remote before pushing - #2738 #5451", "[Improved] Enable Git protocol v2 for fetch/push/pull operations - #6142", "[Improved] Moving mouse pointer outside visible diff while selecting a range of lines in a partial commit now automatically scrolls the diff - #658", "[Improved] Sign in form validates both username and password - #6952. Thanks @say25!", "[Improved] Update GitHub logo in \"About\" dialog - #5619. Thanks @HashimotoYT!" ], "1.6.3-beta4": [ "[Improved] Update GitHub logo in \"About\" dialog - #5619. Thanks @HashimotoYT!", "[Improved] Sign in form validates both username and password - #6952. Thanks @say25!" ], "1.6.3-beta3": [ "[New] Display \"pull with rebase\" if a user has set this option in their Git config - #6553 #3422", "[Added] Provide option to discard when files would be overwritten by a checkout - #6755. Thanks @mathieudutour!", "[Fixed] No left padding for :emoji:/@user/#issue autocomplete forms. - #6895. Thanks @murrelljenna!", "[Fixed] Reinstate missing image and fix illustration to work in the dark theme when there are no local changes - #6894", "[Fixed] Display question mark image when there is no commit selected in dark theme - #6915. Thanks @say25!", "[Improved] Group and filter repositories by owner - #6923", "[Improved] Add option to fetch when a user needs to pull changes from the remote before pushing - #2738 #5451" ], "1.6.3-beta2": [ "[Fixed] Text selection in wrapped diff lines now allows selection of individual lines - #1551", "[Fixed] Resizing the diff area preserves text selection range - #2677", "[Improved] Moving the mouse pointer outside of the visible diff while selecting a range of lines in a partial commit will now automatically scroll the diff - #658" ], "1.6.3-beta1": [ "[New] Branches that have been merged and deleted on GitHub.com will now be pruned after two weeks - #750", "[Fixed] Context menu doesn't open when right clicking on the edges of files in Changes list - #6296. Thanks @JQuinnie!", "[Improved] Enable Git protocol v2 for fetch/push/pull operations - #6142", "[Improved] Upgrade to Electron v3 - #6391" ], "1.6.2": [ "[Added] Allow users to also resolve manual conflicts when resolving merge conflicts - #6062", "[Added] Automatic switching between Dark and Light modes on macOS - #5037. Thanks @say25!", "[Added] Crystal and Julia syntax highlighting - #6710. Thanks @KennethSweezy!", "[Added] Lua and Fortran syntax highlighting - #6700. Thanks @SimpleBinary!", "[Fixed] Abbreviated commits are not long enough for large repositories - #6662. Thanks @say25!", "[Fixed] App menu bar visible on hover on Windows when in \"Let’s get started\" mode - #6669", "[Fixed] Fix pointy corners on commit message text area - #6635. Thanks @lisavogtsf!", "[Fixed] Inconsistent \"Reveal in …\" labels for context menus - #6466. Thanks @say25!", "[Fixed] Merge conflict conflict did not ask user to resolve some binary files - #6693", "[Fixed] Prevent concurrent fetches between user and status indicator checks - #6121 #5438 #5328", "[Fixed] Remember scroll positions in History and Changes lists - #5177 #5059. Thanks @Daniel-McCarthy!", "[Improved] Guided merge conflict resolution only commits changes relevant to the merge - #6349", "[Improved] Use higher contrast color for links in \"Merge Conflicts\" dialog - #6758", "[Improved] Add link to all release notes in Release Notes dialog - #6443. Thanks @koralcem!", "[Improved] Arrow for renamed/copied changes when viewing commit - #6519. Thanks @koralcem!", "[Improved] Updated verbiage for ignoring the files - #6689. Thanks @PaulViola!" ], "1.6.2-beta3": [ "[Improved] Guided merge conflict resolution only commits changes relevant to the merge - #6349" ], "1.6.2-beta2": [ "[Added] Allow users to also resolve manual conflicts when resolving merge conflicts - #6062", "[Added] Crystal and Julia syntax highlighting - #6710. Thanks @KennethSweezy!", "[Fixed] Fix pointy corners on commit message text area - #6635. Thanks @lisavogtsf!", "[Fixed] Use higher contrast color for links in \"Merge Conflicts\" dialog - #6758" ], "1.6.2-beta1": [ "[Added] Automatic switching between Dark and Light modes on macOS - #5037. Thanks @say25!", "[Added] Lua and Fortran syntax highlighting - #6700. Thanks @SimpleBinary!", "[Fixed] Abbreviated commits are not long enough for large repositories - #6662. Thanks @say25!", "[Fixed] App menu bar visible on hover on Windows when in \"Let’s get started\" mode - #6669", "[Fixed] Remember scroll positions in History and Changes lists - #5177 #5059. Thanks @Daniel-McCarthy!", "[Fixed] Inconsistent \"Reveal in …\" labels for context menus - #6466. Thanks @say25!", "[Fixed] Prevent concurrent fetches between user and status indicator checks - #6121 #5438 #5328", "[Fixed] Merge conflict conflict did not ask user to resolve some binary files - #6693", "[Improved] Add link to all release notes in Release Notes dialog - #6443. Thanks @koralcem!", "[Improved] Arrow for renamed/copied changes when viewing commit - #6519. Thanks @koralcem!", "[Improved] Menu state updating to address race condition - #6643", "[Improved] Updated verbiage when clicking on changed files to make it more explicit what will occur when you ignore the file(s) - #6689. Thanks @PaulViola!" ], "1.6.2-beta0": [ "[Fixed] Don't show \"No local changes\" view when switching between changed files" ], "1.6.1": [ "[Fixed] Don't show \"No local changes\" view when switching between changed files" ], "1.6.0": [ "[New] Help users add their first repo during onboarding - #6474", "[New] \"No local changes\" view helpfully suggests next actions for you to take - #6445", "[Added] Support JetBrains Webstorm as an external editor - #6077. Thanks @KennethSweezy!", "[Added] Add Visual Basic syntax highlighting - #6461. Thanks @SimpleBinary!", "[Fixed] Automatically locate a missing repository when it cannot be found - #6228. Thanks @msftrncs!", "[Fixed] Don't include untracked files in merge commit - #6411", "[Fixed] Don't show \"Still Conflicted Warning\" when all conflicts are resolved - #6451", "[Fixed] Only execute menu action a single time upon hitting Enter - #5344", "[Fixed] Show autocompletion of GitHub handles and issues properly in commit description field - #6459", "[Improved] Repository list when no repositories found - #5566 #6474", "[Improved] Image diff menu no longer covered by large images - #6520. Thanks @06b!", "[Improved] Enable additional actions during a merge conflict - #6385", "[Improved] Increase contrast on input placeholder color in dark mode - #6556", "[Improved] Don't show merge success banner when attempted merge doesn't complete - #6282", "[Improved] Capitalize menu items appropriately on macOS - #6469" ], "1.6.0-beta3": [ "[Fixed] Autocomplete selection does not overflow text area - #6459", "[Fixed] No local changes views incorrectly rendering ampersands - #6596", "[Improved] Capitalization of menu items on macOS - #6469" ], "1.6.0-beta2": [ "[New] \"No local changes\" view makes it easy to find and accomplish common actions - #6445", "[Fixed] Automatically locate a missing repository when it cannot be found - #6228. Thanks @msftrncs!", "[Improved] Enable additional actions during a merge conflict - #6385", "[Improved] Increase contrast on input placeholder color in dark mode - #6556", "[Improved] Merge success banner no longer shown when attempted merge doesn't complete - #6282" ], "1.6.0-beta1": [ "[New] Help users add their first repo during onboarding - #6474", "[Added] Include ability for users to add new repositories when there are none available - #5566 #6474", "[Added] Support JetBrains Webstorm as an external editor - #6077. Thanks @KennethSweezy!", "[Added] Add Visual Basic syntax highlighting - #6461. Thanks @SimpleBinary!", "[Fixed] Don't include untracked files in merge commit - #6411", "[Fixed] Don't show \"Still Conflicted Warning\" when all conflicts are resolved - #6451", "[Fixed] Enter when using keyboard to navigate app menu executed menu action twice - #5344", "[Improved] Image diff menu no longer covered by large images - #6520. Thanks @06b!" ], "1.5.2-beta0": [], "1.5.1": [ "[Added] Provide keyboard shortcut for getting to commit summary field - #1719. Thanks @bruncun!", "[Added] Add hover states on list items and tabs - #6310", "[Added] Add Dockerfile syntax highlighting - #4533. Thanks @say25!", "[Added] Support Visual SlickEdit as an external editor - #6029. Thanks @texasaggie97!", "[Fixed] Allow repositories to be cloned to empty folders - #5857. Thanks @Daniel-McCarthy!", "[Fixed] Prevent creating branch with detached HEAD from reverting to default branch - #6085", "[Fixed] Fix \"Open In External Editor\" for Atom/VS Code on Windows when paths contain spaces - #6181. Thanks @msftrncs!", "[Fixed] Persist Branch List and Pull Request List filter text - #6002. Thanks @Daniel-McCarthy!", "[Fixed] Retain renamed branches position in recent branches list - #6155. Thanks @gnehcc!", "[Fixed] Prevent avatar duplication when user is co-author and committer - #6135. Thanks @bblarney!", "[Fixed] Provide keyboard selection for the \"Clone a Repository\" dialog - #3596. Thanks @a-golovanov!", "[Fixed] Close License & Open Source Notices dialog upon pressing \"Enter\" in dialog - #6137. Thanks @bblarney!", "[Fixed] Dismiss \"Merge into Branch\" dialog with escape key - #6154. Thanks @altaf933!", "[Fixed] Focus branch selector when comparing to branch from menu - #5600", "[Fixed] Reverse fold/unfold icons for expand/collapse commit summary - #6196. Thanks @HazemAM!", "[Improved] Allow toggling between diff modes - #6231. Thanks @06b!", "[Improved] Show focus around full input field - #6234. Thanks @seokju-na!", "[Improved] Make lists scroll to bring selected items into view - #6279", "[Improved] Consistently order the options for adding a repository - #6396. Thanks @vilanz!", "[Improved] Clear merge conflicts banner after there are no more conflicted files - #6428" ], "1.5.1-beta6": [ "[Improved] Consistently order the options for adding a repository - #6396. Thanks @vilanz!", "[Improved] Clear merge conflicts banner after there are no more conflicted files - #6428" ], "1.5.1-beta5": [ "[Improved] Commit conflicted files warning - #6381", "[Improved] Dismissable merge conflict dialog and associated banner - #6379 #6380", "[Fixed] Fix feature flag for readme overwrite warning so that it shows on beta - #6412" ], "1.5.1-beta4": [ "[Improved] Display warning if existing readme file will be overwritten - #6338. Thanks @Daniel-McCarthy!", "[Improved] Add check for attempts to commit >100 MB files without Git LFS - #997. Thanks @Daniel-McCarthy!", "[Improved] Merge conflicts dialog visual updates - #6377" ], "1.5.1-beta3": [ "[Improved] Maintains state on tabs for different methods of cloning repositories - #5937" ], "1.5.1-beta2": [ "[Improved] Clarified internal documentation - #6348. Thanks @bblarney!" ], "1.5.1-beta1": [ "[Added] Provide keyboard shortcut for getting to commit summary field - #1719. Thanks @bruncun!", "[Added] Add hover states on list items and tabs - #6310", "[Added] Add Dockerfile syntax highlighting - #4533. Thanks @say25!", "[Added] Support Visual SlickEdit as an external editor - #6029. Thanks @texasaggie97!", "[Improved] Allow toggling between diff modes - #6231. Thanks @06b!", "[Improved] Show focus around full input field - #6234. Thanks @seokju-na!", "[Improved] Make lists scroll to bring selected items into view - #6279", "[Fixed] Allow repositories to be cloned to empty folders - #5857. Thanks @Daniel-McCarthy!", "[Fixed] Prevent creating branch with detached HEAD from reverting to default branch - #6085", "[Fixed] Fix 'Open In External Editor' for Atom/VS Code on Windows when paths contain spaces - #6181. Thanks @msftrncs!", "[Fixed] Persist Branch List and Pull Request List filter text - #6002. Thanks @Daniel-McCarthy!", "[Fixed] Retain renamed branches position in recent branches list - #6155. Thanks @gnehcc!", "[Fixed] Prevent avatar duplication when user is co-author and committer - #6135. Thanks @bblarney!", "[Fixed] Provide keyboard selection for the ‘Clone a Repository’ dialog - #3596. Thanks @a-golovanov!", "[Fixed] Close License & Open Source Notices dialog upon pressing \"Enter\" in dialog - #6137. Thanks @bblarney!", "[Fixed] Dismiss \"Merge into Branch\" dialog with escape key - #6154. Thanks @altaf933!", "[Fixed] Focus branch selector when comparing to branch from menu - #5600", "[Fixed] Reverse fold/unfold icons for expand/collapse commit summary - #6196. Thanks @HazemAM!" ], "1.5.1-beta0": [], "1.5.0": [ "[New] Clone, create, or add repositories right from the repository dropdown - #5878", "[New] Drag-and-drop to add local repositories from macOS tray icon - #5048", "[Added] Resolve merge conflicts through a guided flow - #5400", "[Added] Allow merging branches directly from branch dropdown - #5929. Thanks @bruncun!", "[Added] Commit file list now has \"Copy File Path\" context menu action - #2944. Thanks @Amabel!", "[Added] Keyboard shortcut for \"Rename Branch\" menu item - #5964. Thanks @agisilaos!", "[Added] Notify users when a merge is successfully completed - #5851", "[Fixed] \"Compare on GitHub\" menu item enabled when no repository is selected - #6078", "[Fixed] Diff viewer blocks keyboard navigation using reverse tab order - #2794", "[Fixed] Launching Desktop from browser always asks to clone repository - #5913", "[Fixed] Publish dialog displayed on push when repository is already published - #5936", "[Improved] \"Publish Repository\" dialog handles emoji characters - #5980. Thanks @WaleedAshraf!", "[Improved] Avoid repository checks when no path is specified in \"Create Repository\" dialog - #5828. Thanks @JakeHL!", "[Improved] Clarify the direction of merging branches - #5930. Thanks @JQuinnie!", "[Improved] Default commit summary more explanatory and consistent with GitHub.com - #6017. Thanks @Daniel-McCarthy!", "[Improved] Display a more informative message on merge dialog when branch is up to date - #5890", "[Improved] Getting a repository's status only blocks other operations when absolutely necessary - #5952", "[Improved] Display current branch in header of merge dialog - #6027", "[Improved] Sanitize repository name before publishing to GitHub - #3090. Thanks @Daniel-McCarthy!", "[Improved] Show the branch name in \"Update From Default Branch\" menu item - #3018. Thanks @a-golovanov!", "[Improved] Update license and .gitignore templates for initializing a new repository - #6024. Thanks @say25!" ], "1.5.0-beta5": [], "1.5.0-beta4": [ "[Fixed] \"Compare on GitHub\" menu item enabled when no repository is selected - #6078", "[Fixed] Diff viewer blocks keyboard navigation using reverse tab order - #2794", "[Improved] \"Publish Repository\" dialog handles emoji characters - #5980. Thanks @WaleedAshraf!" ], "1.5.0-beta3": [], "1.5.0-beta2": [ "[Added] Resolve merge conflicts through a guided flow - #5400", "[Added] Notify users when a merge is successfully completed - #5851", "[Added] Allow merging branches directly from branch dropdown - #5929. Thanks @bruncun!", "[Improved] Merge dialog displays current branch in header - #6027", "[Improved] Clarify the direction of merging branches - #5930. Thanks @JQuinnie!", "[Improved] Show the branch name in \"Update From Default Branch\" menu item - #3018. Thanks @a-golovanov!", "[Improved] Default commit summary more explanatory and consistent with GitHub.com - #6017. Thanks @Daniel-McCarthy!", "[Improved] Updated license and .gitignore templates for initializing a new repository - #6024. Thanks @say25!" ], "1.5.0-beta1": [ "[New] Repository switcher has a convenient \"Add\" button to add other repositories - #5878", "[New] macOS tray icon now supports drag-and-drop to add local repositories - #5048", "[Added] Keyboard shortcut for \"Rename Branch\" menu item - #5964. Thanks @agisilaos!", "[Added] Commit file list now has \"Copy File Path\" context menu action - #2944. Thanks @Amabel!", "[Fixed] Launching Desktop from browser always asks to clone repository - #5913", "[Fixed] Publish dialog displayed on push when repository is already published - #5936", "[Improved] Sanitize repository name before publishing to GitHub - #3090. Thanks @Daniel-McCarthy!", "[Improved] Getting a repository's status only blocks other operations when absolutely necessary - #5952", "[Improved] Avoid repository checks when no path is specified in \"Create Repository\" dialog - #5828. Thanks @JakeHL!", "[Improved] Display a more informative message on merge dialog when branch is up to date - #5890" ], "1.4.4-beta0": [], "1.4.3": [ "[Added] Add \"Remove Repository\" keyboard shortcut - #5848. Thanks @say25!", "[Added] Add keyboard shortcut to delete a branch - #5018. Thanks @JakeHL!", "[Fixed] Emoji autocomplete not rendering in some situations - #5859", "[Fixed] Release notes text overflowing dialog box - #5854. Thanks @amarsiingh!", "[Improved] Support Python 3 in Desktop CLI on macOS - #5843. Thanks @munir131!", "[Improved] Avoid unnecessarily reloading commit history - #5470", "[Improved] Publish Branch dialog will publish commits when pressing Enter - #5777. Thanks @JKirkYuan!" ], "1.4.3-beta2": [ "[Added] Added keyboard shortcut to delete a branch - #5018. Thanks @JakeHL!", "[Fixed] Fix release notes text overflowing dialog box - #5854. Thanks @amarsiingh!", "[Improved] Avoid unnecessarily reloading commit history - #5470" ], "1.4.3-beta1": [ "[Added] Add \"Remove Repository\" keyboard shortcut - #5848. Thanks @say25!", "[Fixed] Fix emoji autocomplete not rendering in some situations - #5859", "[Fixed] Support Python 3 in Desktop CLI on macOS - #5843. Thanks @munir131!", "[Improved] Publish Branch dialog will publish commits when pressing Enter - #5777. Thanks @JKirkYuan!" ], "1.4.3-beta0": [], "1.4.2": [ "[New] Show resolved conflicts as resolved in Changes pane - #5609", "[Added] Add Terminator, MATE Terminal, and Terminology shells - #5753. Thanks @joaomlneto!", "[Fixed] Update embedded Git to version 2.19.1 for security vulnerability fix", "[Fixed] Always show commit history list when History tab is clicked - #5783. Thanks @JKirkYuan!", "[Fixed] Stop overriding the protocol of a detected GitHub repository - #5721", "[Fixed] Update sign in error message - #5766. Thanks @tiagodenoronha!", "[Fixed] Correct overflowing T&C and License Notices dialogs - #5756. Thanks @amarsiingh!", "[Improved] Add default commit message for single-file commits - #5240. Thanks @lean257!", "[Improved] Refresh commit list faster after reverting commit via UI - #5752", "[Improved] Add repository path to Remove repository dialog - #5805. Thanks @NickCraver!", "[Improved] Display whether user entered incorrect username or email address - #5775. Thanks @tiagodenoronha!", "[Improved] Update Discard Changes dialog text when discarding all changes - #5744. Thanks @Daniel-McCarthy!" ], "1.4.2-beta0": [], "1.4.1-test2": [ "Testing changes to how Desktop performs CI platform checks" ], "1.4.1-test1": [ "Testing changes to how Desktop performs CI platform checks" ], "1.4.1": [ "[Added] Support for opening repository in Cygwin terminal - #5654. Thanks @LordOfTheThunder!", "[Fixed] 'Compare to Branch' menu item not disabled when modal is open - #5673. Thanks @kanishk98!", "[Fixed] Co-author form does not show/hide for newly-added repository - #5490", "[Fixed] Desktop command line always suffixes `.git` to URL when starting a clone - #5529. Thanks @j-f1!", "[Fixed] Dialog styling issue for dark theme users on Windows - #5629. Thanks @cwongmath!", "[Fixed] No message shown when filter returns no results in Clone Repository view - #5637. Thanks @DanielHix!", "[Improved] Branch names cannot start with a '+' character - #5594. Thanks @Daniel-McCarthy!", "[Improved] Clone dialog re-runs filesystem check when re-focusing on Desktop - #5518. Thanks @Daniel-McCarthy!", "[Improved] Commit disabled when commit summary is only spaces - #5677. Thanks @Daniel-McCarthy!", "[Improved] Commit summary expander sometimes shown when not needed - #5700. Thanks @aryyya!", "[Improved] Error handling when looking for merge base of a missing ref - #5612", "[Improved] Warning if branch exists on remote when creating branch - #5141. Thanks @Daniel-McCarthy!" ], "1.4.1-beta1": [ "[Added] Support for opening repository in Cygwin terminal - #5654. Thanks @LordOfTheThunder!", "[Fixed] 'Compare to Branch' menu item not disabled when modal is open - #5673. Thanks @kanishk98!", "[Fixed] No message shown when filter returns no results in Clone Repository view - #5637. Thanks @DanielHix!", "[Fixed] Co-author form does not show/hide for newly-added repository - #5490", "[Fixed] Dialog styling issue for dark theme users on Windows - #5629. Thanks @cwongmath!", "[Fixed] Desktop command line always suffixes `.git` to URL when starting a clone - #5529. Thanks @j-f1!", "[Improved] Commit summary expander sometimes shown when not needed - #5700. Thanks @aryyya!", "[Improved] Commit disabled when commit summary is only spaces - #5677. Thanks @Daniel-McCarthy!", "[Improved] Error handling when looking for merge base of a missing ref - #5612", "[Improved] Clone dialog re-runs filesystem check when re-focusing on Desktop - #5518. Thanks @Daniel-McCarthy!", "[Improved] Branch names cannot start with a '+' character - #5594. Thanks @Daniel-McCarthy!", "[Improved] Warning if branch exists on remote when creating branch - #5141. Thanks @Daniel-McCarthy!" ], "1.4.1-beta0": [], "1.4.0": [ "[New] When an update is available for GitHub Desktop, release notes can be viewed in Desktop - #2774", "[New] Detect merge conflicts when comparing branches - #4588", "[Fixed] Avoid double checkout warning when opening a pull request in Desktop - #5375", "[Fixed] Error when publishing repository is now associated with the right tab - #5422. Thanks @Daniel-McCarthy!", "[Fixed] Disable affected menu items when on detached HEAD - #5500. Thanks @say25!", "[Fixed] Show border when commit description is expanded - #5506. Thanks @aryyya!", "[Fixed] GitLab URL which corresponds to GitHub repository of same name cloned GitHub repository - #4154", "[Fixed] Caret in co-author selector is hidden when dark theme enabled - #5589", "[Fixed] Authenticating to GitHub Enterprise fails when user has no emails defined - #5585", "[Improved] Avoid multiple lookups of default remote - #5399" ], "1.4.0-beta3": [ "[New] When an update is available for GitHub Desktop, the release notes can be viewed in Desktop - #2774", "[New] Detect merge conflicts when comparing branches - #4588", "[Fixed] Avoid double checkout warning when opening a pull request in Desktop - #5375", "[Fixed] Error when publishing repository is now associated with the right tab - #5422. Thanks @Daniel-McCarthy!", "[Fixed] Disable affected menu items when on detached HEAD - #5500. Thanks @say25!", "[Fixed] Show border when commit description is expanded - #5506. Thanks @aryyya!", "[Fixed] GitLab URL which corresponds to GitHub repository of same name cloned GitHub repository - #4154", "[Improved] Avoid multiple lookups of default remote - #5399", "[Improved] Skip optional locks when checking status of repository - #5376" ], "1.4.0-beta2": [ "[New] When an update is available for GitHub Desktop, the release notes can be viewed in Desktop - #2774", "[New] Detect merge conflicts when comparing branches - #4588", "[Fixed] Avoid double checkout warning when opening a pull request in Desktop - #5375", "[Fixed] Error when publishing repository is now associated with the right tab - #5422. Thanks @Daniel-McCarthy!", "[Fixed] Disable affected menu items when on detached HEAD - #5500. Thanks @say25!", "[Fixed] Show border when commit description is expanded - #5506. Thanks @aryyya!", "[Fixed] GitLab URL which corresponds to GitHub repository of same name cloned GitHub repository - #4154", "[Improved] Avoid multiple lookups of default remote - #5399", "[Improved] Skip optional locks when checking status of repository - #5376" ], "1.4.0-beta1": [ "[New] When an update is available for GitHub Desktop, the release notes can be viewed in Desktop - #2774", "[New] Detect merge conflicts when comparing branches - #4588", "[Fixed] Avoid double checkout warning when opening a pull request in Desktop - #5375", "[Fixed] Error when publishing repository is now associated with the right tab - #5422. Thanks @Daniel-McCarthy!", "[Fixed] Disable affected menu items when on detached HEAD - #5500. Thanks @say25!", "[Fixed] Show border when commit description is expanded - #5506. Thanks @aryyya!", "[Fixed] GitLab URL which corresponds to GitHub repository of same name cloned GitHub repository - #4154", "[Improved] Avoid multiple lookups of default remote - #5399", "[Improved] Skip optional locks when checking status of repository - #5376" ], "1.4.0-beta0": [], "1.3.5": [ "[Fixed] Disable delete button while deleting a branch - #5331", "[Fixed] History now avoids calling log.showSignature if set in config - #5466", "[Fixed] Start blocking the ability to add local bare repositories - #4293. Thanks @Daniel-McCarthy!", "[Fixed] Revert workaround for tooltip issue on Windows - #3362. Thanks @divayprakash!", "[Improved] Error message when publishing to missing organisation - #5380. Thanks @Daniel-McCarthy!", "[Improved] Don't hide commit details when commit description is expanded. - #5471. Thanks @aryyya!" ], "1.3.5-beta1": [ "[Fixed] Disable delete button while deleting a branch - #5331", "[Fixed] History now avoids calling log.showSignature if set in config - #5466", "[Fixed] Start blocking the ability to add local bare repositories - #4293. Thanks @Daniel-McCarthy!", "[Fixed] Revert workaround for tooltip issue on Windows - #3362. Thanks @divayprakash!", "[Improved] Error message when publishing to missing organisation - #5380. Thanks @Daniel-McCarthy!", "[Improved] Don't hide commit details when commit summary description is expanded. - #5471. Thanks @aryyya!" ], "1.3.5-beta0": [], "1.3.4": [ "[Improved] Cloning message uses remote repo name not file destination - #5413. Thanks @lisavogtsf!", "[Improved] Support VSCode user scope installation - #5281. Thanks @saschanaz!" ], "1.3.4-beta1": [ "[Improved] Cloning message uses remote repo name not file destination - #5413. Thanks @lisavogtsf!", "[Improved] Support VSCode user scope installation - #5281. Thanks @saschanaz!" ], "1.3.4-beta0": [], "1.3.3": [ "[Fixed] Maximize and restore app on Windows does not fill available space - #5033", "[Fixed] 'Clone repository' menu item label is obscured on Windows - #5348. Thanks @Daniel-McCarthy!", "[Fixed] User can toggle files when commit is in progress - #5341. Thanks @masungwon!", "[Improved] Repository indicator background work - #5317 #5326 #5363 #5241 #5320" ], "1.3.3-beta1": [ "[Fixed] Maximize and restore app on Windows does not fill available space - #5033", "[Fixed] 'Clone repository' menu item label is obscured on Windows - #5348. Thanks @Daniel-McCarthy!", "[Fixed] User can toggle files when commit is in progress - #5341. Thanks @masungwon!", "[Improved] Repository indicator background work - #5317 #5326 #5363 #5241 #5320" ], "1.3.3-test6": ["Testing infrastructure changes"], "1.3.3-test5": ["Testing the new CircleCI config changes"], "1.3.3-test4": ["Testing the new CircleCI config changes"], "1.3.3-test3": ["Testing the new CircleCI config changes"], "1.3.3-test2": ["Testing the new CircleCI config changes"], "1.3.3-test1": ["Testing the new CircleCI config changes"], "1.3.2": [ "[Fixed] Bugfix for background checks not being aware of missing repositories - #5282", "[Fixed] Check the local state of a repository before performing Git operations - #5289", "[Fixed] Switch to history view for default branch when deleting current branch during a compare - #5256", "[Fixed] Handle missing .git directory inside a tracked repository - #5291" ], "1.3.2-beta1": [ "[Fixed] Bugfix for background checks not being aware of missing repositories - #5282", "[Fixed] Check the local state of a repository before performing Git operations - #5289", "[Fixed] Switch to history view for default branch when deleting current branch during a compare - #5256", "[Fixed] Handle missing .git directory inside a tracked repository - #5291" ], "1.3.1": [ "[Fixed] Background Git operations on missing repositories are not handled as expected - #5282" ], "1.3.1-beta1": [ "[Fixed] Background Git operations on missing repositories are not handled as expected - #5282" ], "1.3.1-beta0": [ "[New] Notification displayed in History tab when the base branch moves ahead of the current branch - #4768", "[New] Repository list displays uncommitted changes indicator and ahead/behind information - #2259 #5095", "[Added] Option to move repository to trash when removing from app - #2108. Thanks @say25!", "[Added] Syntax highlighting for PowerShell files - #5081. Thanks @say25!", "[Fixed] \"Discard Changes\" context menu discards correct file when entry is not part of selected group - #4788", "[Fixed] Display local path of selected repository as tooltip - #4922. Thanks @yongdamsh!", "[Fixed] Display root directory name when repository is located at drive root - #4924", "[Fixed] Handle legacy macOS right click gesture - #4942", "[Fixed] History omits latest commit from list - #5243", "[Fixed] Markdown header elements hard to read in dark mode - #5133. Thanks @agisilaos!", "[Fixed] Only perform ahead/behind comparisons when branch selector is open - #5142", "[Fixed] Relax checks for merge commits for GitHub Enterprise repositories - #4329", "[Fixed] Render clickable link in \"squash and merge\" commit message - #5203. Thanks @1pete!", "[Fixed] Return key disabled when no matches found in Compare branch list - #4458", "[Fixed] Selected commit not remembered when switching between History and Changes tabs - #4985", "[Fixed] Selected commit when comparing is reset to latest when Desktop regains focus - #5069", "[Fixed] Support default branch detection for non-GitHub repositories - #4937", "[Improved] Change primary button color to blue for dark theme - #5074", "[Improved] Diff gutter elements should be considered button elements when interacting - #5158", "[Improved] Status parsing significantly more performant when handling thousands of changed files - #2449 #5186" ], "1.3.0": [ "[New] Notification displayed in History tab when the base branch moves ahead of the current branch - #4768", "[New] Repository list displays uncommitted changes indicator and ahead/behind information - #2259 #5095", "[Added] Option to move repository to trash when removing from app - #2108. Thanks @say25!", "[Added] Syntax highlighting for PowerShell files - #5081. Thanks @say25!", "[Fixed] \"Discard Changes\" context menu discards correct file when entry is not part of selected group - #4788", "[Fixed] Display local path of selected repository as tooltip - #4922. Thanks @yongdamsh!", "[Fixed] Display root directory name when repository is located at drive root - #4924", "[Fixed] Handle legacy macOS right click gesture - #4942", "[Fixed] History omits latest commit from list - #5243", "[Fixed] Markdown header elements hard to read in dark mode - #5133. Thanks @agisilaos!", "[Fixed] Only perform ahead/behind comparisons when branch selector is open - #5142", "[Fixed] Relax checks for merge commits for GitHub Enterprise repositories - #4329", "[Fixed] Render clickable link in \"squash and merge\" commit message - #5203. Thanks @1pete!", "[Fixed] Return key disabled when no matches found in Compare branch list - #4458", "[Fixed] Selected commit not remembered when switching between History and Changes tabs - #4985", "[Fixed] Selected commit when comparing is reset to latest when Desktop regains focus - #5069", "[Fixed] Support default branch detection for non-GitHub repositories - #4937", "[Improved] Change primary button color to blue for dark theme - #5074", "[Improved] Diff gutter elements should be considered button elements when interacting - #5158", "[Improved] Status parsing significantly more performant when handling thousands of changed files - #2449 #5186" ], "1.3.0-beta7": [], "1.3.0-beta6": [], "1.3.0-beta5": [ "[Fixed] Ensure commit message is cleared after successful commit - #4046", "[Fixed] History omits latest commit from list - #5243" ], "1.3.0-beta4": [ "[Fixed] Only perform ahead/behind comparisons when branch selector is open - #5142", "[Fixed] Render clickable link in \"squash and merge\" commit message - #5203. Thanks @1pete!", "[Fixed] Selected commit not remembered when switching between History and Changes tabs - #4985", "[Fixed] Selected commit when comparing is reset to latest when Desktop regains focus - #5069" ], "1.3.0-beta3": [ "[Fixed] \"Discard Changes\" context menu discards correct file when entry is not part of selected group - #4788", "[Fixed] Return key disabled when no matches found in Compare branch list - #4458", "[Improved] Status parsing significantly more performant when handling thousands of changed files - #2449 #5186" ], "1.3.0-beta2": [ "[Added] Option to move repository to trash when removing from app - #2108. Thanks @say25!", "[Fixed] Markdown header elements hard to read in dark mode - #5133. Thanks @agisilaos!", "[Improved] Diff gutter elements should be considered button elements when interacting - #5158" ], "1.2.7-test3": ["Test deployment for electron version bump."], "1.3.0-beta1": [ "[New] Notification displayed in History tab when the base branch moves ahead of the current branch - #4768", "[New] Repository list displays uncommitted changes count and ahead/behind information - #2259", "[Added] Syntax highlighting for PowerShell files- #5081. Thanks @say25!", "[Fixed] Display something when repository is located at drive root - #4924", "[Fixed] Relax checks for merge commits for GitHub Enterprise repositories - #4329", "[Fixed] Display local path of selected repository as tooltip - #4922. Thanks @yongdamsh!", "[Fixed] Support default branch detection for non-GitHub repositories - #4937", "[Fixed] Handle legacy macOS right click gesture - #4942", "[Improved] Repository list badge style tweaks and tweaks for dark theme - #5095", "[Improved] Change primary button color to blue for dark theme - #5074" ], "1.2.7-test2": ["Test deployment for electron version bump."], "1.2.7-test1": ["Sanity check deployment for refactored scripts"], "1.2.7-beta0": [ "[Fixed] Visual indicator for upcoming feature should not be shown - #5026" ], "1.2.6": [ "[Fixed] Visual indicator for upcoming feature should not be shown - #5026" ], "1.2.6-beta0": [ "[Fixed] Feature flag for upcoming feature not applied correctly - #5024" ], "1.2.5": [ "[Fixed] Feature flag for upcoming feature not applied correctly - #5024" ], "1.2.4": [ "[New] Dark Theme preview - #4849", "[Added] Syntax highlighting for Cake files - #4935. Thanks @say25!", "[Added] WebStorm support for macOS - #4841. Thanks @mrsimonfletcher!", "[Fixed] Compare tab appends older commits when scrolling to bottom of list - #4964", "[Fixed] Remove temporary directory after Git LFS operation completes - #4414", "[Fixed] Unable to compare when two branches exist - #4947 #4730", "[Fixed] Unhandled errors when refreshing pull requests fails - #4844 #4866", "[Improved] Remove context menu needs to hint if a dialog will be shown - #4975", "[Improved] Upgrade embedded Git LFS - #4602 #4745", "[Improved] Update banner message clarifies that only Desktop needs to be restarted - #4891. Thanks @KennethSweezy!", "[Improved] Discard Changes context menu entry should contain ellipses when user needs to confirm - #4846. Thanks @yongdamsh!", "[Improved] Initializing syntax highlighting components - #4764", "[Improved] Only show overflow shadow when description overflows - #4898", "[Improved] Changes tab displays number of changed files instead of dot - #4772. Thanks @yongdamsh!" ], "1.2.4-beta5": [], "1.2.4-beta4": [ "[Fixed] Compare tab appends older commits when scrolling to bottom of list - #4964", "[Fixed] Remove temporary directory after Git LFS operation completes - #4414", "[Improved] Remove context menu needs to hint if a dialog will be shown - #4975", "[Improved] Upgrade embedded Git LFS - #4602 #4745" ], "1.2.4-test1": [ "Confirming latest Git LFS version addresses reported issues" ], "1.2.4-beta3": [ "[Added] WebStorm support for macOS - #4841. Thanks @mrsimonfletcher!", "[Improved] Update banner message clarifies that only Desktop needs to be restarted - #4891. Thanks @KennethSweezy!" ], "1.2.4-beta2": [], "1.2.4-beta1": [ "[New] Dark Theme preview - #4849", "[Added] Syntax highlighting for Cake files - #4935. Thanks @say25!", "[Fixed] Unable to compare when two branches exist - #4947 #4730", "[Fixed] Unhandled errors when refreshing pull requests fails - #4844 #4866", "[Improved] Discard Changes context menu entry should contain ellipses when user needs to confirm - #4846. Thanks @yongdamsh!", "[Improved] Initializing syntax highlighting components - #4764", "[Improved] Only show overflow shadow when description overflows - #4898", "[Improved] Changes tab displays number of changed files instead of dot - #4772. Thanks @yongdamsh!" ], "1.2.3": [ "[Fixed] No autocomplete when searching for co-authors - #4847", "[Fixed] Error when checking out a PR from a fork - #4842" ], "1.2.3-beta1": [ "[Fixed] No autocomplete when searching for co-authors - #4847", "[Fixed] Error when checking out a PR from a fork - #4842" ], "1.2.3-test1": [ "Confirming switch from uglify-es to babel-minify addresses minification issue - #4871" ], "1.2.2": [ "[Fixed] Make cURL/schannel default to using the Windows certificate store - #4817", "[Fixed] Restore text selection highlighting in diffs - #4818" ], "1.2.2-beta1": [ "[Fixed] Make cURL/schannel default to using the Windows certificate store - #4817", "[Fixed] Text selection highlighting in diffs is back - #4818" ], "1.2.1": [ "[Added] Brackets support for macOS - #4608. Thanks @3raxton!", "[Added] Pull request number and author are included in fuzzy-find filtering - #4653. Thanks @damaneice!", "[Fixed] Decreased the max line length limit - #3740. Thanks @sagaragarwal94!", "[Fixed] Updated embedded Git to 2.17.1 to address upstream security issue - #4791", "[Improved] Display the difference in file size of an image in the diff view - #4380. Thanks @ggajos!" ], "1.2.1-test1": ["Upgraded embedded Git to 2.17.0"], "1.2.1-beta1": [ "[Added] Brackets support for macOS - #4608. Thanks @3raxton!", "[Added] Pull request number and author are included in fuzzy-find filtering - #4653. Thanks @damaneice!", "[Fixed] Decreased the max line length limit - #3740. Thanks @sagaragarwal94!", "[Fixed] Updated embedded Git to 2.17.1 to address upstream security issue - #4791", "[Improved] Display the difference in file size of an image in the diff view - #4380. Thanks @ggajos!" ], "1.2.1-beta0": [], "1.1.2-test6": ["Testing the Webpack v4 output from the project"], "1.2.0": [ "[New] History now has ability to compare to another branch and merge outstanding commits", "[New] Support for selecting more than one file in the changes list - #1712. Thanks @icosamuel!", "[New] Render bitmap images in diffs - #4367. Thanks @MagicMarvMan!", "[Added] Add PowerShell Core support for Windows and macOS - #3791. Thanks @saschanaz!", "[Added] Add MacVim support for macOS - #4532. Thanks @johnelliott!", "[Added] Syntax highlighting for JavaServer Pages (JSP) - #4470. Thanks @damaneice!", "[Added] Syntax highlighting for Haxe files - #4445. Thanks @Gama11!", "[Added] Syntax highlighting for R files - #4455. Thanks @say25!", "[Fixed] 'Open in Shell' on Linux ensures Git is on PATH - #4619. Thanks @ziggy42!", "[Fixed] Pressing 'Enter' on filtered Pull Request does not checkout - #4673", "[Fixed] Alert icon shrinks in rename dialog when branch name is long - #4566", "[Fixed] 'Open in Desktop' performs fetch to ensure branch exists before checkout - #3006", "[Fixed] 'Open in Default Program' on Windows changes the window title - #4446", "[Fixed] Skip fast-forwarding when there are many eligible local branches - #4392", "[Fixed] Image diffs not working for files with upper-case file extension - #4466", "[Fixed] Syntax highlighting not working for files with upper-case file extension - #4462. Thanks @say25!", "[Fixed] Error when creating Git LFS progress causes clone to fail - #4307. Thanks @MagicMarvMan!", "[Fixed] 'Open File in External Editor' always opens a new instance - #4381", "[Fixed] 'Select All' shortcut now works for changes list - #3821", "[Improved] Automatically add valid repository when using command line interface - #4513. Thanks @ggajos!", "[Improved] Always fast-forward the default branch - #4506", "[Improved] Warn when trying to rename a published branch - #4035. Thanks @agisilaos!", "[Improved] Added context menu for files in commit history - #2845. Thanks @crea7or", "[Improved] Discarding all changes always prompts for confirmation - #4459", "[Improved] Getting list of changed files is now more efficient when dealing with thousands of files - #4443", "[Improved] Checking out a Pull Request may skip unnecessary fetch - #4068. Thanks @agisilaos!", "[Improved] Commit summary now has a hint to indicate why committing is disabled - #4429.", "[Improved] Pull request status text now matches format on GitHub - #3521", "[Improved] Add escape hatch to disable hardware acceleration when launching - #3921" ], "1.1.2-beta7": [], "1.1.2-beta6": [ "[Added] Add MacVim support for macOS - #4532. Thanks @johnelliott!", "[Fixed] Open in Shell on Linux ensures Git is available on the user's PATH - #4619. Thanks @ziggy42!", "[Fixed] Keyboard focus issues when navigating Pull Request list - #4673", "[Improved] Automatically add valid repository when using command line interface - #4513. Thanks @ggajos!" ], "1.1.2-test5": ["Actually upgrading fs-extra to v6 in the app"], "1.1.2-test4": ["Upgrading fs-extra to v6"], "1.1.2-beta5": [ "[Added] Syntax highlighting for JavaServer Pages (JSP) - #4470. Thanks @damaneice!", "[Fixed] Prevent icon from shrinking in rename dialog - #4566" ], "1.1.2-beta4": [ "[New] New Compare tab allowing visualization of the relationship between branches", "[New] Support for selecting more than one file in the changes list - #1712. Thanks @icosamuel!", "[Fixed] 'Select All' shortcut now works for changes list - #3821", "[Improved] Always fast-forward the default branch - #4506", "[Improved] Warn when trying to rename a published branch - #4035. Thanks @agisilaos!", "[Improved] Added context menu for files in commit history - #2845. Thanks @crea7or", "[Improved] Discarding all changes always prompts for confirmation - #4459" ], "1.1.2-beta3": [ "[Added] Syntax highlighting for Haxe files - #4445. Thanks @Gama11!", "[Added] Syntax highlighting for R files - #4455. Thanks @say25!", "[Fixed] Fetch to ensure \"Open in Desktop\" has a branch to checkout - #3006", "[Fixed] Handle the click event when opening a binary file - #4446", "[Fixed] Skip fast-forwarding when there are a lot of eligible local branches - #4392", "[Fixed] Image diffs not working for files with upper-case file extension - #4466", "[Fixed] Syntax highlighting not working for files with upper-case file extension - #4462. Thanks @say25!", "[Improved] Getting list of changed files is now more efficient when dealing with thousands of files - #4443", "[Improved] Checking out a Pull Request may skip unnecessary fetch - #4068. Thanks @agisilaos!", "[Improved] Commit summary now has a hint to indicate why committing is disabled - #4429." ], "1.1.2-test3": ["[New] Comparison Branch demo build"], "1.1.2-test2": [ "Refactoring the diff internals to potentially land some SVG improvements" ], "1.1.2-test1": [ "Refactoring the diff internals to potentially land some SVG improvements" ], "1.1.2-beta2": [ "[New] Render bitmap images in diffs - #4367. Thanks @MagicMarvMan!", "[New] Add PowerShell Core support for Windows and macOS - #3791. Thanks @saschanaz!", "[Fixed] Error when creating Git LFS progress causes clone to fail - #4307. Thanks @MagicMarvMan!", "[Fixed] 'Open File in External Editor' does not use existing window - #4381", "[Fixed] Always ask for confirmation when discarding all changes - #4423", "[Improved] Pull request status text now matches format on GitHub - #3521", "[Improved] Add escape hatch to disable hardware acceleration when launching - #3921" ], "1.1.2-beta1": [], "1.1.1": [ "[New] Render WebP images in diffs - #4164. Thanks @agisilaos!", "[Fixed] Edit context menus in commit form input elements - #3886", "[Fixed] Escape behavior for Pull Request list does not match Branch List - #3597", "[Fixed] Keep caret position after inserting completion for emoji/mention - #3835. Thanks @CarlRosell!", "[Fixed] Handle error events when watching files used to get Git LFS output - #4117", "[Fixed] Potential race condition when opening a fork pull request - #4149", "[Fixed] Show placeholder image when no pull requests found - #3973", "[Fixed] Disable commit summary and description inputs while commit in progress - #3893. Thanks @crea7or!", "[Fixed] Ensure pull request cache is cleared after last pull request merged - #4122", "[Fixed] Focus two-factor authentication dialog on input - #4220. Thanks @WaleedAshraf!", "[Fixed] Branches button no longer disabled while on an unborn branch - #4236. Thanks @agisilaos!", "[Fixed] Delete gitignore file when all entries cleared in Repository Settings - #1896", "[Fixed] Add visual indicator that a folder can be dropped on Desktop - #4004. Thanks @agisilaos!", "[Fixed] Attempt to focus the application window on macOS after signing in via the browser - #4126", "[Fixed] Refresh issues when user manually fetches - #4076", "[Improved] Add `Discard All Changes...` to context menu on changed file list - #4197. Thanks @xamm!", "[Improved] Improve contrast for button labels in app toolbar - #4219", "[Improved] Speed up check for submodules when discarding - #4186. Thanks @kmscode!", "[Improved] Make the keychain known issue more clear within Desktop - #4125", "[Improved] Continue past the 'diff too large' message and view the diff - #4050", "[Improved] Repository association might not have expected prefix - #4090. Thanks @mathieudutour!", "[Improved] Add message to gitignore dialog when not on default branch - #3720", "[Improved] Hide Desktop-specific forks in Branch List - #4127", "[Improved] Disregard accidental whitespace when cloning a repository by URL - #4216", "[Improved] Show alert icon in repository list when repository not found on disk - #4254. Thanks @gingerbeardman!", "[Improved] Repository list now closes after removing last repository - #4269. Thanks @agisilaos!", "[Improved] Move forget password link after the password dialog to match expected tab order - #4283. Thanks @iamnapo!", "[Improved] More descriptive text in repository toolbar button when no repositories are tracked - #4268. Thanks @agisilaos!", "[Improved] Context menu in Changes tab now supports opening file in your preferred editor - #4030" ], "1.1.1-beta4": [ "[Improved] Context menu in Changes tab now supports opening file in your preferred editor - #4030" ], "1.1.1-beta3": [], "1.1.1-beta2": [ "[New] Render WebP images in diffs - #4164. Thanks @agisilaos!", "[Fixed] Edit context menus in commit form input elements - #3886", "[Fixed] Escape behavior should match that of Branch List - #3972", "[Fixed] Keep caret position after inserting completion - #3835. Thanks @CarlRosell!", "[Fixed] Handle error events when watching files used to get Git LFS output - #4117", "[Fixed] Potential race condition when opening a fork pull request - #4149", "[Fixed] Show placeholder image when no pull requests found - #3973", "[Fixed] Disable input fields summary and description while commit in progress - #3893. Thanks @crea7or!", "[Fixed] Ensure pull request cache is cleared after last pull request merged - #4122", "[Fixed] Focus two-factor authentication dialog on input - #4220. Thanks @WaleedAshraf!", "[Fixed] Branches button no longer disabled while on an unborn branch - #4236. Thanks @agisilaos!", "[Fixed] Delete gitignore file when entries cleared in Repository Settings - #1896", "[Fixed] Add visual indicator that a folder can be dropped on Desktop - #4004. Thanks @agisilaos!", "[Improved] Add `Discard All Changes...` to context menu on changed file list - #4197. Thanks @xamm!", "[Improved] Improve contrast for button labels in app toolbar - #4219", "[Improved] Speed up check for submodules when discarding - #4186. Thanks @kmscode!", "[Improved] Make the keychain known issue more clear within Desktop - #4125", "[Improved] Continue past the 'diff too large' message and view the diff - #4050", "[Improved] Repository association might not have expected prefix - #4090. Thanks @mathieudutour!", "[Improved] Add message to gitignore dialog when not on default branch - #3720", "[Improved] Hide Desktop-specific forks in Branch List - #4127", "[Improved] Disregard accidental whitespace when cloning a repository by URL - #4216", "[Improved] Show alert icon in repository list when repository not found on disk - #4254. Thanks @gingerbeardman!", "[Improved] Repository list now closes after removing last repository - #4269. Thanks @agisilaos!", "[Improved] Move forget password link to after the password dialog to maintain expected tab order - #4283. Thanks @iamnapo!", "[Improved] More descriptive text in repository toolbar button when no repositories are tracked - #4268. Thanks @agisilaos!" ], "1.1.1-test2": ["[Improved] Electron 1.8.3 upgrade (again)"], "1.1.1-test1": [ "[Improved] Forcing a focus on the window after the OAuth dance is done" ], "1.1.1-beta1": [], "1.1.0": [ "[New] Check out pull requests from collaborators or forks from within Desktop", "[New] View the commit status of the branch when it has an open pull request", "[Added] Add RubyMine support for macOS - #3883. Thanks @gssbzn!", "[Added] Add TextMate support for macOS - #3910. Thanks @caiofbpa!", "[Added] Syntax highlighting for Elixir files - #3774. Thanks @joaovitoras!", "[Fixed] Update layout of branch blankslate image - #4011", "[Fixed] Expanded avatar stack in commit summary gets cut off - #3884", "[Fixed] Clear repository filter when switching tabs - #3787. Thanks @reyronald!", "[Fixed] Avoid crash when unable to launch shell - #3954", "[Fixed] Ensure renames are detected when viewing commit diffs - #3673", "[Fixed] Fetch default remote if it differs from the current - #4056", "[Fixed] Handle Git errors when .gitmodules are malformed - #3912", "[Fixed] Handle error when \"where\" is not on PATH - #3882 #3825", "[Fixed] Ignore action assumes CRLF when core.autocrlf is unset - #3514", "[Fixed] Prevent duplicate entries in co-author autocomplete list - #3887", "[Fixed] Renames not detected when viewing commit diffs - #3673", "[Fixed] Support legacy usernames as co-authors - #3897", "[Improved] Update branch button text from \"New\" to \"New Branch\" - #4032", "[Improved] Add fuzzy search in the repository, branch, PR, and clone FilterLists - #911. Thanks @j-f1!", "[Improved] Tidy up commit summary and description layout in commit list - #3922. Thanks @willnode!", "[Improved] Use smaller default size when rendering Gravatar avatars - #3911", "[Improved] Show fetch progress when initializing remote for fork - #3953", "[Improved] Remove references to Hubot from the user setup page - #4015. Thanks @j-f1!", "[Improved] Error handling around ENOENT - #3954", "[Improved] Clear repository filter text when switching tabs - #3787. Thanks @reyronald!", "[Improved] Allow window to accept single click on focus - #3843", "[Improved] Disable drag-and-drop interaction when a popup is in the foreground - #3996" ], "1.1.0-beta3": [ "[Fixed] Fetch default remote if it differs from the current - #4056" ], "1.1.0-beta2": [ "[Improved] Update embedded Git to improve error handling when using stdin - #4058" ], "1.1.0-beta1": [ "[Improved] Add 'Branch' to 'New' branch button - #4032", "[Improved] Remove references to Hubot from the user setup page - #4015. Thanks @j-f1!" ], "1.0.14-beta5": [ "[Fixed] Improve detection of pull requests associated with current branch - #3991", "[Fixed] Disable drag-and-drop interaction when a popup is in the foreground - #3996", "[Fixed] Branch blank slate image out of position - #4011" ], "1.0.14-beta4": [ "[New] Syntax highlighting for Elixir files - #3774. Thanks @joaovitoras!", "[Fixed] Crash when unable to launch shell - #3954", "[Fixed] Support legacy usernames as co-authors - #3897", "[Improved] Enable fuzzy search in the repository, branch, PR, and clone FilterLists - #911. Thanks @j-f1!", "[Improved] Tidy up commit summary and description layout in commit list - #3922. Thanks @willnode!" ], "1.0.14-test1": ["[Improved] Electron 1.8.2 upgrade"], "1.0.14-beta3": [ "[Added] Add TextMate support for macOS - #3910. Thanks @caiofbpa!", "[Fixed] Handle Git errors when .gitmodules are malformed - #3912", "[Fixed] Clear repository filter when switching tabs - #3787. Thanks @reyronald!", "[Fixed] Prevent duplicate entries in co-author autocomplete list - #3887", "[Improved] Show progress when initializing remote for fork - #3953" ], "1.0.14-beta2": [ "[Added] Add RubyMine support for macOS - #3883. Thanks @gssbzn!", "[Fixed] Allow window to accept single click on focus - #3843", "[Fixed] Expanded avatar list hidden behind commit details - #3884", "[Fixed] Renames not detected when viewing commit diffs - #3673", "[Fixed] Ignore action assumes CRLF when core.autocrlf is unset - #3514", "[Improved] Use smaller default size when rendering Gravatar avatars - #3911" ], "1.0.14-beta1": ["[New] Commit together with co-authors - #3879"], "1.0.13": [ "[New] Commit together with co-authors - #3879", "[New] PhpStorm is now a supported external editor on macOS - #3749. Thanks @hubgit!", "[Improved] Update embedded Git to 2.16.1 - #3617 #3828 #3871", "[Improved] Blank slate view is now more responsive when zoomed - #3777", "[Improved] Documentation fix for Open in Shell resource - #3799. Thanks @saschanaz!", "[Improved] Improved error handling for Linux - #3732", "[Improved] Allow links in unexpanded summary to be clickable - #3719. Thanks @koenpunt!", "[Fixed] Update Electron to 1.7.11 to address security issue - #3846", "[Fixed] Allow double dashes in branch name - #3599. Thanks @JQuinnie!", "[Fixed] Sort the organization list - #3657. Thanks @j-f1!", "[Fixed] Check out PRs from a fork - #3395", "[Fixed] Confirm deleting branch when it has an open PR - #3615", "[Fixed] Defer user/email validation in Preferences - #3722", "[Fixed] Checkout progress did not include branch name - #3780", "[Fixed] Don't block branch switching when in detached HEAD - #3807", "[Fixed] Handle discarding submodule changes properly - #3647", "[Fixed] Show tooltip with additional info about the build status - #3134", "[Fixed] Update placeholders to support Linux distributions - #3150", "[Fixed] Refresh local commit list when switching tabs - #3698" ], "1.0.13-test1": [ "[Improved] Update embedded Git to 2.16.1 - #3617 #3828 #3871", "[Fixed] Update Electron to 1.7.11 to address security issue - #3846", "[Fixed] Allows double dashes in branch name - #3599. Thanks @JQuinnie!", "[Fixed] Pull Request store may not have status defined - #3869", "[Fixed] Render the Pull Request badge when no commit statuses found - #3608" ], "1.0.13-beta1": [ "[New] PhpStorm is now a supported external editor on macOS - #3749. Thanks @hubgit!", "[Improved] Blank slate view is now more responsive when zoomed - #3777", "[Improved] Documentation fix for Open in Shell resource - #3799. Thanks @saschanaz!", "[Improved] Improved error handling for Linux - #3732", "[Improved] Allow links in unexpanded summary to be clickable - #3719. Thanks @koenpunt!", "[Fixed] Sort the organization list - #3657. Thanks @j-f1!", "[Fixed] Check out PRs from a fork - #3395", "[Fixed] Confirm deleting branch when it has an open PR - #3615", "[Fixed] Defer user/email validation in Preferences - #3722", "[Fixed] Checkout progress did not include branch name - #3780", "[Fixed] Don't block branch switching when in detached HEAD - #3807", "[Fixed] Handle discarding submodule changes properly - #3647", "[Fixed] Show tooltip with additional info about the build status - #3134", "[Fixed] Update placeholders to support Linux distributions - #3150", "[Fixed] Refresh local commit list when switching tabs - #3698" ], "1.0.12": [ "[New] Syntax highlighting for Rust files - #3666. Thanks @subnomo!", "[New] Syntax highlighting for Clojure cljc, cljs, and edn files - #3610. Thanks @mtkp!", "[Improved] Prevent creating a branch in the middle of a merge - #3733", "[Improved] Truncate long repo names in panes and modals to fit into a single line - #3598. Thanks @http-request!", "[Improved] Keyboard navigation support in pull request list - #3607", "[Fixed] Inconsistent caret behavior in text boxes when using certain keyboard layouts - #3354", "[Fixed] Only render the organizations list when it has orgs - #1414", "[Fixed] Checkout now handles situations where a ref exists on multiple remotes - #3281", "[Fixed] Retain accounts on desktop when losing connectivity - #3641", "[Fixed] Missing argument in FullScreenInfo that could prevent app from launching - #3727. Thanks @OiYouYeahYou!" ], "1.0.12-beta1": [ "[New] Syntax highlighting for Rust files - #3666. Thanks @subnomo!", "[New] Syntax highlighting for Clojure cljc, cljs, and edn files - #3610. Thanks @mtkp!", "[Improved] Prevent creating a branch in the middle of a merge - #3733", "[Improved] Truncate long repo names in panes and modals to fit into a single line - #3598. Thanks @http-request!", "[Improved] Keyboard navigation support in pull request list - #3607", "[Fixed] Inconsistent caret behavior in text boxes when using certain keyboard layouts - #3354", "[Fixed] Only render the organizations list when it has orgs - #1414", "[Fixed] Checkout now handles situations where a ref exists on multiple remotes - #3281", "[Fixed] Retain accounts on desktop when losing connectivity - #3641", "[Fixed] Missing argument in FullScreenInfo that could prevent app from launching - #3727. Thanks @OiYouYeahYou!" ], "1.0.12-beta0": [ "[New] Highlight substring matches in the \"Branches\" and \"Repositories\" list when filtering - #910. Thanks @JordanMussi!", "[New] Add preview for ico files - #3531. Thanks @serhiivinichuk!", "[New] Fallback to Gravatar for loading avatars - #821", "[New] Provide syntax highlighting for Visual Studio project files - #3552. Thanks @saul!", "[New] Provide syntax highlighting for F# fsx and fsi files - #3544. Thanks @saul!", "[New] Provide syntax highlighting for Kotlin files - #3555. Thanks @ziggy42!", "[New] Provide syntax highlighting for Clojure - #3523. Thanks @mtkp!", "[Improved] Toggle the \"Repository List\" from the menu - #2638. Thanks @JordanMussi!", "[Improved] Prevent saving of disallowed character strings for your name and email - #3204", "[Improved] Error messages now appear at the top of the \"Create a New Repository\" dialog - #3571. Thanks @http-request!", "[Improved] \"Repository List\" header is now \"Github.com\" for consistency - #3567. Thanks @iFun!", "[Improved] Rename the \"Install Update\" button to \"Quit and Install Update\" - #3494. Thanks @say25!", "[Fixed] Fix ordering of commit history when your branch and tracking branch have both changed - #2737", "[Fixed] Prevent creating a branch that starts with a period - #3013. Thanks @JordanMussi!", "[Fixed] Branch names are properly encoded when creating a pull request - #3509", "[Fixed] Re-enable all the menu items after closing a popup - #3533", "[Fixed] Removes option to delete remote branch after it's been deleted - #2964. Thanks @JordanMussi!", "[Fixed] Windows: Detects available editors and shells now works even when the group policy blocks write registry access - #3105 #3405", "[Fixed] Windows: Menu items are no longer truncated - #3547", "[Fixed] Windows: Prevent disabled menu items from being accessed - #3391 #1521", "[Fixed] Preserve the selected pull request when a manual fetch is done - #3524", "[Fixed] Update pull request badge after switching branches or pull requests - #3454", "[Fixed] Restore keyboard arrow navigation for pull request list - #3499" ], "1.0.11": [ "[New] Highlight substring matches in the \"Branches\" and \"Repositories\" list when filtering - #910. Thanks @JordanMussi!", "[New] Add preview for ico files - #3531. Thanks @serhiivinichuk!", "[New] Fallback to Gravatar for loading avatars - #821", "[New] Provide syntax highlighting for Visual Studio project files - #3552. Thanks @saul!", "[New] Provide syntax highlighting for F# fsx and fsi files - #3544. Thanks @saul!", "[New] Provide syntax highlighting for Kotlin files - #3555. Thanks @ziggy42!", "[New] Provide syntax highlighting for Clojure - #3523. Thanks @mtkp!", "[Improved] Toggle the \"Repository List\" from the menu - #2638. Thanks @JordanMussi!", "[Improved] Prevent saving of disallowed character strings for your name and email - #3204", "[Improved] Error messages now appear at the top of the \"Create a New Repository\" dialog - #3571. Thanks @http-request!", "[Improved] \"Repository List\" header is now \"Github.com\" for consistency - #3567. Thanks @iFun!", "[Improved] Rename the \"Install Update\" button to \"Quit and Install Update\" - #3494. Thanks @say25!", "[Fixed] Fix ordering of commit history when your branch and tracking branch have both changed - #2737", "[Fixed] Prevent creating a branch that starts with a period - #3013. Thanks @JordanMussi!", "[Fixed] Branch names are properly encoded when creating a pull request - #3509", "[Fixed] Re-enable all the menu items after closing a popup - #3533", "[Fixed] Removes option to delete remote branch after it's been deleted - #2964. Thanks @JordanMussi!", "[Fixed] Windows: Detects available editors and shells now works even when the group policy blocks write registry access - #3105 #3405", "[Fixed] Windows: Menu items are no longer truncated - #3547", "[Fixed] Windows: Prevent disabled menu items from being accessed - #3391 #1521" ], "1.0.11-test0": [ "[Improved] now with a new major version of electron-packager" ], "1.0.11-beta0": [ "[Improved] Refresh the pull requests list after fetching - #3503", "[Improved] Rename the \"Install Update\" button to \"Quit and Install Update\" - #3494. Thanks @say25!", "[Fixed] URL encode branch names when creating a pull request - #3509", "[Fixed] Windows: detecting available editors and shells now works even when the group policy blocks write registry access - #3105 #3405" ], "1.0.10": [ "[New] ColdFusion Builder is now a supported external editor - #3336 #3321. Thanks @AtomicCons!", "[New] VSCode Insiders build is now a supported external editor - #3441. Thanks @say25!", "[New] BBEdit is now a supported external editor - #3467. Thanks @NiklasBr!", "[New] Hyper is now a supported shell on Windows too - #3455. Thanks @JordanMussi!", "[New] Swift is now syntax highlighted - #3305. Thanks @agisilaos!", "[New] Vue.js is now syntax highlighted - #3368. Thanks @wanecek!", "[New] CoffeeScript is now syntax highlighted - #3356. Thanks @agisilaos!", "[New] Cypher is now syntax highlighted - #3440. Thanks @say25!", "[New] .hpp is now syntax highlighted as C++ - #3420. Thanks @say25!", "[New] ML-like languages are now syntax highlighted - #3401. Thanks @say25!", "[New] Objective-C is now syntax highlighted - #3355. Thanks @koenpunt!", "[New] SQL is now syntax highlighted - #3389. Thanks @say25!", "[Improved] Better message on the 'Publish Branch' button when HEAD is unborn - #3344. Thanks @Venkat5694!", "[Improved] Better error message when trying to push to an archived repository - #3084. Thanks @agisilaos!", "[Improved] Avoid excessive background fetching when switching repositories - #3329", "[Improved] Ignore menu events sent when a modal is shown - #3308", "[Fixed] Parse changed files whose paths include a newline - #3271", "[Fixed] Parse file type changes - #3334", "[Fixed] Windows: 'Open without Git' would present the dialog again instead of actually opening a shell without git - #3290", "[Fixed] Avoid text selection when dragging resizable dividers - #3268", "[Fixed] Windows: Removed the title attribute on the Windows buttons so that they no longer leave their tooltips hanging around - #3348. Thanks @j-f1!", "[Fixed] Windows: Detect VS Code when installed to non-standard locations - #3304", "[Fixed] Hitting Return would select the first item in a filter list when the filter text was empty - #3447", "[Fixed] Add some missing keyboard shortcuts - #3327. Thanks @say25!", "[Fixed] Handle \"304 Not Modified\" responses - #3399", "[Fixed] Don't overwrite an existing .gitattributes when creating a new repository - #3419. Thanks @strafe!" ], "1.0.10-beta3": [ "[New] Change \"Create Pull Request\" to \"Show Pull Request\" when there is already a pull request open for the branch - #2524", "[New] VSCode Insiders build is now a supported external editor - #3441. Thanks @say25!", "[New] BBEdit is now a supported external editor - #3467. Thanks @NiklasBr!", "[New] Hyper is now a supported shell - #3455. Thanks @JordanMussi!", "[New] Cypher is now syntax highlighted - #3440. Thanks @say25!", "[New] .hpp is now syntax highlighted as C++ - #3420. Thanks @say25!", "[New] ML-like languages are now syntax highlighted - #3401. Thanks @say25!", "[Improved] Use the same colors in pull request dropdown as we use on GitHub.com - #3451", "[Improved] Fancy pull request loading animations - #2868", "[Improved] Avoid excessive background fetching when switching repositories - #3329", "[Improved] Refresh the pull request list when the Push/Pull/Fetch button is clicked - #3448", "[Improved] Ignore menu events sent when a modal is shown - #3308", "[Fixed] Hitting Return would select the first item in a filter list when the filter text was empty - #3447", "[Fixed] Add some missing keyboard shortcuts - #3327. Thanks @say25!", "[Fixed] Handle \"304 Not Modified\" responses - #3399", "[Fixed] Don't overwrite an existing .gitattributes when creating a new repository - #3419. Thanks @strafe!" ], "1.0.10-beta2": [ "[New] SQL is now syntax highlighted! - #3389. Thanks @say25!", "[Fixed] Windows: Detect VS Code when installed to non-standard locations - #3304" ], "1.0.10-beta1": [ "[New] Vue.js code is now syntax highlighted! - #3368. Thanks @wanecek!", "[New] CoffeeScript is now syntax highlighted! - #3356. Thanks @agisilaos!", "[New] Highlight .m as Objective-C - #3355. Thanks @koenpunt!", "[Improved] Use smarter middle truncation for branch names - #3357", "[Fixed] Windows: Removed the title attribute on the Windows buttons so that they no longer leave their tooltips hanging around - #3348. Thanks @j-f1!" ], "1.0.10-beta0": [ "[New] ColdFusion Builder is now available as an option for External Editor - #3336 #3321. Thanks @AtomicCons!", "[New] Swift code is now syntax highlighted - #3305. Thanks @agisilaos!", "[Improved] Better message on the 'Publish Branch' button when HEAD is unborn - #3344. Thanks @Venkat5694!", "[Improved] Better error message when trying to push to an archived repository - #3084. Thanks @agisilaos!", "[Fixed] Parse changed files whose paths include a newline - #3271", "[Fixed] Parse file type changes - #3334", "[Fixed] Windows: 'Open without Git' would present the dialog again instead of actually opening a shell without git - #3290", "[Fixed] Avoid text selection when dragging resizable dividers - #3268" ], "1.0.9": [ "[New] ColdFusion Builder is now available as an option for External Editor - #3336 #3321. Thanks @AtomicCons!", "[New] Swift code is now syntax highlighted - #3305. Thanks @agisilaos!", "[Improved] Better message on the 'Publish Branch' button when HEAD is unborn - #3344. Thanks @Venkat5694!", "[Improved] Better error message when trying to push to an archived repository - #3084. Thanks @agisilaos!", "[Fixed] Parse changed files whose paths include a newline - #3271", "[Fixed] Parse file type changes - #3334", "[Fixed] Windows: 'Open without Git' would present the dialog again instead of actually opening a shell without git - #3290", "[Fixed] Avoid text selection when dragging resizable dividers - #3268" ], "1.0.9-beta1": [ "[New] ColdFusion Builder is now available as an option for External Editor - #3336 #3321. Thanks @AtomicCons!", "[New] Swift code is now syntax highlighted - #3305. Thanks @agisilaos!", "[Improved] Better message on the 'Publish Branch' button when HEAD is unborn - #3344. Thanks @Venkat5694!", "[Improved] Better error message when trying to push to an archived repository - #3084. Thanks @agisilaos!", "[Fixed] Parse changed files whose paths include a newline - #3271", "[Fixed] Parse file type changes - #3334", "[Fixed] Windows: 'Open without Git' would present the dialog again instead of actually opening a shell without git - #3290", "[Fixed] Avoid text selection when dragging resizable dividers - #3268" ], "1.0.9-beta0": [ "[Fixed] Crash when rendering diffs for certain types of files - #3249", "[Fixed] Continually being prompted to add the upstream remote, even when it already exists - #3252" ], "1.0.8": [ "[Fixed] Crash when rendering diffs for certain types of files - #3249", "[Fixed] Continually being prompted to add the upstream remote, even when it already exists - #3252" ], "1.0.8-beta0": [ "[New] Syntax highlighted diffs - #3101", "[New] Add upstream to forked repositories - #2364", "[Fixed] Only reset scale of title bar on macOS - #3193", "[Fixed] Filter symbolic refs in the branch list - #3196", "[Fixed] Address path issue with invoking Git Bash - #3186", "[Fixed] Update embedded Git to support repository hooks and better error messages - #3067 #3079", "[Fixed] Provide credentials to LFS repositories when performing checkout - #3167", "[Fixed] Assorted changelog typos - #3174 #3184 #3207. Thanks @strafe, @alanaasmaa and @jt2k!" ], "1.0.7": [ "[New] Syntax highlighted diffs - #3101", "[New] Add upstream to forked repositories - #2364", "[Fixed] Only reset scale of title bar on macOS - #3193", "[Fixed] Filter symbolic refs in the branch list - #3196", "[Fixed] Address path issue with invoking Git Bash - #3186", "[Fixed] Update embedded Git to support repository hooks and better error messages - #3067 #3079", "[Fixed] Provide credentials to LFS repositories when performing checkout - #3167", "[Fixed] Assorted changelog typos - #3174 #3184 #3207. Thanks @strafe, @alanaasmaa and @jt2k!" ], "1.0.7-beta0": [ "[Fixed] The Branches list wouldn't display the branches for non-GitHub repositories - #3169", "[Fixed] Pushing or pulling could error when the temp directory was unavailable - #3046" ], "1.0.6": [ "[Fixed] The Branches list wouldn't display the branches for non-GitHub repositories - #3169", "[Fixed] Pushing or pulling could error when the temp directory was unavailable - #3046" ], "1.0.5": [ "[New] The command line interface now provides some helpful help! - #2372. Thanks @j-f1!", "[New] Create new branches from the Branches foldout - #2784", "[New] Add support for VSCode Insiders - #3012 #3062. Thanks @MSathieu!", "[New] Linux: Add Atom and Sublime Text support - #3133. Thanks @ziggy42!", "[New] Linux: Tilix support - #3117. Thanks @ziggy42!", "[New] Linux: Add Visual Studio Code support - #3122. Thanks @ziggy42!", "[Improved] Report errors when a problem occurs storing tokens - #3159", "[Improved] Bump to Git 2.14.3 - #3146", "[Improved] Don't try to display diffs that could cause the app to hang - #2596", "[Fixed] Handle local user accounts with URL-hostile characters - #3107", "[Fixed] Cloning a repository which uses Git LFS would leave all the files appearing modified - #3146", "[Fixed] Signing in in the Welcome flow could hang - #2769", "[Fixed] Properly replace old Git LFS configuration values - #2984" ], "1.0.5-beta1": [ "[New] Create new branches from the Branches foldout - #2784", "[New] Add support for VSCode Insiders - #3012 #3062. Thanks @MSathieu!", "[New] Linux: Add Atom and Sublime Text support - #3133. Thanks @ziggy42!", "[New] Linux: Tilix support - #3117. Thanks @ziggy42!", "[New] Linux: Add Visual Studio Code support - #3122. Thanks @ziggy42!", "[Improved] Report errors when a problem occurs storing tokens - #3159", "[Improved] Bump to Git 2.14.3 - #3146", "[Improved] Don't try to display diffs that could cause the app to hang - #2596", "[Fixed] Handle local user accounts with URL-hostile characters - #3107", "[Fixed] Cloning a repository which uses Git LFS would leave all the files appearing modified - #3146", "[Fixed] Signing in in the Welcome flow could hang - #2769", "[Fixed] Properly replace old Git LFS configuration values - #2984" ], "1.0.5-test1": [], "1.0.5-test0": [], "1.0.5-beta0": [ "[New] The command line interface now provides some helpful help! - #2372. Thanks @j-f1!" ], "1.0.4": [ "[New] Report Git LFS progress when cloning, pushing, pulling, or reverting - #2226", "[Improved] Increased diff contrast and and line gutter selection - #2586 #2181", "[Improved] Clarify why publishing a branch is disabled in various scenarios - #2773", "[Improved] Improved error message when installing the command Line tool fails - #2979. Thanks @agisilaos!", "[Improved] Format the branch name in \"Create Branch\" like we format branch names elsewhere - #2977. Thanks @j-f1!", "[Fixed] Avatars not updating after signing in - #2911", "[Fixed] Lots of bugs if there was a file named \"HEAD\" in the repository - #3009 #2721 #2938", "[Fixed] Handle duplicate config values when saving user.name and user.email - #2945", "[Fixed] The \"Create without pushing\" button when creating a new pull request wouldn't actually do anything - #2917" ], "1.0.4-beta1": [ "[New] Report Git LFS progress when cloning, pushing, pulling, or reverting - #2226", "[Improved] Increased diff contrast and and line gutter selection - #2586 #2181", "[Improved] Clarify why publishing a branch is disabled in various scenarios - #2773", "[Improved] Improved error message when installing the command Line tool fails - #2979. Thanks @agisilaos!", "[Improved] Format the branch name in \"Create Branch\" like we format branch names elsewhere - #2977. Thanks @j-f1!", "[Fixed] Avatars not updating after signing in - #2911", "[Fixed] Lots of bugs if there was a file named \"HEAD\" in the repository - #3009 #2721 #2938", "[Fixed] Handle duplicate config values when saving user.name and user.email - #2945", "[Fixed] The \"Create without pushing\" button when creating a new pull request wouldn't actually do anything - #2917 #2917" ], "1.0.4-beta0": [ "[Improved] Increase the contrast of the modified file status octicons - #2914", "[Fixed] Showing changed files in Finder/Explorer would open the file - #2909", "[Fixed] macOS: Fix app icon on High Sierra - #2915", "[Fixed] Cloning an empty repository would fail - #2897 #2906", "[Fixed] Catch logging exceptions - #2910" ], "1.0.3": [ "[Improved] Increase the contrast of the modified file status octicons - #2914", "[Fixed] Showing changed files in Finder/Explorer would open the file - #2909", "[Fixed] macOS: Fix app icon on High Sierra - #2915", "[Fixed] Cloning an empty repository would fail - #2897 #2906", "[Fixed] Catch logging exceptions - #2910" ], "1.0.2": [ "[Improved] Better message for GitHub Enterprise users when there is a network error - #2574. Thanks @agisilaos!", "[Improved] Clone error message now suggests networking might be involved - #2872. Thanks @agisilaos!", "[Improved] Include push/pull progress information in the push/pull button tooltip - #2879", "[Improved] Allow publishing a brand new, empty repository - #2773", "[Improved] Make file paths in lists selectable - #2801. Thanks @artivilla!", "[Fixed] Disable LFS hook creation when cloning - #2809", "[Fixed] Use the new URL for the \"Show User Guides\" menu item - #2792. Thanks @db6edr!", "[Fixed] Make the SHA selectable when viewing commit details - #1154", "[Fixed] Windows: Make `github` CLI work in Git Bash - #2712", "[Fixed] Use the initial path provided when creating a new repository - #2883", "[Fixed] Windows: Avoid long path limits when discarding changes - #2833", "[Fixed] Files would get deleted when undoing the first commit - #2764", "[Fixed] Find the repository root before adding it - #2832", "[Fixed] Display warning about an existing folder before cloning - #2777 #2830", "[Fixed] Show contents of directory when showing a repository from Show in Explorer/Finder instead of showing the parent - #2798" ], "1.0.2-beta1": [ "[Improved] Clone error message now suggests networking might be involved - #2872. Thanks @agisilaos!", "[Improved] Include push/pull progress information in the push/pull button tooltip - #2879", "[Improved] Allow publishing a brand new, empty repository - #2773", "[Improved] Make file paths in lists selectable - #2801. Thanks @artivilla!", "[Fixed] Use the initial path provided when creating a new repository - #2883", "[Fixed] Windows: Avoid long path limits when discarding changes - #2833", "[Fixed] Files would get deleted when undoing the first commit - #2764", "[Fixed] Find the repository root before adding it - #2832", "[Fixed] Display warning about an existing folder before cloning - #2777 #2830", "[Fixed] Show contents of directory when showing a repository from Show in Explorer/Finder instead of showing the parent - #2798" ], "1.0.2-beta0": [ "[Improved] Message for GitHub Enterprise users when there is a network error - #2574. Thanks @agisilaos!", "[Fixed] Disable LFS hook creation when cloning - #2809", "[Fixed] Use the new URL for the \"Show User Guides\" menu item - #2792. Thanks @db6edr!", "[Fixed] Make the SHA selectable when viewing commit details - #1154", "[Fixed] Windows: Make `github` CLI work in Git Bash - #2712" ], "1.0.1": [ "[Improved] Message for GitHub Enterprise users when there is a network error - #2574. Thanks @agisilaos!", "[Fixed] Disable LFS hook creation when cloning - #2809", "[Fixed] Use the new URL for the \"Show User Guides\" menu item - #2792. Thanks @db6edr!", "[Fixed] Make the SHA selectable when viewing commit details - #1154", "[Fixed] Windows: Make `github` CLI work in Git Bash - #2712" ], "1.0.1-beta0": [ "[Fixed] Use the loading/disabled state while publishing - #1995", "[Fixed] Lock down menu item states for unborn repositories - #2744 #2573", "[Fixed] Windows: Detecting the available shells and editors when using a language other than English - #2735" ], "1.0.0": [ "[Fixed] Use the loading/disabled state while publishing - #1995", "[Fixed] Lock down menu item states for unborn repositories - #2744 #2573", "[Fixed] Windows: Detecting the available shells and editors when using a language other than English - #2735" ], "1.0.0-beta3": [ "[New] Allow users to create repositories with descriptions - #2719. Thanks @davidcelis!", "[New] Use `lfs clone` for faster cloning of LFS repositories - #2679", "[Improved] Prompt to override existing LFS filters - #2693", "[Fixed] Don't install LFS hooks when checking if a repo uses LFS - #2732", "[Fixed] Ensure nothing is staged as part of undoing the first commit - #2656", "[Fixed] \"Clone with Desktop\" wouldn't include the repository name in the path - #2704" ], "0.9.1": [ "[New] Allow users to create repositories with descriptions - #2719. Thanks @davidcelis!", "[New] Use `lfs clone` for faster cloning of LFS repositories - #2679", "[Improved] Prompt to override existing LFS filters - #2693", "[Fixed] Don't install LFS hooks when checking if a repo uses LFS - #2732", "[Fixed] Ensure nothing is staged as part of undoing the first commit - #2656", "[Fixed] \"Clone with Desktop\" wouldn't include the repository name in the path - #2704" ], "1.0.0-beta2": [ "[New] Allow users to create repositories with descriptions - #2719. Thanks @davidcelis!", "[New] Use `lfs clone` for faster cloning of LFS repositories - #2679", "[Improved] Prompt to override existing LFS filters - #2693", "[Fixed] Don't install LFS hooks when checking if a repo uses LFS - #2732", "[Fixed] Ensure nothing is staged as part of undoing the first commit - #2656", "[Fixed] \"Clone with Desktop\" wouldn't include the repository name in the path - #2704" ], "0.9.0": [ "[New] Allow users to create repositories with descriptions - #2719. Thanks @davidcelis!", "[New] Use `lfs clone` for faster cloning of LFS repositories - #2679", "[Improved] Prompt to override existing LFS filters - #2693", "[Fixed] Don't install LFS hooks when checking if a repo uses LFS - #2732", "[Fixed] Ensure nothing is staged as part of undoing the first commit - #2656", "[Fixed] \"Clone with Desktop\" wouldn't include the repository name in the path - #2704" ], "0.8.2": [ "[New] Ask to install LFS filters when an LFS repository is added - #2227", "[New] Clone GitHub repositories tab - #57", "[New] Option to opt-out of confirming discarding changes - #2681", "[Fixed] Long commit summary truncation - #1742", "[Fixed] Ensure the repository list is always enabled - #2648", "[Fixed] Windows: Detecting the available shells and editors when using a non-ASCII user encoding - #2624", "[Fixed] Clicking the \"Cancel\" button on the Publish Branch dialog - #2646", "[Fixed] Windows: Don't rely on PATH for knowing where to find chcp - #2678", "[Fixed] Relocating a repository now actually does that - #2685", "[Fixed] Clicking autocompletes inserts them - #2674", "[Fixed] Use shift for shortcut chord instead of alt - #2607", "[Fixed] macOS: \"Open in Terminal\" works with repositories with spaces in their path - #2682" ], "1.0.0-beta1": [ "[New] Option to to opt-out of confirming discarding changes - #2681", "[Fixed] Windows: Don't rely on PATH for knowing where to find chcp - #2678", "[Fixed] Relocating a repository now actually does that - #2685", "[Fixed] Clicking autocompletes inserts them - #2674", "[Fixed] Use shift for shortcut chord instead of alt - #2607", "[Fixed] macOS: \"Open in Terminal\" works with repositories with spaces in their path - #2682" ], "1.0.0-beta0": [ "[New] Ask to install LFS filters when an LFS repository is added - #2227", "[New] Clone GitHub repositories tab - #57", "[Fixed] Long commit summary truncation - #1742", "[Fixed] Ensure the repository list is always enabled - #2648", "[Fixed] Windows: Detecting the available shells and editors when using a non-ASCII user encoding - #2624", "[Fixed] Clicking the \"Cancel\" button on the Publish Branch dialog - #2646" ], "0.8.1": [ "[New] 'Open in Shell' now supports multiple shells - #2473", "[New] Windows: Enable adding self-signed certificates - #2581", "[Improved] Enhanced image diffs - #2383", "[Improved] Line diffs - #2461", "[Improved] Octicons updated - #2495", "[Improved] Adds ability to close repository list using shortcut - #2532", "[Improved] Switch default buttons in the Publish Branch dialog - #2515", "[Improved] Bring back \"Contact Support\" - #1472", "[Improved] Persist repository filter text after closing repository list - #2571", "[Improved] Redesigned example commit in the Welcome flow - #2141", "[Improved] Tidy up initial \"external editor\" experience - #2551", "[Fixed] 'Include All' checkbox not in sync with partial selection - #2493", "[Fixed] Copied text from diff removed valid characters - #2499", "[Fixed] Click-focus on Windows would dismiss dialog - #2488", "[Fixed] Branch list not rendered in app - #2531", "[Fixed] Git operations checking certificate store - #2520", "[Fixed] Properly identify repositories whose remotes have a trailing slash - #2584", "[Fixed] Windows: Fix launching the `github` command line tool - #2563", "[Fixed] Use the primary email address if it's public - #2244", "[Fixed] Local branch not checked out after clone - #2561", "[Fixed] Only the most recent 30 issues would autocomplete for GitHub Enterprise repositories - #2541", "[Fixed] Missing \"View on GitHub\" menu item for non-Gitub repositories - #2615", "[Fixed] New tab opened when pressing \"]\" for certain keyboard layouts - #2607", "[Fixed] Windows: Crash when exiting full screen - #1502", "[Fixed] Windows: Detecting the available shells and editors when using a non-ASCII user encoding - #2624", "[Fixed] Ensure the repository list is always accessible - #2648" ], "0.8.1-beta4": [ "[Improved] Persist repository filter text after closing repository list - #2571", "[Improved] Redesigned example commit in the Welcome flow - #2141", "[Improved] Tidy up initial \"external editor\" experience - #2551", "[Fixed] Missing \"View on GitHub\" menu item for non-Gitub repositories - #2615", "[Fixed] New tab opened when pressing \"]\" for certain keyboard layouts - #2607", "[Fixed] Windows: Crash when exiting full screen - #1502" ], "0.8.1-beta3": [ "[New] Windows: Enable adding self-signed certificates - #2581", "[Improved] Adds ability to close repository list using shortcut - #2532", "[Improved] Switch default buttons in the Publish Branch dialog - #2515", "[Improved] Bring back \"Contact Support\" - #1472", "[Fixed] Properly identify repositories whose remotes have a trailing slash - #2584", "[Fixed] Windows: Fix launching the `github` command line tool - #2563", "[Fixed] Use the primary email address if it's public - #2244", "[Fixed] Local branch not checked out after clone - #2561", "[Fixed] Only the most recent 30 issues would autocomplete for GitHub Enterprise repositories - #2541" ], "0.8.1-beta2": [ "[Fixed] Branch list not rendered in app - #2531", "[Fixed] Git operations checking certificate store - #2520" ], "0.8.1-beta1": [ "[New] 'Open in Shell' now supports multiple shells - #2473", "[Improved] Enhanced image diffs - #2383", "[Improved] Line diffs - #2461", "[Improved] Octicons updated - #2495", "[Fixed] 'Include All' checkbox not in sync with partial selection - #2493", "[Fixed] Copied text from diff removed valid characters - #2499", "[Fixed] Click-focus on Windows would dismiss dialog - #2488" ], "0.8.1-beta0": [], "0.8.0": [ "[New] Added commit context menu - #2434", "[New] Added 'Open in External Editor' - #2009", "[New] Can choose whether a branch should be deleted on the remote as well as locally - #2136", "[New] Support authenticating with non-GitHub servers - #852", "[New] Added the ability to revert a commit - #752", "[New] Added a keyboard shortcut for opening the repository in the shell - #2138", "[Improved] Copied diff text no longer includes the line changetype markers - #1499", "[Improved] Fetch if a push fails because they need to pull first - #2431", "[Improved] Discard changes performance - #1889", "[Fixed] Show 'Add Repository' dialog when repository is dragged onto the app - #2442", "[Fixed] Dialog component did not remove event handler - #2469", "[Fixed] Open in External Editor context menu - #2475", "[Fixed] Update to Git 2.14.1 to fix security vulnerability - #2432", "[Fixed] Recent branches disappearing after renaming a branch - #2426", "[Fixed] Changing the default branch on GitHub.com is now reflected in the app - #1489", "[Fixed] Swap around some callouts for no repositories - #2447", "[Fixed] Darker unfocused selection color - #1669", "[Fixed] Increase the max sidebar width - #1588", "[Fixed] Don't say \"Publish this branch to GitHub\" for non-GitHub repositories - #1498", "[Fixed] macOS: Protocol schemes not getting registered - #2429", "[Fixed] Patches which contain the \"no newline\" marker would fail to apply - #2123", "[Fixed] Close the autocompletion popover when it loses focus - #2358", "[Fixed] Clear the selected org when switching Publish Repository tabs - #2386", "[Fixed] 'Create Without Pushing' button throwing an exception while opening a pull request - #2368", "[Fixed] Windows: Don't removing the running app out from under itself when there are updates pending - #2373", "[Fixed] Windows: Respect `core.autocrlf` and `core.safeclrf` when modifying the .gitignore - #1535", "[Fixed] Windows: Fix opening the app from the command line - #2396" ], "0.7.3-beta5": [], "0.7.3-beta4": [], "0.7.3-beta3": [], "0.7.3-beta2": [], "0.7.3-beta1": [], "0.7.3-beta0": [], "0.7.2": ["[Fixed] Issues with auto-updating to 0.7.1."], "0.7.2-beta0": [], "0.7.1": [ "[Improved] Redesigned error and warning dialogs to be clearer - #2277", "[Improved] Create Pull Request dialog shows more feedback while it's working - #2265", "[Improved] Version text is now copiable - #1935", "[Fixed] Preserve existing GitHub API information when API requests fail - #2282", "[Fixed] Pass through error messages as received from the API - #2279", "[Fixed] The Pull and Create Pull Request menu items had the same shortcut - #2274", "[Fixed] Launching the `github` command line tool from a Fish shell - #2299", "[Fixed] Help menu items now work - #2314", "[Fixed] Windows: `github` command line tool not installing after updating - #2312", "[Fixed] Caret position jumping around while changing the path for adding a local repository - #2222", "[Fixed] Error dialogs being closed too easily - #2211", "[Fixed] Windows: Non-ASCII credentials were mangled - #189" ], "0.7.1-beta5": [ "[Improved] Redesigned error and warning dialogs to be clearer - #2277", "[Improved] Create Pull Request dialog shows more feedback while it's working - #2265", "[Fixed] Preserve existing GitHub API information when API requests fail - #2282", "[Fixed] Pass through error messages as received from the API - #2279", "[Fixed] The Pull and Create Pull Request menu items had the same shortcut - #2274", "[Fixed] Launching the `github` command line tool from a Fish shell - #2299", "[Fixed] Help menu items now work - #2314", "[Fixed] Windows: `github` command line tool not installing after updating - #2312", "[Fixed] Caret position jumping around while changing the path for adding a local repository - #2222", "[Fixed] Error dialogs being closed too easily - #2211", "[Fixed] Windows: Non-ASCII credentials were mangled - #189" ], "0.7.1-beta4": [], "0.7.1-beta3": [], "0.7.1-beta2": [], "0.7.1-beta1": [], "0.7.1-beta0": [ "[Improved] Redesigned error and warning dialogs to be clearer - #2277", "[Fixed] Preserve existing GitHub API information when API requests fail - #2282", "[Fixed] Pass through error messages as received from the API - #2279", "[Fixed] The Pull and Create Pull Request menu items had the same shortcut - #2274", "[Fixed] Launching the `github` command line tool from a Fish shell - #2299" ], "0.7.0": [ "[New] Added the Branch > Create Pull Request menu item - #2135", "[New] Added the `github` command line tool - #696", "[Improved] Better error message when publishing a repository fails - #2089", "[Improved] Windows: Don't recreate the desktop shortcut if it's been deleted - #1759", "[Fixed] Cloning a repository's wiki - #1624", "[Fixed] Don't call GitHub Enterprise GitHub.com - #2094", "[Fixed] Don't push after publishing a new repository if the branch is unborn - #2086", "[Fixed] Don't close dialogs when clicking the title bar - #2056", "[Fixed] Windows: Clicking 'Show in Explorer' doesn't bring Explorer to the front - #2127", "[Fixed] Windows: Opening links doesn't bring the browser to the front - #1945", "[Fixed] macOS: Closing the window wouldn't exit fullscreen - #1901", "[Fixed] Scale blankslate images so they look nicer on high resolution displays - #1946", "[Fixed] Windows: Installer not completing or getting stuck in a loop - #1875 #1863", "[Fixed] Move the 'Forgot Password' link to fix the tab order of the sign in view - #2200" ], "0.6.3-beta7": [], "0.6.3-beta6": [], "0.6.3-beta5": [], "0.6.3-beta4": [], "0.6.3-beta3": [], "0.6.3-beta2": [], "0.6.3-beta1": [], "0.6.3-beta0": [], "0.6.2": [ "[New] Link to User Guides from the Help menu - #1963", "[New] Added the 'Open in External Editor' contextual menu item to changed files - #2023", "[New] Added the 'Show' and 'Open Command Prompt' contextual menu items to repositories - #1554", "[New] Windows: Support self-signed or untrusted certificates - #671", "[New] Copy the SHA to the clipboard when clicked - #1501", "[Improved] Provide the option of initializing a new repository when adding a directory that isn't already one - #969", "[Improved] Link to the working directory when there are no changes - #1871", "[Improved] Hitting Enter when selecting a base branch creates the new branch - #1780", "[Improved] Prefix repository names with their owner if they are ambiguous - #1848", "[Fixed] Sort and filter licenses like GitHub.com - #1987", "[Fixed] Long branch names not getting truncated in the Rename Branch dialog - #1891", "[Fixed] Prune old log files - #1540", "[Fixed] Ensure the local path is valid before trying to create a new repository - #1487", "[Fixed] Support cloning repository wikis - #1624", "[Fixed] Disable the Select All checkbox when there are no changes - #1389", "[Fixed] Changed docx files wouldn't show anything in the diff panel - #1990", "[Fixed] Disable the Merge button when there are no commits to merge - #1359", "[Fixed] Username/password authentication not working for GitHub Enterprise - #2064", "[Fixed] Better error messages when an API call fails - #2017", "[Fixed] Create the 'logs' directory if it doesn't exist - #1550", "[Fixed] Enable the 'Remove' menu item for missing repositories - #1776" ], "0.6.1": [ "[Fixed] Properly log stats opt in/out - #1949", "[Fixed] Source maps for exceptions in the main process - #1957", "[Fixed] Styling of the exception dialog - #1956", "[Fixed] Handle ambiguous references - #1947", "[Fixed] Handle non-ASCII text in diffs - #1970", "[Fixed] Uncaught exception when hitting the arrow keys after showing autocompletions - #1971", "[Fixed] Clear the organizations list when publishing a new repository and switching between tabs - #1969", "[Fixed] Push properly when a tracking branch has a different name from the local branch - #1967", "[Improved] Warn when line endings will change - #1906" ], "0.6.0": [ "[Fixed] Issue autocompletion not working for older issues - #1814", "[Fixed] GitHub repository association not working for repositories with some remote URL formats - #1826 #1679", "[Fixed] Don't try to delete a remote branch that no longer exists - #1829", "[Fixed] Tokens created by development builds would be used in production builds but wouldn't work - #1727", "[Fixed] Submodules can now be added - #708", "[Fixed] Properly handle the case where a file is added to the index but removed from the working tree - #1310", "[Fixed] Use a local image for the default avatar - #1621", "[Fixed] Make the file path in diffs selectable - #1768", "[Improved] More logging! - #1823", "[Improved] Better error message when trying to add something that's not a repository - #1747", "[Improved] Copy the shell environment into the app's environment - #1796", "[Improved] Updated to Git 2.13.0 - #1897", "[Improved] Add 'Reveal' to the contextual menu for changed files - #1566", "[Improved] Better handling of large diffs - #1818 #1524", "[Improved] App launch time - #1900" ], "0.5.9": [ "[New] Added Zoom In and Zoom Out - #1217", "[Fixed] Various errors when on an unborn branch - #1450", "[Fixed] Disable push/pull menu items when there is no remote - #1448", "[Fixed] Better error message when the GitHub Enterprise version is too old - #1628", "[Fixed] Error parsing non-JSON responses - #1505 #1522", "[Fixed] Updated the 'Install Git' help documentation link - #1797", "[Fixed] Disable menu items while in the Welcome flow - #1529", "[Fixed] Windows: Fall back to HOME if Document cannot be found - #1825", "[Improved] Close the window when an exception occurs - #1562", "[Improved] Always use merge when pulling - #1627", "[Improved] Move the 'New Branch' menu item into the Branch menu - #1757", "[Improved] Remove Repository's default button is now Cancel - #1751", "[Improved] Only fetch the default remote - #1435", "[Improved] Faster commits with many files - #1405", "[Improved] Measure startup time more reliably - #1798", "[Improved] Prefer the GitHub repository name instead of the name on disk - #664" ], "0.5.8": [ "[Fixed] Switching tabs in Preferences/Settings or Repository Settings would close the dialog - #1724", "[Improved] Standardized colors which improves contrast and readability - #1713" ], "0.5.7": [ "[Fixed] Windows: Handle protocol events which launch the app - #1582", "[Fixed] Opting out of stats reporting in the Welcome flow - #1698", "[Fixed] Commit description text being too light - #1695", "[Fixed] Exception on startup if the app was activated too quickly - #1564", "[Improved] Default directory for cloning now - #1663", "[Improved] Accessibility support - #1289", "[Improved] Lovely blank slate illustrations - #1708" ], "0.5.6": [ "[Fixed] macOS: The buttons in the Untrusted Server dialog not doing anything - #1622", "[Fixed] Better warning in Rename Branch when the branch will be created with a different name than was entered - #1480", "[Fixed] Provide a tooltip for commit summaries in the History list - #1483", "[Fixed] Prevent the Update Available banner from getting squished - #1632", "[Fixed] Title bar not responding to double-clicks - #1590 #1655", "[Improved] Discard All Changes is now accessible by right-clicking the file column header - #1635" ], "0.5.5": [ "[Fixed] Save the default path after creating a new repository - #1486", "[Fixed] Only let the user launch the browser once for the OAuth flow - #1427", "[Fixed] Don't linkify invalid URLs - #1456", "[Fixed] Excessive padding in the Merge Branch dialog - #1577", "[Fixed] Octicon pixel alignment issues - #1584", "[Fixed] Windows: Invoking some menu items would break the window's snapped state - #1603", "[Fixed] macOS: Errors authenticating while pushing - #1514", "[Fixed] Don't linkify links in the History list or in Undo - #1548 #1608 #1474", "[Fixed] Diffs not working when certain git config values were set - #1559" ], "0.5.4": [ "[Fixed] The release notes URL pointed to the wrong page - #1503", "[Fixed] Only create the `logs` directory if it doesn't already exist - #1510", "[Fixed] Uncaught exception creating a new repository if you aren't a member of any orgs - #1507", "[Fixed] Only report the first uncaught exception - #1517", "[Fixed] Include the name of the default branch in the New Branch dialog - #1449", "[Fixed] Uncaught exception if a network error occurred while loading user email addresses - #1522 #1508", "[Fixed] Uncaught exception while performing a contextual menu action - #1532", "[Improved] Move all error logging to the main process - #1473", "[Improved] Stats reporting reliability - #1561" ], "0.5.3": [ "[Fixed] Display of large image diffs - #1494", "[Fixed] Discard Changes spacing - #1495" ], "0.5.2": [ "[Fixed] Display errors that happen while publishing a repository - #1396", "[Fixed] Menu items not updating - #1462", "[Fixed] Always select the first changed file - #1306", "[Fixed] macOS: Use Title Case consistently - #1477 #1481", "[Fixed] Create Branch padding - #1479", "[Fixed] Bottom padding in commit descriptions - #1345", "[Improved] Dialog polish - #1451", "[Improved] Store logs in a logs directory - #1370", "[Improved] New Welcome illustrations - #1471", "[Improved] Request confirmation before removing a repository - #1233", "[Improved] Windows icon polish - #1457" ], "0.5.1": [ "[New] Windows: A nice little gif while installing the app - #1440", "[Fixed] Disable pinch zoom - #1431", "[Fixed] Don't show carriage return indicators in diffs - #1444", "[Fixed] History wouldn't update after switching branches - #1446", "[Improved] Include more information in exception reports - #1429", "[Improved] Updated Terms and Conditions - #1438", "[Improved] Sub-pixel anti-aliasing in some lists - #1452", "[Improved] Windows: A new application identifier, less likely to collide with other apps - #1441" ], "0.5.0": [ "[Added] Menu item for showing the app logs - #1349", "[Fixed] Don't let the two-factor authentication dialog be submitted while it's empty - #1386", "[Fixed] Undo Commit showing the wrong commit - #1373", "[Fixed] Windows: Update the icon used for the installer - #1410", "[Fixed] Undoing the first commit - #1401", "[Fixed] A second window would be opened during the OAuth dance - #1382", "[Fixed] Don't include the comment from the default merge commit message - #1367", "[Fixed] Show progress while committing - #923", "[Fixed] Windows: Merge Branch sizing would be wrong on high DPI monitors - #1210", "[Fixed] Windows: Resize the app from the top left corner - #1424", "[Fixed] Changing the destination path for cloning a repository now appends the repository's name - #1408", "[Fixed] The blank slate view could be visible briefly when the app launched - #1398", "[Improved] Performance updating menu items - #1321", "[Improved] Windows: Dim the title bar when the app loses focus - #1189" ], "0.0.39": ["[Fixed] An uncaught exception when adding a user - #1394"], "0.0.38": [ "[New] Shiny new icon! - #1221", "[New] More helpful blank slate view - #871", "[Fixed] Don't allow Undo while pushing/pulling/fetching - #1047", "[Fixed] Updating the default branch on GitHub wouldn't be reflected in the app - #1028 #1314", "[Fixed] Long repository names would overflow their container - #1331", "[Fixed] Removed development menu items in production builds - #1031 #1251 #1323 #1340", "[Fixed] Create Branch no longer changes as it's animating closed - #1304", "[Fixed] Windows: Cut / Copy / Paste menu items not working - #1379", "[Improved] Show a better error message when the user tries to authenticate with a personal access token - #1313", "[Improved] Link to the repository New Issue page from the Help menu - #1349", "[Improved] Clone in Desktop opens the Clone dialog - #918" ], "0.0.37": [ "[Fixed] Better display of the 'no newline at end of file' indicator - #1253", "[Fixed] macOS: Destructive dialogs now use the expected button order - #1315", "[Fixed] Display of submodule paths - #785", "[Fixed] Incomplete stats submission - #1337", "[Improved] Redesigned welcome flow - #1254", "[Improved] App launch time - #1225", "[Improved] Handle uncaught exceptions - #1106" ], "0.0.36": [ "[Fixed] Bugs around associating an email address with a GitHub user - #975", "[Fixed] Use the correct reference name for an unborn branch - #1283", "[Fixed] Better diffs for renamed files - #980", "[Fixed] Typo in Create Branch - #1303", "[Fixed] Don't allow whitespace-only branch names - #1288", "[Improved] Focus ring polish - #1287", "[Improved] Less intrusive update notifications - #1136", "[Improved] Faster launch time on Windows - #1309", "[Improved] Faster git information refreshing - #1305", "[Improved] More consistent use of sentence case on Windows - #1316", "[Improved] Autocomplete polish - #1241" ], "0.0.35": [ "[New] Show push/pull/fetch progress - #1238", "[Fixed] macOS: Add the Zoom menu item - #1260", "[Fixed] macOS: Don't show the titlebar while full screened - #1247", "[Fixed] Windows: Updates would make the app unresponsive - #1269", "[Fixed] Windows: Keyboard navigation in menus - #1293", "[Fixed] Windows: Repositories list item not working - #1293", "[Fixed] Auto updater errors not being propagated properly - #1266", "[Fixed] Only show the current branch tooltip on the branches button - #1275", "[Fixed] Double path truncation - #1270", "[Fixed] Sometimes toggling a file's checkbox would get undone - #1248", "[Fixed] Uncaught exception when internet connectivity was lost - #1048", "[Fixed] Cloned repositories wouldn't be associated with their GitHub repository - #1285", "[Improved] Better performance on large repositories - #1281", "[Improved] Commit summary is now expandable when the summary is long - #519", "[Improved] The SHA in historical commits is now selectable - #1154", "[Improved] The Create Branch dialog was polished and refined - #1137" ], "0.0.34": [ "[New] macOS: Users can choose whether to accept untrusted certificates - #671", "[New] Windows: Users are prompted to install git when opening a shell if it is not installed - #813", "[New] Checkout progress is shown if branch switching takes a while - #1208", "[New] Commit summary and description are automatically populated for merge conflicts - #1228", "[Fixed] Cloning repositories while not signed in - #1163", "[Fixed] Merge commits are now created as merge commits - #1216", "[Fixed] Display of diffs with /r newline - #1234", "[Fixed] Windows: Maximized windows are no longer positioned slightly off screen - #1202", "[Fixed] JSON parse errors - #1243", "[Fixed] GitHub Enterprise repositories were not associated with the proper Enterprise repository - #1242", "[Fixed] Timestamps in the Branches list would wrap - #1255", "[Fixed] Merges created from pulling wouldn't use the right git author - #1262", "[Improved] Check for update errors are suppressed if they happen in the background - #1104, #1195", "[Improved] The shortcut to show the repositories list is now command or control-T - #1220", "[Improved] Command or control-W now closes open dialogs - #949", "[Improved] Less memory usage while parsing large diffs - #1235" ], "0.0.33": ["[Fixed] Update Now wouldn't update now - #1209"], "0.0.32": [ "[New] You can now disable stats reporting from Preferences > Advanced - #1120", "[New] Acknowledgements are now available from About - #810", "[New] Open pull requests from dot com in the app - #808", "[Fixed] Don't show background fetch errors - #875", "[Fixed] No more surprise and delight - #620", "[Fixed] Can't discard renamed files - #1177", "[Fixed] Logging out of one account would log out of all accounts - #1192", "[Fixed] Renamed files truncation - #695", "[Fixed] Git on Windows now integrates with the system certificate store - #706", "[Fixed] Cloning with an account/repoository shortcut would always fail - #1150", "[Fixed] OS version reporting - #1130", "[Fixed] Publish a new repository would always fail - #1046", "[Fixed] Authentication would fail for the first repository after logging in - #1118", "[Fixed] Don't flood the user with errors if a repository disappears on disk - #1132", "[Improved] The Merge dialog uses the Branches list instead of a drop down menu - #749", "[Improved] Lots of design polish - #1188, #1183, #1170, #1184, #1181, #1179, #1142, #1125" ], "0.0.31": [ "[New] Prompt user to login when authentication error occurs - #903", "[New] Windows application has a new app menu, replaces previous hamburger menu - #991", "[New] Refreshed colours to align with GitHub website scheme - #1077", "[New] Custom about dialog on all platforms - #1102", "[Fixed] Improved error handling when probing for a GitHub Enterprise server - #1026", "[Fixed] User can cancel 2FA flow - #1057", "[Fixed] Tidy up current set of menu items - #1063", "[Fixed] Manually focus the window when a URL action has been received - #1072", "[Fixed] Disable middle-click event to prevent new windows being launched - #1074", "[Fixed] Pre-fill the account name in the Welcome wizard, not login - #1078", "[Fixed] Diffs wouldn't work if an external diff program was configured - #1123", "[Improved] Lots of design polish work - #1113, #1099, #1094, #1077" ], "0.0.30": [ "[Fixed] Crash when invoking menu item due to incorrect method signature - #1041" ], "0.0.29": [ "[New] Commit summary and description fields now display issues and mentions as links for GitHub repositories - #941", "[New] Show placeholder when the repository cannot be found on disk - #946", "[New] New Repository actions moved out of popover and into new menu - #1018", "[Fixed] Display a helpful error message when an unverified user signs into GitHub Desktop - #1010", "[Fixed] Fix kerning issue when access keys displayed - #1033", "[Fixed] Protected branches show a descriptive error when the push is rejected - #1036", "[Fixed] 'Open in shell' on Windows opens to repository location - #1037" ], "0.0.28": ["[Fixed] Bumping release notes to test deployments again"], "0.0.27": [ "[Fixed] 2FA dialog when authenticating has information for SMS authentication - #1009", "[Fixed] Autocomplete for users handles accounts containing `-` - #1008" ], "0.0.26": [ "[Fixed] Address deployment issue by properly documenting release notes" ], "0.0.25": [ "[Added] Autocomplete displays user matches - #942", "[Fixed] Handle Enter key in repository and branch list when no matches exist - #995", "[Fixed] 'Add Repository' button displays in dropdown when repository list empty - #984", "[Fixed] Correct icon displayed for non-GitHub repository - #964 #955", "[Fixed] Enter key when inside dialog submits form - #956", "[Fixed] Updated URL handler entry on macOS - #945", "[Fixed] Commit button is disabled while commit in progress - #940", "[Fixed] Handle index state change when gitginore change is discarded - #935", "[Fixed] 'Create New Branch' view squashes branch list when expanded - #927", "[Fixed] Application creates repository path if it doesn't exist on disk - #925", "[Improved] Preferences sign-in flow updated to standalone dialogs - #961" ], "0.0.24": ["Changed a thing", "Added another thing"] } }

According to all known laws of aviation, there is no way a bee should be able to fly. Its wings are too small to get its fat little body off the ground. The bee, of course, flies anyway because bees don't care what humans think is impossible. Yellow, black. Yellow, black. Yellow, black. Yellow, black. Ooh, black and yellow! Let's shake it up a little. Barry! Breakfast is ready! Ooming! Hang on a second. Hello? - Barry? - Adam? - Oan you believe this is happening? - I can't. I'll pick you up. Looking sharp. Use the stairs. Your father paid good money for those. Sorry. I'm excited. Here's the graduate. We're very proud of you, son. A perfect report card, all B's. Very proud. Ma! I got a thing going here. - You got lint on your fuzz. - Ow! That's me! - Wave to us! We'll be in row 118,000. - Bye! Barry, I told you, stop flying in the house! - Hey, Adam. - Hey, Barry. - Is that fuzz gel? - A little. Special day, graduation. Never thought I'd make it. Three days grade school, three days high school. Those were awkward. Three days college. I'm glad I took a day and hitchhiked around the hive. You did come back different. - Hi, Barry. - Artie, growing a mustache? Looks good. - Hear about Frankie? - Yeah. - You going to the funeral? - No, I'm not going. Everybody knows, sting someone, you die. Don't waste it on a squirrel. Such a hothead. I guess he could have just gotten out of the way. I love this incorporating an amusement park into our day. That's why we don't need vacations. Boy, quite a bit of pomp... under the circumstances. - Well, Adam, today we are men. - We are! - Bee-men. - Amen! Hallelujah! Students, faculty, distinguished bees, please welcome Dean Buzzwell. Welcome, New Hive Oity graduating class of... ...9:15. That concludes our ceremonies. And begins your career at Honex Industries! Will we pick ourjob today? I heard it's just orientation. Heads up! Here we go. Keep your hands and antennas inside the tram at all times. - Wonder what it'll be like? - A little scary. Welcome to Honex, a division of Honesco and a part of the Hexagon Group. This is it! Wow. Wow. We know that you, as a bee, have worked your whole life to get to the point where you can work for your whole life. Honey begins when our valiant Pollen Jocks bring the nectar to the hive. Our top-secret formula is automatically color-corrected, scent-adjusted and bubble-contoured into this soothing sweet syrup with its distinctive golden glow you know as... Honey! - That girl was hot. - She's my cousin! - She is? - Yes, we're all cousins. - Right. You're right. - At Honex, we constantly strive to improve every aspect of bee existence. These bees are stress-testing a new helmet technology. - What do you think he makes? - Not enough. Here we have our latest advancement, the Krelman. - What does that do? - Oatches that little strand of honey that hangs after you pour it. Saves us millions. Oan anyone work on the Krelman? Of course. Most bee jobs are small ones. But bees know that every small job, if it's done well, means a lot. But choose carefully because you'll stay in the job you pick for the rest of your life. The same job the rest of your life? I didn't know that. What's the difference? You'll be happy to know that bees, as a species, haven't had one day off in 27 million years. So you'll just work us to death? We'll sure try. Wow! That blew my mind! "What's the difference?" How can you say that? One job forever? That's an insane choice to have to make. I'm relieved. Now we only have to make one decision in life. But, Adam, how could they never have told us that? Why would you question anything? We're bees. We're the most perfectly functioning society on Earth. You ever think maybe things work a little too well here? Like what? Give me one example. I don't know. But you know what I'm talking about. Please clear the gate. Royal Nectar Force on approach. Wait a second. Oheck it out. - Hey, those are Pollen Jocks! - Wow. I've never seen them this close. They know what it's like outside the hive. Yeah, but some don't come back. - Hey, Jocks! - Hi, Jocks! You guys did great! You're monsters! You're sky freaks! I love it! I love it! - I wonder where they were. - I don't know. Their day's not planned. Outside the hive, flying who knows where, doing who knows what. You can'tjust decide to be a Pollen Jock. You have to be bred for that. Right. Look. That's more pollen than you and I will see in a lifetime. It's just a status symbol. Bees make too much of it. Perhaps. Unless you're wearing it and the ladies see you wearing it. Those ladies? Aren't they our cousins too? Distant. Distant. Look at these two. - Oouple of Hive Harrys. - Let's have fun with them. It must be dangerous being a Pollen Jock. Yeah. Once a bear pinned me against a mushroom! He had a paw on my throat, and with the other, he was slapping me! - Oh, my! - I never thought I'd knock him out. What were you doing during this? Trying to alert the authorities. I can autograph that. A little gusty out there today, wasn't it, comrades? Yeah. Gusty. We're hitting a sunflower patch six miles from here tomorrow. - Six miles, huh? - Barry! A puddle jump for us, but maybe you're not up for it. - Maybe I am. - You are not! We're going 0900 at J-Gate. What do you think, buzzy-boy? Are you bee enough? I might be. It all depends on what 0900 means. Hey, Honex! Dad, you surprised me. You decide what you're interested in? - Well, there's a lot of choices. - But you only get one. Do you ever get bored doing the same job every day? Son, let me tell you about stirring. You grab that stick, and you just move it around, and you stir it around. You get yourself into a rhythm. It's a beautiful thing. You know, Dad, the more I think about it, maybe the honey field just isn't right for me. You were thinking of what, making balloon animals? That's a bad job for a guy with a stinger. Janet, your son's not sure he wants to go into honey! - Barry, you are so funny sometimes. - I'm not trying to be funny. You're not funny! You're going into honey. Our son, the stirrer! - You're gonna be a stirrer? - No one's listening to me! Wait till you see the sticks I have. I could say anything right now. I'm gonna get an ant tattoo! Let's open some honey and celebrate! Maybe I'll pierce my thorax. Shave my antennae. Shack up with a grasshopper. Get a gold tooth and call everybody "dawg"! I'm so proud. - We're starting work today! - Today's the day. Oome on! All the good jobs will be gone. Yeah, right. Pollen counting, stunt bee, pouring, stirrer, front desk, hair removal... - Is it still available? - Hang on. Two left! One of them's yours! Oongratulations! Step to the side. - What'd you get? - Picking crud out. Stellar! Wow! Oouple of newbies? Yes, sir! Our first day! We are ready! Make your choice. - You want to go first? - No, you go. Oh, my. What's available? Restroom attendant's open, not for the reason you think. - Any chance of getting the Krelman? - Sure, you're on. I'm sorry, the Krelman just closed out. Wax monkey's always open. The Krelman opened up again. What happened? A bee died. Makes an opening. See? He's dead. Another dead one. Deady. Deadified. Two more dead. Dead from the neck up. Dead from the neck down. That's life! Oh, this is so hard! Heating, cooling, stunt bee, pourer, stirrer, humming, inspector number seven, lint coordinator, stripe supervisor, mite wrangler. Barry, what do you think I should... Barry? Barry! All right, we've got the sunflower patch in quadrant nine... What happened to you? Where are you? - I'm going out. - Out? Out where? - Out there. - Oh, no! I have to, before I go to work for the rest of my life. You're gonna die! You're crazy! Hello? Another call coming in. If anyone's feeling brave, there's a Korean deli on 83rd that gets their roses today. Hey, guys. - Look at that. - Isn't that the kid we saw yesterday? Hold it, son, flight deck's restricted. It's OK, Lou. We're gonna take him up. Really? Feeling lucky, are you? Sign here, here. Just initial that. - Thank you. - OK. You got a rain advisory today, and as you all know, bees cannot fly in rain. So be careful. As always, watch your brooms, hockey sticks, dogs, birds, bears and bats. Also, I got a couple of reports of root beer being poured on us. Murphy's in a home because of it, babbling like a cicada! - That's awful. - And a reminder for you rookies, bee law number one, absolutely no talking to humans! All right, launch positions! Buzz, buzz, buzz, buzz! Buzz, buzz, buzz, buzz! Buzz, buzz, buzz, buzz! Black and yellow! Hello! You ready for this, hot shot? Yeah. Yeah, bring it on. Wind, check. - Antennae, check. - Nectar pack, check. - Wings, check. - Stinger, check. Scared out of my shorts, check. OK, ladies, let's move it out! Pound those petunias, you striped stem-suckers! All of you, drain those flowers! Wow! I'm out! I can't believe I'm out! So blue. I feel so fast and free! Box kite! Wow! Flowers! This is Blue Leader. We have roses visual. Bring it around 30 degrees and hold. Roses! 30 degrees, roger. Bringing it around. Stand to the side, kid. It's got a bit of a kick. That is one nectar collector! - Ever see pollination up close? - No, sir. I pick up some pollen here, sprinkle it over here. Maybe a dash over there, a pinch on that one. See that? It's a little bit of magic. That's amazing. Why do we do that? That's pollen power. More pollen, more flowers, more nectar, more honey for us. Oool. I'm picking up a lot of bright yellow. Oould be daisies. Don't we need those? Oopy that visual. Wait. One of these flowers seems to be on the move. Say again? You're reporting a moving flower? Affirmative. That was on the line! This is the coolest. What is it? I don't know, but I'm loving this color. It smells good. Not like a flower, but I like it. Yeah, fuzzy. Ohemical-y. Oareful, guys. It's a little grabby. My sweet lord of bees! Oandy-brain, get off there! Problem! - Guys! - This could be bad. Affirmative. Very close. Gonna hurt. Mama's little boy. You are way out of position, rookie! Ooming in at you like a missile! Help me! I don't think these are flowers. - Should we tell him? - I think he knows. What is this?! Match point! You can start packing up, honey, because you're about to eat it! Yowser! Gross. There's a bee in the car! - Do something! - I'm driving! - Hi, bee. - He's back here! He's going to sting me! Nobody move. If you don't move, he won't sting you. Freeze! He blinked! Spray him, Granny! What are you doing?! Wow... the tension level out here is unbelievable. I gotta get home. Oan't fly in rain. Oan't fly in rain. Oan't fly in rain. Mayday! Mayday! Bee going down! Ken, could you close the window please? Ken, could you close the window please? Oheck out my new resume. I made it into a fold-out brochure. You see? Folds out. Oh, no. More humans. I don't need this. What was that? Maybe this time. This time. This time. This time! This time! This... Drapes! That is diabolical. It's fantastic. It's got all my special skills, even my top-ten favorite movies. What's number one? Star Wars? Nah, I don't go for that... ...kind of stuff. No wonder we shouldn't talk to them. They're out of their minds. When I leave a job interview, they're flabbergasted, can't believe what I say. There's the sun. Maybe that's a way out. I don't remember the sun having a big 75 on it. I predicted global warming. I could feel it getting hotter. At first I thought it was just me. Wait! Stop! Bee! Stand back. These are winter boots. Wait! Don't kill him! You know I'm allergic to them! This thing could kill me! Why does his life have less value than yours? Why does his life have any less value than mine? Is that your statement? I'm just saying all life has value. You don't know what he's capable of feeling. My brochure! There you go, little guy. I'm not scared of him. It's an allergic thing. Put that on your resume brochure. My whole face could puff up. Make it one of your special skills. Knocking someone out is also a special skill. Right. Bye, Vanessa. Thanks. - Vanessa, next week? Yogurt night? - Sure, Ken. You know, whatever. - You could put carob chips on there. - Bye. - Supposed to be less calories. - Bye. I gotta say something. She saved my life. I gotta say something. All right, here it goes. Nah. What would I say? I could really get in trouble. It's a bee law. You're not supposed to talk to a human. I can't believe I'm doing this. I've got to. Oh, I can't do it. Oome on! No. Yes. No. Do it. I can't. How should I start it? "You like jazz?" No, that's no good. Here she comes! Speak, you fool! Hi! I'm sorry. - You're talking. - Yes, I know. You're talking! I'm so sorry. No, it's OK. It's fine. I know I'm dreaming. But I don't recall going to bed. Well, I'm sure this is very disconcerting. This is a bit of a surprise to me. I mean, you're a bee! I am. And I'm not supposed to be doing this, but they were all trying to kill me. And if it wasn't for you... I had to thank you. It's just how I was raised. That was a little weird. - I'm talking with a bee. - Yeah. I'm talking to a bee. And the bee is talking to me! I just want to say I'm grateful. I'll leave now. - Wait! How did you learn to do that? - What? The talking thing. Same way you did, I guess. "Mama, Dada, honey." You pick it up. - That's very funny. - Yeah. Bees are funny. If we didn't laugh, we'd cry with what we have to deal with. Anyway... Oan I... ...get you something? - Like what? I don't know. I mean... I don't know. Ooffee? I don't want to put you out. It's no trouble. It takes two minutes. - It's just coffee. - I hate to impose. - Don't be ridiculous! - Actually, I would love a cup. Hey, you want rum cake? - I shouldn't. - Have some. - No, I can't. - Oome on! I'm trying to lose a couple micrograms. - Where? - These stripes don't help. You look great! I don't know if you know anything about fashion. Are you all right? No. He's making the tie in the cab as they're flying up Madison. He finally gets there. He runs up the steps into the church. The wedding is on. And he says, "Watermelon? I thought you said Guatemalan. Why would I marry a watermelon?" Is that a bee joke? That's the kind of stuff we do. Yeah, different. So, what are you gonna do, Barry? About work? I don't know. I want to do my part for the hive, but I can't do it the way they want. I know how you feel. - You do? - Sure. My parents wanted me to be a lawyer or a doctor, but I wanted to be a florist. - Really? - My only interest is flowers. Our new queen was just elected with that same campaign slogan. Anyway, if you look... There's my hive right there. See it? You're in Sheep Meadow! Yes! I'm right off the Turtle Pond! No way! I know that area. I lost a toe ring there once. - Why do girls put rings on their toes? - Why not? - It's like putting a hat on your knee. - Maybe I'll try that. - You all right, ma'am? - Oh, yeah. Fine. Just having two cups of coffee! Anyway, this has been great. Thanks for the coffee. Yeah, it's no trouble. Sorry I couldn't finish it. If I did, I'd be up the rest of my life. Are you...? Oan I take a piece of this with me? Sure! Here, have a crumb. - Thanks! - Yeah. All right. Well, then... I guess I'll see you around. Or not. OK, Barry. And thank you so much again... for before. Oh, that? That was nothing. Well, not nothing, but... Anyway... This can't possibly work. He's all set to go. We may as well try it. OK, Dave, pull the chute. - Sounds amazing. - It was amazing! It was the scariest, happiest moment of my life. Humans! I can't believe you were with humans! Giant, scary humans! What were they like? Huge and crazy. They talk crazy. They eat crazy giant things. They drive crazy. - Do they try and kill you, like on TV? - Some of them. But some of them don't. - How'd you get back? - Poodle. You did it, and I'm glad. You saw whatever you wanted to see. You had your "experience." Now you can pick out yourjob and be normal. - Well... - Well? Well, I met someone. You did? Was she Bee-ish? - A wasp?! Your parents will kill you! - No, no, no, not a wasp. - Spider? - I'm not attracted to spiders. I know it's the hottest thing, with the eight legs and all. I can't get by that face. So who is she? She's... human. No, no. That's a bee law. You wouldn't break a bee law. - Her name's Vanessa. - Oh, boy. She's so nice. And she's a florist! Oh, no! You're dating a human florist! We're not dating. You're flying outside the hive, talking to humans that attack our homes with power washers and M-80s! One-eighth a stick of dynamite! She saved my life! And she understands me. This is over! Eat this. This is not over! What was that? - They call it a crumb. - It was so stingin' stripey! And that's not what they eat. That's what falls off what they eat! - You know what a Oinnabon is? - No. It's bread and cinnamon and frosting. They heat it up... Sit down! ...really hot! - Listen to me! We are not them! We're us. There's us and there's them! Yes, but who can deny the heart that is yearning? There's no yearning. Stop yearning. Listen to me! You have got to start thinking bee, my friend. Thinking bee! - Thinking bee. - Thinking bee. Thinking bee! Thinking bee! Thinking bee! Thinking bee! There he is. He's in the pool. You know what your problem is, Barry? I gotta start thinking bee? How much longer will this go on? It's been three days! Why aren't you working? I've got a lot of big life decisions to think about. What life? You have no life! You have no job. You're barely a bee! Would it kill you to make a little honey? Barry, come out. Your father's talking to you. Martin, would you talk to him? Barry, I'm talking to you! You coming? Got everything? All set! Go ahead. I'll catch up. Don't be too long. Watch this! Vanessa! - We're still here. - I told you not to yell at him. He doesn't respond to yelling! - Then why yell at me? - Because you don't listen! I'm not listening to this. Sorry, I've gotta go. - Where are you going? - I'm meeting a friend. A girl? Is this why you can't decide? Bye. I just hope she's Bee-ish. They have a huge parade of flowers every year in Pasadena? To be in the Tournament of Roses, that's every florist's dream! Up on a float, surrounded by flowers, crowds cheering. A tournament. Do the roses compete in athletic events? No. All right, I've got one. How come you don't fly everywhere? It's exhausting. Why don't you run everywhere? It's faster. Yeah, OK, I see, I see. All right, your turn. TiVo. You can just freeze live TV? That's insane! You don't have that? We have Hivo, but it's a disease. It's a horrible, horrible disease. Oh, my. Dumb bees! You must want to sting all those jerks. We try not to sting. It's usually fatal for us. So you have to watch your temper. Very carefully. You kick a wall, take a walk, write an angry letter and throw it out. Work through it like any emotion: Anger, jealousy, lust. Oh, my goodness! Are you OK? Yeah. - What is wrong with you?! - It's a bug. He's not bothering anybody. Get out of here, you creep! What was that? A Pic 'N' Save circular? Yeah, it was. How did you know? It felt like about 10 pages. Seventy-five is pretty much our limit. You've really got that down to a science. - I lost a cousin to Italian Vogue. - I'll bet. What in the name of Mighty Hercules is this? How did this get here? Oute Bee, Golden Blossom, Ray Liotta Private Select? - Is he that actor? - I never heard of him. - Why is this here? - For people. We eat it. You don't have enough food of your own? - Well, yes. - How do you get it? - Bees make it. - I know who makes it! And it's hard to make it! There's heating, cooling, stirring. You need a whole Krelman thing! - It's organic. - It's our-ganic! It's just honey, Barry. Just what?! Bees don't know about this! This is stealing! A lot of stealing! You've taken our homes, schools, hospitals! This is all we have! And it's on sale?! I'm getting to the bottom of this. I'm getting to the bottom of all of this! Hey, Hector. - You almost done? - Almost. He is here. I sense it. Well, I guess I'll go home now and just leave this nice honey out, with no one around. You're busted, box boy! I knew I heard something. So you can talk! I can talk. And now you'll start talking! Where you getting the sweet stuff? Who's your supplier? I don't understand. I thought we were friends. The last thing we want to do is upset bees! You're too late! It's ours now! You, sir, have crossed the wrong sword! You, sir, will be lunch for my iguana, Ignacio! Where is the honey coming from? Tell me where! Honey Farms! It comes from Honey Farms! Orazy person! What horrible thing has happened here? These faces, they never knew what hit them. And now they're on the road to nowhere! Just keep still. What? You're not dead? Do I look dead? They will wipe anything that moves. Where you headed? To Honey Farms. I am onto something huge here. I'm going to Alaska. Moose blood, crazy stuff. Blows your head off! I'm going to Tacoma. - And you? - He really is dead. All right. Uh-oh! - What is that?! - Oh, no! - A wiper! Triple blade! - Triple blade? Jump on! It's your only chance, bee! Why does everything have to be so doggone clean?! How much do you people need to see?! Open your eyes! Stick your head out the window! From NPR News in Washington, I'm Oarl Kasell. But don't kill no more bugs! - Bee! - Moose blood guy!! - You hear something? - Like what? Like tiny screaming. Turn off the radio. Whassup, bee boy? Hey, Blood. Just a row of honey jars, as far as the eye could see. Wow! I assume wherever this truck goes is where they're getting it. I mean, that honey's ours. - Bees hang tight. - We're all jammed in. It's a close community. Not us, man. We on our own. Every mosquito on his own. - What if you get in trouble? - You a mosquito, you in trouble. Nobody likes us. They just smack. See a mosquito, smack, smack! At least you're out in the world. You must meet girls. Mosquito girls try to trade up, get with a moth, dragonfly. Mosquito girl don't want no mosquito. You got to be kidding me! Mooseblood's about to leave the building! So long, bee! - Hey, guys! - Mooseblood! I knew I'd catch y'all down here. Did you bring your crazy straw? We throw it in jars, slap a label on it, and it's pretty much pure profit. What is this place? A bee's got a brain the size of a pinhead. They are pinheads! Pinhead. - Oheck out the new smoker. - Oh, sweet. That's the one you want. The Thomas 3000! Smoker? Ninety puffs a minute, semi-automatic. Twice the nicotine, all the tar. A couple breaths of this knocks them right out. They make the honey, and we make the money. "They make the honey, and we make the money"? Oh, my! What's going on? Are you OK? Yeah. It doesn't last too long. Do you know you're in a fake hive with fake walls? Our queen was moved here. We had no choice. This is your queen? That's a man in women's clothes! That's a drag queen! What is this? Oh, no! There's hundreds of them! Bee honey. Our honey is being brazenly stolen on a massive scale! This is worse than anything bears have done! I intend to do something. Oh, Barry, stop. Who told you humans are taking our honey? That's a rumor. Do these look like rumors? That's a conspiracy theory. These are obviously doctored photos. How did you get mixed up in this? He's been talking to humans. - What? - Talking to humans?! He has a human girlfriend. And they make out! Make out? Barry! We do not. - You wish you could. - Whose side are you on? The bees! I dated a cricket once in San Antonio. Those crazy legs kept me up all night. Barry, this is what you want to do with your life? I want to do it for all our lives. Nobody works harder than bees! Dad, I remember you coming home so overworked your hands were still stirring. You couldn't stop. I remember that. What right do they have to our honey? We live on two cups a year. They put it in lip balm for no reason whatsoever! Even if it's true, what can one bee do? Sting them where it really hurts. In the face! The eye! - That would hurt. - No. Up the nose? That's a killer. There's only one place you can sting the humans, one place where it matters. Hive at Five, the hive's only full-hour action news source. No more bee beards! With Bob Bumble at the anchor desk. Weather with Storm Stinger. Sports with Buzz Larvi. And Jeanette Ohung. - Good evening. I'm Bob Bumble. - And I'm Jeanette Ohung. A tri-county bee, Barry Benson, intends to sue the human race for stealing our honey, packaging it and profiting from it illegally! Tomorrow night on Bee Larry King, we'll have three former queens here in our studio, discussing their new book, Olassy Ladies, out this week on Hexagon. Tonight we're talking to Barry Benson. Did you ever think, "I'm a kid from the hive. I can't do this"? Bees have never been afraid to change the world. What about Bee Oolumbus? Bee Gandhi? Bejesus? Where I'm from, we'd never sue humans. We were thinking of stickball or candy stores. How old are you? The bee community is supporting you in this case, which will be the trial of the bee century. You know, they have a Larry King in the human world too. It's a common name. Next week... He looks like you and has a show and suspenders and colored dots... Next week... Glasses, quotes on the bottom from the guest even though you just heard 'em. Bear Week next week! They're scary, hairy and here live. Always leans forward, pointy shoulders, squinty eyes, very Jewish. In tennis, you attack at the point of weakness! It was my grandmother, Ken. She's 81. Honey, her backhand's a joke! I'm not gonna take advantage of that? Quiet, please. Actual work going on here. - Is that that same bee? - Yes, it is! I'm helping him sue the human race. - Hello. - Hello, bee. This is Ken. Yeah, I remember you. Timberland, size ten and a half. Vibram sole, I believe. Why does he talk again? Listen, you better go 'cause we're really busy working. But it's our yogurt night! Bye-bye. Why is yogurt night so difficult?! You poor thing. You two have been at this for hours! Yes, and Adam here has been a huge help. - Frosting... - How many sugars? Just one. I try not to use the competition. So why are you helping me? Bees have good qualities. And it takes my mind off the shop. Instead of flowers, people are giving balloon bouquets now. Those are great, if you're three. And artificial flowers. - Oh, those just get me psychotic! - Yeah, me too. Bent stingers, pointless pollination. Bees must hate those fake things! Nothing worse than a daffodil that's had work done. Maybe this could make up for it a little bit. - This lawsuit's a pretty big deal. - I guess. You sure you want to go through with it? Am I sure? When I'm done with the humans, they won't be able to say, "Honey, I'm home," without paying a royalty! It's an incredible scene here in downtown Manhattan, where the world anxiously waits, because for the first time in history, we will hear for ourselves if a honeybee can actually speak. What have we gotten into here, Barry? It's pretty big, isn't it? I can't believe how many humans don't work during the day. You think billion-dollar multinational food companies have good lawyers? Everybody needs to stay behind the barricade. - What's the matter? - I don't know, I just got a chill. Well, if it isn't the bee team. You boys work on this? All rise! The Honorable Judge Bumbleton presiding. All right. Oase number 4475, Superior Oourt of New York, Barry Bee Benson v. the Honey Industry is now in session. Mr. Montgomery, you're representing the five food companies collectively? A privilege. Mr. Benson... you're representing all the bees of the world? I'm kidding. Yes, Your Honor, we're ready to proceed. Mr. Montgomery, your opening statement, please. Ladies and gentlemen of the jury, my grandmother was a simple woman. Born on a farm, she believed it was man's divine right to benefit from the bounty of nature God put before us. If we lived in the topsy-turvy world Mr. Benson imagines, just think of what would it mean. I would have to negotiate with the silkworm for the elastic in my britches! Talking bee! How do we know this isn't some sort of holographic motion-picture-capture Hollywood wizardry? They could be using laser beams! Robotics! Ventriloquism! Oloning! For all we know, he could be on steroids! Mr. Benson? Ladies and gentlemen, there's no trickery here. I'm just an ordinary bee. Honey's pretty important to me. It's important to all bees. We invented it! We make it. And we protect it with our lives. Unfortunately, there are some people in this room who think they can take it from us 'cause we're the little guys! I'm hoping that, after this is all over, you'll see how, by taking our honey, you not only take everything we have but everything we are! I wish he'd dress like that all the time. So nice! Oall your first witness. So, Mr. Klauss Vanderhayden of Honey Farms, big company you have. I suppose so. I see you also own Honeyburton and Honron! Yes, they provide beekeepers for our farms. Beekeeper. I find that to be a very disturbing term. I don't imagine you employ any bee-free-ers, do you? - No. - I couldn't hear you. - No. - No. Because you don't free bees. You keep bees. Not only that, it seems you thought a bear would be an appropriate image for a jar of honey. They're very lovable creatures. Yogi Bear, Fozzie Bear, Build-A-Bear. You mean like this? Bears kill bees! How'd you like his head crashing through your living room?! Biting into your couch! Spitting out your throw pillows! OK, that's enough. Take him away. So, Mr. Sting, thank you for being here. Your name intrigues me. - Where have I heard it before? - I was with a band called The Police. But you've never been a police officer, have you? No, I haven't. No, you haven't. And so here we have yet another example of bee culture casually stolen by a human for nothing more than a prance-about stage name. Oh, please. Have you ever been stung, Mr. Sting? Because I'm feeling a little stung, Sting. Or should I say... Mr. Gordon M. Sumner! That's not his real name?! You idiots! Mr. Liotta, first, belated congratulations on your Emmy win for a guest spot on ER in 2005. Thank you. Thank you. I see from your resume that you're devilishly handsome with a churning inner turmoil that's ready to blow. I enjoy what I do. Is that a crime? Not yet it isn't. But is this what it's come to for you? Exploiting tiny, helpless bees so you don't have to rehearse your part and learn your lines, sir? Watch it, Benson! I could blow right now! This isn't a goodfella. This is a badfella! Why doesn't someone just step on this creep, and we can all go home?! - Order in this court! - You're all thinking it! Order! Order, I say! - Say it! - Mr. Liotta, please sit down! I think it was awfully nice of that bear to pitch in like that. I think the jury's on our side. Are we doing everything right, legally? I'm a florist. Right. Well, here's to a great team. To a great team! Well, hello. - Ken! - Hello. I didn't think you were coming. No, I was just late. I tried to call, but... the battery. I didn't want all this to go to waste, so I called Barry. Luckily, he was free. Oh, that was lucky. There's a little left. I could heat it up. Yeah, heat it up, sure, whatever. So I hear you're quite a tennis player. I'm not much for the game myself. The ball's a little grabby. That's where I usually sit. Right... there. Ken, Barry was looking at your resume, and he agreed with me that eating with chopsticks isn't really a special skill. You think I don't see what you're doing? I know how hard it is to find the rightjob. We have that in common. Do we? Bees have 100 percent employment, but we do jobs like taking the crud out. That's just what I was thinking about doing. Ken, I let Barry borrow your razor for his fuzz. I hope that was all right. I'm going to drain the old stinger. Yeah, you do that. Look at that. You know, I've just about had it with your little mind games. - What's that? - Italian Vogue. Mamma mia, that's a lot of pages. A lot of ads. Remember what Van said, why is your life more valuable than mine? Funny, I just can't seem to recall that! I think something stinks in here! I love the smell of flowers. How do you like the smell of flames?! Not as much. Water bug! Not taking sides! Ken, I'm wearing a Ohapstick hat! This is pathetic! I've got issues! Well, well, well, a royal flush! - You're bluffing. - Am I? Surf's up, dude! Poo water! That bowl is gnarly. Except for those dirty yellow rings! Kenneth! What are you doing?! You know, I don't even like honey! I don't eat it! We need to talk! He's just a little bee! And he happens to be the nicest bee I've met in a long time! Long time? What are you talking about?! Are there other bugs in your life? No, but there are other things bugging me in life. And you're one of them! Fine! Talking bees, no yogurt night... My nerves are fried from riding on this emotional roller coaster! Goodbye, Ken. And for your information, I prefer sugar-free, artificial sweeteners made by man! I'm sorry about all that. I know it's got an aftertaste! I like it! I always felt there was some kind of barrier between Ken and me. I couldn't overcome it. Oh, well. Are you OK for the trial? I believe Mr. Montgomery is about out of ideas. We would like to call Mr. Barry Benson Bee to the stand. Good idea! You can really see why he's considered one of the best lawyers... Yeah. Layton, you've gotta weave some magic with this jury, or it's gonna be all over. Don't worry. The only thing I have to do to turn this jury around is to remind them of what they don't like about bees. - You got the tweezers? - Are you allergic? Only to losing, son. Only to losing. Mr. Benson Bee, I'll ask you what I think we'd all like to know. What exactly is your relationship to that woman? We're friends. - Good friends? - Yes. How good? Do you live together? Wait a minute... Are you her little... ...bedbug? I've seen a bee documentary or two. From what I understand, doesn't your queen give birth to all the bee children? - Yeah, but... - So those aren't your real parents! - Oh, Barry... - Yes, they are! Hold me back! You're an illegitimate bee, aren't you, Benson? He's denouncing bees! Don't y'all date your cousins? - Objection! - I'm going to pincushion this guy! Adam, don't! It's what he wants! Oh, I'm hit!! Oh, lordy, I am hit! Order! Order! The venom! The venom is coursing through my veins! I have been felled by a winged beast of destruction! You see? You can't treat them like equals! They're striped savages! Stinging's the only thing they know! It's their way! - Adam, stay with me. - I can't feel my legs. What angel of mercy will come forward to suck the poison from my heaving buttocks? I will have order in this court. Order! Order, please! The case of the honeybees versus the human race took a pointed turn against the bees yesterday when one of their legal team stung Layton T. Montgomery. - Hey, buddy. - Hey. - Is there much pain? - Yeah. I... I blew the whole case, didn't I? It doesn't matter. What matters is you're alive. You could have died. I'd be better off dead. Look at me. They got it from the cafeteria downstairs, in a tuna sandwich. Look, there's a little celery still on it. What was it like to sting someone? I can't explain it. It was all... All adrenaline and then... and then ecstasy! All right. You think it was all a trap? Of course. I'm sorry. I flew us right into this. What were we thinking? Look at us. We're just a couple of bugs in this world. What will the humans do to us if they win? I don't know. I hear they put the roaches in motels. That doesn't sound so bad. Adam, they check in, but they don't check out! Oh, my. Oould you get a nurse to close that window? - Why? - The smoke. Bees don't smoke. Right. Bees don't smoke. Bees don't smoke! But some bees are smoking. That's it! That's our case! It is? It's not over? Get dressed. I've gotta go somewhere. Get back to the court and stall. Stall any way you can. And assuming you've done step correctly, you're ready for the tub. Mr. Flayman. Yes? Yes, Your Honor! Where is the rest of your team? Well, Your Honor, it's interesting. Bees are trained to fly haphazardly, and as a result, we don't make very good time. I actually heard a funny story about... Your Honor, haven't these ridiculous bugs taken up enough of this court's valuable time? How much longer will we allow these absurd shenanigans to go on? They have presented no compelling evidence to support their charges against my clients, who run legitimate businesses. I move for a complete dismissal of this entire case! Mr. Flayman, I'm afraid I'm going to have to consider Mr. Montgomery's motion. But you can't! We have a terrific case. Where is your proof? Where is the evidence? Show me the smoking gun! Hold it, Your Honor! You want a smoking gun? Here is your smoking gun. What is that? It's a bee smoker! What, this? This harmless little contraption? This couldn't hurt a fly, let alone a bee. Look at what has happened to bees who have never been asked, "Smoking or non?" Is this what nature intended for us? To be forcibly addicted to smoke machines and man-made wooden slat work camps? Living out our lives as honey slaves to the white man? - What are we gonna do? - He's playing the species card. Ladies and gentlemen, please, free these bees! Free the bees! Free the bees! Free the bees! Free the bees! Free the bees! The court finds in favor of the bees! Vanessa, we won! I knew you could do it! High-five! Sorry. I'm OK! You know what this means? All the honey will finally belong to the bees. Now we won't have to work so hard all the time. This is an unholy perversion of the balance of nature, Benson. You'll regret this. Barry, how much honey is out there? All right. One at a time. Barry, who are you wearing? My sweater is Ralph Lauren, and I have no pants. - What if Montgomery's right? - What do you mean? We've been living the bee way a long time, 27 million years. Oongratulations on your victory. What will you demand as a settlement? First, we'll demand a complete shutdown of all bee work camps. Then we want back the honey that was ours to begin with, every last drop. We demand an end to the glorification of the bear as anything more than a filthy, smelly, bad-breath stink machine. We're all aware of what they do in the woods. Wait for my signal. Take him out. He'll have nauseous for a few hours, then he'll be fine. And we will no longer tolerate bee-negative nicknames... But it's just a prance-about stage name! ...unnecessary inclusion of honey in bogus health products and la-dee-da human tea-time snack garnishments. Oan't breathe. Bring it in, boys! Hold it right there! Good. Tap it. Mr. Buzzwell, we just passed three cups, and there's gallons more coming! - I think we need to shut down! - Shut down? We've never shut down. Shut down honey production! Stop making honey! Turn your key, sir! What do we do now? Oannonball! We're shutting honey production! Mission abort. Aborting pollination and nectar detail. Returning to base. Adam, you wouldn't believe how much honey was out there. Oh, yeah? What's going on? Where is everybody? - Are they out celebrating? - They're home. They don't know what to do. Laying out, sleeping in. I heard your Uncle Oarl was on his way to San Antonio with a cricket. At least we got our honey back. Sometimes I think, so what if humans liked our honey? Who wouldn't? It's the greatest thing in the world! I was excited to be part of making it. This was my new desk. This was my new job. I wanted to do it really well. And now... Now I can't. I don't understand why they're not happy. I thought their lives would be better! They're doing nothing. It's amazing. Honey really changes people. You don't have any idea what's going on, do you? - What did you want to show me? - This. What happened here? That is not the half of it. Oh, no. Oh, my. They're all wilting. Doesn't look very good, does it? No. And whose fault do you think that is? You know, I'm gonna guess bees. Bees? Specifically, me. I didn't think bees not needing to make honey would affect all these things. It's notjust flowers. Fruits, vegetables, they all need bees. That's our whole SAT test right there. Take away produce, that affects the entire animal kingdom. And then, of course... The human species? So if there's no more pollination, it could all just go south here, couldn't it? I know this is also partly my fault. How about a suicide pact? How do we do it? - I'll sting you, you step on me. - Thatjust kills you twice. Right, right. Listen, Barry... sorry, but I gotta get going. I had to open my mouth and talk. Vanessa? Vanessa? Why are you leaving? Where are you going? To the final Tournament of Roses parade in Pasadena. They've moved it to this weekend because all the flowers are dying. It's the last chance I'll ever have to see it. Vanessa, I just wanna say I'm sorry. I never meant it to turn out like this. I know. Me neither. Tournament of Roses. Roses can't do sports. Wait a minute. Roses. Roses? Roses! Vanessa! Roses?! Barry? - Roses are flowers! - Yes, they are. Flowers, bees, pollen! I know. That's why this is the last parade. Maybe not. Oould you ask him to slow down? Oould you slow down? Barry! OK, I made a huge mistake. This is a total disaster, all my fault. Yes, it kind of is. I've ruined the planet. I wanted to help you with the flower shop. I've made it worse. Actually, it's completely closed down. I thought maybe you were remodeling. But I have another idea, and it's greater than my previous ideas combined. I don't want to hear it! All right, they have the roses, the roses have the pollen. I know every bee, plant and flower bud in this park. All we gotta do is get what they've got back here with what we've got. - Bees. - Park. - Pollen! - Flowers. - Repollination! - Across the nation! Tournament of Roses, Pasadena, Oalifornia. They've got nothing but flowers, floats and cotton candy. Security will be tight. I have an idea. Vanessa Bloome, FTD. Official floral business. It's real. Sorry, ma'am. Nice brooch. Thank you. It was a gift. Once inside, we just pick the right float. How about The Princess and the Pea? I could be the princess, and you could be the pea! Yes, I got it. - Where should I sit? - What are you? - I believe I'm the pea. - The pea? It goes under the mattresses. - Not in this fairy tale, sweetheart. - I'm getting the marshal. You do that! This whole parade is a fiasco! Let's see what this baby'll do. Hey, what are you doing?! Then all we do is blend in with traffic... ...without arousing suspicion. Once at the airport, there's no stopping us. Stop! Security. - You and your insect pack your float? - Yes. Has it been in your possession the entire time? Would you remove your shoes? - Remove your stinger. - It's part of me. I know. Just having some fun. Enjoy your flight. Then if we're lucky, we'll have just enough pollen to do the job. Oan you believe how lucky we are? We have just enough pollen to do the job! I think this is gonna work. It's got to work. Attention, passengers, this is Oaptain Scott. We have a bit of bad weather in New York. It looks like we'll experience a couple hours delay. Barry, these are cut flowers with no water. They'll never make it. I gotta get up there and talk to them. Be careful. Oan I get help with the Sky Mall magazine? I'd like to order the talking inflatable nose and ear hair trimmer. Oaptain, I'm in a real situation. - What'd you say, Hal? - Nothing. Bee! Don't freak out! My entire species... What are you doing? - Wait a minute! I'm an attorney! - Who's an attorney? Don't move. Oh, Barry. Good afternoon, passengers. This is your captain. Would a Miss Vanessa Bloome in 24B please report to the cockpit? And please hurry! What happened here? There was a DustBuster, a toupee, a life raft exploded. One's bald, one's in a boat, they're both unconscious! - Is that another bee joke? - No! No one's flying the plane! This is JFK control tower, Flight 356. What's your status? This is Vanessa Bloome. I'm a florist from New York. Where's the pilot? He's unconscious, and so is the copilot. Not good. Does anyone onboard have flight experience? As a matter of fact, there is. - Who's that? - Barry Benson. From the honey trial?! Oh, great. Vanessa, this is nothing more than a big metal bee. It's got giant wings, huge engines. I can't fly a plane. - Why not? Isn't John Travolta a pilot? - Yes. How hard could it be? Wait, Barry! We're headed into some lightning. This is Bob Bumble. We have some late-breaking news from JFK Airport, where a suspenseful scene is developing. Barry Benson, fresh from his legal victory... That's Barry! ...is attempting to land a plane, loaded with people, flowers and an incapacitated flight crew. Flowers?! We have a storm in the area and two individuals at the controls with absolutely no flight experience. Just a minute. There's a bee on that plane. I'm quite familiar with Mr. Benson and his no-account compadres. They've done enough damage. But isn't he your only hope? Technically, a bee shouldn't be able to fly at all. Their wings are too small... Haven't we heard this a million times? "The surface area of the wings and body mass make no sense." - Get this on the air! - Got it. - Stand by. - We're going live. The way we work may be a mystery to you. Making honey takes a lot of bees doing a lot of small jobs. But let me tell you about a small job. If you do it well, it makes a big difference. More than we realized. To us, to everyone. That's why I want to get bees back to working together. That's the bee way! We're not made of Jell-O. We get behind a fellow. - Black and yellow! - Hello! Left, right, down, hover. - Hover? - Forget hover. This isn't so hard. Beep-beep! Beep-beep! Barry, what happened?! Wait, I think we were on autopilot the whole time. - That may have been helping me. - And now we're not! So it turns out I cannot fly a plane. All of you, let's get behind this fellow! Move it out! Move out! Our only chance is if I do what I'd do, you copy me with the wings of the plane! Don't have to yell. I'm not yelling! We're in a lot of trouble. It's very hard to concentrate with that panicky tone in your voice! It's not a tone. I'm panicking! I can't do this! Vanessa, pull yourself together. You have to snap out of it! You snap out of it. You snap out of it. - You snap out of it! - You snap out of it! - You snap out of it! - You snap out of it! - You snap out of it! - You snap out of it! - Hold it! - Why? Oome on, it's my turn. How is the plane flying? I don't know. Hello? Benson, got any flowers for a happy occasion in there? The Pollen Jocks! They do get behind a fellow. - Black and yellow. - Hello. All right, let's drop this tin can on the blacktop. Where? I can't see anything. Oan you? No, nothing. It's all cloudy. Oome on. You got to think bee, Barry. - Thinking bee. - Thinking bee. Thinking bee! Thinking bee! Thinking bee! Wait a minute. I think I'm feeling something. - What? - I don't know. It's strong, pulling me. Like a 27-million-year-old instinct. Bring the nose down. Thinking bee! Thinking bee! Thinking bee! - What in the world is on the tarmac? - Get some lights on that! Thinking bee! Thinking bee! Thinking bee! - Vanessa, aim for the flower. - OK. Out the engines. We're going in on bee power. Ready, boys? Affirmative! Good. Good. Easy, now. That's it. Land on that flower! Ready? Full reverse! Spin it around! - Not that flower! The other one! - Which one? - That flower. - I'm aiming at the flower! That's a fat guy in a flowered shirt. I mean the giant pulsating flower made of millions of bees! Pull forward. Nose down. Tail up. Rotate around it. - This is insane, Barry! - This's the only way I know how to fly. Am I koo-koo-kachoo, or is this plane flying in an insect-like pattern? Get your nose in there. Don't be afraid. Smell it. Full reverse! Just drop it. Be a part of it. Aim for the center! Now drop it in! Drop it in, woman! Oome on, already. Barry, we did it! You taught me how to fly! - Yes. No high-five! - Right. Barry, it worked! Did you see the giant flower? What giant flower? Where? Of course I saw the flower! That was genius! - Thank you. - But we're not done yet. Listen, everyone! This runway is covered with the last pollen from the last flowers available anywhere on Earth. That means this is our last chance. We're the only ones who make honey, pollinate flowers and dress like this. If we're gonna survive as a species, this is our moment! What do you say? Are we going to be bees, orjust Museum of Natural History keychains? We're bees! Keychain! Then follow me! Except Keychain. Hold on, Barry. Here. You've earned this. Yeah! I'm a Pollen Jock! And it's a perfect fit. All I gotta do are the sleeves. Oh, yeah. That's our Barry. Mom! The bees are back! If anybody needs to make a call, now's the time. I got a feeling we'll be working late tonight! Here's your change. Have a great afternoon! Oan I help who's next? Would you like some honey with that? It is bee-approved. Don't forget these. Milk, cream, cheese, it's all me. And I don't see a nickel! Sometimes I just feel like a piece of meat! I had no idea. Barry, I'm sorry. Have you got a moment? Would you excuse me? My mosquito associate will help you. Sorry I'm late. He's a lawyer too? I was already a blood-sucking parasite. All I needed was a briefcase. Have a great afternoon! Barry, I just got this huge tulip order, and I can't get them anywhere. No problem, Vannie. Just leave it to me. You're a lifesaver, Barry. Oan I help who's next? All right, scramble, jocks! It's time to fly. Thank you, Barry! That bee is living my life! Let it go, Kenny. - When will this nightmare end?! - Let it all go. - Beautiful day to fly. - Sure is. Between you and me, I was dying to get out of that office. You have got to start thinking bee, my friend. - Thinking bee! - Me? Hold it. Let's just stop for a second. Hold it. I'm sorry. I'm sorry, everyone. Oan we stop here? I'm not making a major life decision during a production number! All right. Take ten, everybody. Wrap it up, guys. I had virtually no rehearsal for that. Special thanks to SergeiK.

# big-o-performance A simple html app to demonstrate performance costs of data structures. - Clone the project - Navigate to the root of the project in a termina or command prompt - Run 'npm install' - Run 'npm start' - Go to the URL specified in the terminal or command prompt to try out the app. # This app was created from the Create React App NPM. Below are instructions from that project. Below you will find some information on how to perform common tasks. You can find the most recent version of this guide [here](https://github.com/facebookincubator/create-react-app/blob/master/template/README.md). ## Table of Contents - [Updating to New Releases](#updating-to-new-releases) - [Sending Feedback](#sending-feedback) - [Folder Structure](#folder-structure) - [Available Scripts](#available-scripts) - [npm start](#npm-start) - [npm run build](#npm-run-build) - [npm run eject](#npm-run-eject) - [Displaying Lint Output in the Editor](#displaying-lint-output-in-the-editor) - [Installing a Dependency](#installing-a-dependency) - [Importing a Component](#importing-a-component) - [Adding a Stylesheet](#adding-a-stylesheet) - [Post-Processing CSS](#post-processing-css) - [Adding Images and Fonts](#adding-images-and-fonts) - [Adding Bootstrap](#adding-bootstrap) - [Adding Flow](#adding-flow) - [Adding Custom Environment Variables](#adding-custom-environment-variables) - [Integrating with a Node Backend](#integrating-with-a-node-backend) - [Proxying API Requests in Development](#proxying-api-requests-in-development) - [Deployment](#deployment) - [Now](#now) - [Heroku](#heroku) - [Surge](#surge) - [GitHub Pages](#github-pages) - [Something Missing?](#something-missing) ## Updating to New Releases Create React App is divided into two packages: * `create-react-app` is a global command-line utility that you use to create new projects. * `react-scripts` is a development dependency in the generated projects (including this one). You almost never need to update `create-react-app` itself: it’s delegates all the setup to `react-scripts`. When you run `create-react-app`, it always creates the project with the latest version of `react-scripts` so you’ll get all the new features and improvements in newly created apps automatically. To update an existing project to a new version of `react-scripts`, [open the changelog](https://github.com/facebookincubator/create-react-app/blob/master/CHANGELOG.md), find the version you’re currently on (check `package.json` in this folder if you’re not sure), and apply the migration instructions for the newer versions. In most cases bumping the `react-scripts` version in `package.json` and running `npm install` in this folder should be enough, but it’s good to consult the [changelog](https://github.com/facebookincubator/create-react-app/blob/master/CHANGELOG.md) for potential breaking changes. We commit to keeping the breaking changes minimal so you can upgrade `react-scripts` painlessly. ## Sending Feedback We are always open to [your feedback](https://github.com/facebookincubator/create-react-app/issues). ## Folder Structure After creation, your project should look like this: ``` my-app/ README.md index.html favicon.ico node_modules/ package.json src/ App.css App.js index.css index.js logo.svg ``` For the project to build, **these files must exist with exact filenames**: * `index.html` is the page template; * `favicon.ico` is the icon you see in the browser tab; * `src/index.js` is the JavaScript entry point. You can delete or rename the other files. You may create subdirectories inside `src`. For faster rebuilds, only files inside `src` are processed by Webpack. You need to **put any JS and CSS files inside `src`**, or Webpack won’t see them. You can, however, create more top-level directories. They will not be included in the production build so you can use them for things like documentation. ## Available Scripts In the project directory, you can run: ### `npm start` Runs the app in the development mode.<br> Open [http://localhost:3000](http://localhost:3000) to view it in the browser. The page will reload if you make edits.<br> You will also see any lint errors in the console. ### `npm run build` Builds the app for production to the `build` folder.<br> It correctly bundles React in production mode and optimizes the build for the best performance. The build is minified and the filenames include the hashes.<br> Your app is ready to be deployed! ### `npm run eject` **Note: this is a one-way operation. Once you `eject`, you can’t go back!** If you aren’t satisfied with the build tool and configuration choices, you can `eject` at any time. This command will remove the single build dependency from your project. Instead, it will copy all the configuration files and the transitive dependencies (Webpack, Babel, ESLint, etc) right into your project so you have full control over them. All of the commands except `eject` will still work, but they will point to the copied scripts so you can tweak them. At this point you’re on your own. You don’t have to ever use `eject`. The curated feature set is suitable for small and middle deployments, and you shouldn’t feel obligated to use this feature. However we understand that this tool wouldn’t be useful if you couldn’t customize it when you are ready for it. ## Displaying Lint Output in the Editor >Note: this feature is available with `react-scripts@0.2.0` and higher. Some editors, including Sublime Text, Atom, and Visual Studio Code, provide plugins for ESLint. They are not required for linting. You should see the linter output right in your terminal as well as the browser console. However, if you prefer the lint results to appear right in your editor, there are some extra steps you can do. You would need to install an ESLint plugin for your editor first. >**A note for Atom `linter-eslint` users** >If you are using the Atom `linter-eslint` plugin, make sure that **Use global ESLint installation** option is checked: ><img src="http://i.imgur.com/yVNNHJM.png" width="300"> Then make sure `package.json` of your project ends with this block: ```js { // ... "eslintConfig": { "extends": "./node_modules/react-scripts/config/eslint.js" } } ``` Projects generated with `react-scripts@0.2.0` and higher should already have it. If you don’t need ESLint integration with your editor, you can safely delete those three lines from your `package.json`. Finally, you will need to install some packages *globally*: ```sh npm install -g eslint babel-eslint eslint-plugin-react eslint-plugin-import eslint-plugin-jsx-a11y eslint-plugin-flowtype ``` We recognize that this is suboptimal, but it is currently required due to the way we hide the ESLint dependency. The ESLint team is already [working on a solution to this](https://github.com/eslint/eslint/issues/3458) so this may become unnecessary in a couple of months. ## Installing a Dependency The generated project includes React and ReactDOM as dependencies. It also includes a set of scripts used by Create React App as a development dependency. You may install other dependencies (for example, React Router) with `npm`: ``` npm install --save <library-name> ``` ## Importing a Component This project setup supports ES6 modules thanks to Babel. While you can still use `require()` and `module.exports`, we encourage you to use [`import` and `export`](http://exploringjs.com/es6/ch_modules.html) instead. For example: ### `Button.js` ```js import React, { Component } from 'react'; class Button extends Component { render() { // ... } } export default Button; // Don’t forget to use export default! ``` ### `DangerButton.js` ```js import React, { Component } from 'react'; import Button from './Button'; // Import a component from another file class DangerButton extends Component { render() { return <Button color="red" />; } } export default DangerButton; ``` Be aware of the [difference between default and named exports](http://stackoverflow.com/questions/36795819/react-native-es-6-when-should-i-use-curly-braces-for-import/36796281#36796281). It is a common source of mistakes. We suggest that you stick to using default imports and exports when a module only exports a single thing (for example, a component). That’s what you get when you use `export default Button` and `import Button from './Button'`. Named exports are useful for utility modules that export several functions. A module may have at most one default export and as many named exports as you like. Learn more about ES6 modules: * [When to use the curly braces?](http://stackoverflow.com/questions/36795819/react-native-es-6-when-should-i-use-curly-braces-for-import/36796281#36796281) * [Exploring ES6: Modules](http://exploringjs.com/es6/ch_modules.html) * [Understanding ES6: Modules](https://leanpub.com/understandinges6/read#leanpub-auto-encapsulating-code-with-modules) ## Adding a Stylesheet This project setup uses [Webpack](https://webpack.github.io/) for handling all assets. Webpack offers a custom way of “extending” the concept of `import` beyond JavaScript. To express that a JavaScript file depends on a CSS file, you need to **import the CSS from the JavaScript file**: ### `Button.css` ```css .Button { padding: 20px; } ``` ### `Button.js` ```js import React, { Component } from 'react'; import './Button.css'; // Tell Webpack that Button.js uses these styles class Button extends Component { render() { // You can use them as regular CSS styles return <div className="Button" />; } } ``` **This is not required for React** but many people find this feature convenient. You can read about the benefits of this approach [here](https://medium.com/seek-ui-engineering/block-element-modifying-your-javascript-components-d7f99fcab52b). However you should be aware that this makes your code less portable to other build tools and environments than Webpack. In development, expressing dependencies this way allows your styles to be reloaded on the fly as you edit them. In production, all CSS files will be concatenated into a single minified `.css` file in the build output. If you are concerned about using Webpack-specific semantics, you can put all your CSS right into `src/index.css`. It would still be imported from `src/index.js`, but you could always remove that import if you later migrate to a different build tool. ## Post-Processing CSS This project setup minifies your CSS and adds vendor prefixes to it automatically through [Autoprefixer](https://github.com/postcss/autoprefixer) so you don’t need to worry about it. For example, this: ```css .App { display: flex; flex-direction: row; align-items: center; } ``` becomes this: ```css .App { display: -webkit-box; display: -ms-flexbox; display: flex; -webkit-box-orient: horizontal; -webkit-box-direction: normal; -ms-flex-direction: row; flex-direction: row; -webkit-box-align: center; -ms-flex-align: center; align-items: center; } ``` There is currently no support for preprocessors such as Less, or for sharing variables across CSS files. ## Adding Images and Fonts With Webpack, using static assets like images and fonts works similarly to CSS. You can **`import` an image right in a JavaScript module**. This tells Webpack to include that image in the bundle. Unlike CSS imports, importing an image or a font gives you a string value. This value is the final image path you can reference in your code. Here is an example: ```js import React from 'react'; import logo from './logo.png'; // Tell Webpack this JS file uses this image console.log(logo); // /logo.84287d09.png function Header() { // Import result is the URL of your image return <img src={logo} alt="Logo" />; } export default function Header; ``` This works in CSS too: ```css .Logo { background-image: url(./logo.png); } ``` Webpack finds all relative module references in CSS (they start with `./`) and replaces them with the final paths from the compiled bundle. If you make a typo or accidentally delete an important file, you will see a compilation error, just like when you import a non-existent JavaScript module. The final filenames in the compiled bundle are generated by Webpack from content hashes. If the file content changes in the future, Webpack will give it a different name in production so you don’t need to worry about long-term caching of assets. Please be advised that this is also a custom feature of Webpack. **It is not required for React** but many people enjoy it (and React Native uses a similar mechanism for images). However it may not be portable to some other environments, such as Node.js and Browserify. If you prefer to reference static assets in a more traditional way outside the module system, please let us know [in this issue](https://github.com/facebookincubator/create-react-app/issues/28), and we will consider support for this. ## Adding Bootstrap You don’t have to use [React Bootstrap](https://react-bootstrap.github.io) together with React but it is a popular library for integrating Bootstrap with React apps. If you need it, you can integrate it with Create React App by following these steps: Install React Bootstrap and Bootstrap from NPM. React Bootstrap does not include Bootstrap CSS so this needs to be installed as well: ``` npm install react-bootstrap --save npm install bootstrap@3 --save ``` Import Bootstrap CSS and optionally Bootstrap theme CSS in the ```src/index.js``` file: ```js import 'bootstrap/dist/css/bootstrap.css'; import 'bootstrap/dist/css/bootstrap-theme.css'; ``` Import required React Bootstrap components within ```src/App.js``` file or your custom component files: ```js import { Navbar, Jumbotron, Button } from 'react-bootstrap'; ``` Now you are ready to use the imported React Bootstrap components within your component hierarchy defined in the render method. Here is an example [`App.js`](https://gist.githubusercontent.com/gaearon/85d8c067f6af1e56277c82d19fd4da7b/raw/6158dd991b67284e9fc8d70b9d973efe87659d72/App.js) redone using React Bootstrap. ## Adding Flow Flow typing is currently [not supported out of the box](https://github.com/facebookincubator/create-react-app/issues/72) with the default `.flowconfig` generated by Flow. If you run it, you might get errors like this: ```js node_modules/fbjs/lib/Deferred.js.flow:60 60: Promise.prototype.done.apply(this._promise, arguments); ^^^^ property `done`. Property not found in 495: declare class Promise<+R> { ^ Promise. See lib: /private/tmp/flow/flowlib_34952d31/core.js:495 node_modules/fbjs/lib/shallowEqual.js.flow:29 29: return x !== 0 || 1 / (x: $FlowIssue) === 1 / (y: $FlowIssue); ^^^^^^^^^^ identifier `$FlowIssue`. Could not resolve name src/App.js:3 3: import logo from './logo.svg'; ^^^^^^^^^^^^ ./logo.svg. Required module not found src/App.js:4 4: import './App.css'; ^^^^^^^^^^^ ./App.css. Required module not found src/index.js:5 5: import './index.css'; ^^^^^^^^^^^^^ ./index.css. Required module not found ``` To fix this, change your `.flowconfig` to look like this: ```ini [libs] ./node_modules/fbjs/flow/lib [options] esproposal.class_static_fields=enable esproposal.class_instance_fields=enable module.name_mapper='^\(.*\)\.css$' -> 'react-scripts/config/flow/css' module.name_mapper='^\(.*\)\.\(jpg\|png\|gif\|eot\|otf\|webp\|svg\|ttf\|woff\|woff2\|mp4\|webm\)$' -> 'react-scripts/config/flow/file' suppress_type=$FlowIssue suppress_type=$FlowFixMe ``` Re-run flow, and you shouldn’t get any extra issues. If you later `eject`, you’ll need to replace `react-scripts` references with the `<PROJECT_ROOT>` placeholder, for example: ```ini module.name_mapper='^\(.*\)\.css$' -> '<PROJECT_ROOT>/config/flow/css' module.name_mapper='^\(.*\)\.\(jpg\|png\|gif\|eot\|otf\|webp\|svg\|ttf\|woff\|woff2\|mp4\|webm\)$' -> '<PROJECT_ROOT>/config/flow/file' ``` We will consider integrating more tightly with Flow in the future so that you don’t have to do this. ## Adding Custom Environment Variables >Note: this feature is available with `react-scripts@0.2.3` and higher. Your project can consume variables declared in your environment as if they were declared locally in your JS files. By default you will have `NODE_ENV` defined for you, and any other environment variables starting with `REACT_APP_`. These environment variables will be defined for you on `process.env`. For example, having an environment variable named `REACT_APP_SECRET_CODE` will be exposed in your JS as `process.env.REACT_APP_SECRET_CODE`, in addition to `process.env.NODE_ENV`. These environment variables can be useful for displaying information conditionally based on where the project is deployed or consuming sensitive data that lives outside of version control. First, you need to have environment variables defined, which can vary between OSes. For example, let's say you wanted to consume a secret defined in the environment inside a `<form>`: ```jsx render() { return ( <div> <small>You are running this application in <b>{process.env.NODE_ENV}</b> mode.</small> <form> <input type="hidden" defaultValue={process.env.REACT_APP_SECRET_CODE} /> </form> </div> ); } ``` The above form is looking for a variable called `REACT_APP_SECRET_CODE` from the environment. In order to consume this value, we need to have it defined in the environment: ### Windows (cmd.exe) ```cmd set REACT_APP_SECRET_CODE=abcdef&&npm start ``` (Note: the lack of whitespace is intentional.) ### Linux, OS X (Bash) ```bash REACT_APP_SECRET_CODE=abcdef npm start ``` > Note: Defining environment variables in this manner is temporary for the life of the shell session. Setting permanent environment variables is outside the scope of these docs. With our environment variable defined, we start the app and consume the values. Remember that the `NODE_ENV` variable will be set for you automatically. When you load the app in the browser and inspect the `<input>`, you will see its value set to `abcdef`, and the bold text will show the environment provided when using `npm start`: ```html <div> <small>You are running this application in <b>development</b> mode.</small> <form> <input type="hidden" value="abcdef" /> </form> </div> ``` Having access to the `NODE_ENV` is also useful for performing actions conditionally: ```js if (process.env.NODE_ENV !== 'production') { analytics.disable(); } ``` ## Integrating with a Node Backend Check out [this tutorial](https://www.fullstackreact.com/articles/using-create-react-app-with-a-server/) for instructions on integrating an app with a Node backend running on another port, and using `fetch()` to access it. You can find the companion GitHub repository [here](https://github.com/fullstackreact/food-lookup-demo). ## Proxying API Requests in Development >Note: this feature is available with `react-scripts@0.2.3` and higher. People often serve the front-end React app from the same host and port as their backend implementation. For example, a production setup might look like this after the app is deployed: ``` / - static server returns index.html with React app /todos - static server returns index.html with React app /api/todos - server handles any /api/* requests using the backend implementation ``` Such setup is **not** required. However, if you **do** have a setup like this, it is convenient to write requests like `fetch('/api/todos')` without worrying about redirecting them to another host or port during development. To tell the development server to proxy any unknown requests to your API server in development, add a `proxy` field to your `package.json`, for example: ```js "proxy": "http://localhost:4000", ``` This way, when you `fetch('/api/todos')` in development, the development server will recognize that it’s not a static asset, and will proxy your request to `http://localhost:4000/api/todos` as a fallback. Conveniently, this avoids [CORS issues](http://stackoverflow.com/questions/21854516/understanding-ajax-cors-and-security-considerations) and error messages like this in development: ``` Fetch API cannot load http://localhost:4000/api/todos. No 'Access-Control-Allow-Origin' header is present on the requested resource. Origin 'http://localhost:3000' is therefore not allowed access. If an opaque response serves your needs, set the request's mode to 'no-cors' to fetch the resource with CORS disabled. ``` Keep in mind that `proxy` only has effect in development (with `npm start`), and it is up to you to ensure that URLs like `/api/todos` point to the right thing in production. You don’t have to use the `/api` prefix. Any unrecognized request will be redirected to the specified `proxy`. Currently the `proxy` option only handles HTTP requests, and it won’t proxy WebSocket connections. If the `proxy` option is **not** flexible enough for you, alternatively you can: * Enable CORS on your server ([here’s how to do it for Express](http://enable-cors.org/server_expressjs.html)). * Use [environment variables](#adding-custom-environment-variables) to inject the right server host and port into your app. ## Deployment By default, Create React App produces a build assuming your app is hosted at the server root. To override this, specify the `homepage` in your `package.json`, for example: ```js "homepage": "http://mywebsite.com/relativepath", ``` This will let Create React App correctly infer the root path to use in the generated HTML file. ### Now See [this example](https://github.com/xkawi/create-react-app-now) for a zero-configuration single-command deployment with [now](https://zeit.co/now). ### Heroku Use the [Heroku Buildpack for Create React App](https://github.com/mars/create-react-app-buildpack). You can find instructions in [Deploying React with Zero Configuration](https://blog.heroku.com/deploying-react-with-zero-configuration). ### Surge Install the Surge CLI if you haven't already by running `npm install -g surge`. Run the `surge` command and log in you or create a new account. You just need to specify the *build* folder and your custom domain, and you are done. ```sh email: email@domain.com password: ******** project path: /path/to/project/build size: 7 files, 1.8 MB domain: create-react-app.surge.sh upload: [====================] 100%, eta: 0.0s propagate on CDN: [====================] 100% plan: Free users: email@domain.com IP Address: X.X.X.X Success! Project is published and running at create-react-app.surge.sh ``` Note that in order to support routers that use html5 `pushState` API, you may want to rename the `index.html` in your build folder to `200.html` before deploying to Surge. This [ensures that every URL falls back to that file](https://surge.sh/help/adding-a-200-page-for-client-side-routing). ### GitHub Pages >Note: this feature is available with `react-scripts@0.2.0` and higher. Open your `package.json` and add a `homepage` field: ```js "homepage": "http://myusername.github.io/my-app", ``` **The above step is important!** Create React App uses the `homepage` field to determine the root URL in the built HTML file. Now, whenever you run `npm run build`, you will see a cheat sheet with a sequence of commands to deploy to GitHub pages: ```sh git commit -am "Save local changes" git checkout -B gh-pages git add -f build git commit -am "Rebuild website" git filter-branch -f --prune-empty --subdirectory-filter build git push -f origin gh-pages git checkout - ``` You may copy and paste them, or put them into a custom shell script. You may also customize them for another hosting provider. Note that GitHub Pages doesn't support routers that use the HTML5 `pushState` history API under the hood (for example, React Router using `browserHistory`). This is because when there is a fresh page load for a url like `http://user.github.io/todomvc/todos/42`, where `/todos/42` is a frontend route, the GitHub Pages server returns 404 because it knows nothing of `/todos/42`. If you want to add a router to a project hosted on GitHub Pages, here are a couple of solutions: * You could switch from using HTML5 history API to routing with hashes. If you use React Router, you can switch to `hashHistory` for this effect, but the URL will be longer and more verbose (for example, `http://user.github.io/todomvc/#/todos/42?_k=yknaj`). [Read more](https://github.com/reactjs/react-router/blob/master/docs/guides/Histories.md#histories) about different history implementations in React Router. * Alternatively, you can use a trick to teach GitHub Pages to handle 404 by redirecting to your `index.html` page with a special redirect parameter. You would need to add a `404.html` file with the redirection code to the `build` folder before deploying your project, and you’ll need to add code handling the redirect parameter to `index.html`. You can find a detailed explanation of this technique [in this guide](https://github.com/rafrex/spa-github-pages). ## Something Missing? If you have ideas for more “How To” recipes that should be on this page, [let us know](https://github.com/facebookincubator/create-react-app/issues) or [contribute some!](https://github.com/facebookincubator/create-react-app/edit/master/template/README.md)

{"categories":[{"name":"Movies","videos":[{"description":"La Radio-Télévision nationale congolaise est créée en 1945. Elle prend le nom de « Office zaïrois de radiodiffusion et de télévision (OZRT) » à l'époque du Zaïre de 1971 à 1997, elle était d'ailleurs la seule agence zaïroise à diffuser sur les ondes hertziennes depuis la loi de 1972. Elle a pris son nom actuel le 17 mai 1997, à la suite de l'arrivée au pouvoir d'AFDL, le parti de Laurent-Désiré Kabila.","sources":["http://178.33.237.146/rtnc1.m3u8"],"subtitle":"By Radio Télévision Nationale Congolaise","thumb":"https://od.lk/s/M18yNDU0Njk2MjZf/RTNC.jpegg","title":"RTNC"},{"description":"Tele Congo est une chaine nationale du congo brazza en diffusant des emissions, informations, sports, theatres, musique et autres....","sources":["https://stream.mmsiptv.com/droid/rtnc/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://od.lk/s/M18yNTkxODYwMjFf/telecongo.jpg","title":"TELE CONGO TV / BRAZZAVILLE"},{"description":"Bein Sports 1 est une chaine televisee sportives","sources":["https://stream.mmsiptv.com/droid/bein1/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://od.lk/s/M18yNTkxODU4MzBf/beinone.png","title":"BEIN SPORT 1 / SPORTS"},{"description":"Bein Sport 2 est une chaine televisee sportives","sources":["https://stream.mmsiptv.com/droid/bein2/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://od.lk/s/M18yNTkxODU4MThf/beintwo.png","title":"BEIN SPORT 2 / SPORTS"},{"description":"Bein Sport 3 est une chaine televisee sportives","sources":["https://stream.mmsiptv.com/droid/bein3/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://od.lk/s/M18yNTkxODU4MDZf/beintree.png","title":"BEIN SPORTS 3 / SPORTS"},{"description":"La Radio-Télévision nationale congolaise est créée en 1945. Elle prend le nom de « Office zaïrois de radiodiffusion et de télévision (OZRT) » à l'époque du Zaïre de 1971 à 1997, elle était d'ailleurs la seule agence zaïroise à diffuser sur les ondes hertziennes depuis la loi de 1972. Elle a pris son nom actuel le 17 mai 1997, à la suite de l'arrivée au pouvoir d'AFDL, le parti de Laurent-Désiré Kabila.","sources":["https://stream.mmsiptv.com/droid/rtnc/playlist.m3u8"],"subtitle":"By Radio Télévision Nationale Congolaise","https://od.lk/s/M18yNDU0Nzc4NDZf/rtnc3.png","title":"RTNC 1 / RDC (lien2)"},{"description":"Canal Plus Sports 1 est une chaine televisee sportives","sources":["https://stream.mmsiptv.com/droid/cpsport/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://od.lk/s/M18yNTkxODczMzhf/canalsport.png","title":"CANAL + 1 / SPORTS"},{"description":"Canal Plus Sports 2 est une chaine televisee sportives.","sources":["https://stream.mmsiptv.com/droid/cplus/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://od.lk/s/M18yNTkxODczMzlf/canalsporttwoo.jpg","title":"CANAL + 2 / SPORTS"},{"description":"RMC 1 est une chaine televisee sportuive","sources":["https://stream.mmsiptv.com/droid/rmc1/playlist.m3u8"],"subtitle":"By 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Channel","thumb":"https://od.lk/s/M18yNTkxODgxOTlf/eurone.png","title":"EUROSPORTS 1 / SPORTS"},{"description":"EuroSports 2 est une chaine televisee sportives","sources":["https://stream.mmsiptv.com/droid/eurosport1/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://od.lk/s/M18yNTkxODgxNTdf/eurotwo.jpg","title":"EUROSPORTS 2 / SPORTS"},{"description":"EuroSports 3 est une chaine televisee sportives","sources":["http://stream.tvtap.live:8081/live/eurosport1.stream/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://od.lk/s/M18yNTkxODgxODJf/eurotree.jpg","title":"EUROSPORTS 3 / SPORTS"},{"description":"EuroSports 4 est une chaine televisee sportives","sources":["http://stream.tvtap.live:8081/live/es-eurosport2.stream/playlist.m3u8"],"subtitle":"By Channel","https://od.lk/s/M18yNTkxODgxMzJf/eurofour.png","title":"EUROSPORTS 4 / SPORTS"},{"description":"L'Equipe est une chaine televisee sportives emettant en France","sources":["https://stream.mmsiptv.com/droid/equipe/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://od.lk/s/M18yNTkxODg0ODhf/equipe.png","title":"L'EQUIPE TV / SPORTS"},{"description":"Sky Sport est une chaine televisee sportives","sources":["http://stream.tvtap.live:8081/live/skysports-premier-league.stream/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://od.lk/s/M18yNTkxODg2MjNf/skysport.jpg","title":"SKY SPORTS / SPORTS"},{"description":"Azam Sports 1 Tanzanie est l'une des chaines privées que l'on retrouve en tanzanie, possédant des émissions Sportives variées","sources":["https://1446000130.rsc.cdn77.org/1446000130/index.m3u8"],"subtitle":"By Channel","thumb":"https://od.lk/s/M18yNDg1NzQwMjJf/azam.jpg","title":"AZAM SPORTS / TANZANIA"},{"description":"ADSPORTS 1 est une chaine televisee sportives emettant a Dubai","sources":["http://admdn1.cdn.mangomolo.com/adsports1/smil:adsports1.stream.smil/playlist.m3u8"],"subtitle":"By 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des film et series Africains surtout beaucoup plus nigerians","sources":["https://stream.mmsiptv.com/droid/nollywoodfr/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://od.lk/s/M18yNTkxODk3MDhf/nollywood.jpg","title":"NOLLYWOOD TV / NOVELAS"},{"description":"AfricaWood TV est une chaine televisee qui diffuse que des film et series Africains surtout beaucoup plus nigerians","sources":["https://stream.mmsiptv.com/droid/africawood/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://od.lk/s/M18yNDg1Nzc2ODJf/vision4.jpg","title":"AFRICAWOOD TV / NOVELAS"},{"description":"NOVELAS TV 1 est une chaine televisee qui diffuse que des series mexicaines, bresiliens, phillipinesn et autres....","sources":["https://stream.mmsiptv.com/droid/novelas/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://od.lk/s/M18yNTkxOTAwMDFf/novelasone.jpg","title":"NOVELAS TV 1 / SERIE"},{"description":"RTI 2 est une chaine televisee ivoiriens qui diffuse que des informations, musiques, series mexicaines, bresiliens, phillipinesn et autres....","sources":["https://stream.mmsiptv.com/droid/rti2/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://od.lk/s/M18yNTkxODU4NDdf/rtid.jpg","title":"RTI 2 / COTE D'IVOIRE"},{"description":"NOVELAS TV est la chaine qui diffuset des Series Mexicaines, Philipiennes et Bresiliennes....","sources":["https://stormcast-telenovelatv-1-fr.samsung.wurl.com/manifest/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://od.lk/s/M18yNTQyMjA4MDVf/novelastv.jpg","title":"NOVELAS TV{"description":"NW INFOS est la chaine du togo en diffusant des Informations Emissions et autres....","sources":["https://hls.newworldtv.com/nw-info/video/live_1024x576.m3u8"],"subtitle":"By Channel","thumb":"https://od.lk/s/M18yNTQyMjY0NzNf/nwInfos.jpg","title":"NW INFOS TV / TOGO"},{"description":"NW Muzik est la chaine du togo en diffusant des musiques Africaine et autres....","sources":["https://hls.newworldtv.com/nw-muzik/video/live_1024x576.m3u8"],"subtitle":"By Channel","thumb":"https://od.lk/s/M18yNTQyMjY0NTZf/nwMuzik.webp","title":"NW MUZIK TV / TOGO"},{"description":"Al Hadath est la chaine du Lybie en diffusant des Emissions ainsi que des infos, musique et autres....","sources":["https://master.starmena-cloud.com/hls/hd.m3u8"],"subtitle":"By Channel","thumb":"https://od.lk/s/M18yNTQyMjcxNDBf/alhad.png","title":"AL HADATH TV / LYBIE"},{"description":"Vox Of Africa est la chaine des americains qui emette a Brazzaville en diffusant des informations et autres....","sources":["https://voa-lh.akamaihd.net/i/voa_mpls_tvmc3_3@320295/master.m3u8"],"subtitle":"By Channel","thumb":"https://od.lk/s/M18yNTQyMjY1NDFf/VOX_AFRICA.jpg","title":"VOX OF AFRICA TV"},{"description":"Resurrection TV est l'une des chaines privées Chretienne que l'on retrouve dans la ville d'ACCRA, possédant des émissions variées","sources":["http://rtmp.ottdemo.rrsat.com/rrsatrtv1/rrsatrtvmulti.smil/chunklist.m3u8"],"subtitle":"By Channel","thumb":"https://od.lk/s/M18yNDg1NzczODRf/mychannel.jpg","title":"RESURRECTION TV / GHANA"},{"description":"CDIRECT TV est la chaîne une chaîne généraliste présente une vitrine positive du Congo, conçoit des programmes inédits et innovants qui s'adressent aux congolais résidents, la diaspora congolaise, ainsi qu'à l'ensemble des africains francophones à travers le monde entier. Sa ligne éditoriale est axée sur les deux Congo décomplexé, un Congo qui va de l'avant et gagne !.","sources":["http://cms-streamaniak.top/Cdirect/CDIRECT/index.m3u8"],"subtitle":"By Channel","thumb":"https://cdirect.tv/assets/img/logo-cdirect.ico","title":"CDIRECT TV / Kinshasa-Brazzaville"},{"description":"DBM TV ou digital black Music est une Chaîne TV à thématique musicale, DBM a pour vocation de révéler et promouvoir la musique Afro Urbaine, qu’elle soit d’Afrique ou d’ailleurs info@dbm-tv.com. .","sources":["https://dbmtv.vedge.infomaniak.com/livecast/smil:dbmtv.smil/manifest.m3u8"],"subtitle":"By Channel","thumb":"https://www.dbm-tv.fr/wp-content/uploads/2017/12/logo-dbm.png","title":"DBM TV / Music "},{"description":"La LUMIÈRE, ministère Chrétien pour annoncer l’évangile de Jésus Christ partout dans le monde, toucher changer et sauver des vies par la puissance de la parole de DIEU avec des enseignements prédications adorations louanges partages de prières, d’exhortations et de témoignages","sources":["https://video1.getstreamhosting.com:1936/8248/8248/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://cdn.shortpixel.ai/client/q_glossy,ret_img,w_124,h_124/https://telepack.net/wp-content/uploads/2020/05/lumiere-tv.png","title":"La Lumiere TV / Gospel"},{"description":"La Télévision Togolaise (TVT) est le nom de l'unique chaîne de télévision publique togolaise, Crée depuis 1979.","sources":["http://54.38.92.12/tvt.m3u8"],"subtitle":"By Google","thumb":"https://amp.live-tv-channels.org/pt-data/uploads/logo/tg-tv.jpg","title":"Télévision Togolais"},{"description":"CRTV est un service de radio et de télévision contrôlé par le gouvernement au Cameroun. Cela a commencé sous le nom de Cameroon Television (CTV) et a ensuite fusionné avec le service de radio pour devenir CRTV. Il couvre l'ensemble des dix régions du Cameroun, ce qui en fait le diffuseur indomptable parmi plusieurs chaînes de télévision privées du pays. Sa couverture des événements est généralement considérée comme pro-gouvernementale. Les programmes de la CRTV comprennent des documentaires, des magazines, des analyses d'actualités et des séries importées d'Asie et du Brésil..","sources":["http://178.33.237.146/crtv.m3u8"],"subtitle":"By Channel","thumb":"http://www.cameroonconcordnews.com/wp-content/uploads/2018/03/CRTV-new.jpg","title":"Cameroune Radio Télévision"},{"description":"Impact TV c'est une premiere Chaine televisee chretienne diffusant au Burkina-Fasso sur satelite innauguree le 07/03/2008 par Marie Sophie.","sources":["https://edge10.vedge.infomaniak.com/livecast/impacttele/chunklist_w973675047.m3u8"],"subtitle":"By Channel","thumb":"https://i1.wp.com/www.livetvliveradio.com/wp-content/uploads/2017/07/impact-tv.jpg?fit=259%2C194","title":"Impact TV / Burkina Fasso"},{"description":"Kigali Channel 2 ( Là pour vous) est une chaine televisee Rwandaise emmetant a Kigali. KC2 se diversite par sa diffusion des emitions exceptionnelle ainsi que des films nouveautes et plein d'autres.","sources":["https://5c46fa289c89f.streamlock.net/kc2/kc2/chunklist.m3u8"],"subtitle":"By Channel","thumb":"https://encrypted-tbn0.gstatic.com/images?q=tbn%3AANd9GcQfQjI8jUhMPReWg0MOdw1xpAAXMP7YAuZKBg&usqp=CAU","title":"KC2 TV / Rwanda"},{"description":"Equinox est une chaîne de télévision basée au Cameroun. Peu de temps après son lancement, il est devenu l'un des critiques les plus virulents du régime de Paul Biya. La station était connue pour avoir diffusé des images en direct d'une manifestation politique contre le changement constitutionnel au Cameroun qui favorisait le maintien au pouvoir du président Biya après 2011, alors qu'il lui était interdit par la Constitution de se présenter à nouveau. La télévision appartient au magnat des affaires de la région ouest du Cameroun, Severin Tchounke, qui possède également un quotidien critique, La Nouvelle Expression.","sources":["http://178.33.237.146/equinoxetv.m3u8"],"subtitle":"By Channel","thumb":"https://camer-press.com/wp-content/uploads/2020/04/Equinoxe-Tv.jpg","title":"Equinoxetv"},{"description":"Rwanda Télévision (RTV) est la premiere chaîne public du Rwanda qui fournit des informations et des divertissements quotidiens au public rwandais en trois langues: anglais, français et kinyarwanda géré par l'industrie de la télévision rwandaise , mais ce derniere est composée de 12 chaînes de télévision dont 84% télévisions sont détenues par des privés (10 sur 12) tandis que 8% appartiennent respectivement à des organisations publiques et religieuses. L'Agence nationale de radiodiffusion rwandaise.","sources":["https://5c46fa289c89f.streamlock.net/rtv/rtv/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://maps.prodafrica.com/wp-content/uploads/2020/03/10191_RBA_002.png","title":"RTV"},{"description":"IBN TV est un radiodiffuseur islamique de télévision et de radio qui transmet IBN TV et Radio Maarifa de Dar es Salaam et Tanga respectivement. Il a été crée sous la direction de la Fondation Al Itrah et a été diffusé officiellement depuis Mars 2003. IBN TV est un média privé qui a commencé après la libéralisation de l’industrie des médias en Tanzanie. IBN TV est la première chaîne islamique en Tanzanie. Il couvre presque toute la région de Dar es Salaam, Tanga, Arusha et Mwanza. IBN TV diffuse en quatre langues différentes, à savoir l’anglais, le swahili, le gujarati et l’ourdou.","sources":["http://138.68.138.119:8080/low/5a8993709ea19/index.m3u8"],"subtitle":"By Channel","thumb":"http://www.alitrah.co.tz/wp-content/uploads/sites/3/2015/10/ibntvafrica.png","title":"IBN TV"},{"description":"RTB est une chaîne de télévision publique générale dirigée par l’Établissement public d’État. Son siège social est situé dans la capitale du Burkina Faso, à Ouagadougou. Il est diffusé en direct à la télévision terrestre et sur Internet. Cette chaîne africaine diffuse des nouvelles télévisées en Français. Mais en général, les flashs de nouvelles sont dans la langue nationale comme Lobiri, Bwamu, Gulmancéma ainsi que Bissa. RTB offre un programme avec de nombreux magazines sur le sport, l’économie, la culture, la santé et la jeunesse.","sources":["https://edge8.vedge.infomaniak.com/livecast/ik:rtbtvlive1/manifest.m3u8"],"subtitle":"By Channel","thumb":"https://upload.wikimedia.org/wikipedia/en/c/c0/RTB_Sukmaindera.png","title":"Radio Television Burkina Fasso"},{"description":"Eri-TV est une chaîne de télévision érythréenne appartenant à l'État. Basée dans la capitale du pays, Asmara, elle diffuse 24 heures sur 24. La station propose des bulletins d'information 24 heures sur 24, des émissions-débats et des programmes culturels et éducatifs. Eri-TV a une large base d'audience en dehors de l'Érythrée, que la chaîne publique reconnaît et utilise pour communiquer avec les Érythréens vivant à l'étranger. Le réseau compte environ 1 à 2 millions de téléspectateurs par semaine. Eri-TV reconnaît la culture minoritaire érythréenne et a largement adopté un partage de temps égal entre chacune des langues parlées du pays.","sources":["http://217.182.137.206/eri.m3u8"],"subtitle":"By Channel","thumb":"https://eri.tv/images/eri-tv-live.png","title":"ERITRIE TV"},{"description":"Créée au Sénégal par le GROUPE D-MEDIA, SENTV, 1ère Chaîne Urbaine au Sénégal, consacre sa programmation au traitement de l'actualité nationale et internationale et à la culture urbaine sénégalaise et africaine en générale. Elle émet sur hertzien depuis 2009 et est désormais disponible sur satellite via le bouquet Canal + Afrique et les bouquets IPTV à l'international. Une chaîne généraliste et orientée urbaine, constituant ainsi une offre originale et unique au Sénégal. Une part importante de ses programmes est constituée par des rendez-vous d’actualité sur une rythmique quotidienne et des émissions phares orientées Société et Divertissement.","sources":["http://46.105.114.82/tfm_senegal.m3u8"],"subtitle":"By Channel","thumb":"https://www.xalat.info/wp-content/uploads/2019/02/maxresdefault-2.jpg","title":"SENEGAL TV"},{"description":"RTB diffuse des emissions ainsi que les Sports, Musique, Culture et Films d'Action.","sources":["http://46.105.114.82/rtb1.m3u8"],"subtitle":"By Channel","thumb":"https://live-tv-channels.org/pt-data/uploads/logo/bf-rtb-tv-8682.jpg","title":"RTB"},{"description":"LEEEKO est un ensemble de médias web radio et tv, créé le 1er Decembre 2016 par Serges OLUBI, passionné de musiques. LEEEKO diffuse une diversité des musique telsque: Rhumba, Zouk, Ndombolo, Rnb, Classic, Jazz et autres à travers l'Afrique.","sources":["http://livetvsteam.com:1935/leeeko/leeeko/chunklist.m3u8"],"subtitle":"By Channel","thumb":"https://is2-ssl.mzstatic.com/image/thumb/Purple113/v4/c9/76/95/c9769524-8604-49ac-108e-efca1d025a99/source/512x512bb.jpg","title":"LEEKO MUSIQUE TV"},{"description":"La Radio Télévision Guinéenne (RTG), l’un des premiers organes de presse public du pays, est absente dans plusieurs villes de l’intérieur du pays. Et ce après 42 ans depuis sa création. Par endroits, les signaux de la RTG sont totalement absents depuis plusieurs années. Par contre, dans certaines préfectures, malgré la réception des signaux, faute d’énergie, les populations sont privées des émissions de la RTG, a-t-on constaté.","sources":["http://178.33.237.146/rtg.m3u8"],"subtitle":"By Blender Channel","thumb":"http://maliactu.info/wp-content/uploads/2019/08/rtg-radio-television-guineenne.png","title":"Radio Television Guinéenne "},{"description":"MTA Africa 1 (anciennement MTA Africa) est la quatrième chaîne de télévision par satellite du réseau MTA International. Il a été lancé début août 2016, diffusant spécifiquement pour les téléspectateurs africains, à travers l'Afrique et l'Europe. La chaîne a été créée sous les auspices de Mirza Masroor Ahmad, le chef spirituel de la communauté musulmane Ahmadiyya. MTA Africa est géré et financé volontairement par les Ahmadis.","sources":["https://ooyalahd2-f.akamaihd.net/i/mtaengaudio_delivery@138280/index_3000_av-p.m3u8"],"subtitle":"By Blender Channel","thumb":"https://pbs.twimg.com/profile_images/950498775893774338/XKhzDO2.jpg","title":"MTA AFRICA"},{"description":"L’Office de Radiodiffusion et Télévision du Bénin (ORTB) est le service public de l’audiovisuel du Bénin. C’est un établissement public à caractères social, culturel et scientifique doté de la personnalité morale et de l’autonomie financière. ORTB, pas sans vous !/ Tél: +229 21 30 00 48/ Whatsapp: +229 69 70 55 55/ Email: contact@ortb.bj","sources":["http://51.77.223.83/ortb.m3u8"],"subtitle":"By Channel","thumb":"https://www.lavoixduconsommateur.org/images/services/1533219563.jpg","title":"ORTB / Bénin"},{"description":"Dream Channel est une chaine télévisée ematant au cameroune qui diffuse de la musique de toutes tendances.","sources":["http://connectiktv.ddns.net:5000/dreamchannel/dreamchannel/chunklist.m3u8"],"subtitle":"By Channel","thumb":"https://connectik.tv/wp-content/uploads/2019/06/c1b45634-2f8c-47e7-8849-e6d7ea620465-300x169.jpg","title":"DREAM CHANNEL TV / Cameroune"},{"description":"Canal Algérie est la deuxième chaîne de télévision nationale grand public algérienne. La chaîne fait partie du groupe EPTV qui comprend également TV1, TV3, TV4, TV5, TV6 et TV7. C'est une chaîne francophone. La chaîne diffuse ses programmes 24h / 24 et 7j / 7 via différentes plateformes et partout dans le monde.","sources":["http://46.105.114.82/canal_algerie.m3u8"],"subtitle":"By Channel","thumb":"https://upload.wikimedia.org/wikipedia/commons/thumb/2/22/Logo_Canal_Algerie.svg/800px-Logo_Canal_Algerie.svg.png","title":"Canal Algerie"},{"description":"Radio Télévision Sénegalaise est une station de radio diffusée sur le réseau de Radiodiffusion Télévision Sénégalaise (RTS1 HD) de Dakar, au Sénégal, fournissant des informations, des sports, des débats, des émissions en direct et des informations sur la culture ainsi que la musique.","sources":["http://46.105.114.82/rts1.m3u8"],"subtitle":"By Channel","thumb":"https://lh3.googleusercontent.com/VZyPxURRRo-C0lEWHggT8C-dDJvFNFTVxKrn1yKUNROoT85XnOl9VcmM5HFzyRDwvgs","title":"Radio Télévision Sénegalaise 1 HD"},{"description":"Kalsan est une chaîne de télévision Somalienne dont le siège est à Londres. Elle a commencé à diffuser en 2013. La chaîne est axée sur les Somaliens. La programmation est principalement axée sur les actualités et les divertissements.","sources":["http://cdn.mediavisionuae.com:1935/live/kalsantv.stream/chunklist.m3u8"],"subtitle":"By Channel","thumb":"https://xogdoonnews.net/wp-content/uploads/2017/11/kalsan-tv.jpg","title":"KALSAN TV / Somalie"},{"description":"One Africa Television est une chaine de television namibien crée en 2003 et couvrant à l'origine uniquement Windhoek, Rehoboth et Okahandja, One Africa Television a connu une croissance significative, avec son signal diffusé via 29 émetteurs analogiques à travers la Namibie. En 2013, One Africa Television a rejoint l'ère numérique, et la chaîne est depuis disponible sur le réseau de télévision numérique terrestre de la Namibian Broadcasting Corporation (Channel 301) ainsi que sur la plateforme DStv Namibia de MultiChoice (Channel 284) ainsi que sur le réseau numérique terrestre GoTV de MultiChoice. Président du groupe d'Africa Television, Paul van Schalkwyk, a été tué dans un accident d'avion le 10 mars 2014.","sources":["https://za-tv2a-wowza-origin02.akamaized.net/oneafrica/smil:oneafrica/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://neweralive.na/uploads/2016/11/Untitled-1.jpg","title":"ONE AFRICA TV / Namibia"},{"description":"VISION4 TV est une chaine television panafricanisme Camerounais crée en 2008. qui diffuse des Émissions hauts de gamme telsque : Afro Café, Matinale infos, le journal d'afrique, tour d'horizon, journal de 12, women's story, The 6h00 pm news, Let's talk, Meeting point le grand live, le grand journal de 20h, santé spirituelle, sport time, Arrêt majeur, Au cœur du mystère, parole d'artistes, Femme attitude, Panafritude, Rendez-vous santé, afro zik, Club d'élites, Plateau du Jaguar, Dimanche bonheur, face aux dinosaures. Vision 4 Le Groupe Anecdote Vision 4 TV, Satelite FM, Africa Express Siège social : Yaoundé - Cameroun (Nsam) Secrétariat PDG : Tel : +237 242 71 88 13 / Fax : +237 222 31 67 81 Service de l'information : Tel : +237 242 71 87 68 Yaoundé Centre B.P 25070 Cameroun","sources":["http://cdnamd-hls-globecast.akamaized.net/live/ramdisk/vision4/hls_video/index.m3u8"],"subtitle":"By Channel","thumb":"https://upload.wikimedia.org/wikipedia/commons/thumb/9/94/Vision_4.jpg/600px-Vision_4.jpg","title":"VISION 4"},{"description":"Nago TV is a Haitian television channel 100% devoted to music videos(Compass, Rap Creole, Racine).","sources":["http://haititivi.com:8088/haititv/tele6NY/index.m3u8"],"subtitle":"By Channel","thumb":"https://lh3.googleusercontent.com/GdAVtX7AU8834RaKoUC4c3itv2A_R1k8XATBf26G_IgQKnvxEtAew0cJOr_kWOpWkpY","title":"NAGO TV / Haiti"},{"description":"Lagos Television has been a trail blazer right from inception. Apart from being the first TV station outside the NTA family, the station took the Nigerian TV industry by storm in the early 80s with the introduction of a 60-hour non stop weekend from 7pm on Fridays till 7am on Mondays. The then Lagos weekend Television was the first marathon TV station in Africa. It’s unprecedented public approval transformed TV viewership especially within the Lagos precinct and brought a change in the call sign LTV/LWT.","sources":["http://185.105.4.193:1935/ltv/myStream/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://www.lagostelevision.com/wp-content/uploads/2015/10/logo.png","title":"Lagos Television"},{"description":"Emmanuel TV is the television station of The Synagogue, Church Of All Nations, broadcasting 24/7 around the globe via satellite and on the internet. The purpose of Emmanuel TV is to preach the Good News to all mankind. That is what we are born for, living for and what we shall die for. Emmanuel TV is committed to changing lives, changing nations and changing the whole world through the Gospel of our Lord Jesus Christ. Jesus Christ is the inspiration behind Emmanuel TV; as such, God’s purpose is our purpose.","sources":["https://api.new.livestream.com/accounts/23202872/events/7200883/live.m3u8"],"subtitle":"By Channel","thumb":"https://scoan-website-emmanueltv.netdna-ssl.com/wp-content/blogs.dir/12/files/2016/09/emmanuel_tv_icon.png","title":"Emmanuel TV"},{"description":"Addis TV is a City Channel based in Addis Ababa, Ethiopia, which broadcasts News and Programs 24/7.","sources":["https://rrsatrtmp.tulix.tv/addis1/addis1multi.smil/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://et.heytv.org/wp-content/uploads/2019/04/Addis-webtvonlive-com.jpg","title":"Addis TV / Ethiopia"},{"description":"Resurrection TV is a Christian based station aimed at uplifting your soul with an unadulterated word of God. it ensures a distinction between sin and righteousness.","sources":["http://rtmp.ottdemo.rrsat.com/rrsatrtv1/rrsatrtvmulti.smil/chunklist.m3u8"],"subtitle":"By Channel","thumb":"https://i.pinimg.com/564x/9e/f5/ae/9ef5aeb5c1ddd05a20d27faaf5d9b931.jpg","title":"Résurrection TV/ Ghana"},{"description":"CTV frique est une television camerounaise basee a yaounde.","sources":["http://connectiktv.ddns.me:8080/ctv-africa/index.m3u8"],"subtitle":"By Channel","thumb":"http://connectik.tv/wp-content/uploads/2020/01/CTV-1-300x212.jpeg","title":"CTV AFRICA"},{"description":"BEL TV est une station de télévision haïtienne qui diffuse sur le web via diverses plateformes et par câble. Notre vision est de créer une télévision standard dont la qualité du programme est aussi instructive que divertissante. À cote de cette vision, BEL TV s’est fixé pour mission de promouvoir la Culture haïtienne, à savoir le Cinéma, la musique, la littérature et bien plus encore, ce à travers la Caraïbe et le monde entier. BEL TV c’est une toute autre façon de faire la télé.","sources":["http://connectiktv.ddns.me:8080/afriqueplustv/index.m3u8"],"subtitle":"By Channel","thumb":"http://connectik.tv/wp-content/uploads/2019/07/NEW-LOGO0047_00000_00000-300x169.png","title":"AFRICA PLUS TV "},{"description":"1 ok.","sources":["http://connectiktv.ddns.me:8080/mygospel/index.m3u8"],"subtitle":"By Channel","thumb":"http://connectik.tv/wp-content/uploads/2020/05/mygospel-300x140.png","title":"MY GOSPEL TV"},{"description":"2 ok.","sources":["http://connectiktv.ddns.me:8080/media-prime/index.m3u8"],"subtitle":"By Channel","thumb":"http://connectik.tv/wp-content/uploads/2020/05/myprime15-300x140.png","title":"MEDIA PRIME TV"},{"description":"3 ok.","sources":["http://connectiktv.ddns.me:8080/mymusic/index.m3u8"],"subtitle":"By Channel","thumb":"http://connectik.tv/wp-content/uploads/2020/05/mymusic1.png","title":"MY MUSIC TV "},{"description":"4 ok.","sources":["http://connectiktv.ddns.me:8080/mymovie-en/index.m3u8"],"subtitle":"By Channel","thumb":"http://connectik.tv/wp-content/uploads/2020/05/myenglish-300x140.png","title":"MY MOVIE TV / English"},{"description":"5 ok.","sources":["http://connectiktv.ddns.me:8080/mymovie-fr/index.m3u8"],"subtitle":"By Channel","thumb":"http://connectik.tv/wp-content/uploads/2020/05/myfresh-300x140.png","title":"MY MOVIE TV / Francais"},{"description":"6 ok","sources":["http://connectiktv.ddns.me:8080/bikutsitv/index.m3u8"],"subtitle":"By Channel","thumb":"http://connectik.tv/wp-content/uploads/2019/09/bikutsi-300x63.jpeg","title":"BIKUTSI TV"},{"description":"7 ok.","sources":["http://connectiktv.ddns.me:8080/cam10tv/index.m3u8"],"subtitle":"By Channel","thumb":"http://connectik.tv/wp-content/uploads/2020/07/CAM10-REVUE.jpg","title":"CAM 10 TV / Cameroune"},{"description":"8 ok.","sources":["http://connectiktv.ddns.me:8080/leadergospel/index.m3u8"],"subtitle":"By Channel","thumb":"http://connectik.tv/wp-content/uploads/2020/05/leader-cable.jpg","title":"LEADER GOSPEL TV / Religion"},{"description":"9 ok.","sources":["http://connectiktv.ddns.me:8080/vstv/index.m3u8"],"subtitle":"By Channel","thumb":"http://connectik.tv/wp-content/uploads/2020/05/VS-TV-300x168.jpg","title":"VS tv"},{"description":"10 0k.","sources":["http://connectiktv.ddns.me:8080/mytv/index.m3u8"],"subtitle":"By Channel","thumb":"http://connectik.tv/wp-content/uploads/2019/04/mytv-channel-hd-300x169.jpg","title":"MY TV CHANNEL"},{"description":"Radio Tele Puissance est une chaine chrétienne qui diffuse en direct des programmes chrétien avec des vidéos et des films Gospel de premier ordre, des documentaires. radio Tele Puissance est une station très divertissante..","sources":["https://video1.getstreamhosting.com:1936/8560/8560/chunklist.m3u8"],"subtitle":"By Channel","thumb":"https://radioendirect.net/assets/images/radio/item/119251.jpg","title":"Radio Tele Puissance"},{"description":"Christ live est une chaine télévision de divertissement chrétienne disponible sur le satellite.","sources":["https://raw.githubusercontent.com/exodiver/IPTV/master/M3U8/Token/Cliv.m3u8"],"subtitle":"By Channel","thumb":"http://www.centraltv.fr/wp-content/uploads/christ-tv_logo.jpg","title":"CHRIST TV / Religion"},{"description":"QTV Gambia is the First Private Television Station","sources":["https://player.qtv.gm/hls/live.stream.m3u8"],"subtitle":"By Channel","thumb":"https://standard.gm/wp-content/uploads/2020/08/QTV-696x495.jpg","title":"QTV / Gambia"},{"description":"TVM International, or TVM Internacional, is the international channel of Mozambique's national TV broadcaster, Televisão de Moçambique (TVM), broadcasting for 24 hours per day. The channel will showcase local programming featuring Mozambican culture, tourism and sports.","sources":["http://196.28.226.121:1935/live/smil:Channel2.smil/chunklist_b714000_slpor.m3u8"],"subtitle":"By Channel","thumb":"https://clubofmozambique.com/wp-content/uploads/2020/03/tvmint.rm.jpg","title":"TVM Internacional"},{"description":"K24 TV est une chaine de télévision généraliste Kényane fondée en 2007 basé à Longonot Place, P. O. Box 49640 Kijabe St Tél : +254 20 2124801. K24 TV diffuse sur la télévision terrestre et en streaming sur Dailymotion et sur son site internet..","sources":["https://raw.githubusercontent.com/exodiver/IPTV/master/M3U8/Token/K24.m3u8"],"subtitle":"By Channel","thumb":"http://www.centraltv.fr/wp-content/uploads/k24-tv_logo.jpg","title":"K24 TV / Kenya"},{"description":"Afrobeat tv is a division of kaycee records .Kaycee Records is an independent record label established in the United Kingdom, and Nigeria Owned by Kennedy Kesidi Richard from Oguta in Imo State Nigeria .Afro beat tv is the new musical innovation to promote African art and and as a platform to promote and create awareness for up coming African artist all around the globe","sources":["http://connectiktv.ddns.net:8080/afrobit/index.m3u8"],"subtitle":"By Channel","thumb":"http://connectik.tv/wp-content/uploads/2019/05/AFROBIT-png-300x168.png","title":"AFROBITS / Music"},{"description":"Dunamis International Gospel Centre (DIGC) Jos Central is a powerfully anointed church, where God's Presence and power are saving, healing and restoring human destinies and dignities! Located in Alheri, Jos, Plateau State with HQT in Abuja Nigeria. Dunamis (Doo'na-mis) is the Greek word that means POWER.","sources":["https://christianworld.ashttp9.visionip.tv/live/visiontvuk-religion-dunamistv-SD/chunklist.m3u8"],"subtitle":"By Channel","thumb":"https://live-tv-channels.org/pt-data/uploads/logo/ng-dunamis-tv-2163-300x225.jpg","title":"DUNAMIS TV / Religion"},{"description":"France tv sport, c’est d’abord l’actualité de TOUS les sports. De l’analyse en temps réel, du live ou encore des replays vidéo sont disponibles à tout moment. Enrichissez votre expérience et plongez au cœur de l'actualité du sport.","sources":["https://streamserv.mytvchain.com/sportenfrance/SP1564435593_720p/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://liberador.net/media/images/FranceTv_Sport.max-640x640.jpg","title":"SPORTS FRANCE TV"},{"description":"Darut Tarbiyah La télévision en direct du Réseau islamique de Trinité-et-Tobago Chaîne de télévision religieuse / Darut Tarbiyah Le Réseau islamique (T.I.N.) est une chaîne de télévision câblée locale de Trinité-et-Tobago diffusant des programmes islamiques. La station est transportée sur le canal 96 ou 116 sur le système de câble Flow Trinidad. DARUT TARBIYAH - LE RÉSEAU ISLAMIQUE. Darut Tarbiyah Drive, Ramgoolie Trace North, Cunupia, Trinidad Antilles. Tél: (868) 693-1722, 693-1393","sources":["http://162.244.81.145:2215/live/livestream/playlist.m3u8"],"subtitle":"By Channel","thumb":"http://theislamicnetwork.org/wp-content/uploads/musicpro/bd-uploads/logo_logo_TIN-Logo-White-Text.png","title":"THE ISLAMIC NETWORK"},{"description":"D Sports HD est une chaine qui se fcalise sur les Sports en General : WWE, BOX, Football: Ligue brésilienne, Super League chinoise, Ligue portugaise, Major League Soccer (USA) Courses hippiques: courses quotidiennes diffusées en direct du Royaume-Uni et d'Irlande Golf: British Open (The Open Championship), US Open, PGA Championship, LPGA Motorsports: NASCAR, Championnat du Monde de Rallycross FIA Rugby: 6 Nations Rugby Cyclisme: Tour de France (propriété d'Eurosport).","sources":["http://jiocgehub.jio.ril.com/Dsports_HD/Dsports_HD.m3u8?fluxustv.m3u8"],"subtitle":"By Channel","thumb":"https://kccl.tv/sites/default/files/dsportjpg.jpg","title":"D Sports TV"},{"description":"Africa Sports TV est la première chaîne francophone d’information en continue de sport en Afrique. C’est un média fédérateur des sports africains. On parle de compétition locales, des ligues nationales sur toutes les disciplines du continent, dont le basketball, le football, la lutte… Il y aura beaucoup de lutte, qui prend un essor important sur le continent. Il y a tout un lobby autour de la lutte. Africa Sports TV est disponible Sur Le Canal 56 de la BbOX – Sur Le Canal 614 du Bouquet Africain Max de TV ORANGE.","sources":["https://strhls.streamakaci.tv/str_africasportstv_africasportstv/str_africasportstv_multi/str_africasportstv_africasportstv/str_africasportstv_player_1080p/chunks.m3u8"],"subtitle":"By Channel","thumb":"https://pbs.twimg.com/profile_images/1215646342812401668/SOnvVloX_400x400.jpg","title":"Africa Sports TV"},{"description":"Real Madrid TV est une chaîne de télévision numérique gratuite, exploitée par le Real Madrid, spécialisée dans le club de football espagnol. La chaîne est disponible en espagnol et en anglais. Il est situé à Ciudad Real Madrid à Valdebebas (Madrid), le centre de formation du Real Madrid.","sources":["http://rmtv24hweblive-lh.akamaihd.net/i/rmtv24hwebes_1@300661/index_3_av-b.m3u8"],"subtitle":"By Channel","thumb":"https://files.cults3d.com/uploaders/13539675/illustration-file/9c08780f-eb52-427b-aad7-b0a8c0fb83a1/real_madrid_ref1_large.JPG","title":"Real Madrid TV"},{"description":"Real Madrid Club de Fútbol, ce qui signifie Royal Madrid Football Club), communément appelé Real Madrid, est un club de football professionnel espagnol basé à Madrid. Fondé le 6 mars 1902 sous le nom de Madrid Football Club, le club porte traditionnellement un maillot blanc à domicile depuis sa création. Le mot réel est espagnol pour royal et a été accordé au club par le roi Alfonso XIII en 1920 avec la couronne royale dans l'emblème. L'équipe a disputé ses matchs à domicile dans le stade Santiago Bernabéu d'une capacité de 81 044 places au centre-ville de Madrid depuis 1947.","sources":["http://rmtv24hweblive-lh.akamaihd.net/i/rmtv24hweben_1@300662/master.m3u8"],"subtitle":"By Channel","thumb":"https://i.pinimg.com/564x/e4/de/18/e4de1869c0eba3beab9ffc9d01660e65.jpg","title":"Real Madrid TV"},{"description":" EPT SPORTS HD est la nouvelle chaîne exclusivement sportive de l’audiovisuel public, ERT Sports HD, sa première officielle à 06h00 le matin du samedi 9 février 2019.","sources":["https://ert-live.siliconweb.com/media/ert_sports/ert_sportshigh.m3u8"],"subtitle":"By Channel","thumb":"https://png.pngitem.com/pimgs/s/681-6814150_ert-sports-hd-logo-ert-sports-hd-hd.png","title":"EPT Sports HD"},{"description":"Sports Tonight Live, branded simply as Sports Tonight, was a British television show and channel, owned by VISION247 based in Central London. It was launched online on 29 August 2011.","sources":["http://sports.ashttp9.visionip.tv/live/visiontvuk-sports-sportstonightlive-hsslive-25f-4x3-SD/chunklist.m3u8"],"subtitle":"By Channel","thumb":"https://embeddedplayer.visionip.tv/portals/Sports_Tonight_Live/Sports_Tonight_Live/overlay_logos/Sports%20Tonight%20Live-plBackground-1308.png","title":"Sports Tonight"},{"description":"Arryadia HD TV est une chaîne sportive de télévision publique marocaine. Il fait partie du groupe public SNRT avec Al Aoula, Athaqafia, Al Maghribia, Assadissa, Aflam TV, Tamazight TV et Laayoune TV. La chaîne a été lancée le 16 septembre 2006. Arryadia est le diffuseur officiel de la ligue marocaine Botola.","sources":["http://cdn-hls.globecast.tv/live/ramdisk/arriadia/hls_snrt/index.m3u8"],"subtitle":"By Channel","thumb":"https://4.bp.blogspot.com/-lnh_8LWuXaw/WZ09LDkMsZI/AAAAAAAAEeI/9FKtxdQjbl4UVqmZjqN4R-fE9uOLG2ccQCLcBGAs/s1600/FB_IMG_1503465850383.jpg","title":"Arryadia TV / Maroc"},{"description":"Assadissa TV est une chaîne de télévision publique marocaine dédiée aux affaires religieuses. Il fait partie du groupe public SNRT avec Al Aoula, Arryadia, Athaqafia, Al Maghribia, Aflam TV, Tamazight TV et Laayoune TV. La chaîne a été lancée le 3 novembre 2005. Outre les lectures du Coran, il existe également des programmes de services religieux, de débats et de documentaires. Il est diffusé tous les jours de 2h00 à 23h00. Le samedi, il est de 6h00 à 21h00.","sources":["http://cdn-hls.globecast.tv/live/ramdisk/assadissa/hls_snrt/index.m3u8"],"subtitle":"By Channel","thumb":"https://upload.wikimedia.org/wikipedia/commons/7/7e/Assadissa.png","title":"Assadissa TV/ Maroc"},{"description":"Al Aoula, anciennement appelée TVM (Télévision marocaine, arabe: ??????? ????????), est la première chaîne de télévision publique marocaine. Il fait partie du groupe public SNRT avec Arryadia, Athaqafia, Al Maghribia, Assadissa, Aflam TV, Tamazight TV et Laayoune TV. Le réseau diffuse des programmes en arabe, berbère, français et espagnol. Son siège est situé à Rabat. Lancé en 1962, Al Aoula a été le premier réseau de télévision à produire et à diffuser ses propres programmes dans le pays. En 1962, il a commencé des émissions en couleur.","sources":["http://cdn-hls.globecast.tv/live/ramdisk/al_aoula_inter/hls_snrt/index.m3u8"],"subtitle":"By Channel","thumb":"https://live.staticflickr.com/1853/44065447112_7a93bb434f.jpg","title":"Al Aoula TV/ Maroc"},{"description":"2M TV est une chaîne de télévision marocaine gratuite. Il a été créé par le conglomérat royal, ONA, avant d'être en partie vendu à l'État marocain. 20,7% de 2M appartiennent à la société holding de Mohammed VI SNI. Alors qu'environ 60% sont contrôlés par l'État marocain. Il est basé à Casablanca. Il est disponible gratuitement localement sur signal numérique avec une couverture sur tout le Maroc et sur la télévision par satellite via Globecast, Nilesat et Arabsat. 2M propose des services en arabe, français et berbère.","sources":["https://cdnamd-hls-globecast.akamaized.net/live/ramdisk/2m_monde/hls_video_ts/2m_monde.m3u8"],"subtitle":"By Channel","thumb":"https://caidal.ma/wp-content/uploads/2019/04/ob_febd69_2-m-maroc-en-ligne.jpg","title":"2M TV / Maroc"},{"description":"La chaîne Al Magharibia diffuse des programmes politiques, sociaux et économiques depuis sa base privée de Londres. La chaîne est diffusée en arabe et s'adresse aux pays du Mahgreb, l'Algérie en particulier. Le ton d'Al Magharibia est fermement basé sur un discours politique et idéologique. Le ton d'Al Magharibia est fermement basé sur un discours politique et idéologique.","sources":["https://cdnamd-hls-globecast.akamaized.net/live/ramdisk/al_maghribia_snrt/hls_snrt/index.m3u8"],"subtitle":"By Channel","thumb":"https://cdn.sat.tv/wp-content/uploads/2016/05/SNRT-AlMaghribia.png","title":"Al maghribia TV / Maroc"},{"description":"Athaqafia TV est une chaîne gratuite disponible sur le satellite Hotbird et propose une gamme de programmes allant des documentaires et des programmes éducatifs ainsi que de la musique, des dessins animés et des divertissements familiaux. La chaîne s'adresse principalement aux familles et est diffusée principalement en arabe mais parfois en langue française et berbère. La chaîne a été créée par la société de production marocaine appartenant à l'État, SNRT.","sources":["http://cdn-hls.globecast.tv/live/ramdisk/arrabiaa/hls_snrt/index.m3u8"],"subtitle":"By Channel","thumb":"https://cdn.sat.tv/wp-content/uploads/2016/05/SNRTAThaqafia.png","title":"Athaqafia TV / Maroc"},{"description":"Tele Maroc est la nouvelle chaîne satellitaire généraliste marocaine créée par rachid Niny. Siège à Madrid. « C’est donc une chaéne de télévision légalement espagnole avec un contenu marocain.","sources":["https://api.new.livestream.com/accounts/27130247/events/8196478/live.m3u8"],"subtitle":"By Channel","thumb":"https://i.pinimg.com/564x/9e/1d/b5/9e1db51201d4debce634f6e8b44a2424.jpg","title":"Tele Maroc"},{"description":"Tamazinght TV est une chaîne de télévision publique marocaine créée le 6 janvier 2010, propriété de la Société nationale de radiodiffusion et de télévision. La chaîne a pour objectif la promotion et la préservation de la culture amazighe au Maroc et dans la région de l'Afrique du Nord. en langue berbère. 70% en tashelhit, tarifit et tamazight (les 3 variantes du berbère du Maroc), le reste en arabe.","sources":["https://cdnamd-hls-globecast.akamaized.net/live/ramdisk/tamazight_tv8_snrt/hls_snrt/index.m3u8"],"subtitle":"By Channel","thumb":"http://hub.tv-ark.org.uk/images/International/international_images/morocco_images/tamazight/Tamazight_TV_ident4_060912a.jpg","title":"Tamazight TV / Maroc"},{"description":"EMCI TV est une chaîne de télévision chrétienne évangélique francophone. Les studios de la chaîne se trouvent dans la ville de Québec, Canada. Le contenu de la programmation est assez varié et provient de divers pays francophones d’Afrique, d’Europe et d’Amérique. Des clips musicaux, des enseignements bibliques, des prédications, la Bible en vidéo, des temps de prière, des reportages, des documentaires, des films ainsi que des séries y sont présentés.","sources":["https://emci-fr-hls.akamaized.net/hls/live/2007265/emcifrhls/index.m3u8"],"subtitle":"By Channel","thumb":"https://www.enseignemoi-files.com/site/view/images/dyn-cache/pages/image/img/23/62/1522940482_236277_1200x630x1.f.jpg?v=2018021301","title":"EMCI TV / Religion"},{"description":"CIS TV est une chaine tv guinéen consacré au sport et à la culture. basée à Conakry, fondé en 2016 par Mamadou Antonio Souaré. CIS TV est diffuse via le satellite Fréquence Tv 3689: Symbole 1083: Satelite eutelsat 10a ZONES DE DIFFUSION : tiers d'Afrique.","sources":["http://51.81.109.113:1935/CDNLIVE/CISTV/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://www.senegal7.com/wp-content/uploads/2019/03/f9180cb9286c49c4f3a6c793798b9ddf.png","title":"CIS TV / Guinee"},{"description":"Faso TV est une initiative de Magic Communication et Médias, une société à responsabilité limitée basée à Ouagadougou, capitale du Burkina Faso. C’est une chaîne de télévision en ligne destinée à l’événementiel. Nous entendons par événementiel toutes manifestations ou activités à caractère culturel, économique, éducatif ou sportif dont l’objectif est de susciter la mobilisation, l’adhésion, l’engouement de la population ou d’un public cible au plan local, national ou international. Autrement dit, notre stratégie éditoriale consiste à faire la promotion de toutes activités qui contribuent au développement socio-économique et culturel, à l’éducation, au divertissement et au bien être de la population burkinabé et de sa diaspora.","sources":["https://playtv4kpro.com:5443/LiveApp/streams/163893638025530331068059.m3u8"],"subtitle":"By Channel","thumb":"https://fasotv.net/wp-content/uploads/2019/10/logo-final-sans-slogan.png","title":"FASO TV / Burkina Fasso "},{"description":"Plex tv une chaîne généraliste spécialisé dans la retransmissions des événement. émission et qui diffuse aussi des films, musiques, divertissement, sport, magasine etc et une multitude de programme en haute définition.","sources":["http://connectiktv.ddns.net:5000/plextv/@plextv/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://www.lifetimepremiumaccounts.com/wp-content/uploads/2019/03/plex-logo.jpg","title":"PLEX TV / "},{"description":"PLAY TV est une chaine de télévision musicale Camerounaise basée à Yaoundé, elle diffuse un programme 100% musicale la musique d’ici et d’ailleurs en haute définition..","sources":["http://connectiktv.ddns.net:5000/playtv/@playtv/playlist.m3u8"],"subtitle":"By Channel","thumb":"http://connectik.tv/wp-content/uploads/2019/04/logo-play-tv-300x113.jpg","title":"PLAT TV / Cameroune "},{"description":"TVR Rennes 35 Bretagne est une chaîne de télévision locale née en mars 1987 sous le nom de TV Rennes. TVR Rennes 35 Bretagne fut inaugurée à son lancement par le président de la République, elle fut la première télévision locale créée en France elle est diffusée Canal 35 sur la TNT / Canal 30 sur Orange, Freebox et BBox / Canal 95 sur Numéricable et en direct streaming sur son site Internet.","sources":["https://streamtv.cdn.dvmr.fr/TVR/ngrp:tvr.stream_all/master.m3u8"],"subtitle":"By Channel","thumb":"https://w0.pngwave.com/png/890/19/tvr-tv-rennes-35-logo-television-channel-tvr-t350-png-clip-art.png","title":"Rennes TV / France Sports "},{"description":"Chaîne franco-marocaine basée à Tanger et destinée au Maghreb. Programmation culturelle avec information, reportages et documentaires. En arabe et en Français. Fin 2010, elle a également commencé à diffuser à la télévision analogique terrestre au Maroc, en plus de la télévision numérique par satellite. Il a été rebaptisé Medi 1 TV.","sources":["http://streaming.medi1tv.com/live/Medi1tvmaghreb.sdp/chunklist.m3u8"],"subtitle":"By Channel","thumb":"http://www.logotypes101.com/logos/807/C85CC3231EAD10CEC61C182C7DED072D/medi1tvlogo.png","title":"Medi 1 TV / Maroc"},{"description":"M24 Television est la chaîne d’info en continu de l’agence marocaine de presse (MAP). Une chaîne qui couvre l’actualité marocaine et internationale. Une chaîne fidèle aux valeurs de la MAP qui est le premier producteur d'information au Maroc. Le fil de la MAP se décline en cinq langues : Arabe, Amazighe, Français, Anglais et Espagnol. la MAP présente dans toutes les régions du Royaume et dans les cinq continents, elle fournit tous les médias en informations, reportages, analyses et portraits.","sources":["https://www.m24tv.ma/live/smil:OutStream1.smil/chunklist.m3u8"],"subtitle":"By Channel","thumb":"https://is5-ssl.mzstatic.com/image/thumb/Purple114/v4/e4/c6/3e/e4c63e4e-b8ff-a14e-cacd-3593f09c1f78/source/512x512bb.jpg","title":"M24 TV / Maroc"},{"description":"La chaîne Al Magharibia diffuse des programmes politiques, sociaux et économiques depuis sa base privée de Londres. La chaîne est diffusée en arabe et s'adresse aux pays du Mahgreb, l'Algérie en particulier. Le ton d'Al Magharibia est fermement basé sur un discours politique et idéologique. Le ton d'Al Magharibia est fermement basé sur un discours politique et idéologique.","sources":["https://cdnamd-hls-globecast.akamaized.net/live/ramdisk/al_maghribia_snrt/hls_snrt/index.m3u8"],"subtitle":"By Channel","thumb":"https://cdn.sat.tv/wp-content/uploads/2016/05/SNRT-AlMaghribia.png","title":"Al maghribia TV / Maroc"},{"description":"Athaqafia TV est une chaîne gratuite disponible sur le satellite Hotbird et propose une gamme de programmes allant des documentaires et des programmes éducatifs ainsi que de la musique, des dessins animés et des divertissements familiaux. La chaîne s'adresse principalement aux familles et est diffusée principalement en arabe mais parfois en langue française et berbère. La chaîne a été créée par la société de production marocaine appartenant à l'État, SNRT.","sources":["http://cdn-hls.globecast.tv/live/ramdisk/arrabiaa/hls_snrt/index.m3u8"],"subtitle":"By Channel","thumb":"https://cdn.sat.tv/wp-content/uploads/2016/05/SNRTAThaqafia.png","title":"Athaqafia TV / Maroc"},{"description":"Al-Fath channel is the property of Sheikh Ahmed Awad Abdo, and is considered the satellite channel of the Islamic religious channels that follow the Sunnah, and offers a series of programs interpretation for the Quran Al-Kareem, and many true prophetic and the CEO is Prof. Ahmed Abdou Awad, the Islamic Scholar.","sources":["https://svs.itworkscdn.net/alfatehlive/fatehtv/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://live-tv-channels.org/pt-data/uploads/logo/eg-alfath-tv.jpg","title":"Al Fath TV / Egypte"},{"description":"Al Hayah started broadcasting in 2008 during the last years of Mubarak's rule, which saw a revival in the ownership of the media. It was founded by businessman El Sayed El Badawi as part of Al Hayah Channels Network. El Badawi assumed the presidency of the Wafd Party from May 2010 until March 2018. El Badawi is one of the businessmen who played political roles in addition to owning media outlets, such as Al Dostor (link to profile). ","sources":["http://media.islamexplained.com:1935/live/_definst_mp4:ahme.stream_360p/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://i.pinimg.com/474x/76/1a/a4/761aa46eb54c24d21ca5866f21442426.jpg","title":"Al hayat TV / Maroc"},{"description":"The El Sharq channel broadcasts Various programs, from Egypt country in the Arabic language, last updated time on March 25, 2016. El Sharq which considered to view as a Free to air satellite TV channel.","sources":["https://mn-nl.mncdn.com/elsharq_live/live/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://egytvs.com/wp-content/uploads/2014/06/al-sharq-200x75.jpg","title":"Al sharq TV / Maroc"},{"description":"Guinée TV1 est une chaine de télévision généraliste Guinéenne basée à Conakry. Elle diffuse de la musique des informations des documentaires. des programmes religieux et autre.","sources":["https://playtv4kpro.com:5443/LiveApp/streams/664825404798849938149128.m3u8"],"subtitle":"By Channel","thumb":"https://gtv1love.com/wp-content/uploads/2019/10/logo4.png","title":"GUINEE TV / Guinee "},{"description":"Inooro TV chaînes de télévision généraliste Kényane en langue Kikuyu lancé le 26 octobre 2015. Elle diffuse 24 heures sur 24. Inooro TV est une chaine du groupe Royal Media Services (RMS).","sources":["https://vidcdn.vidgyor.com/inoorotv-origin/liveabr/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://royalmedia.s3.amazonaws.com/wp-content/uploads/2019/10/inoorotv.jpg","title":"INOORO TV / Kenya "},{"description":"Citizen TV Kenya est une station nationale Kényane détenue par Royal Media Services Ltd.Elle diffuse principalement en anglais et en swahili. Elle a été lancé en 1999 et relancé en Juin 2006 c’est la station de télévision avec la plus forte croissance au Kenya avec un fort accent sur ??la programmation locale Basé au Communication Centre,Maalim Juma Road,Off Dennis Pritt Road, Nairobi, 7498-00300.","sources":["https://vidcdn.vidgyor.com/citizentv-origin/liveabr/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://www.innocirc.com/wp-content/uploads/2017/07/citizen.jpg","title":"CITIZEN TV / Kenya "},{"description":"RTJ TV ( Radio Télévision Jeune ) est une chaine de télévision culturel Sénégalaise. Elle diffuse des programme de divertissement( WatZapp le Zapping), Musique (playlist Mix Afro Mix Zouk Mix Hip Hop Musique sénégalaise), bien être, documentaire, Émission éducatif qui consiste à joindre l’utile à l’agréable à travers l'éducation des enfants, interviews ect.","sources":["http://public.acangroup.org:1935/output/rtjtv.stream/playlist.m3u8"],"subtitle":"By Channel","thumb":"http://rtjtv.com/images/rtjtv.png","title":"RTJ TV / Senegal"},{"description":"Mouride tv est une chaine de télévision généraliste sénégalaise basé à touba, Senegal. Mouride tv c’est la télévision base au coeur des événement mourides magal, thiante, wakhtane, khassaide, kourel en direct..","sources":["http://51.81.109.113:1935/Livemouridetv/mouridetv/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://live-tv-channels.org/pt-data/uploads/logo/sn-mouride-tv.jpg","title":"MOURIDE TV / Senegal"},{"description":"ANN TV est une chaîne d’Informations générales et de Divertissement. Elle est produite par JUUF COMMUNICATION et diffusée sur le site d’informations générales multimédia ANN. La plateforme ANN comporte un journal en ligne (ANN), une WebRadio (ANN FM) et une WebTV (ANN TV).","sources":["http://vod.acangroup.org:1935/output/anntv.stream/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://an-news.com/wp-content/uploads/2019/05/aan.png","title":"ANN TV / Senegal"},{"description":"Louga TV est une chaine culturelle et religieuse Senegalaise qui se veut attractive et objective. En temps réel, elle produit des vidéos de qualité qui tiennent compte de la spécificité de l’information et de la crédibilité de ses sources. Également, l’équipe technique et rédactionnelle est constituée de techniciens chevronnés aux compétences avérées. Dans son approche des enjeux de l’information capitale, la chaine louga tv offre des vidéos qui informent, forment et transforment le citoyen dans l’approche de son monde en devenir..","sources":["http://ira.dyndns.tv:8080/live/louga/CAnhiMtR6C/1708.m3u8"],"subtitle":"By Channel","thumb":"https://i.ytimg.com/vi/3Gnt2_SndXw/maxresdefault.jpg","title":"LOUGA TV / Senegal"},{"description":"Dieu TV est une chaine de télévision généraliste chrétienne pour la Francophonie.Elle proclame la Bonne Nouvelle du Salut en Jésus-Christ pour atteindre les 400 millions de Francophones dans le monde. Fondée en 2007. Dieu TV diffuse sur le Satellite Eutelsat 5WA (Europe et Afrique du Nord), et le Satellite Amos 5 et en streaming sur son site interne","sources":["https://katapy.hs.llnwd.net/dieutvwza1/DIEUTVLIVE/smil:dieutv.smil/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://live-tv-channels.org/pt-data/uploads/logo/fr-dieu-tv.jpg","title":"DIEU TV / Religion "},{"description":"Radio Télévision Hirondelle : La nouvelle couleur du Sud. Elle diffuse des émissions pour divers catégories nouvelles locales, nationales et internationales le sport du monde Entier la musique et videos clips Promotions des artistes Locaux.","sources":["http://play.acwstream.com:2000/live/acw_01/index.m3u8"],"subtitle":"By Channel","thumb":"https://radiotelehirondelle.com/wp-content/uploads/2020/08/logo.png","title":"HIRONDELLE TV"},{"description":"BEL TV est une station de télévision haïtienne qui diffuse sur le web via diverses plateformes et par câble. Notre vision est de créer une télévision standard dont la qualité du programme est aussi instructive que divertissante. À cote de cette vision, BEL TV s’est fixé pour mission de promouvoir la Culture haïtienne, à savoir le Cinéma, la musique, la littérature et bien plus encore, ce à travers la Caraïbe et le monde entier. BEL TV c’est une toute autre façon de faire la télé.","sources":["https://hbiptv.live/player/sakchotv/index.m3u8"],"subtitle":"By Channel","thumb":"https://image.roku.com/developer_channels/prod/1de97a21d9bd773a115a5467974be0b859d1157256316bd1e72ed48965c0191a.png","title":"BEL TV / Haiti "},{"description":"The Middle East Broadcasting Center (MBC) Group is the first private free-to-air satellite broadcasting company in the Arab World. It was launched in London in 1991 and later moved to its headquarters in Dubai in 2002. MBC Group provides multiple channels of information, interaction and entertainment. MBC Group includes 10 television channels: MBC1 (general family entertainment via terrestrial), MBC2 and MBC MAX (24-hour movies), MBC3 (children’s entertainment), MBC4 (entertainment for new Arab women via terrestrial).","sources":["https://shls-masr-prod.shahid.net/masr-prod.m3u8"],"subtitle":"By Channel","thumb":"https://upload.wikimedia.org/wikipedia/commons/7/7c/MBC_Masr_Logo.png","title":"MBC MSR 1 / Egypte"},{"description":"The Middle East Broadcasting Center (MBC) Group is the first private free-to-air satellite broadcasting company in the Arab World. It was launched in London in 1991 and later moved to its headquarters in Dubai in 2002. MBC Group provides multiple channels of information, interaction and entertainment. MBC Group includes 10 television channels: MBC1 (general family entertainment via terrestrial), MBC2 and MBC MAX (24-hour movies), MBC3 (children’s entertainment), MBC4 (entertainment for new Arab women via terrestrial).","sources":["https://shls-masr2-prod.shahid.net/masr2-prod.m3u8"],"subtitle":"By Channel","thumb":"https://i.pinimg.com/564x/01/3c/21/013c218c3ce9b3cfc883bdcdb121e5e6.jpg","title":"MBC MSR 2 / Egypte"},{"description":"Mekameleen TV is an Egyptian opposition TV Channel. It is based in Istanbul. It's known to be supportive of the Muslim Brotherhood","sources":["https://mn-nl.mncdn.com/mekameleen/smil:mekameleentv.smil/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://i.pinimg.com/564x/12/5b/1f/125b1febb8ada3a4f83475c2643adeb7.jpg","title":"Mekameleen TV / Egypte"},{"description":"The Kingdome Sat is television from Egypte founded in 2009 by Dr. Michael Yousef, the KingdomSat channel aims to introduce written teachings from the East and West to complement the vision given by God to the loss of the faraway and to encourage believers in the Middle East and North Africa region.","sources":["https://bcovlive-a.akamaihd.net/87f7c114719b4646b7c4263c26515cf3/eu-central-1/6008340466001/profile_0/chunklist.m3u8"],"subtitle":"By Channel","thumb":"https://live-tv-channels.org/pt-data/uploads/logo/eg-kingdom-sat-channe.jpg","title":"The Kingdom Sat TV / Egypt"},{"description":"D5 TV Music est une nouvelle chaîne de télévision musicale internationale, elle est dédiée aux musiques et aux cultures urbaines du monde entier (Rap, R&B, Hip-Hop, Pop, Rai, Naija, Olschool etc.) ciblant un public très large. D5Music entend devenir la chaîne référence musicale des 5 continents","sources":["https://www.rti.ci/direct_rti2.html"],"subtitle":"By Channel","thumb":"https://d5music.tv/wp-content/uploads/2020/07/cropped-LOGO-D5-MUSIC-BLANCROUGE_carre-192x192.png","title":"RTI 2 TV"},{"description":"A2iTV la chaine 100% immigration Senegalais, qui est née de la synergie de personnes qui ont décidé d’ unir leur force, leur compétence et leur ressources matérielles et financiéres pour participer avec l’aide des nouvelles technologies à informer sur l’ immigration .","sources":["http://51.158.31.93:1935/a2itv/myStream/playlist.m3u8"],"subtitle":"By Channel","thumb":"http://www.centraltv.fr/wp-content/uploads/A2itv_logo.jpg","title":"A2i TV / Senegal"},{"description":"A2i music est une chaine culturelle destinée à la Diaspora avec des programmes musicales et des dramatiques. A2i music couvre aussi les autres parties du monde, notament les Etats Unis, le Canada, l’Asie, etc. à travers les boitiers Roku fournis par AfricaAstv, Acantv, My African pack de Invevo et Sénégal.","sources":["http://51.158.31.93:1935/a2itvtwo/myStream/playlist.m3u8"],"subtitle":"By Channel","thumb":"http://www.centraltv.fr/wp-content/uploads/a2i-music_logo.jpg","title":"A2i TV / Music "},{"description":"A2i tv Relegion est une chaine culturelle destinée à la Diasporat senegalais avec des programme chretiens.","sources":["http://51.158.31.93:1935/a2itvthree/myStream/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://lh3.googleusercontent.com/wwumXcAbY83D0q-NgUv2veS-p54FJTq6LAvsPRwYwWo-70ggeDkCM1VdhqhibRQNk4o=s180-rw","title":"A2i TV / Religion "},{"description":"Love World Plus TV is your Christian faith and lifestyle channel destined to bring a new level of dynamism into Christian television programming through satellite and the internet. The reach of LoveWorld Plus is limitless.","sources":["http://hls.live.metacdn.com/2450C7/bedkcjfty/lwplus_628.m3u8"],"subtitle":"By Channel","thumb":"https://d3c5pcohbexzc4.cloudfront.net/videos/thumbs/be214-loveworldplus.jpg","title":"Love World Plus TV"},{"description":"A2i naija est une nouvelle chaîne de télévision musicale internationale, elle est dédiée aux musiques et aux cultures urbaines du monde entier (Rap, R&B, Hip-Hop, Pop, Rai, Naija, Olschool etc.) ciblant un public très large. D5Music entend devenir la chaîne référence musicale des 5 continents","sources":["http://51.158.31.93:1935/devtv/myStream/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://image.winudf.com/v2/image/YTVjZW50cy5hMmlfc2NyZWVuXzVfMTUxNTk5NTEyNl8wNTQ/screen-5.jpg?fakeurl=1&type=.jpg","title":"A2i / naija Music"},{"description":"BOK TV is an online and public access variety show and the show's log line what would happen if In Living Color and The Daily Show had a bastard child! BOKTV is what would happen and he show is split into segments: MONOLOGUE, SKETCH, ROUND TABLE, COMMERCIAL, BLACK TWITTER. create a platform of discourse that encourages exchange as opposed to polarity, and to showcase the talents of the host and other cast members.","sources":["http://boktv.interworks.in:1935/live/boktv/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://bokradio.co.za/wp-content/uploads/2017/07/button_cameratv.jpg","title":"BOK TV"},{"description":"Salt TV is a Christian television channel station from Uganda. Salt TV is based in Kampala. Matthew 5:13-16 (NKJV) Believers Are Salt and Light 13 You are the salt of the earth, but if the salt loses its flavor, how shall it be seasoned? It is then good for nothing but to be thrown out and trampled underfoot by men.","sources":["http://dcunilive38-lh.akamaihd.net/i/dclive_1@692676/index_150_av-p.m3u8"],"subtitle":"By Channel","thumb":"https://www.saltmedia.ug/images/NOV/SALT-TV.jpg","title":"Salt TV/ Uganda"},{"description":"TFM is Senegal’s privately-owned television channel.Owned by Senegalese musician Youssou N Dour, who owns a major media group in Dakar.","sources":["http://46.105.114.82/tfm_senegal.m3u8"],"subtitle":"By Channel","thumb":"https://3.bp.blogspot.com/-eyo4UyKqjlI/WWTobvXxLqI/AAAAAAAAB_g/BFn1KiR6vcYQMilgX4nWhGJHbHMEP_l0ACLcBGAs/s1600/tfm%2Bsenegal.png","title":"TFM TV/ Senegal"},{"description":"Africa tv1 est une télévision africaine qui travaille pour aider les peuples a se communiquer avec DIEU et surtout sensibiliser les Africains musulmans de partout.","sources":["http://africatv.live.net.sa:1935/live/africatv/playlist.m3u8"],"subtitle":"By Channel","thumb":"http://www.africagroup.tv/img/bgTV1.png","title":"Africa TV 1"},{"description":"Africa tv2 est une télévision africaine qui travaille pour aider les peuples a se communiquer avec DIEU et surtout sensibiliser les Africains musulmans de partout.","sources":["http://africatv.live.net.sa:1935/live/africatv2/playlist.m3u8"],"subtitle":"By Channel","thumb":"http://www.africagroup.tv/img/bgTV2.png","title":"Africa TV 2"},{"description":"Africa tv3 est une télévision africaine qui travaille pour aider les peuples a se communiquer avec DIEU et surtout sensibiliser les Africains de langue haoussa.","sources":["http://africatv.live.net.sa:1935/live/africatv3/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://www.africagroup.tv/img/bgTV3.png","title":"Africa TV 3"},{"description":"La télévision nationale tunisienne 1 est la chaîne publique nationale tunisienne. Il a été officiellement lancé le 31 mai 1966, mais diffuse des programmes pilotes de manière irrégulière depuis octobre 1965, puis régulièrement depuis janvier 1966 et s’appelle la radio et la télévision tunisienne (ATT). Elle est devenue Channel 7 en 1992 et Tunisia 7 en 1997, mais elle est restée une filiale de la Société tunisienne de radio et de télévision jusqu’en 2008, a conservé le siège qu’elle partageait et la Société tunisienne de télévision avec ses chaînes de télévision nationales tunisiennes et La Tunisie 21 plus tard connue sous le nom de Télévision nationale tunisienne 2 est devenue son nouveau siège. Après le déclenchement de la révolution populaire tunisienne et la défection de zine El Abidine Ben Ali du pays, il est devenu Télévision nationale tunisienne.","sources":["http://54.36.122.126/tunisie1.m3u8"],"subtitle":"By Channel.","thumb":"https://www.histoiredesfax.com/wp-content/uploads/2015/11/Television-nationale-watania.jpg","title":"TUNISIA 1"},{"description":"Sahel TV est la plateforme unique, ouverte à la société civile, aux citoyens et à l'autorité locale de la ville et de sa région pour leur permettre de s’exprimer librement, proposer leurs idées et accéder à toutes les informations économiques, environnementale, culturelle, sportive. Vos idées et vos propositions sont les bienvenues.","sources":["http://142.44.214.231:1935/saheltv/myStream/playlist.m3u8"],"subtitle":"By Channel","thumb":"https://mobiletv.mobibase.com/html/logo/hd/channel_ld_747.png","title":"SAHEL TV / Tunisie"},{"description":"NIGERIA TELEVISION AUTORTEAutorité a commencé sous le nom de Western Nigerian Television Services (WNTV), qui a transmis ses premiers signaux au peuple nigérian et à toute l'Afrique le 31 octobre 1959. Au début de 1962, les trois gouvernements régionaux qui existaient au Nigéria avaient mis en place le Service de télévision nigérian (NTS). Télévision ont été créés et en 1976, l'Autorité de la télévision nigériane est née en tant que seule entité responsable de Diffusion télévisée au Nigéria.","sources":["http://54.38.93.93/nta.m3u8"],"subtitle":"By Channel","thumb":"https://static.squarespace.com/static/53d2a092e4b0125510bfe57d/53d2a2c6e4b018cd23e33d7b/53d2a2c6e4b018cd23e33f6f/1362042333867/1000w/nta.jpg","title":"NTA TV / Nigeria"},{"description":"ESPACE TV est une télévision basée à Conakry dans la commune de Matoto Kondeboungny au bord de l'autoroute Fidèle Castro (République de Guinée). La télé diffuse des informations du pays et du monde en temps réel. Des magazines axés sur les réalités des terroirs et des séries de divertissement. Détenue par le groupe Hadafo Médias, cette chaîne est la première du pays en terme d'audience; selon le rapport de Stat view international en 2019.","sources":["http://46.105.114.82/espacetv.m3u8"],"subtitle":"By Channel","thumb":"https://lh3.googleusercontent.com/ric-bS2gzvt-UyrhBIEdWENN9U-fL9Bnlhv12GEYSzSkZFWEIr7hc74k83kfLPqZDk0","title":"Espace TV / Guinée"},{"description":" Movies Now is an Indian high-definition television channel featuring Hollywood films. It was launched on 19 December 2010 with a picture quality of 1080i and 5.1 surround sound. The channel is owned by The Times Group. It has exclusive content licensing from films produced or distributed by MGM and has content licensing from Universal Studios, Walt Disney Studios, Marvel Studios, 20th Century Studios, Warner Bros and Paramount Pictures.","sources":["https://timesnow.airtel.tv/live/MN_pull/master.m3u8"],"subtitle":"By Channel","thumb":"https://upload.wikimedia.org/wikipedia/en/4/49/Movies_Now_logo.png","title":"Movies Now HD"},{"description":"Tunisie Immobilier TV, la première chaîne de l’immobilier en Tunisie Vous présente toutes les semaines, les actualités immobilières et économiques en Tunisie et dans le monde à travers des reportages.contact; E-mail:tunisieimmob@planet.tn/ Tel:(+216) 71 894500.","sources":["https://5ac31d8a4c9af.streamlock.net/tunimmob/myStream/chunklist.m3u8"],"subtitle":"By Channel","thumb":"https://i2.wp.com/www.tunisieimmobiliertv.net/wp-content/uploads/2016/10/fb.jpg?fit=1024%2C500&ssl=1","title":"Tunisie Immobilier TV"}]}]}

SEIS 665 Assignment 2: Linux & Git Overview This week we will focus on becoming familiar with launching a Linux server and working with some basic Linux and Git commands. We will use AWS to launch and host the Linux server. AWS might seem a little confusing at this point. Don’t worry, we will gain much more hands-on experience with AWS throughout the course. The goal is to get you comfortable working with the technology and not overwhelm you with all the details. Requirements You need to have a personal AWS account and GitHub account for this assignment. You should also read the Git Hands-on Guide and Linux Hands-on Guide before beginning this exercise. A word about grading One of the key DevOps practices we learn about in this class is the use of automation to increase the speed and repeatability of processes. Automation is utilized during the assignment grading process to review and assess your work. It’s important that you follow the instructions in each assignment and type in required files and resources with the proper names. All names are case sensitive, so a name like "Web1" is not the same as "web1". If you misspell a name, use the wrong case, or put a file in the wrong directory location you will lose points on your assignment. This is the easiest way to lose points, and also the most preventable. You should always double-check your work to make sure it accurately reflects the requirements specified in the assignment. You should always carefully review the content of your files before submitting your assignment. The assignment Let’s get started! Create GitHub repository The first step in the assignment is to setup a Git repository on GitHub. We will use a special solution called GitHub Classroom for this course which automates the process of setting up student assignment repositories. Here are the basic steps: Click on the following link to open Assignment 2 on the GitHub Classroom site: https://classroom.github.com/a/K4zcVmX- (Links to an external site.)Links to an external site. Click on the Accept this assignment button. GitHub Classroom will provide you with a URL (https) to access the assignment repository. Either copy this address to your clipboard or write it down somewhere. You will need to use this address to set up the repository on a Linux server. Example: https://github.com/UST-SEIS665/hw2-seis665-02-spring2019-<your github id>.git At this point your new repository to ready to use. The repository is currently empty. We will put some content in there soon! Launch Linux server The second step in the assignment is to launch a Linux server using AWS EC2. The server should have the following characteristics: Amazon Linux 2 AMI 64-bit (usually the first option listed) Located in a U.S. region (us-east-1) t2.micro instance type All default instance settings (storage, vpm, security group, etc.) I’ve shown you how to launch EC2 instances in class. You can review it on Canvas. Once you launch the new server, it may take a few minutes to provision. Log into server The next step is to log into the Linux server using a terminal program with a secure shell (SSH) support. You can use iTerm2 (Links to an external site.)Links to an external site. on a Mac and GitBash/PuTTY (Links to an external site.)Links to an external site. on a PC. You will need to have the private server key and the public IP address before attempting to log into the server. The server key is basically your password. If you lose it, you will need to terminate the existing instance and launch a new server. I recommend reusing the same key when launching new servers throughout the class. Note, I make this recommendation to make the learning process easier and not because it is a common security practice. I’ve shown you how to use a terminal application to log into the instance using a Windows desktop. Your personal computer or lab computer may be running a different OS version, but the process is still very similar. You can review the videos on the Canvas. Working with Linux If you’ve made it this far, congratulations! You’ve made it over the toughest hurdle. By the end of this course, I promise you will be able to launch and log into servers in your sleep. You should be looking at a login screen that looks something like this: Last login: Mon Mar 21 21:17:54 2016 from 174-20-199-194.mpls.qwest.net __| __|_ ) _| ( / Amazon Linux AMI ___|\___|___| https://aws.amazon.com/amazon-linux-ami/2015.09-release-notes/ 8 package(s) needed for security, out of 17 available Run "sudo yum update" to apply all updates. ec2-user@ip-172-31-15-26 ~]$ Your terminal cursor is sitting at the shell prompt, waiting for you to type in your first command. Remember the shell? It is a really cool program that lets you start other programs and manage services on the Linux system. The rest of this assignment will be spent working with the shell. Note, when you are asked to type in a command in the steps below, don’t type in the dollar-sign ($) character. This is just meant to represent the command prompt. The actual commands are represented by the characters to the right of the command prompt. Let’s start by asking the shell for some help. Type in: $ help The shell provides you with a list of commands you can run along with possible command options. Next, check out one of the pages in the built-in manual: $ man ls A man page will appear with information on how to use the ls command. This command is used to list the contents of file directories. Either space through the contents of the man page or hit q to exit. Most of the core Linux commands have man pages available. But honestly, some of these man pages are a bit hard to understand. Sometimes your best bet is to search on Google if you are trying to figure out how to use a specific command. When you initially log into Linux, the system places you in your home directory. Each user on the system has a separate home directory. Let’s see where your home directory is located: $ pwd The response should be /home/ec2-user. The pwd command is handy to remember if you ever forget what file directory you are currently located in. If you recall from the Linux Hands-on Guide, this directory is also your current working directory. Type in: $ cd / The cd command let’s you change to a new working directory on the server. In this case, we changed to the root (/) directory. This is the parent of all the other directories on the file system. Type in: $ ls The ls command lists the contents of the current directory. As you can see, root directory contains many other directories. You will become familiar with these directories over time. The ls command provides a very basic directory listing. You need to supply the command with some options if you want to see more detailed information. Type in: $ ls -la See how this command provides you with much more detailed information about the files and directories? You can use this detailed listing to see the owner, group, and access control list settings for each file or directory. Do you see any files listed? Remember, the first character in the access control list column denotes whether a listed item is a file or a directory. You probably see a couple files with names like .autofsck. How come you didn’t see this file when you typed in the lscommand without any options? (Try to run this command again to convince yourself.) Files names that start with a period are called hidden files. These files won’t appear on normal directory listings. Type in: $ cd /var Then, type in: $ ls You will see a directory listing for the /var directory. Next, type in: $ ls .. Huh. This directory listing looks the same as the earlier root directory listing. When you use two periods (..) in a directory path that means you are referring to the parent directory of the current directory. Just think of the two dots as meaning the directory above the current directory. Now, type in: $ cd ~ $ pwd Whoa. We’re back at our home directory again. The tilde character (~) is another one of those handy little directory path shortcuts. It always refers to our personal home directory. Keep in mind that since every user has their own home directory, the tilde shortcut will refer to a unique directory for each logged-in user. Most students are used to navigating a file system by clicking a mouse in nested graphical folders. When they start using a command-line to navigate a file system, they sometimes get confused and lose track of their current position in the file system. Remember, you can always use the pwd command to quickly figure out what directory you are currently working in. Let’s make some changes to the file system. We can easily make our own directories on the file system. Type: mkdir test Now type: ls Cool, there’s our new test directory. Let’s pretend we don’t like that directory name and delete it. Type: rmdir test Now it’s gone. How can you be sure? You should know how to check to see if the directory still exists at this point. Go ahead and check. Let’s create another directory. Type in: $ mkdir documents Next, change to the new directory: $ cd documents Did you notice that your command prompt displays the name of the current directory? Something like: [ec2-user@ip-172-31-15-26 documents]$. Pretty handy, huh? Okay, let’s create our first file in the documents directory. This is just an empty file for training purposes. Type in: $ touch paper.txt Check to see that the new file is in the directory. Now, go back to the previous directory. Remember the double dot shortcut? $ cd .. Okay, we don’t like our documents directory any more. Let’s blow it away. Type in: $ rmdir documents Uh oh. The shell didn’t like that command because the directory isn’t empty. Let’s change back into the documents directory. But this time don’t type in the full name of the directory. You can let shell auto-completion do the typing for you. Type in the first couple characters of the directory name and then hit the tab key: $ cd doc<tab> You should use the tab auto-completion feature often. It saves typing and makes working with the Linux file system much much easier. Tab is your friend. Now, remove the file by typing: $ rm paper.txt Did you try to use the tab key instead of typing in the whole file name? Check to make sure the file was deleted from the directory. Next, create a new file: $ touch file1 We like file1 so much that we want to make a backup copy. Type: $ cp file1 file1-backup Check to make sure the new backup copy was created. We don’t really like the name of that new file, so let’s rename it. Type: $ mv file1-backup backup Moving a file to the same directory and giving it a new name is basically the same thing as renaming it. We could have moved it to a different directory if we wanted. Let’s list all of the files in the current directory that start with the letter f: $ ls f* Using wildcard pattern matching in file commands is really useful if you want the command to impact or filter a group of files. Now, go up one directory to the parent directory (remember the double dot shortcut?) We tried to remove the documents directory earlier when it had files in it. Obviously that won’t work again. However, we can use a more powerful command to destroy the directory and vanquish its contents. Behold, the all powerful remove command: $ rm -fr documents Did you remember to use auto-completion when typing in documents? This command and set of options forcibly removes the directory and its contents. It’s a dangerous command wielded by the mightiest Linux wizards. Okay, maybe that’s a bit of an exaggeration. Just be careful with it. Check to make sure the documents directory is gone before proceeding. Let’s continue. Change to the directory /var and make a directory called test. Ugh. Permission denied. We created this darn Linux server and we paid for it. Shouldn’t we be able to do anything we want on it? You logged into the system as a user called ec2-user. While this user can create and manage files in its home directory, it cannot change files all across the system. At least it can’t as a normal user. The ec2-user is a member of the root group, so it can escalate its privileges to super-user status when necessary. Let’s try it: $ sudo mkdir test Check to make sure the directory exists now. Using sudo we can execute commands as a super-user. We can do anything we want now that we know this powerful new command. Go ahead and delete the test directory. Did you remember to use sudo before the rmdir command? Check to make sure the directory is gone. You might be asking yourself the question: why can we list the contents of the /var directory but not make changes? That’s because all users have read access to the /var directory and the ls command is a read function. Only the root users or those acting as a super-user can write changes to the directory. Let’s go back to our home directory: $ cd ~ Editing text files is a really common task on Linux systems because many of the application configuration files are text files. We can create a text file by using a text editor. Type in: $ nano myfile.conf The shell starts up the nano text editor and places your terminal cursor in the editing screen. Nano is a simple text-based word processor. Type in a few lines of text. When you’re done writing your novel, hit ctrl-x and answer y to the prompt to save your work. Finally, hit enter to save the text to the filename you specified. Check to see that your file was saved in the directory. You can take a look at the contents of your file by typing: $ cat myfile.conf The cat command displays your text file content on the terminal screen. This command works fine for displaying small text files. But if your file is hundreds of lines long, the content will scroll down your terminal screen so fast that you won’t be able to easily read it. There’s a better way to view larger text files. Type in: $ less myfile.conf The less command will page the display of a text file, allowing you to page through the contents of the file using the space bar. Your text file is probably too short to see the paging in action though. Hit q to quit out of the less text viewer. Hit the up-arrow key on your keyboard a few times until the commmand nano myfile.conf appears next to your command prompt. Cool, huh? The up-arrow key allows you to replay a previously run command. Linux maintains a list of all the commands you have run since you logged into the server. This is called the command history. It’s a really useful feature if you have to re-run a complex command again. Now, hit ctrl-c. This cancels whatever command is displayed on the command line. Type in the following command to create a couple empty files in the directory: $ touch file1 file2 file3 Confirm that the files were created. Some commands, like touch. allow you to specify multiple files as arguments. You will find that Linux commands have all kinds of ways to make tasks more efficient like this. Throughout this assignment, we have been running commands and viewing results on the terminal screen. The screen is the standard place for commands to output results. It’s known as the standard out (stdout). However, it’s really useful to output results to the file system sometimes. Type in: $ ls > listing.txt Take a look at the directory listing now. You just created a new file. View the contents of the listing.txt file. What do you see? Instead of sending the output from the ls command to the screen we sent it to a text file. Let’s try another one. Type: $ cat myfile.conf > listing.txt Take a look at the contents of the listing.txt file again. It looks like your myfile.conf file now. It’s like you made a copy of it. But what happened to the previous content in the listing.txt file? When you redirect the output of a command using the right angle-bracket character (>), the output overwrites the existing file. Type this command in: $ cat myfile.conf >> listing.txt Now look at the contents of the listing.txt file. You should see your original content displayed twice. When you use two angle-bracket characters in the commmand the output appends (or adds to) the file instead of overwriting it. We redirected the output from a command to a text file. It’s also possible to redirect the input to a command. Typically we use a keyboard to provide input, but sometimes it makes more sense to input a file to a command. For example, how many words are in your new listing.txt file? Let’s find out. Type in: $ wc -w < listing.txt Did you get a number? This command inputs the listing.txt file into a word count program called wc. Type in the command: $ ls /usr/bin The terminal screen probably scrolled quickly as filenames flashed by. The /usr/bin directory holds quite a few files. It would be nice if we could page through the contents of this directory. Well, we can. We can use a special shell feature called pipes. In previous steps, we redirected I/O using the file system. Pipes allow us to redirect I/O between programs. We can redirect the output from one program into another. Type in: $ ls /usr/bin | less Now the directory listing is paged. Hit the spacebar to page through the listing. The pipe, represented by a vertical bar character (|), takes the output from the ls command and redirects it to the less command where the resulting output is paged. Pipes are super powerful and used all the time by savvy Linux operators. Hit the q key to quit the paginated directory listing command. Working with shell scripts Now things are going to get interesting. We’ve been manually typing in commands throughout this exercise. If we were running a set of repetitive tasks, we would want to automate the process as much as possible. The shell makes it really easy to automate tasks using shell scripts. The shell provides many of the same features as a basic procedural programming language. Let’s write some code. Type in this command: $ j=123 $ echo $j We just created a variable named j referencing the string 123. The echo command printed out the value of the variable. We had to use a dollar sign ($) when referencing the variable in another command. Next, type in: $ j=1+1 $ echo $j Is that what you expected? The shell just interprets the variable value as a string. It’s not going to do any sort of computation. Typing in shell script commands on the command line is sort of pointless. We want to be able to create scripts that we can run over-and-over. Let’s create our first shell script. Use the nano editor to create a file named myscript. When the file is open in the editor, type in the following lines of code: #!/bin/bash echo Hello $1 Now quit the editor and save your file. We can run our script by typing: $ ./myscript World Er, what happened? Permission denied. Didn’t we create this file? Why can’t we run it? We can’t run the script file because we haven’t set the execute permission on the file. Type in: $ chmod u+x myscript This modifies the file access control list to allow the owner of the file to execute it. Let’s try to run the command again. Hit the up-arrow key a couple times until the ./myscript World command is displayed and hit enter. Hooray! Our first shell script. It’s probably a bit underwhelming. No problem, we’ll make it a little more complex. The script took a single argument called World. Any arguments provided to a shell script are represented as consecutively numbered variables inside the script ($1, $2, etc). Pretty simple. You might be wondering why we had to type the ./ characters before the name of our script file. Try to type in the command without them: $ myscript World Command not found. That seems a little weird. Aren’t we currently in the directory where the shell script is located? Well, that’s just not how the shell works. When you enter a command into the shell, it looks for the command in a predefined set of directories on the server called your PATH. Since your script file isn’t in your special path, the shell reports it as not found. By typing in the ./ characters before the command name you are basically forcing the shell to look for your script in the current directory instead of the default path. Create another file called cleanup using nano. In the file editor window type: #!/bin/bash # My cleanup script mkdir archive mv file* archive Exit the editor window and save the file. Change the permissions on the script file so that you can execute it. Now run the command: $ ./cleanup Take a look at the file directory listing. Notice the archive directory? List the contents of that directory. The script automatically created a new directory and moved three files into it. Anything you can do manually at a command prompt can be automated using a shell script. Let’s create one more shell script. Use nano to create a script called namelist. Here is the content of the script: #!/bin/bash # for-loop test script names='Jason John Jane' for i in $names do echo Hello $i done Change the permissions on the script file so that you can execute it. Run the command: $ ./namelist The script will loop through a set of names stored in a variable displaying each one. Scripts support several programming constructs like for-loops, do-while loops, and if-then-else. These building blocks allow you to create fairly complex scripts for automating tasks. Installing packages and services We’re nearing the end of this assignment. But before we finish, let’s install some new software packages on our server. The first thing we should do is make sure all the current packages installed on our Linux server are up-to-date. Type in: $ sudo yum update -y This is one of those really powerful commands that requires sudo access. The system will review the currently installed packages and go out to the Internet and download appropriate updates. Next, let’s install an Apache web server on our system. Type in: $ sudo yum install httpd -y Bam! You probably never knew that installing a web server was so easy. We’re not going to actually use the web server in this exercise, but we will in future assignments. We installed the web server, but is it actually running? Let’s check. Type in: $ sudo service httpd status Nope. Let’s start it. Type: $ sudo service httpd start We can use the service command to control the services running on the system. Let’s setup the service so that it automatically starts when the system boots up. Type in: $ sudo chkconfig httpd on Cool. We installed the Apache web server on our system, but what other programs are currently running? We can use the pscommand to find out. Type in: $ ps -ax Lots of processes are running on our system. We can even look at the overall performance of our system using the topcommand. Let’s try that now. Type in: $ top The display might seem a little overwhelming at first. You should see lots of performance information displayed including the cpu usage, free memory, and a list of running tasks. We’re almost across the finish line. Let’s make sure all of our valuable work is stored in a git repository. First, we need to install git. Type in the command: $ sudo yum install git -y Check your work It’s very important to check your work before submitting it for grading. A misspelled, misplaced or missing file will cost you points. This may seem harsh, but the reality is that these sorts of mistakes have consequences in the real world. For example, a server instance could fail to launch properly and impact customers because a single required file is missing. Here is what the contents of your git repository should look like before final submission: ┣archive ┃ ┣ file1 ┃ ┣ file2 ┃ ┗ file3 ┣ namelist ┗ myfile.conf Saving our work in the git repository Next, make sure you are still in your home directory (/home/ec2-user). We will install the git repository you created at the beginning of this exercise. You will need to modify this command by typing in the GitHub repository URL you copied earlier. $ git clone <your GitHub URL here>.git Example: git clone https://github.com/UST-SEIS665/hw2-seis665-02-spring2019-<your github id>.git The git application will ask you for your GitHub username and password. Note, if you have multi-factor authentication enabled on your GitHub account you will need to provide a personal token instead of your password. Git will clone (copy) the repository from GitHub to your Linux server. Since the repository is empty the clone happens almost instantly. Check to make sure that a sub-directory called "hw2-seis665-02-spring2019-<username>" exists in the current directory (where <username> is your GitHub account name). Git automatically created this directory as part of the cloning process. Change to the hw2-seis665-02-spring2019-<username> directory and type: $ ls -la Notice the .git hidden directory? This is where git actually stores all of the file changes in your repository. Nothing is actually in your repository yet. Change back to the parent directory (cd ..). Next, let’s move some of our files into the repository. Type: $ mv archive hw2-seis665-02-spring2019-<username> $ mv namelist hw2-seis665-02-spring2019-<username> $ mv myfile.conf hw2-seis665-02-spring2019-<username> Hopefully, you remembered to use the auto-complete function to reduce some of that typing. Change to the hw2-seis665-02-spring2019-<username> directory and list the directory contents. Your files are in the working directory, but are not actually stored in the repository because they haven’t been committed yet. Type in: $ git status You should see a list of untracked files. Let’s tell git that we want these files tracked. Type in: $ git add * Now type in the git status command again. Notice how all the files are now being tracked and are ready to be committed. These files are in the git staging area. We’ll commit them to the repository next. Type: $ git commit -m 'assignment 2 files' Next, take a look at the commit log. Type: $ git log You should see your commit listed along with an assigned hash (long string of random-looking characters). Finally, let’s save the repository to our GitHub account. Type in: $ git push origin master The git client will ask you for your GitHub username and password before pushing the repository. Go back to the GitHub.com website and login if you have been logged out. Click on the repository link for the assignment. Do you see your files listed there? Congratulations, you completed the exercise! Terminate server The last step is to terminate your Linux instance. AWS will bill you for every hour the instance is running. The cost is nominal, but there’s no need to rack up unnecessary charges. Here are the steps to terminate your instance: Log into your AWS account and click on the EC2 dashboard. Click the Instances menu item. Select your server in the instances table. Click on the Actions drop down menu above the instances table. Select the Instance State menu option Click on the Terminate action. Your Linux instance will shutdown and disappear in a few minutes. The EC2 dashboard will continue to display the instance on your instance listing for another day or so. However, the state of the instance will be terminated. Submitting your assignment — IMPORTANT! If you haven’t already, please e-mail me your GitHub username in order to receive credit for this assignment. There is no need to email me to tell me that you have committed your work to GitHub or to ask me if your GitHub submission worked. If you can see your work in your GitHub repository, I can see your work.

Bee Movie script for educational purposes only, anyways According to all known laws of aviation, there is no way a bee should be able to fly. Its wings are too small to get its fat little body off the ground. The bee, of course, flies anyway because bees don't care what humans think is impossible. Yellow, black. Yellow, black. Yellow, black. Yellow, black. Ooh, black and yellow! Let's shake it up a little. Barry! Breakfast is ready! Coming! Hang on a second. Hello? Barry? Adam? Can you believe this is happening? I can't. I'll pick you up. Looking sharp. Use the stairs, Your father paid good money for those. Sorry. I'm excited. Here's the graduate. We're very proud of you, son. A perfect report card, all B's. Very proud. Ma! I got a thing going here. You got lint on your fuzz. Ow! That's me! Wave to us! We'll be in row 118,000. Bye! Barry, I told you, stop flying in the house! Hey, Adam. Hey, Barry. Is that fuzz gel? A little. Special day, graduation. Never thought I'd make it. Three days grade school, three days high school. Those were awkward. Three days college. I'm glad I took a day and hitchhiked around The Hive. You did come back different. Hi, Barry. Artie, growing a mustache? Looks good. Hear about Frankie? Yeah. You going to the funeral? No, I'm not going. Everybody knows, sting someone, you die. Don't waste it on a squirrel. Such a hothead. I guess he could have just gotten out of the way. I love this incorporating an amusement park into our day. That's why we don't need vacations. Boy, quite a bit of pomp under the circumstances. Well, Adam, today we are men. We are! Bee-men. Amen! Hallelujah! Students, faculty, distinguished bees, please welcome Dean Buzzwell. Welcome, New Hive City graduating class of 9:15. That concludes our ceremonies And begins your career at Honex Industries! Will we pick our job today? I heard it's just orientation. Heads up! Here we go. Keep your hands and antennas inside the tram at all times. Wonder what it'll be like? A little scary. Welcome to Honex, a division of Honesco and a part of the Hexagon Group. This is it! Wow. Wow. We know that you, as a bee, have worked your whole life to get to the point where you can work for your whole life. Honey begins when our valiant Pollen Jocks bring the nectar to The Hive. Our top-secret formula is automatically color-corrected, scent-adjusted and bubble-contoured into this soothing sweet syrup with its distinctive golden glow you know as... Honey! That girl was hot. She's my cousin! She is? Yes, we're all cousins. Right. You're right. At Honex, we constantly strive to improve every aspect of bee existence. These bees are stress-testing a new helmet technology. What do you think he makes? Not enough. Here we have our latest advancement, the Krelman. What does that do? Catches that little strand of honey that hangs after you pour it. Saves us millions. Can anyone work on the Krelman? Of course. Most bee jobs are small ones. But bees know that every small job, if it's done well, means a lot. But choose carefully because you'll stay in the job you pick for the rest of your life. The same job the rest of your life? I didn't know that. What's the difference? You'll be happy to know that bees, as a species, haven't had one day off in 27 million years. So you'll just work us to death? We'll sure try. Wow! That blew my mind! "What's the difference?" How can you say that? One job forever? That's an insane choice to have to make. I'm relieved. Now we only have to make one decision in life. But, Adam, how could they never have told us that? Why would you question anything? We're bees. We're the most perfectly functioning society on Earth. You ever think maybe things work a little too well here? Like what? Give me one example. I don't know. But you know what I'm talking about. Please clear the gate. Royal Nectar Force on approach. Wait a second. Check it out. Hey, those are Pollen Jocks! Wow. I've never seen them this close. They know what it's like outside The Hive. Yeah, but some don't come back. Hey, Jocks! Hi, Jocks! You guys did great! You're monsters! You're sky freaks! I love it! I love it! I wonder where they were. I don't know. Their day's not planned. Outside The Hive, flying who knows where, doing who knows what. You can't just decide to be a Pollen Jock. You have to be bred for that. Right. Look. That's more pollen than you and I will see in a lifetime. It's just a status symbol. Bees make too much of it. Perhaps. Unless you're wearing it and the ladies see you wearing it. Those ladies? Aren't they our cousins too? Distant. Distant. Look at these two. Couple of Hive Harrys. Let's have fun with them. It must be dangerous being a Pollen Jock. Yeah. Once a bear pinned me against a mushroom! He had a paw on my throat, and with the other, he was slapping me! Oh, my! I never thought I'd knock him out. What were you doing during this? Trying to alert the authorities. I can autograph that. A little gusty out there today, wasn't it, comrades? Yeah. Gusty. We're hitting a sunflower patch six miles from here tomorrow. Six miles, huh? Barry! A puddle jump for us, but maybe you're not up for it. Maybe I am. You are not! We're going 0900 at J-Gate. What do you think, buzzy-boy? Are you bee enough? I might be. It all depends on what 0900 means. Hey, Honex! Dad, you surprised me. You decide what you're interested in? Well, there's a lot of choices. But you only get one. Do you ever get bored doing the same job every day? Son, let me tell you about stirring. You grab that stick, and you just move it around, and you stir it around. You get yourself into a rhythm. It's a beautiful thing. You know, Dad, the more I think about it, maybe the honey field just isn't right for me. You were thinking of what, making balloon animals? That's a bad job for a guy with a stinger. Janet, your son's not sure he wants to go into honey! Barry, you are so funny sometimes. I'm not trying to be funny. You're not funny! You're going into honey. Our son, the stirrer! You're gonna be a stirrer? No one's listening to me! Wait till you see the sticks I have. I could say anything right now. I'm gonna get an ant tattoo! Let's open some honey and celebrate! Maybe I'll pierce my thorax. Shave my antennae. Shack up with a grasshopper. Get a gold tooth and call everybody "dawg"! I'm so proud. We're starting work today! Today's the day. Come on! All the good jobs will be gone. Yeah, right. Pollen counting, stunt bee, pouring, stirrer, front desk, hair removal... Is it still available? Hang on. Two left! One of them's yours! Congratulations! Step to the side. What'd you get? Picking crud out. Stellar! Wow! Couple of newbies? Yes, sir! Our first day! We are ready! Make your choice. You want to go first? No, you go. Oh, my. What's available? Restroom attendant's open, not for the reason you think. Any chance of getting the Krelman? Sure, you're on. I'm sorry, the Krelman just closed out. Wax monkey's always open. The Krelman opened up again. What happened? A bee died. Makes an opening. See? He's dead. Another dead one. Deady. Deadified. Two more dead. Dead from the neck up. Dead from the neck down. That's life! Oh, this is so hard! Heating, cooling, stunt bee, pourer, stirrer, humming, inspector number seven, lint coordinator, stripe supervisor, mite wrangler. Barry, what do you think I should... Barry? Barry! All right, we've got the sunflower patch in quadrant nine... What happened to you? Where are you? I'm going out. Out? Out where? Out there. Oh, no! I have to, before I go to work for the rest of my life. You're gonna die! You're crazy! Hello? Another call coming in. If anyone's feeling brave, there's a Korean deli on 83rd that gets their roses today. Hey, guys. Look at that. Isn't that the kid we saw yesterday? Hold it, son, flight deck's restricted. It's OK, Lou. We're gonna take him up. Really? Feeling lucky, are you? Sign here, here. Just initial that. Thank you. OK. You got a rain advisory today, and as you all know, bees cannot fly in rain. So be careful. As always, watch your brooms, hockey sticks, dogs, birds, bears and bats. Also, I got a couple of reports of root beer being poured on us. Murphy's in a home because of it, babbling like a cicada! That's awful. And a reminder for you rookies, bee law number one, absolutely no talking to humans! All right, launch positions! Buzz, buzz, buzz, buzz! Buzz, buzz, buzz, buzz! Buzz, buzz, buzz, buzz! Black and yellow! Hello! You ready for this, hot shot? Yeah. Yeah, bring it on. Wind, check. Antennae, check. Nectar pack, check. Wings, check. Stinger, check. Scared out of my shorts, check. OK, ladies, let's move it out! Pound those petunias, you striped stem-suckers! All of you, drain those flowers! Wow! I'm out! I can't believe I'm out! So blue. I feel so fast and free! Box kite! Wow! Flowers! This is Blue Leader, We have roses visual. Bring it around 30 degrees and hold. Roses! 30 degrees, roger. Bringing it around. Stand to the side, kid. It's got a bit of a kick. That is one nectar collector! Ever see pollination up close? No, sir. I pick up some pollen here, sprinkle it over here. Maybe a dash over there, a pinch on that one. See that? It's a little bit of magic. That's amazing. Why do we do that? That's pollen power. More pollen, more flowers, more nectar, more honey for us. Cool. I'm picking up a lot of bright yellow, Could be daisies, Don't we need those? Copy that visual. Wait. One of these flowers seems to be on the move. Say again? You're reporting a moving flower? Affirmative. That was on the line! This is the coolest. What is it? I don't know, but I'm loving this color. It smells good. Not like a flower, but I like it. Yeah, fuzzy. Chemical-y. Careful, guys. It's a little grabby. My sweet lord of bees! Candy-brain, get off there! Problem! Guys! This could be bad. Affirmative. Very close. Gonna hurt. Mama's little boy. You are way out of position, rookie! Coming in at you like a missile! Help me! I don't think these are flowers. Should we tell him? I think he knows. What is this?! Match point! You can start packing up, honey, because you're about to eat it! Yowser! Gross. There's a bee in the car! Do something! I'm driving! Hi, bee. He's back here! He's going to sting me! Nobody move. If you don't move, he won't sting you. Freeze! He blinked! Spray him, Granny! What are you doing?! Wow... the tension level out here is unbelievable. I gotta get home. Can't fly in rain. Can't fly in rain. Can't fly in rain. Mayday! Mayday! Bee going down! Ken, could you close the window please? Ken, could you close the window please? Check out my new resume. I made it into a fold-out brochure. You see? Folds out. Oh, no. More humans. I don't need this. What was that? Maybe this time. This time. This time. This time! This time! This... Drapes! That is diabolical. It's fantastic. It's got all my special skills, even my top-ten favorite movies. What's number one? Star Wars? Nah, I don't go for that... kind of stuff. No wonder we shouldn't talk to them. They're out of their minds. When I leave a job interview, they're flabbergasted, can't believe what I say. There's the sun. Maybe that's a way out. I don't remember the sun having a big 75 on it. I predicted global warming. I could feel it getting hotter. At first I thought it was just me. Wait! Stop! Bee! Stand back. These are winter boots. Wait! Don't kill him! You know I'm allergic to them! This thing could kill me! Why does his life have less value than yours? Why does his life have any less value than mine? Is that your statement? I'm just saying all life has value. You don't know what he's capable of feeling. My brochure! There you go, little guy. I'm not scared of him.It's an allergic thing. Put that on your resume brochure. My whole face could puff up. Make it one of your special skills. Knocking someone out is also a special skill. Right. Bye, Vanessa. Thanks. Vanessa, next week? Yogurt night? Sure, Ken. You know, whatever. You could put carob chips on there. Bye. Supposed to be less calories. Bye. I gotta say something. She saved my life. I gotta say something. All right, here it goes. Nah. What would I say? I could really get in trouble. It's a bee law. You're not supposed to talk to a human. I can't believe I'm doing this. I've got to. Oh, I can't do it. Come on! No. Yes. No. Do it. I can't. How should I start it? "You like jazz?" No, that's no good. Here she comes! Speak, you fool! Hi! I'm sorry. You're talking. Yes, I know. You're talking! I'm so sorry. No, it's OK. It's fine. I know I'm dreaming. But I don't recall going to bed. Well, I'm sure this is very disconcerting. This is a bit of a surprise to me. I mean, you're a bee! I am. And I'm not supposed to be doing this, but they were all trying to kill me. And if it wasn't for you... I had to thank you. It's just how I was raised. That was a little weird. I'm talking with a bee. Yeah. I'm talking to a bee. And the bee is talking to me! I just want to say I'm grateful. I'll leave now. Wait! How did you learn to do that? What? The talking thing. Same way you did, I guess. "Mama, Dada, honey." You pick it up. That's very funny. Yeah. Bees are funny. If we didn't laugh, we'd cry with what we have to deal with. Anyway... Can I... get you something? Like what? I don't know. I mean... I don't know. Coffee? I don't want to put you out. It's no trouble. It takes two minutes. It's just coffee. I hate to impose. Don't be ridiculous! Actually, I would love a cup. Hey, you want rum cake? I shouldn't. Have some. No, I can't. Come on! I'm trying to lose a couple micrograms. Where? These stripes don't help. You look great! I don't know if you know anything about fashion. Are you all right? No. He's making the tie in the cab as they're flying up Madison. He finally gets there. He runs up the steps into the church. The wedding is on. And he says, "Watermelon? I thought you said Guatemalan. Why would I marry a watermelon?" Is that a bee joke? That's the kind of stuff we do. Yeah, different. So, what are you gonna do, Barry? About work? I don't know. I want to do my part for The Hive, but I can't do it the way they want. I know how you feel. You do? Sure. My parents wanted me to be a lawyer or a doctor, but I wanted to be a florist. Really? My only interest is flowers. Our new queen was just elected with that same campaign slogan. Anyway, if you look... There's my hive right there. See it? You're in Sheep Meadow! Yes! I'm right off the Turtle Pond! No way! I know that area. I lost a toe ring there once. Why do girls put rings on their toes? Why not? It's like putting a hat on your knee. Maybe I'll try that. You all right, ma'am? Oh, yeah. Fine. Just having two cups of coffee! Anyway, this has been great. Thanks for the coffee. Yeah, it's no trouble. Sorry I couldn't finish it. If I did, I'd be up the rest of my life. Are you...? Can I take a piece of this with me? Sure! Here, have a crumb. Thanks! Yeah. All right. Well, then... I guess I'll see you around. Or not. OK, Barry. And thank you so much again... for before. Oh, that? That was nothing. Well, not nothing, but... Anyway... This can't possibly work. He's all set to go. We may as well try it. OK, Dave, pull the chute. Sounds amazing. It was amazing! It was the scariest, happiest moment of my life. Humans! I can't believe you were with humans! Giant, scary humans! What were they like? Huge and crazy. They talk crazy. They eat crazy giant things. They drive crazy. Do they try and kill you, like on TV? Some of them. But some of them don't. How'd you get back? Poodle. You did it, and I'm glad. You saw whatever you wanted to see. You had your "experience." Now you can pick out yourjob and be normal. Well... Well? Well, I met someone. You did? Was she Bee-ish? A wasp?! Your parents will kill you! No, no, no, not a wasp. Spider? I'm not attracted to spiders. I know it's the hottest thing, with the eight legs and all. I can't get by that face. So who is she? She's... human. No, no. That's a bee law. You wouldn't break a bee law. Her name's Vanessa. Oh, boy. She's so nice. And she's a florist! Oh, no! You're dating a human florist! We're not dating. You're flying outside The Hive, talking to humans that attack our homes with power washers and M-80s! One-eighth a stick of dynamite! She saved my life! And she understands me. This is over! Eat this. This is not over! What was that? They call it a crumb. It was so stingin' stripey! And that's not what they eat. That's what falls off what they eat! You know what a Cinnabon is? No. It's bread and cinnamon and frosting. They heat it up... Sit down! ...really hot! Listen to me! We are not them! We're us. There's us and there's them! Yes, but who can deny the heart that is yearning? There's no yearning. Stop yearning. Listen to me! You have got to start thinking bee, my friend. Thinking bee! Thinking bee. Thinking bee. Thinking bee! Thinking bee! Thinking bee! Thinking bee! There he is. He's in the pool. You know what your problem is, Barry? I gotta start thinking bee? How much longer will this go on? It's been three days! Why aren't you working? I've got a lot of big life decisions to think about. What life? You have no life! You have no job. You're barely a bee! Would it kill you to make a little honey? Barry, come out. Your father's talking to you. Martin, would you talk to him? Barry, I'm talking to you! You coming? Got everything? All set! Go ahead. I'll catch up. Don't be too long. Watch this! Vanessa! We're still here. I told you not to yell at him. He doesn't respond to yelling! Then why yell at me? Because you don't listen! I'm not listening to this. Sorry, I've gotta go. Where are you going? I'm meeting a friend. A girl? Is this why you can't decide? Bye. I just hope she's Bee-ish. They have a huge parade of flowers every year in Pasadena? To be in the Tournament of Roses, that's every florist's dream! Up on a float, surrounded by flowers, crowds cheering. A tournament. Do the roses compete in athletic events? No. All right, I've got one. How come you don't fly everywhere? It's exhausting. Why don't you run everywhere? It's faster. Yeah, OK, I see, I see. All right, your turn. TiVo. You can just freeze live TV? That's insane! You don't have that? We have Hivo, but it's a disease. It's a horrible, horrible disease. Oh, my. Dumb bees! You must want to sting all those jerks. We try not to sting. It's usually fatal for us. So you have to watch your temper. Very carefully. You kick a wall, take a walk, write an angry letter and throw it out. Work through it like any emotion: Anger, jealousy, lust. Oh, my goodness! Are you OK? Yeah. What is wrong with you?! It's a bug. He's not bothering anybody. Get out of here, you creep! What was that? A Pic 'N' Save circular? Yeah, it was. How did you know? It felt like about 10 pages. Seventy-five is pretty much our limit. You've really got that down to a science. I lost a cousin to Italian Vogue. I'll bet. What in the name of Mighty Hercules is this? How did this get here? cute Bee, Golden Blossom, Ray Liotta Private Select? Is he that actor? I never heard of him. Why is this here? For people. We eat it. You don't have enough food of your own? Well, yes. How do you get it? Bees make it. I know who makes it! And it's hard to make it! There's heating, cooling, stirring. You need a whole Krelman thing! It's organic. It's our-ganic! It's just honey, Barry. Just what?! Bees don't know about this! This is stealing! A lot of stealing! You've taken our homes, schools,hospitals! This is all we have! And it's on sale?! I'm getting to the bottom of this. I'm getting to the bottom of all of this! Hey, Hector. You almost done? Almost. He is here. I sense it. Well, I guess I'll go home now and just leave this nice honey out, with no one around. You're busted, box boy! I knew I heard something. So you can talk! I can talk. And now you'll start talking! Where you getting the sweet stuff? Who's your supplier? I don't understand. I thought we were friends. The last thing we want to do is upset bees! You're too late! It's ours now! You, sir, have crossed the wrong sword! You, sir, will be lunch for my iguana, Ignacio! Where is the honey coming from? Tell me where! Honey Farms! It comes from Honey Farms! Crazy person! What horrible thing has happened here? These faces, they never knew what hit them. And now they're on the road to nowhere! Just keep still. What? You're not dead? Do I look dead? They will wipe anything that moves. Where you headed? To Honey Farms. I am onto something huge here. I'm going to Alaska. Moose blood, crazy stuff. Blows your head off! I'm going to Tacoma. And you? He really is dead. All right. Uh-oh! What is that?! Oh, no! A wiper! Triple blade! Triple blade? Jump on! It's your only chance, bee! Why does everything have to be so doggone clean?! How much do you people need to see?! Open your eyes! Stick your head out the window! From NPR News in Washington, I'm Carl Kasell. But don't kill no more bugs! Bee! Moose blood guy!! You hear something? Like what? Like tiny screaming. Turn off the radio. Whassup, bee boy? Hey, Blood. Just a row of honey jars, as far as the eye could see. Wow! I assume wherever this truck goes is where they're getting it. I mean, that honey's ours. Bees hang tight. We're all jammed in. It's a close community. Not us, man. We on our own. Every mosquito on his own. What if you get in trouble? You a mosquito, you in trouble. Nobody likes us. They just smack. See a mosquito, smack, smack! At least you're out in the world. You must meet girls. Mosquito girls try to trade up, get with a moth, dragonfly. Mosquito girl don't want no mosquito. You got to be kidding me! Mooseblood's about to leave the building! So long, bee! Hey, guys! Mooseblood! I knew I'd catch y'all down here. Did you bring your crazy straw? We throw it in jars, slap a label on it, and it's pretty much pure profit. What is this place? A bee's got a brain the size of a pinhead. They are pinheads! Pinhead. Check out the new smoker. Oh, sweet. That's the one you want. The Thomas 3000! Smoker? Ninety puffs a minute, semi-automatic. Twice the nicotine, all the tar. A couple breaths of this knocks them right out. They make the honey, and we make the money. "They make the honey, and we make the money"? Oh, my! What's going on? Are you OK? Yeah. It doesn't last too long. Do you know you're in a fake hive with fake walls? Our queen was moved here. We had no choice. This is your queen? That's a man in women's clothes! That's a drag queen! What is this? Oh, no! There's hundreds of them! Bee honey. Our honey is being brazenly stolen on a massive scale! This is worse than anything bears have done! I intend to do something. Oh, Barry, stop. Who told you humans are taking our honey? That's a rumor. Do these look like rumors? That's a conspiracy theory. These are obviously doctored photos. How did you get mixed up in this? He's been talking to humans. What? Talking to humans?! He has a human girlfriend. And they make out! Make out? Barry! We do not. You wish you could. Whose side are you on? The bees! I dated a cricket once in San Antonio. Those crazy legs kept me up all night. Barry, this is what you want to do with your life? I want to do it for all our lives. Nobody works harder than bees! Dad, I remember you coming home so overworked your hands were still stirring. You couldn't stop. I remember that. What right do they have to our honey? We live on two cups a year. They put it in lip balm for no reason whatsoever! Even if it's true, what can one bee do? Sting them where it really hurts. In the face! The eye! That would hurt. No. Up the nose? That's a killer. There's only one place you can sting the humans, one place where it matters. Hive at Five, The Hive's only full-hour action news source. No more bee beards! With Bob Bumble at the anchor desk. Weather with Storm Stinger. Sports with Buzz Larvi. And Jeanette Chung. Good evening. I'm Bob Bumble. And I'm Jeanette Ohung. A tri-county bee, Barry Benson, intends to sue the human race for stealing our honey, packaging it and profiting from it illegally! Tomorrow night on Bee Larry King, we'll have three former queens here in our studio, discussing their new book, classy Ladies, out this week on Hexagon. Tonight we're talking to Barry Benson. Did you ever think, "I'm a kid from The Hive. I can't do this"? Bees have never been afraid to change the world. What about Bee Oolumbus? Bee Gandhi? Bejesus? Where I'm from, we'd never sue humans. We were thinking of stickball or candy stores. How old are you? The bee community is supporting you in this case, which will be the trial of the bee century. You know, they have a Larry King in the human world too. It's a common name. Next week... He looks like you and has a show and suspenders and colored dots... Next week... Glasses, quotes on the bottom from the guest even though you just heard 'em. Bear Week next week! They're scary, hairy and here live. Always leans forward, pointy shoulders, squinty eyes, very Jewish. In tennis, you attack at the point of weakness! It was my grandmother, Ken. She's 81. Honey, her backhand's a joke! I'm not gonna take advantage of that? Quiet, please. Actual work going on here. Is that that same bee? Yes, it is! I'm helping him sue the human race. Hello. Hello, bee. This is Ken. Yeah, I remember you. Timberland, size ten and a half. Vibram sole, I believe. Why does he talk again? Listen, you better go 'cause we're really busy working. But it's our yogurt night! Bye-bye. Why is yogurt night so difficult?! You poor thing. You two have been at this for hours! Yes, and Adam here has been a huge help. Frosting... How many sugars? Just one. I try not to use the competition. So why are you helping me? Bees have good qualities. And it takes my mind off the shop. Instead of flowers, people are giving balloon bouquets now. Those are great, if you're three. And artificial flowers. Oh, those just get me psychotic! Yeah, me too. Bent stingers, pointless pollination. Bees must hate those fake things! Nothing worse than a daffodil that's had work done. Maybe this could make up for it a little bit. This lawsuit's a pretty big deal. I guess. You sure you want to go through with it? Am I sure? When I'm done with the humans, they won't be able to say, "Honey, I'm home," without paying a royalty! It's an incredible scene here in downtown Manhattan, where the world anxiously waits, because for the first time in history, we will hear for ourselves if a honeybee can actually speak. What have we gotten into here, Barry? It's pretty big, isn't it? I can't believe how many humans don't work during the day. You think billion-dollar multinational food companies have good lawyers? Everybody needs to stay behind the barricade. What's the matter? I don't know, I just got a chill. Well, if it isn't the bee team. You boys work on this? All rise! The Honorable Judge Bumbleton presiding. All right. Case number 4475, Superior Court of New York, Barry Bee Benson v. the Honey Industry is now in session. Mr. Montgomery, you're representing the five food companies collectively? A privilege. Mr. Benson... you're representing all the bees of the world? I'm kidding. Yes, Your Honor, we're ready to proceed. Mr. Montgomery, your opening statement, please. Ladies and gentlemen of the jury, my grandmother was a simple woman. Born on a farm, she believed it was man's divine right to benefit from the bounty of nature God put before us. If we lived in the topsy-turvy world Mr. Benson imagines, just think of what would it mean. I would have to negotiate with the silkworm for the elastic in my britches! Talking bee! How do we know this isn't some sort of holographic motion-picture-capture Hollywood wizardry? They could be using laser beams! Robotics! Ventriloquism! Cloning! For all we know, he could be on steroids! Mr. Benson? Ladies and gentlemen, there's no trickery here. I'm just an ordinary bee. Honey's pretty important to me. It's important to all bees. We invented it! We make it. And we protect it with our lives. Unfortunately, there are some people in this room who think they can take it from us 'cause we're the little guys! I'm hoping that, after this is all over, you'll see how, by taking our honey, you not only take everything we have but everything we are! I wish he'd dress like that all the time. So nice! Call your first witness. So, Mr. Klauss Vanderhayden of Honey Farms, big company you have. I suppose so. I see you also own Honeyburton and Honron! Yes, they provide beekeepers for our farms. Beekeeper. I find that to be a very disturbing term. I don't imagine you employ any bee-free-ers, do you? No. I couldn't hear you. No. No. Because you don't free bees. You keep bees. Not only that, it seems you thought a bear would be an appropriate image for a jar of honey. They're very lovable creatures. Yogi Bear, Fozzie Bear, Build-A-Bear. You mean like this? Bears kill bees! How'd you like his head crashing through your living room?! Biting into your couch! Spitting out your throw pillows! OK, that's enough. Take him away. So, Mr. Sting, thank you for being here. Your name intrigues me. Where have I heard it before? I was with a band called The Police. But you've never been a police officer, have you? No, I haven't. No, you haven't. And so here we have yet another example of bee culture casually stolen by a human for nothing more than a prance-about stage name. Oh, please. Have you ever been stung, Mr. Sting? Because I'm feeling a little stung, Sting. Or should I say... Mr. Gordon M. Sumner! That's not his real name?! You idiots! Mr. Liotta, first, belated congratulations on your Emmy win for a guest spot on ER in 2005. Thank you. Thank you. I see from your resume that you're devilishly handsome with a churning inner turmoil that's ready to blow. I enjoy what I do. Is that a crime? Not yet it isn't. But is this what it's come to for you? Exploiting tiny, helpless bees so you don't have to rehearse your part and learn your lines, sir? Watch it, Benson! I could blow right now! This isn't a goodfella. This is a badfella! Why doesn't someone just step on this creep, and we can all go home?! Order in this court! You're all thinking it! Order! Order, I say! Say it! Mr. Liotta, please sit down! I think it was awfully nice of that bear to pitch in like that. I think the jury's on our side. Are we doing everything right, legally? I'm a florist. Right. Well, here's to a great team. To a great team! Well, hello. Ken! Hello. I didn't think you were coming. No, I was just late I tried to call, but... the battery. I didn't want all this to go to waste, so I called Barry. Luckily, he was free. Oh, that was lucky. There's a little left. I could heat it up. Yeah, heat it up, sure, whatever. So I hear you're quite a tennis player. I'm not much for the game myself. The ball's a little grabby. That's where I usually sit. Right... there. Ken, Barry was looking at your resume, and he agreed with me that eating with chopsticks isn't really a special skill. You think I don't see what you're doing? I know how hard it is to find the right job. We have that in common. Do we? Bees have 100 percent employment, but we do jobs like taking the crud out. That's just what I was thinking about doing. Ken, I let Barry borrow your razor for his fuzz. I hope that was all right. I'm going to drain the old stinger. Yeah, you do that. Look at that. You know, I've just about had it with your little Mind Games. What's that? Italian Vogue. Mamma mia, that's a lot of pages. A lot of ads. Remember what Van said, why is your life more valuable than mine? Funny, I just can't seem to recall that! I think something stinks in here! I love the smell of flowers. How do you like the smell of flames?! Not as much. Water bug! Not taking sides! Ken, I'm wearing a Chapstick hat! This is pathetic! I've got issues! Well, well, well, a royal flush! You're bluffing. Am I? Surf's up, dude! Poo water! That bowl is gnarly. Except for those dirty yellow rings! Kenneth! What are you doing?! You know, I don't even like honey! I don't eat it! We need to talk! He's just a little bee! And he happens to be the nicest bee I've met in a long time! Long time? What are you talking about?! Are there other bugs in your life? No, but there are other things bugging me in life. And you're one of them! Fine! Talking bees, no yogurt night... My nerves are fried from riding on this emotional roller coaster! Goodbye, Ken. And for your information, I prefer sugar-free, artificial sweeteners made by man! I'm sorry about all that. I know it's got an aftertaste! I like it! I always felt there was some kind of barrier between Ken and me. I couldn't overcome it. Oh, well. Are you OK for the trial? I believe Mr. Montgomery is about out of ideas. We would like to call Mr. Barry Benson Bee to the stand. Good idea! You can really see why he's considered one of the best lawyers... Yeah. Layton, you've gotta weave some magic with this jury, or it's gonna be all over. Don't worry. The only thing I have to do to turn this jury around is to remind them of what they don't like about bees. You got the tweezers? Are you allergic? Only to losing, son. Only to losing. Mr. Benson Bee, I'll ask you what I think we'd all like to know. What exactly is your relationship to that woman? We're friends. Good friends? Yes. How good? Do you live together? Wait a minute... Are you her little... bedbug? I've seen a bee documentary or two. From what I understand, doesn't your queen give birth to all the bee children? Yeah, but... So those aren't your real parents! Oh, Barry... Yes, they are! Hold me back! You're an illegitimate bee, aren't you, Benson? He's denouncing bees! Don't y'all date your cousins? Objection! I'm going to pincushion this guy! Adam, don't! It's what he wants! Oh, I'm hit!! Oh, lordy, I am hit! Order! Order! The venom! The venom is coursing through my veins! I have been felled by a winged beast of destruction! You see? You can't treat them like equals! They're striped savages! Stinging's the only thing they know! It's their way! Adam, stay with me. I can't feel my legs. What Angel of Mercy will come forward to suck the poison from my heaving buttocks? I will have order in this court. Order! Order, please! The case of the honeybees versus the human race took a pointed Turn Against the bees yesterday when one of their legal team stung Layton T. Montgomery. Hey, buddy. Hey. Is there much pain? Yeah. I... I blew the whole case, didn't I? It doesn't matter. What matters is you're alive. You could have died. I'd be better off dead. Look at me. They got it from the cafeteria downstairs, in a tuna sandwich. Look, there's a little celery still on it. What was it like to sting someone? I can't explain it. It was all... All adrenaline and then...and then ecstasy! All right. You think it was all a trap? Of course. I'm sorry. I flew us right into this. What were we thinking? Look at us. We're just a couple of bugs in this world. What will the humans do to us if they win? I don't know. I hear they put the roaches in motels. That doesn't sound so bad. Adam, they check in, but they don't check out! Oh, my. Could you get a nurse to close that window? Why? The smoke. Bees don't smoke. Right. Bees don't smoke. Bees don't smoke! But some bees are smoking. That's it! That's our case! It is? It's not over? Get dressed. I've gotta go somewhere. Get back to the court and stall. Stall any way you can. And assuming you've done step correctly, you're ready for the tub. Mr. Flayman. Yes? Yes, Your Honor! Where is the rest of your team? Well, Your Honor, it's interesting. Bees are trained to fly haphazardly, and as a result, we don't make very good time. I actually heard a funny story about... Your Honor, haven't these ridiculous bugs taken up enough of this court's valuable time? How much longer will we allow these absurd shenanigans to go on? They have presented no compelling evidence to support their charges against my clients, who run legitimate businesses. I move for a complete dismissal of this entire case! Mr. Flayman, I'm afraid I'm going to have to consider Mr. Montgomery's motion. But you can't! We have a terrific case. Where is your proof? Where is the evidence? Show me the smoking gun! Hold it, Your Honor! You want a smoking gun? Here is your smoking gun. What is that? It's a bee smoker! What, this? This harmless little contraption? This couldn't hurt a fly, let alone a bee. Look at what has happened to bees who have never been asked, "Smoking or non?" Is this what nature intended for us? To be forcibly addicted to smoke machines and man-made wooden slat work camps? Living out our lives as honey slaves to the white man? What are we gonna do? He's playing the species card. Ladies and gentlemen, please, free these bees! Free the bees! Free the bees! Free the bees! Free the bees! Free the bees! The court finds in favor of the bees! Vanessa, we won! I knew you could do it! High-five! Sorry. I'm OK! You know what this means? All the honey will finally belong to the bees. Now we won't have to work so hard all the time. This is an unholy perversion of the balance of nature, Benson. You'll regret this. Barry, how much honey is out there? All right. One at a time. Barry, who are you wearing? My sweater is Ralph Lauren, and I have no pants. What if Montgomery's right? What do you mean? We've been living the bee way a long time, 27 million years. Congratulations on your victory. What will you demand as a settlement? First, we'll demand a complete shutdown of all bee work camps. Then we want back the honey that was ours to begin with, every last drop. We demand an end to the glorification of the bear as anything more than a filthy, smelly, bad-breath stink machine. We're all aware of what they do in the woods. Wait for my signal. Take him out. He'll have nauseous for a few hours, then he'll be fine. And we will no longer tolerate bee-negative nicknames... But it's just a prance-about stage name! ...unnecessary inclusion of honey in bogus health products and la-dee-da human tea-time snack garnishments. Can't breathe. Bring it in, boys! Hold it right there! Good. Tap it. Mr. Buzzwell, we just passed three cups and there's gallons more coming! I think we need to shut down! Shut down? We've never shut down. Shut down honey production! Stop making honey! Turn your key, sir! What do we do now? Cannonball! We're shutting honey production! Mission abort. Aborting pollination and nectar detail. Returning to base. Adam, you wouldn't believe how much honey was out there. Oh, yeah? What's going on? Where is everybody? Are they out celebrating? They're home. They don't know what to do. Laying out, sleeping in. I heard your Uncle Carl was on his way to San Antonio with a cricket. At least we got our honey back. Sometimes I think, so what if humans liked our honey? Who wouldn't? It's the greatest thing in the world! I was excited to be part of making it. This was my new desk. This was my new job. I wanted to do it really well. And now... Now I can't. I don't understand why they're not happy. I thought their lives would be better! They're doing nothing. It's amazing. Honey really changes people. You don't have any idea what's going on, do you? What did you want to show me? This. What happened here? That is not the half of it. Oh, no. Oh, my. They're all wilting. Doesn't look very good, does it? No. And whose fault do you think that is? You know, I'm gonna guess bees. Bees? Specifically, me. I didn't think bees not needing to make honey would affect all these things. It's not just flowers. Fruits, vegetables, they all need bees. That's our whole SAT test right there. Take away produce, that affects the entire animal kingdom. And then, of course... The human species? So if there's no more pollination, it could all just go south here, couldn't it? I know this is also partly my fault. How about a suicide pact? How do we do it? I'll sting you, you step on me. That just kills you twice. Right, right. Listen, Barry... sorry, but I gotta get going. I had to open my mouth and talk. Vanessa? Vanessa? Why are you leaving? Where are you going? To the final Tournament of Roses parade in Pasadena. They've moved it to this weekend because all the flowers are dying. It's the Last Chance I'll ever have to see it. Vanessa, I just wanna say I'm sorry. I never meant it to turn out like this. I know. Me neither. Tournament of Roses. Roses can't do sports. Wait a minute. Roses. Roses? Roses! Vanessa! Roses?! Barry? Roses are flowers! Yes, they are. Flowers, bees, pollen! I know. That's why this is the last parade. Maybe not. Could you ask him to slow down? Could you slow down? Barry! OK, I made a huge mistake. This is a total disaster, all my fault. Yes, it kind of is. I've ruined the planet. I wanted to help you with the flower shop. I've made it worse. Actually, it's completely closed down. I thought maybe you were remodeling. But I have another idea, and it's greater than my previous ideas combined. I don't want to hear it! All right, they have the roses, the roses have the pollen. I know every bee, plant and flower bud in this park. All we gotta do is get what they've got back here with what we've got. Bees. Park. Pollen! Flowers. Repollination! Across the nation! Tournament of Roses, Pasadena, California. They've got nothing but flowers, floats and cotton candy. Security will be tight. I have an idea. Vanessa Bloome, FTD. Official floral business. It's real. Sorry, ma'am. Nice brooch. Thank you. It was a gift. Once inside, we just pick the right float. How about The Princess and the Pea? I could be the princess, and you could be the pea! Yes, I got it. Where should I sit? What are you? I believe I'm the pea. The pea? It goes under the mattresses. Not in this fairy tale, sweetheart. I'm getting the marshal. You do that! This whole parade is a fiasco! Let's see what this baby'll do. Hey, what are you doing?! Then all we do is blend in with traffic... without arousing suspicion. Once at the airport, there's no stopping us. Stop! Security. You and your insect pack your float? Yes. Has it been in your possession the entire time? Would you remove your shoes? Remove your stinger. It's part of me. I know. Just having some fun. Enjoy your flight. Then if we're lucky, we'll have just enough pollen to do the job. Can you believe how lucky we are? We have just enough pollen to do the job! I think this is gonna work. It's got to work. Attention, passengers, this is Captain Scott. We have a bit of bad weather in New York. It looks like we'll experience a couple hours delay. Barry, these are cut flowers with no water. They'll never make it. I gotta get up there and talk to them. Be careful. Can I get help with the Sky Mall magazine? I'd like to order the talking inflatable nose and ear hair trimmer. Captain, I'm in a real situation. What'd you say, Hal? Nothing. Bee! Don't freak out! My entire species... What are you doing? Wait a minute! I'm an attorney! Who's an attorney? Don't move. Oh, Barry. Good afternoon, passengers. This is your captain. Would a Miss Vanessa Bloome in 24B please report to the cockpit? And please hurry! What happened here? There was a DustBuster, a toupee, a life raft exploded. One's bald, one's in a boat, they're both unconscious! Is that another bee joke? No! No one's flying the plane! This is JFK control tower, Flight 356. What's your status? This is Vanessa Bloome. I'm a florist from New York. Where's the pilot? He's unconscious, and so is the copilot. Not good. Does anyone onboard have flight experience? As a matter of fact, there is. Who's that? Barry Benson. From the honey trial?! Oh, great. Vanessa, this is nothing more than a big metal bee. It's got giant wings, huge engines. I can't fly a plane. Why not? Isn't John Travolta a pilot? Yes. How hard could it be? Wait, Barry! We're headed into some lightning. This is Bob Bumble. We have some late-breaking news from JFK Airport, where a suspenseful scene is developing. Barry Benson, fresh from his legal victory... That's Barry! ...is attempting to land a plane, loaded with people, flowers and an incapacitated flight crew. Flowers?! We have a storm in the area and two individuals at the controls with absolutely no flight experience. Just a minute. There's a bee on that plane. I'm quite familiar with Mr. Benson and his no-account compadres. They've done enough damage. But isn't he your only hope? Technically, a bee shouldn't be able to fly at all. Their wings are too small... Haven't we heard this a million times? "The surface area of the wings and body mass make no sense." Get this on the air! Got it. Stand by. We're going live. The way we work may be a mystery to you. Making honey takes a lot of bees doing a lot of small jobs. But let me tell you about a small job. If you do it well, it makes a big difference. More than we realized. To us, to everyone. That's why I want to get bees back to working together. That's the bee way! We're not made of Jell-O. We get behind a fellow. Black and yellow! Hello! Left, right, down, hover. Hover? Forget hover. This isn't so hard. Beep-beep! Beep-beep! Barry, what happened?! Wait, I think we were on autopilot the whole time. That may have been helping me. And now we're not! So it turns out I cannot fly a plane. All of you, let's get behind this fellow! Move it out! Move out! Our only chance is if I do what I'd do, you copy me with the wings of the plane! Don't have to yell. I'm not yelling! We're in a lot of trouble. It's very hard to concentrate with that panicky tone in your voice! It's not a tone. I'm panicking! I can't do this! Vanessa, pull yourself together. You have to snap out of it! You snap out of it. You snap out of it. You snap out of it! You snap out of it! You snap out of it! You snap out of it! You snap out of it! You snap out of it! Hold it! Why? Come on, it's my turn. How is the plane flying? I don't know. Hello? Benson, got any flowers for a happy occasion in there? The Pollen Jocks! They do get behind a fellow. Black and yellow. Hello. All right, let's drop this tin can on the blacktop. Where? I can't see anything. Can you? No, nothing. It's all cloudy. Come on. You got to think bee, Barry. Thinking bee. Thinking bee. Thinking bee! Thinking bee! Thinking bee! Wait a minute. I think I'm feeling something. What? I don't know. It's strong, pulling me. Like a 27-million-year-old instinct. Bring the nose down. Thinking bee! Thinking bee! Thinking bee! What in the world is on the tarmac? Get some lights on that! Thinking bee! Thinking bee! Thinking bee! Vanessa, aim for the flower. OK. Cut the engines. We're going in on bee power. Ready, boys? Affirmative! Good. Good. Easy, now. That's it. Land on that flower! Ready? Full reverse! Spin it around! Not that flower! The other one! Which one? That flower. I'm aiming at the flower! That's a fat guy in a flowered shirt. I mean the giant pulsating flower made of millions of bees! Pull forward. Nose down. Tail up. Rotate around it. This is insane, Barry! This's the only way I know how to fly. Am I koo-koo-kachoo, or is this plane flying in an insect-like pattern? Get your nose in there. Don't be afraid. Smell it. Full reverse! Just drop it. Be a part of it. Aim for the center! Now drop it in! Drop it in, woman! Come on, already. Barry, we did it! You taught me how to fly! Yes. No high-five! Right. Barry, it worked! Did you see the giant flower? What giant flower? Where? Of course I saw the flower! That was genius! Thank you. But we're not done yet. Listen, everyone! This runway is covered with the last pollen from the last flowers available anywhere on Earth. That means this is our Last Chance. We're the only ones who make honey, pollinate flowers and dress like this. If we're gonna survive as a species, this is our moment! What do you say? Are we going to be bees, or just Museum of Natural History keychains? We're bees! Keychain! Then follow me! Except Keychain. Hold on, Barry. Here. You've earned this. Yeah! I'm a Pollen Jock! And it's a perfect fit. All I gotta do are the sleeves. Oh, yeah. That's our Barry. Mom! The bees are back! If anybody needs to make a call, now's the time. I got a feeling we'll be working late tonight! Here's your change. Have a great afternoon! Can I help who's next? Would you like some honey with that? It is bee-approved. Don't forget these. Milk, cream, cheese, it's all me. And I don't see a nickel! Sometimes I just feel like a piece of meat! I had no idea. Barry, I'm sorry. Have you got a moment? Would you excuse me? My mosquito associate will help you. Sorry I'm late. He's a lawyer too? I was already a blood-sucking parasite. All I needed was a briefcase. Have a great afternoon! Barry, I just got this huge tulip order, and I can't get them anywhere. No problem, Vannie. Just leave it to me. You're a lifesaver, Barry. Can I help who's next? All right, scramble, jocks! It's time to fly. Thank you, Barry! That bee is living my life! Let it go, Kenny. When will this nightmare end?! Let it all go. Beautiful day to fly. Sure is. Between you and me, I was dying to get out of that office. You have got to start thinking bee, my friend. Thinking bee! Me? Hold it. Let's just stop for a second. Hold it. I'm sorry. I'm sorry, everyone. Can we stop here? I'm not making a major life decision during a production number! All right. Take ten, everybody. Wrap it up, guys. I h

Code Issues 0 Pull requests 0 Pulse MaTaDoR/ 3233fdf V 5.7 MaTaDoR @MaTaDoRTeaMMaTaDoRTeaM committed on GitHub about 1 month ago 2 changed files 2,704 additions and 0 deletions cli/tg/tdcli.lua @@ -0,0 +1,2704 @@ +--[[ + This program is free software; you can redistribute it and/or modify + it under the terms of the GNU General Public License as published by + the Free Software Foundation; either version 2 of the License, or + (at your option) any later version. + + This program is distributed in the hope that it will be useful, + but WITHOUT ANY WARRANTY; without even the implied warranty of + MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the + GNU General Public License for more details. + + You should have received a copy of the GNU General Public License + along with this program; if not, write to the Free Software + Foundation, Inc., 51 Franklin Street, Fifth Floor, Boston, + MA 02110-1301, USA. + +]]-- + +-- Vector example form is like this: {[0] = v} or {v1, v2, v3, [0] = v} +-- If false or true crashed your telegram-cli, try to change true to 1 and false to 0 + +-- Main Bot Framework +local M = {} + +-- @chat_id = user, group, channel, and broadcast +-- @group_id = normal group +-- @channel_id = channel and broadcast +local function getChatId(chat_id) + local chat = {} + local chat_id = tostring(chat_id) + + if chat_id:match('^-100') then + local channel_id = chat_id:gsub('-100', '') + chat = {ID = channel_id, type = 'channel'} + else + local group_id = chat_id:gsub('-', '') + chat = {ID = group_id, type = 'group'} + end + + return chat +end + +local function getInputFile(file) + if file:match('/') then + infile = {ID = "InputFileLocal", path_ = file} + elseif file:match('^%d+$') then + infile = {ID = "InputFileId", id_ = file} + else + infile = {ID = "InputFilePersistentId", persistent_id_ = file} + end + + return infile +end + +-- User can send bold, italic, and monospace text uses HTML or Markdown format. +local function getParseMode(parse_mode) + if parse_mode then + local mode = parse_mode:lower() + + if mode == 'markdown' or mode == 'md' then + P = {ID = "TextParseModeMarkdown"} + elseif mode == 'html' then + P = {ID = "TextParseModeHTML"} + end + end + + return P +end + +-- Returns current authorization state, offline request +local function getAuthState(dl_cb, cmd) + tdcli_function ({ + ID = "GetAuthState", + }, dl_cb, cmd) +end + +M.getAuthState = getAuthState + +-- Sets user's phone number and sends authentication code to the user. +-- Works only when authGetState returns authStateWaitPhoneNumber. +-- If phone number is not recognized or another error has happened, returns an error. Otherwise returns authStateWaitCode +-- @phone_number User's phone number in any reasonable format +-- @allow_flash_call Pass True, if code can be sent via flash call to the specified phone number +-- @is_current_phone_number Pass true, if the phone number is used on the current device. Ignored if allow_flash_call is False +local function setAuthPhoneNumber(phone_number, allow_flash_call, is_current_phone_number, dl_cb, cmd) + tdcli_function ({ + ID = "SetAuthPhoneNumber", + phone_number_ = phone_number, + allow_flash_call_ = allow_flash_call, + is_current_phone_number_ = is_current_phone_number + }, dl_cb, cmd) +end + +M.setAuthPhoneNumber = setAuthPhoneNumber + +-- Resends authentication code to the user. +-- Works only when authGetState returns authStateWaitCode and next_code_type of result is not null. +-- Returns authStateWaitCode on success +local function resendAuthCode(dl_cb, cmd) + tdcli_function ({ + ID = "ResendAuthCode", + }, dl_cb, cmd) +end + +M.resendAuthCode = resendAuthCode + +-- Checks authentication code. +-- Works only when authGetState returns authStateWaitCode. +-- Returns authStateWaitPassword or authStateOk on success +-- @code Verification code from SMS, Telegram message, voice call or flash call +-- @first_name User first name, if user is yet not registered, 1-255 characters +-- @last_name Optional user last name, if user is yet not registered, 0-255 characters +local function checkAuthCode(code, first_name, last_name, dl_cb, cmd) + tdcli_function ({ + ID = "CheckAuthCode", + code_ = code, + first_name_ = first_name, + last_name_ = last_name + }, dl_cb, cmd) +end + +M.checkAuthCode = checkAuthCode + +-- Checks password for correctness. +-- Works only when authGetState returns authStateWaitPassword. +-- Returns authStateOk on success +-- @password Password to check +local function checkAuthPassword(password, dl_cb, cmd) + tdcli_function ({ + ID = "CheckAuthPassword", + password_ = password + }, dl_cb, cmd) +end + +M.checkAuthPassword = checkAuthPassword + +-- Requests to send password recovery code to email. +-- Works only when authGetState returns authStateWaitPassword. +-- Returns authStateWaitPassword on success +local function requestAuthPasswordRecovery(dl_cb, cmd) + tdcli_function ({ + ID = "RequestAuthPasswordRecovery", + }, dl_cb, cmd) +end + +M.requestAuthPasswordRecovery = requestAuthPasswordRecovery + +-- Recovers password with recovery code sent to email. +-- Works only when authGetState returns authStateWaitPassword. +-- Returns authStateOk on success +-- @recovery_code Recovery code to check +local function recoverAuthPassword(recovery_code, dl_cb, cmd) + tdcli_function ({ + ID = "RecoverAuthPassword", + recovery_code_ = recovery_code + }, dl_cb, cmd) +end + +M.recoverAuthPassword = recoverAuthPassword + +-- Logs out user. +-- If force == false, begins to perform soft log out, returns authStateLoggingOut after completion. +-- If force == true then succeeds almost immediately without cleaning anything at the server, but returns error with code 401 and description "Unauthorized" +-- @force If true, just delete all local data. Session will remain in list of active sessions +local function resetAuth(force, dl_cb, cmd) + tdcli_function ({ + ID = "ResetAuth", + force_ = force or nil + }, dl_cb, cmd) +end + +M.resetAuth = resetAuth + +-- Check bot's authentication token to log in as a bot. +-- Works only when authGetState returns authStateWaitPhoneNumber. +-- Can be used instead of setAuthPhoneNumber and checkAuthCode to log in. +-- Returns authStateOk on success +-- @token Bot token +local function checkAuthBotToken(token, dl_cb, cmd) + tdcli_function ({ + ID = "CheckAuthBotToken", + token_ = token + }, dl_cb, cmd) +end + +M.checkAuthBotToken = checkAuthBotToken + +-- Returns current state of two-step verification +local function getPasswordState(dl_cb, cmd) + tdcli_function ({ + ID = "GetPasswordState", + }, dl_cb, cmd) +end + +M.getPasswordState = getPasswordState + +-- Changes user password. +-- If new recovery email is specified, then error EMAIL_UNCONFIRMED is returned and password change will not be applied until email confirmation. +-- Application should call getPasswordState from time to time to check if email is already confirmed +-- @old_password Old user password +-- @new_password New user password, may be empty to remove the password +-- @new_hint New password hint, can be empty +-- @set_recovery_email Pass True, if recovery email should be changed +-- @new_recovery_email New recovery email, may be empty +local function setPassword(old_password, new_password, new_hint, set_recovery_email, new_recovery_email, dl_cb, cmd) + tdcli_function ({ + ID = "SetPassword", + old_password_ = old_password, + new_password_ = new_password, + new_hint_ = new_hint, + set_recovery_email_ = set_recovery_email, + new_recovery_email_ = new_recovery_email + }, dl_cb, cmd) +end + +M.setPassword = setPassword + +-- Returns set up recovery email. +-- This method can be used to verify a password provided by the user +-- @password Current user password +local function getRecoveryEmail(password, dl_cb, cmd) + tdcli_function ({ + ID = "GetRecoveryEmail", + password_ = password + }, dl_cb, cmd) +end + +M.getRecoveryEmail = getRecoveryEmail + +-- Changes user recovery email. +-- If new recovery email is specified, then error EMAIL_UNCONFIRMED is returned and email will not be changed until email confirmation. +-- Application should call getPasswordState from time to time to check if email is already confirmed. +-- If new_recovery_email coincides with the current set up email succeeds immediately and aborts all other requests waiting for email confirmation +-- @password Current user password +-- @new_recovery_email New recovery email +local function setRecoveryEmail(password, new_recovery_email, dl_cb, cmd) + tdcli_function ({ + ID = "SetRecoveryEmail", + password_ = password, + new_recovery_email_ = new_recovery_email + }, dl_cb, cmd) +end + +M.setRecoveryEmail = setRecoveryEmail + +-- Requests to send password recovery code to email +local function requestPasswordRecovery(dl_cb, cmd) + tdcli_function ({ + ID = "RequestPasswordRecovery", + }, dl_cb, cmd) +end + +M.requestPasswordRecovery = requestPasswordRecovery + +-- Recovers password with recovery code sent to email +-- @recovery_code Recovery code to check +local function recoverPassword(recovery_code, dl_cb, cmd) + tdcli_function ({ + ID = "RecoverPassword", + recovery_code_ = tostring(recovery_code) + }, dl_cb, cmd) +end + +M.recoverPassword = recoverPassword + +-- Returns current logged in user +local function getMe(dl_cb, cmd) + tdcli_function ({ + ID = "GetMe", + }, dl_cb, cmd) +end + +M.getMe = getMe + +-- Returns information about a user by its identifier, offline request if current user is not a bot +-- @user_id User identifier +local function getUser(user_id, dl_cb, cmd) + tdcli_function ({ + ID = "GetUser", + user_id_ = user_id + }, dl_cb, cmd) +end + +M.getUser = getUser + +-- Returns full information about a user by its identifier +-- @user_id User identifier +local function getUserFull(user_id, dl_cb, cmd) + tdcli_function ({ + ID = "GetUserFull", + user_id_ = user_id + }, dl_cb, cmd) +end + +M.getUserFull = getUserFull + +-- Returns information about a group by its identifier, offline request if current user is not a bot +-- @group_id Group identifier +local function getGroup(group_id, dl_cb, cmd) + tdcli_function ({ + ID = "GetGroup", + group_id_ = getChatId(group_id).ID + }, dl_cb, cmd) +end + +M.getGroup = getGroup + +-- Returns full information about a group by its identifier +-- @group_id Group identifier +local function getGroupFull(group_id, dl_cb, cmd) + tdcli_function ({ + ID = "GetGroupFull", + group_id_ = getChatId(group_id).ID + }, dl_cb, cmd) +end + +M.getGroupFull = getGroupFull + +-- Returns information about a channel by its identifier, offline request if current user is not a bot +-- @channel_id Channel identifier +local function getChannel(channel_id, dl_cb, cmd) + tdcli_function ({ + ID = "GetChannel", + channel_id_ = getChatId(channel_id).ID + }, dl_cb, cmd) +end + +M.getChannel = getChannel + +-- Returns full information about a channel by its identifier, cached for at most 1 minute +-- @channel_id Channel identifier +local function getChannelFull(channel_id, dl_cb, cmd) + tdcli_function ({ + ID = "GetChannelFull", + channel_id_ = getChatId(channel_id).ID + }, dl_cb, cmd) +end + +M.getChannelFull = getChannelFull + +-- Returns information about a secret chat by its identifier, offline request +-- @secret_chat_id Secret chat identifier +local function getSecretChat(secret_chat_id, dl_cb, cmd) + tdcli_function ({ + ID = "GetSecretChat", + secret_chat_id_ = secret_chat_id + }, dl_cb, cmd) +end + +M.getSecretChat = getSecretChat + +-- Returns information about a chat by its identifier, offline request if current user is not a bot +-- @chat_id Chat identifier +local function getChat(chat_id, dl_cb, cmd) + tdcli_function ({ + ID = "GetChat", + chat_id_ = chat_id + }, dl_cb, cmd) +end + +M.getChat = getChat + +-- Returns information about a message +-- @chat_id Identifier of the chat, message belongs to +-- @message_id Identifier of the message to get +local function getMessage(chat_id, message_id, dl_cb, cmd) + tdcli_function ({ + ID = "GetMessage", + chat_id_ = chat_id, + message_id_ = message_id + }, dl_cb, cmd) +end + +M.getMessage = getMessage + +-- Returns information about messages. +-- If message is not found, returns null on the corresponding position of the result +-- @chat_id Identifier of the chat, messages belongs to +-- @message_ids Identifiers of the messages to get +local function getMessages(chat_id, message_ids, dl_cb, cmd) + tdcli_function ({ + ID = "GetMessages", + chat_id_ = chat_id, + message_ids_ = message_ids -- vector + }, dl_cb, cmd) +end + +M.getMessages = getMessages + +-- Returns information about a file, offline request +-- @file_id Identifier of the file to get +local function getFile(file_id, dl_cb, cmd) + tdcli_function ({ + ID = "GetFile", + file_id_ = file_id + }, dl_cb, cmd) +end + +M.getFile = getFile + +-- Returns information about a file by its persistent id, offline request +-- @persistent_file_id Persistent identifier of the file to get +local function getFilePersistent(persistent_file_id, dl_cb, cmd) + tdcli_function ({ + ID = "GetFilePersistent", + persistent_file_id_ = persistent_file_id + }, dl_cb, cmd) +end + +M.getFilePersistent = getFilePersistent + +-- Returns list of chats in the right order, chats are sorted by (order, chat_id) in decreasing order. +-- For example, to get list of chats from the beginning, the offset_order should be equal 2^63 - 1 +-- @offset_order Chat order to return chats from +-- @offset_chat_id Chat identifier to return chats from +-- @limit Maximum number of chats to be returned +local function getChats(offset_order, offset_chat_id, limit, dl_cb, cmd) + if not limit or limit > 20 then + limit = 20 + end + + tdcli_function ({ + ID = "GetChats", + offset_order_ = offset_order or 9223372036854775807, + offset_chat_id_ = offset_chat_id or 0, + limit_ = limit + }, dl_cb, cmd) +end + +M.getChats = getChats + +-- Searches public chat by its username. +-- Currently only private and channel chats can be public. +-- Returns chat if found, otherwise some error is returned +-- @username Username to be resolved +local function searchPublicChat(username, dl_cb, cmd) + tdcli_function ({ + ID = "SearchPublicChat", + username_ = username + }, dl_cb, cmd) +end + +M.searchPublicChat = searchPublicChat + +-- Searches public chats by prefix of their username. +-- Currently only private and channel (including supergroup) chats can be public. +-- Returns meaningful number of results. +-- Returns nothing if length of the searched username prefix is less than 5. +-- Excludes private chats with contacts from the results +-- @username_prefix Prefix of the username to search +local function searchPublicChats(username_prefix, dl_cb, cmd) + tdcli_function ({ + ID = "SearchPublicChats", + username_prefix_ = username_prefix + }, dl_cb, cmd) +end + +M.searchPublicChats = searchPublicChats + +-- Searches for specified query in the title and username of known chats, offline request. +-- Returns chats in the order of them in the chat list +-- @query Query to search for, if query is empty, returns up to 20 recently found chats +-- @limit Maximum number of chats to be returned +local function searchChats(query, limit, dl_cb, cmd) + if not limit or limit > 20 then + limit = 20 + end + + tdcli_function ({ + ID = "SearchChats", + query_ = query, + limit_ = limit + }, dl_cb, cmd) +end + +M.searchChats = searchChats + +-- Adds chat to the list of recently found chats. +-- The chat is added to the beginning of the list. +-- If the chat is already in the list, at first it is removed from the list +-- @chat_id Identifier of the chat to add +local function addRecentlyFoundChat(chat_id, dl_cb, cmd) + tdcli_function ({ + ID = "AddRecentlyFoundChat", + chat_id_ = chat_id + }, dl_cb, cmd) +end + +M.addRecentlyFoundChat = addRecentlyFoundChat + +-- Deletes chat from the list of recently found chats +-- @chat_id Identifier of the chat to delete +local function deleteRecentlyFoundChat(chat_id, dl_cb, cmd) + tdcli_function ({ + ID = "DeleteRecentlyFoundChat", + chat_id_ = chat_id + }, dl_cb, cmd) +end + +M.deleteRecentlyFoundChat = deleteRecentlyFoundChat + +-- Clears list of recently found chats +local function deleteRecentlyFoundChats(dl_cb, cmd) + tdcli_function ({ + ID = "DeleteRecentlyFoundChats", + }, dl_cb, cmd) +end + +M.deleteRecentlyFoundChats = deleteRecentlyFoundChats + +-- Returns list of common chats with an other given user. +-- Chats are sorted by their type and creation date +-- @user_id User identifier +-- @offset_chat_id Chat identifier to return chats from, use 0 for the first request +-- @limit Maximum number of chats to be returned, up to 100 +local function getCommonChats(user_id, offset_chat_id, limit, dl_cb, cmd) + if not limit or limit > 100 then + limit = 100 + end + + tdcli_function ({ + ID = "GetCommonChats", + user_id_ = user_id, + offset_chat_id_ = offset_chat_id, + limit_ = limit + }, dl_cb, cmd) +end + +M.getCommonChats = getCommonChats + +-- Returns messages in a chat. +-- Automatically calls openChat. +-- Returns result in reverse chronological order, i.e. in order of decreasing message.message_id +-- @chat_id Chat identifier +-- @from_message_id Identifier of the message near which we need a history, you can use 0 to get results from the beginning, i.e. from oldest to newest +-- @offset Specify 0 to get results exactly from from_message_id or negative offset to get specified message and some newer messages +-- @limit Maximum number of messages to be returned, should be positive and can't be greater than 100. +-- If offset is negative, limit must be greater than -offset. +-- There may be less than limit messages returned even the end of the history is not reached +local function getChatHistory(chat_id, from_message_id, offset, limit, dl_cb, cmd) + if not limit or limit > 100 then + limit = 100 + end + + tdcli_function ({ + ID = "GetChatHistory", + chat_id_ = chat_id, + from_message_id_ = from_message_id, + offset_ = offset or 0, + limit_ = limit + }, dl_cb, cmd) +end + +M.getChatHistory = getChatHistory + +-- Deletes all messages in the chat. +-- Can't be used for channel chats +-- @chat_id Chat identifier +-- @remove_from_chat_list Pass true, if chat should be removed from the chat list +local function deleteChatHistory(chat_id, remove_from_chat_list, dl_cb, cmd) + tdcli_function ({ + ID = "DeleteChatHistory", + chat_id_ = chat_id, + remove_from_chat_list_ = remove_from_chat_list + }, dl_cb, cmd) +end + +M.deleteChatHistory = deleteChatHistory + +-- Searches for messages with given words in the chat. +-- Returns result in reverse chronological order, i. e. in order of decreasimg message_id. +-- Doesn't work in secret chats +-- @chat_id Chat identifier to search in +-- @query Query to search for +-- @from_message_id Identifier of the message from which we need a history, you can use 0 to get results from beginning +-- @limit Maximum number of messages to be returned, can't be greater than 100 +-- @filter Filter for content of searched messages +-- filter = Empty|Animation|Audio|Document|Photo|Video|Voice|PhotoAndVideo|Url|ChatPhoto +local function searchChatMessages(chat_id, query, from_message_id, limit, filter, dl_cb, cmd) + if not limit or limit > 100 then + limit = 100 + end + + tdcli_function ({ + ID = "SearchChatMessages", + chat_id_ = chat_id, + query_ = query, + from_message_id_ = from_message_id, + limit_ = limit, + filter_ = { + ID = 'SearchMessagesFilter' .. filter + }, + }, dl_cb, cmd) +end + +M.searchChatMessages = searchChatMessages + +-- Searches for messages in all chats except secret chats. Returns result in reverse chronological order, i. e. in order of decreasing (date, chat_id, message_id) +-- @query Query to search for +-- @offset_date Date of the message to search from, you can use 0 or any date in the future to get results from the beginning +-- @offset_chat_id Chat identifier of the last found message or 0 for the first request +-- @offset_message_id Message identifier of the last found message or 0 for the first request +-- @limit Maximum number of messages to be returned, can't be greater than 100 +local function searchMessages(query, offset_date, offset_chat_id, offset_message_id, limit, dl_cb, cmd) + if not limit or limit > 100 then + limit = 100 + end + + tdcli_function ({ + ID = "SearchMessages", + query_ = query, + offset_date_ = offset_date, + offset_chat_id_ = offset_chat_id, + offset_message_id_ = offset_message_id, + limit_ = limit + }, dl_cb, cmd) +end + +M.searchMessages = searchMessages + +-- Invites bot to a chat (if it is not in the chat) and send /start to it. +-- Bot can't be invited to a private chat other than chat with the bot. +-- Bots can't be invited to broadcast channel chats and secret chats. +-- Returns sent message. +-- UpdateChatTopMessage will not be sent, so returned message should be used to update chat top message +-- @bot_user_id Identifier of the bot +-- @chat_id Identifier of the chat +-- @parameter Hidden parameter sent to bot for deep linking (https://api.telegram.org/bots#deep-linking) +-- parameter=start|startgroup or custom as defined by bot creator +local function sendBotStartMessage(bot_user_id, chat_id, parameter, dl_cb, cmd) + tdcli_function ({ + ID = "SendBotStartMessage", + bot_user_id_ = bot_user_id, + chat_id_ = chat_id, + parameter_ = parameter + }, dl_cb, cmd) +end + +M.sendBotStartMessage = sendBotStartMessage + +-- Sends result of the inline query as a message. +-- Returns sent message. +-- UpdateChatTopMessage will not be sent, so returned message should be used to update chat top message. +-- Always clears chat draft message +-- @chat_id Chat to send message +-- @reply_to_message_id Identifier of a message to reply to or 0 +-- @disable_notification Pass true, to disable notification about the message, doesn't works in secret chats +-- @from_background Pass true, if the message is sent from background +-- @query_id Identifier of the inline query +-- @result_id Identifier of the inline result +local function sendInlineQueryResultMessage(chat_id, reply_to_message_id, disable_notification, from_background, query_id, result_id, dl_cb, cmd) + tdcli_function ({ + ID = "SendInlineQueryResultMessage", + chat_id_ = chat_id, + reply_to_message_id_ = reply_to_message_id, + disable_notification_ = disable_notification, + from_background_ = from_background, + query_id_ = query_id, + result_id_ = result_id + }, dl_cb, cmd) +end + +M.sendInlineQueryResultMessage = sendInlineQueryResultMessage + +-- Forwards previously sent messages. +-- Returns forwarded messages in the same order as message identifiers passed in message_ids. +-- If message can't be forwarded, null will be returned instead of the message. +-- UpdateChatTopMessage will not be sent, so returned messages should be used to update chat top message +-- @chat_id Identifier of a chat to forward messages +-- @from_chat_id Identifier of a chat to forward from +-- @message_ids Identifiers of messages to forward +-- @disable_notification Pass true, to disable notification about the message, doesn't works if messages are forwarded to secret chat +-- @from_background Pass true, if the message is sent from background +local function forwardMessages(chat_id, from_chat_id, message_ids, disable_notification, dl_cb, cmd) + tdcli_function ({ + ID = "ForwardMessages", + chat_id_ = chat_id, + from_chat_id_ = from_chat_id, + message_ids_ = message_ids, -- vector + disable_notification_ = disable_notification, + from_background_ = 1 + }, dl_cb, cmd) +end + +M.forwardMessages = forwardMessages + +-- Changes current ttl setting in a secret chat and sends corresponding message +-- @chat_id Chat identifier +-- @ttl New value of ttl in seconds +local function sendChatSetTtlMessage(chat_id, ttl, dl_cb, cmd) + tdcli_function ({ + ID = "SendChatSetTtlMessage", + chat_id_ = chat_id, + ttl_ = ttl + }, dl_cb, cmd) +end + +M.sendChatSetTtlMessage = sendChatSetTtlMessage + +-- Deletes messages. +-- UpdateDeleteMessages will not be sent for messages deleted through that function +-- @chat_id Chat identifier +-- @message_ids Identifiers of messages to delete +local function deleteMessages(chat_id, message_ids, dl_cb, cmd) + tdcli_function ({ + ID = "DeleteMessages", + chat_id_ = chat_id, + message_ids_ = message_ids -- vector + }, dl_cb, cmd) +end + +M.deleteMessages = deleteMessages + +-- Deletes all messages in the chat sent by the specified user. +-- Works only in supergroup channel chats, needs appropriate privileges +-- @chat_id Chat identifier +-- @user_id User identifier +local function deleteMessagesFromUser(chat_id, user_id, dl_cb, cmd) + tdcli_function ({ + ID = "DeleteMessagesFromUser", + chat_id_ = chat_id, + user_id_ = user_id + }, dl_cb, cmd) +end + +M.deleteMessagesFromUser = deleteMessagesFromUser + +-- Edits text of text or game message. +-- Non-bots can edit message in a limited period of time. +-- Returns edited message after edit is complete server side +-- @chat_id Chat the message belongs to +-- @message_id Identifier of the message +-- @reply_markup Bots only. New message reply markup +-- @input_message_content New text content of the message. Should be of type InputMessageText +local function editMessageText(chat_id, message_id, reply_markup, text, disable_web_page_preview, parse_mode, dl_cb, cmd) + local TextParseMode = getParseMode(parse_mode) + + tdcli_function ({ + ID = "EditMessageText", + chat_id_ = chat_id, + message_id_ = message_id, + reply_markup_ = reply_markup, -- reply_markup:ReplyMarkup + input_message_content_ = { + ID = "InputMessageText", + text_ = text, + disable_web_page_preview_ = disable_web_page_preview, + clear_draft_ = 0, + entities_ = {}, + parse_mode_ = TextParseMode, + }, + }, dl_cb, cmd) +end + +M.editMessageText = editMessageText + +-- Edits message content caption. +-- Non-bots can edit message in a limited period of time. +-- Returns edited message after edit is complete server side +-- @chat_id Chat the message belongs to +-- @message_id Identifier of the message +-- @reply_markup Bots only. New message reply markup +-- @caption New message content caption, 0-200 characters +local function editMessageCaption(chat_id, message_id, reply_markup, caption, dl_cb, cmd) + tdcli_function ({ + ID = "EditMessageCaption", + chat_id_ = chat_id, + message_id_ = message_id, + reply_markup_ = reply_markup, -- reply_markup:ReplyMarkup + caption_ = caption + }, dl_cb, cmd) +end + +M.editMessageCaption = editMessageCaption + +-- Bots only. +-- Edits message reply markup. +-- Returns edited message after edit is complete server side +-- @chat_id Chat the message belongs to +-- @message_id Identifier of the message +-- @reply_markup New message reply markup +local function editMessageReplyMarkup(inline_message_id, reply_markup, caption, dl_cb, cmd) + tdcli_function ({ + ID = "EditInlineMessageCaption", + inline_message_id_ = inline_message_id, + reply_markup_ = reply_markup, -- reply_markup:ReplyMarkup + caption_ = caption + }, dl_cb, cmd) +end + +M.editMessageReplyMarkup = editMessageReplyMarkup + +-- Bots only. +-- Edits text of an inline text or game message sent via bot +-- @inline_message_id Inline message identifier +-- @reply_markup New message reply markup +-- @input_message_content New text content of the message. Should be of type InputMessageText +local function editInlineMessageText(inline_message_id, reply_markup, text, disable_web_page_preview, dl_cb, cmd) + tdcli_function ({ + ID = "EditInlineMessageText", + inline_message_id_ = inline_message_id, + reply_markup_ = reply_markup, -- reply_markup:ReplyMarkup + input_message_content_ = { + ID = "InputMessageText", + text_ = text, + disable_web_page_preview_ = disable_web_page_preview, + clear_draft_ = 0, + entities_ = {} + }, + }, dl_cb, cmd) +end + +M.editInlineMessageText = editInlineMessageText + +-- Bots only. +-- Edits caption of an inline message content sent via bot +-- @inline_message_id Inline message identifier +-- @reply_markup New message reply markup +-- @caption New message content caption, 0-200 characters +local function editInlineMessageCaption(inline_message_id, reply_markup, caption, dl_cb, cmd) + tdcli_function ({ + ID = "EditInlineMessageCaption", + inline_message_id_ = inline_message_id, + reply_markup_ = reply_markup, -- reply_markup:ReplyMarkup + caption_ = caption + }, dl_cb, cmd) +end + +M.editInlineMessageCaption = editInlineMessageCaption + +-- Bots only. +-- Edits reply markup of an inline message sent via bot +-- @inline_message_id Inline message identifier +-- @reply_markup New message reply markup +local function editInlineMessageReplyMarkup(inline_message_id, reply_markup, dl_cb, cmd) + tdcli_function ({ + ID = "EditInlineMessageReplyMarkup", + inline_message_id_ = inline_message_id, + reply_markup_ = reply_markup -- reply_markup:ReplyMarkup + }, dl_cb, cmd) +end + +M.editInlineMessageReplyMarkup = editInlineMessageReplyMarkup + + +-- Sends inline query to a bot and returns its results. +-- Unavailable for bots +-- @bot_user_id Identifier of the bot send query to +-- @chat_id Identifier of the chat, where the query is sent +-- @user_location User location, only if needed +-- @query Text of the query +-- @offset Offset of the first entry to return +local function getInlineQueryResults(bot_user_id, chat_id, latitude, longitude, query, offset, dl_cb, cmd) + tdcli_function ({ + ID = "GetInlineQueryResults", + bot_user_id_ = bot_user_id, + chat_id_ = chat_id, + user_location_ = { + ID = "Location", + latitude_ = latitude, + longitude_ = longitude + }, + query_ = query, + offset_ = offset + }, dl_cb, cmd) +end + +M.getInlineQueryResults = getInlineQueryResults + +-- Bots only. +-- Sets result of the inline query +-- @inline_query_id Identifier of the inline query +-- @is_personal Does result of the query can be cached only for specified user +-- @results Results of the query +-- @cache_time Allowed time to cache results of the query in seconds +-- @next_offset Offset for the next inline query, pass empty string if there is no more results +-- @switch_pm_text If non-empty, this text should be shown on the button, which opens private chat with the bot and sends bot start message with parameter switch_pm_parameter +-- @switch_pm_parameter Parameter for the bot start message +local function answerInlineQuery(inline_query_id, is_personal, cache_time, next_offset, switch_pm_text, switch_pm_parameter, dl_cb, cmd) + tdcli_function ({ + ID = "AnswerInlineQuery", + inline_query_id_ = inline_query_id, + is_personal_ = is_personal, + results_ = results, --vector<InputInlineQueryResult>, + cache_time_ = cache_time, + next_offset_ = next_offset, + switch_pm_text_ = switch_pm_text, + switch_pm_parameter_ = switch_pm_parameter + }, dl_cb, cmd) +end + +M.answerInlineQuery = answerInlineQuery + +-- Sends callback query to a bot and returns answer to it. +-- Unavailable for bots +-- @chat_id Identifier of the chat with a message +-- @message_id Identifier of the message, from which the query is originated +-- @payload Query payload +-- @text Text of the answer +-- @show_alert If true, an alert should be shown to the user instead of a toast +-- @url URL to be open +local function getCallbackQueryAnswer(chat_id, message_id, text, show_alert, url, dl_cb, cmd) + tdcli_function ({ + ID = "GetCallbackQueryAnswer", + chat_id_ = chat_id, + message_id_ = message_id, + payload_ = { + ID = "CallbackQueryAnswer", + text_ = text, + show_alert_ = show_alert, + url_ = url + }, + }, dl_cb, cmd) +end + +M.getCallbackQueryAnswer = getCallbackQueryAnswer + +-- Bots only. +-- Sets result of the callback query +-- @callback_query_id Identifier of the callback query +-- @text Text of the answer +-- @show_alert If true, an alert should be shown to the user instead of a toast +-- @url Url to be opened +-- @cache_time Allowed time to cache result of the query in seconds +local function answerCallbackQuery(callback_query_id, text, show_alert, url, cache_time, dl_cb, cmd) + tdcli_function ({ + ID = "AnswerCallbackQuery", + callback_query_id_ = callback_query_id, + text_ = text, + show_alert_ = show_alert, + url_ = url, + cache_time_ = cache_time + }, dl_cb, cmd) +end + +M.answerCallbackQuery = answerCallbackQuery + +-- Bots only. +-- Updates game score of the specified user in the game +-- @chat_id Chat a message with the game belongs to +-- @message_id Identifier of the message +-- @edit_message True, if message should be edited +-- @user_id User identifier +-- @score New score +-- @force Pass True to update the score even if it decreases. If score is 0, user will be deleted from the high scores table +local function setGameScore(chat_id, message_id, edit_message, user_id, score, force, dl_cb, cmd) + tdcli_function ({ + ID = "SetGameScore", + chat_id_ = chat_id, + message_id_ = message_id, + edit_message_ = edit_message, + user_id_ = user_id, + score_ = score, + force_ = force + }, dl_cb, cmd) +end + +M.setGameScore = setGameScore + +-- Bots only. +-- Updates game score of the specified user in the game +-- @inline_message_id Inline message identifier +-- @edit_message True, if message should be edited +-- @user_id User identifier +-- @score New score +-- @force Pass True to update the score even if it decreases. If score is 0, user will be deleted from the high scores table +local function setInlineGameScore(inline_message_id, edit_message, user_id, score, force, dl_cb, cmd) + tdcli_function ({ + ID = "SetInlineGameScore", + inline_message_id_ = inline_message_id, + edit_message_ = edit_message, + user_id_ = user_id, + score_ = score, + force_ = force + }, dl_cb, cmd) +end + +M.setInlineGameScore = setInlineGameScore + +-- Bots only. +-- Returns game high scores and some part of the score table around of the specified user in the game +-- @chat_id Chat a message with the game belongs to +-- @message_id Identifier of the message +-- @user_id User identifie +local function getGameHighScores(chat_id, message_id, user_id, dl_cb, cmd) + tdcli_function ({ + ID = "GetGameHighScores", + chat_id_ = chat_id, + message_id_ = message_id, + user_id_ = user_id + }, dl_cb, cmd) +end + +M.getGameHighScores = getGameHighScores + +-- Bots only. +-- Returns game high scores and some part of the score table around of the specified user in the game +-- @inline_message_id Inline message identifier +-- @user_id User identifier +local function getInlineGameHighScores(inline_message_id, user_id, dl_cb, cmd) + tdcli_function ({ + ID = "GetInlineGameHighScores", + inline_message_id_ = inline_message_id, + user_id_ = user_id + }, dl_cb, cmd) +end + +M.getInlineGameHighScores = getInlineGameHighScores + +-- Deletes default reply markup from chat. +-- This method needs to be called after one-time keyboard or ForceReply reply markup has been used. +-- UpdateChatReplyMarkup will be send if reply markup will be changed +-- @chat_id Chat identifier +-- @message_id Message identifier of used keyboard +local function deleteChatReplyMarkup(chat_id, message_id, dl_cb, cmd) + tdcli_function ({ + ID = "DeleteChatReplyMarkup", + chat_id_ = chat_id, + message_id_ = message_id + }, dl_cb, cmd) +end + +M.deleteChatReplyMarkup = deleteChatReplyMarkup + +-- Sends notification about user activity in a chat +-- @chat_id Chat identifier +-- @action Action description +-- action = Typing|Cancel|RecordVideo|UploadVideo|RecordVoice|UploadVoice|UploadPhoto|UploadDocument|GeoLocation|ChooseContact|StartPlayGame +local function sendChatAction(chat_id, action, progress, dl_cb, cmd) + tdcli_function ({ + ID = "SendChatAction", + chat_id_ = chat_id, + action_ = { + ID = "SendMessage" .. action .. "Action", + progress_ = progress or 100 + } + }, dl_cb, cmd) +end + +M.sendChatAction = sendChatAction + +-- Sends notification about screenshot taken in a chat. +-- Works only in secret chats +-- @chat_id Chat identifier +local function sendChatScreenshotTakenNotification(chat_id, dl_cb, cmd) + tdcli_function ({ + ID = "SendChatScreenshotTakenNotification", + chat_id_ = chat_id + }, dl_cb, cmd) +end + +M.sendChatScreenshotTakenNotification = sendChatScreenshotTakenNotification + +-- Chat is opened by the user. +-- Many useful activities depends on chat being opened or closed. For example, in channels all updates are received only for opened chats +-- @chat_id Chat identifier +local function openChat(chat_id, dl_cb, cmd) + tdcli_function ({ + ID = "OpenChat", + chat_id_ = chat_id + }, dl_cb, cmd) +end + +M.openChat = openChat + +-- Chat is closed by the user. +-- Many useful activities depends on chat being opened or closed. +-- @chat_id Chat identifier +local function closeChat(chat_id, dl_cb, cmd) + tdcli_function ({ + ID = "CloseChat", + chat_id_ = chat_id + }, dl_cb, cmd) +end + +M.closeChat = closeChat + +-- Messages are viewed by the user. +-- Many useful activities depends on message being viewed. For example, marking messages as read, incrementing of view counter, updating of view counter, removing of deleted messages in channels +-- @chat_id Chat identifier +-- @message_ids Identifiers of viewed messages +local function viewMessages(chat_id, message_ids, dl_cb, cmd) + tdcli_function ({ + ID = "ViewMessages", + chat_id_ = chat_id, + message_ids_ = message_ids -- vector + }, dl_cb, cmd) +end + +M.viewMessages = viewMessages + +-- Message content is opened, for example the user has opened a photo, a video, a document, a location or a venue or have listened to an audio or a voice message +-- @chat_id Chat identifier of the message +-- @message_id Identifier of the message with opened content +local function openMessageContent(chat_id, message_id, dl_cb, cmd) + tdcli_function ({ + ID = "OpenMessageContent", + chat_id_ = chat_id, + message_id_ = message_id + }, dl_cb, cmd) +end + +M.openMessageContent = openMessageContent + +-- Returns existing chat corresponding to the given user +-- @user_id User identifier +local function createPrivateChat(user_id, dl_cb, cmd) + tdcli_function ({ + ID = "CreatePrivateChat", + user_id_ = user_id + }, dl_cb, cmd) +end + +M.createPrivateChat = createPrivateChat + +-- Returns existing chat corresponding to the known group +-- @group_id Group identifier +local function createGroupChat(group_id, dl_cb, cmd) + tdcli_function ({ + ID = "CreateGroupChat", + group_id_ = getChatId(group_id).ID + }, dl_cb, cmd) +end + +M.createGroupChat = createGroupChat + +-- Returns existing chat corresponding to the known channel +-- @channel_id Channel identifier +local function createChannelChat(channel_id, dl_cb, cmd) + tdcli_function ({ + ID = "CreateChannelChat", + channel_id_ = getChatId(channel_id).ID + }, dl_cb, cmd) +end + +M.createChannelChat = createChannelChat + +-- Returns existing chat corresponding to the known secret chat +-- @secret_chat_id SecretChat identifier +local function createSecretChat(secret_chat_id, dl_cb, cmd) + tdcli_function ({ + ID = "CreateSecretChat", + secret_chat_id_ = secret_chat_id + }, dl_cb, cmd) +end + +M.createSecretChat = createSecretChat + +-- Creates new group chat and send corresponding messageGroupChatCreate, returns created chat +-- @user_ids Identifiers of users to add to the group +-- @title Title of new group chat, 0-255 characters +local function createNewGroupChat(user_ids, title, dl_cb, cmd) + tdcli_function ({ + ID = "CreateNewGroupChat", + user_ids_ = user_ids, -- vector + title_ = title + }, dl_cb, cmd) +end + +M.createNewGroupChat = createNewGroupChat + +-- Creates new channel chat and send corresponding messageChannelChatCreate, returns created chat +-- @title Title of new channel chat, 0-255 characters +-- @is_supergroup True, if supergroup chat should be created +-- @about Information about the channel, 0-255 characters +local function createNewChannelChat(title, is_supergroup, about, dl_cb, cmd) + tdcli_function ({ + ID = "CreateNewChannelChat", + title_ = title, + is_supergroup_ = is_supergroup, + about_ = about + }, dl_cb, cmd) +end + +M.createNewChannelChat = createNewChannelChat + +-- Creates new secret chat, returns created chat +-- @user_id Identifier of a user to create secret chat with +local function createNewSecretChat(user_id, dl_cb, cmd) + tdcli_function ({ + ID = "CreateNewSecretChat", + user_id_ = user_id + }, dl_cb, cmd) +end + +M.createNewSecretChat = createNewSecretChat + +-- Creates new channel supergroup chat from existing group chat and send corresponding messageChatMigrateTo and messageChatMigrateFrom. Deactivates group +-- @chat_id Group chat identifier +local function migrateGroupChatToChannelChat(chat_id, dl_cb, cmd) + tdcli_function ({ + ID = "MigrateGroupChatToChannelChat", + chat_id_ = chat_id + }, dl_cb, cmd) +end + +M.migrateGroupChatToChannelChat = migrateGroupChatToChannelChat + +-- Changes chat title. +-- Title can't be changed for private chats. +-- Title will not change until change will be synchronized with the server. +-- Title will not be changed if application is killed before it can send request to the server. +-- There will be update about change of the title on success. Otherwise error will be returned +-- @chat_id Chat identifier +-- @title New title of a chat, 0-255 characters +local function changeChatTitle(chat_id, title, dl_cb, cmd) + tdcli_function ({ + ID = "ChangeChatTitle", + chat_id_ = chat_id, + title_ = title + }, dl_cb, cmd) +end + +M.changeChatTitle = changeChatTitle + +-- Changes chat photo. +-- Photo can't be changed for private chats. +-- Photo will not change until change will be synchronized with the server. +-- Photo will not be changed if application is killed before it can send request to the server. +-- There will be update about change of the photo on success. Otherwise error will be returned +-- @chat_id Chat identifier +-- @photo New chat photo. You can use zero InputFileId to delete photo. Files accessible only by HTTP URL are not acceptable +local function changeChatPhoto(chat_id, photo, dl_cb, cmd) + tdcli_function ({ + ID = "ChangeChatPhoto", + chat_id_ = chat_id, + photo_ = getInputFile(photo) + }, dl_cb, cmd) +end + +M.changeChatPhoto = changeChatPhoto + +-- Changes chat draft message +-- @chat_id Chat identifier +-- @draft_message New draft message, nullable +local function changeChatDraftMessage(chat_id, reply_to_message_id, text, disable_web_page_preview, clear_draft, parse_mode, dl_cb, cmd) + local TextParseMode = getParseMode(parse_mode) + + tdcli_function ({ + ID = "ChangeChatDraftMessage", + chat_id_ = chat_id, + draft_message_ = { + ID = "DraftMessage", + reply_to_message_id_ = reply_to_message_id, + input_message_text_ = { + ID = "InputMessageText", + text_ = text, + disable_web_page_preview_ = disable_web_page_preview, + clear_draft_ = clear_draft, + entities_ = {}, + parse_mode_ = TextParseMode, + }, + }, + }, dl_cb, cmd) +end + +M.changeChatDraftMessage = changeChatDraftMessage + +-- Adds new member to chat. +-- Members can't be added to private or secret chats. +-- Member will not be added until chat state will be synchronized with the server. +-- Member will not be added if application is killed before it can send request to the server +-- @chat_id Chat identifier +-- @user_id Identifier of the user to add +-- @forward_limit Number of previous messages from chat to forward to new member, ignored for channel chats +local function addChatMember(chat_id, user_id, forward_limit, dl_cb, cmd) + tdcli_function ({ + ID = "AddChatMember", + chat_id_ = chat_id, + user_id_ = user_id, + forward_limit_ = forward_limit or 50 + }, dl_cb, cmd) +end + +M.addChatMember = addChatMember + +-- Adds many new members to the chat. +-- Currently, available only for channels. +-- Can't be used to join the channel. +-- Member will not be added until chat state will be synchronized with the server. +-- Member will not be added if application is killed before it can send request to the server +-- @chat_id Chat identifier +-- @user_ids Identifiers of the users to add +local function addChatMembers(chat_id, user_ids, dl_cb, cmd) + tdcli_function ({ + ID = "AddChatMembers", + chat_id_ = chat_id, + user_ids_ = user_ids -- vector + }, dl_cb, cmd) +end + +M.addChatMembers = addChatMembers + +-- Changes status of the chat member, need appropriate privileges. +-- In channel chats, user will be added to chat members if he is yet not a member and there is less than 200 members in the channel. +-- Status will not be changed until chat state will be synchronized with the server. +-- Status will not be changed if application is killed before it can send request to the server +-- @chat_id Chat identifier +-- @user_id Identifier of the user to edit status, bots can be editors in the channel chats +-- @status New status of the member in the chat +-- status = Creator|Editor|Moderator|Member|Left|Kicked +local function changeChatMemberStatus(chat_id, user_id, status, dl_cb, cmd) + tdcli_function ({ + ID = "ChangeChatMemberStatus", + chat_id_ = chat_id, + user_id_ = user_id, + status_ = { + ID = "ChatMemberStatus" .. status + }, + }, dl_cb, cmd) +end + +M.changeChatMemberStatus = changeChatMemberStatus + +-- Returns information about one participant of the chat +-- @chat_id Chat identifier +-- @user_id User identifier +local function getChatMember(chat_id, user_id, dl_cb, cmd) + tdcli_function ({ + ID = "GetChatMember", + chat_id_ = chat_id, + user_id_ = user_id + }, dl_cb, cmd) +end + +M.getChatMember = getChatMember + +-- Asynchronously downloads file from cloud. +-- Updates updateFileProgress will notify about download progress. +-- Update updateFile will notify about successful download +-- @file_id Identifier of file to download +local function downloadFile(file_id, dl_cb, cmd) + tdcli_function ({ + ID = "DownloadFile", + file_id_ = file_id + }, dl_cb, cmd) +end + +M.downloadFile = downloadFile + +-- Stops file downloading. +-- If file already downloaded do nothing. +-- @file_id Identifier of file to cancel download +local function cancelDownloadFile(file_id, dl_cb, cmd) + tdcli_function ({ + ID = "CancelDownloadFile", + file_id_ = file_id + }, dl_cb, cmd) +end + +M.cancelDownloadFile = cancelDownloadFile + +-- Next part of a file was generated +-- @generation_id Identifier of the generation process +-- @ready Number of bytes already generated. Negative number means that generation has failed and should be terminated +local function setFileGenerationProgress(generation_id, ready, dl_cb, cmd) + tdcli_function ({ + ID = "SetFileGenerationProgress", + generation_id_ = generation_id, + ready_ = ready + }, dl_cb, cmd) +end + +M.setFileGenerationProgress = setFileGenerationProgress + +-- Finishes file generation +-- @generation_id Identifier of the generation process +local function finishFileGeneration(generation_id, dl_cb, cmd) + tdcli_function ({ + ID = "FinishFileGeneration", + generation_id_ = generation_id + }, dl_cb, cmd) +end + +M.finishFileGeneration = finishFileGeneration + +-- Generates new chat invite link, previously generated link is revoked. +-- Available for group and channel chats. +-- Only creator of the chat can export chat invite link +-- @chat_id Chat identifier +local function exportChatInviteLink(chat_id, dl_cb, cmd) + tdcli_function ({ + ID = "ExportChatInviteLink", + chat_id_ = chat_id + }, dl_cb, cmd) +end + +M.exportChatInviteLink = exportChatInviteLink + +-- Checks chat invite link for validness and returns information about the corresponding chat +-- @invite_link Invite link to check. Should begin with "https://telegram.me/joinchat/" +local function checkChatInviteLink(link, dl_cb, cmd) + tdcli_function ({ + ID = "CheckChatInviteLink", + invite_link_ = link + }, dl_cb, cmd) +end + +M.checkChatInviteLink = checkChatInviteLink + +-- Imports chat invite link, adds current user to a chat if possible. +-- Member will not be added until chat state will be synchronized with the server. +-- Member will not be added if application is killed before it can send request to the server +-- @invite_link Invite link to import. Should begin with "https://telegram.me/joinchat/" +local function importChatInviteLink(invite_link, dl_cb, cmd) + tdcli_function ({ + ID = "ImportChatInviteLink", + invite_link_ = invite_link + }, dl_cb, cmd) +end + +M.importChatInviteLink = importChatInviteLink + +-- Adds user to black list +-- @user_id User identifier +local function blockUser(user_id, dl_cb, cmd) + tdcli_function ({ + ID = "BlockUser", + user_id_ = user_id + }, dl_cb, cmd) +end + +M.blockUser = blockUser + +-- Removes user from black list +-- @user_id User identifier +local function unblockUser(user_id, dl_cb, cmd) + tdcli_function ({ + ID = "UnblockUser", + user_id_ = user_id + }, dl_cb, cmd) +end + +M.unblockUser = unblockUser + +-- Returns users blocked by the current user +-- @offset Number of users to skip in result, must be non-negative +-- @limit Maximum number of users to return, can't be greater than 100 +local function getBlockedUsers(offset, limit, dl_cb, cmd) + tdcli_function ({ + ID = "GetBlockedUsers", + offset_ = offset, + limit_ = limit + }, dl_cb, cmd) +end + +M.getBlockedUsers = getBlockedUsers + +-- Adds new contacts/edits existing contacts, contacts user identifiers are ignored. +-- Returns list of corresponding users in the same order as input contacts. +-- If contact doesn't registered in Telegram, user with id == 0 will be returned +-- @contacts List of contacts to import/edit +local function importContacts(phone_number, first_name, last_name, user_id, dl_cb, cmd) + tdcli_function ({ + ID = "ImportContacts", + contacts_ = {[0] = { + phone_number_ = tostring(phone_number), + first_name_ = tostring(first_name), + last_name_ = tostring(last_name), + user_id_ = user_id + }, + }, + }, dl_cb, cmd) +end + +M.importContacts = importContacts + +-- Searches for specified query in the first name, last name and username of the known user contacts +-- @query Query to search for, can be empty to return all contacts +-- @limit Maximum number of users to be returned +local function searchContacts(query, limit, dl_cb, cmd) + tdcli_function ({ + ID = "SearchContacts", + query_ = query, + limit_ = limit + }, dl_cb, cmd) +end + +M.searchContacts = searchContacts + +-- Deletes users from contacts list +-- @user_ids Identifiers of users to be deleted +local function deleteContacts(user_ids, dl_cb, cmd) + tdcli_function ({ + ID = "DeleteContacts", + user_ids_ = user_ids -- vector + }, dl_cb, cmd) +end + +M.deleteContacts = deleteContacts + +-- Returns profile photos of the user. +-- Result of this query can't be invalidated, so it must be used with care +-- @user_id User identifier +-- @offset Photos to skip, must be non-negative +-- @limit Maximum number of photos to be returned, can't be greater than 100 +local function getUserProfilePhotos(user_id, offset, limit, dl_cb, cmd) + tdcli_function ({ + ID = "GetUserProfilePhotos", + user_id_ = user_id, + offset_ = offset, + limit_ = limit + }, dl_cb, cmd) +end + +M.getUserProfilePhotos = getUserProfilePhotos + +-- Returns stickers corresponding to given emoji +-- @emoji String representation of emoji. If empty, returns all known stickers +local function getStickers(emoji, dl_cb, cmd) + tdcli_function ({ + ID = "GetStickers", + emoji_ = emoji + }, dl_cb, cmd) +end + +M.getStickers = getStickers + +-- Returns list of installed sticker sets without archived sticker sets +-- @is_masks Pass true to return masks, pass false to return stickers +local function getStickerSets(is_masks, dl_cb, cmd) + tdcli_function ({ + ID = "GetStickerSets", + is_masks_ = is_masks + }, dl_cb, cmd) +end + +M.getStickerSets = getStickerSets + +-- Returns list of archived sticker sets +-- @is_masks Pass true to return masks, pass false to return stickers +-- @offset_sticker_set_id Identifier of the sticker set from which return the result +-- @limit Maximum number of sticker sets to return +local function getArchivedStickerSets(is_masks, offset_sticker_set_id, limit, dl_cb, cmd) + tdcli_function ({ + ID = "GetArchivedStickerSets", + is_masks_ = is_masks, + offset_sticker_set_id_ = offset_sticker_set_id, + limit_ = limit + }, dl_cb, cmd) +end + +M.getArchivedStickerSets = getArchivedStickerSets + +-- Returns list of trending sticker sets +local function getTrendingStickerSets(dl_cb, cmd) + tdcli_function ({ + ID = "GetTrendingStickerSets" + }, dl_cb, cmd) +end + +M.getTrendingStickerSets = getTrendingStickerSets + +-- Returns list of sticker sets attached to a file, currently only photos and videos can have attached sticker sets +-- @file_id File identifier +local function getAttachedStickerSets(file_id, dl_cb, cmd) + tdcli_function ({ + ID = "GetAttachedStickerSets", + file_id_ = file_id + }, dl_cb, cmd) +end + +M.getAttachedStickerSets = getAttachedStickerSets + +-- Returns information about sticker set by its identifier +-- @set_id Identifier of the sticker set +local function getStickerSet(set_id, dl_cb, cmd) + tdcli_function ({ + ID = "GetStickerSet", + set_id_ = set_id + }, dl_cb, cmd) +end + +M.getStickerSet = getStickerSet + +-- Searches sticker set by its short name +-- @name Name of the sticker set +local function searchStickerSet(name, dl_cb, cmd) + tdcli_function ({ + ID = "SearchStickerSet", + name_ = name + }, dl_cb, cmd) +end + +M.searchStickerSet = searchStickerSet + +-- Installs/uninstalls or enables/archives sticker set. +-- Official sticker set can't be uninstalled, but it can be archived +-- @set_id Identifier of the sticker set +-- @is_installed New value of is_installed +-- @is_archived New value of is_archived +local function updateStickerSet(set_id, is_installed, is_archived, dl_cb, cmd) + tdcli_function ({ + ID = "UpdateStickerSet", + set_id_ = set_id, + is_installed_ = is_installed, + is_archived_ = is_archived + }, dl_cb, cmd) +end + +M.updateStickerSet = updateStickerSet + +-- Trending sticker sets are viewed by the user +-- @sticker_set_ids Identifiers of viewed trending sticker sets +local function viewTrendingStickerSets(sticker_set_ids, dl_cb, cmd) + tdcli_function ({ + ID = "ViewTrendingStickerSets", + sticker_set_ids_ = sticker_set_ids -- vector + }, dl_cb, cmd) +end + +M.viewTrendingStickerSets = viewTrendingStickerSets + +-- Changes the order of installed sticker sets +-- @is_masks Pass true to change masks order, pass false to change stickers order +-- @sticker_set_ids Identifiers of installed sticker sets in the new right order +local function reorderStickerSets(is_masks, sticker_set_ids, dl_cb, cmd) + tdcli_function ({ + ID = "ReorderStickerSets", + is_masks_ = is_masks, + sticker_set_ids_ = sticker_set_ids -- vector + }, dl_cb, cmd) +end + +M.reorderStickerSets = reorderStickerSets + +-- Returns list of recently used stickers +-- @is_attached Pass true to return stickers and masks recently attached to photo or video files, pass false to return recently sent stickers +local function getRecentStickers(is_attached, dl_cb, cmd) + tdcli_function ({ + ID = "GetRecentStickers", + is_attached_ = is_attached + }, dl_cb, cmd) +end + +M.getRecentStickers = getRecentStickers + +-- Manually adds new sticker to the list of recently used stickers. +-- New sticker is added to the beginning of the list. +-- If the sticker is already in the list, at first it is removed from the list +-- @is_attached Pass true to add the sticker to the list of stickers recently attached to photo or video files, pass false to add the sticker to the list of recently sent stickers +-- @sticker Sticker file to add +local function addRecentSticker(is_attached, sticker, dl_cb, cmd) + tdcli_function ({ + ID = "AddRecentSticker", + is_attached_ = is_attached, + sticker_ = getInputFile(sticker) + }, dl_cb, cmd) +end + +M.addRecentSticker = addRecentSticker + +-- Removes a sticker from the list of recently used stickers +-- @is_attached Pass true to remove the sticker from the list of stickers recently attached to photo or video files, pass false to remove the sticker from the list of recently sent stickers +-- @sticker Sticker file to delete +local function deleteRecentSticker(is_attached, sticker, dl_cb, cmd) + tdcli_function ({ + ID = "DeleteRecentSticker", + is_attached_ = is_attached, + sticker_ = getInputFile(sticker) + }, dl_cb, cmd) +end + +M.deleteRecentSticker = deleteRecentSticker + +-- Clears list of recently used stickers +-- @is_attached Pass true to clear list of stickers recently attached to photo or video files, pass false to clear the list of recently sent stickers +local function clearRecentStickers(is_attached, dl_cb, cmd) + tdcli_function ({ + ID = "ClearRecentStickers", + is_attached_ = is_attached + }, dl_cb, cmd) +end + +M.clearRecentStickers = clearRecentStickers + +-- Returns emojis corresponding to a sticker +-- @sticker Sticker file identifier +local function getStickerEmojis(sticker, dl_cb, cmd) + tdcli_function ({ + ID = "GetStickerEmojis", + sticker_ = getInputFile(sticker) + }, dl_cb, cmd) +end + +M.getStickerEmojis = getStickerEmojis + +-- Returns saved animations +local function getSavedAnimations(dl_cb, cmd) + tdcli_function ({ + ID = "GetSavedAnimations", + }, dl_cb, cmd) +end + +M.getSavedAnimations = getSavedAnimations + +-- Manually adds new animation to the list of saved animations. +-- New animation is added to the beginning of the list. +-- If the animation is already in the list, at first it is removed from the list. +-- Only non-secret video animations with MIME type "video/mp4" can be added to the list +-- @animation Animation file to add. Only known to server animations (i. e. successfully sent via message) can be added to the list +local function addSavedAnimation(animation, dl_cb, cmd) + tdcli_function ({ + ID = "AddSavedAnimation", + animation_ = getInputFile(animation) + }, dl_cb, cmd) +end + +M.addSavedAnimation = addSavedAnimation + +-- Removes animation from the list of saved animations +-- @animation Animation file to delete +local function deleteSavedAnimation(animation, dl_cb, cmd) + tdcli_function ({ + ID = "DeleteSavedAnimation", + animation_ = getInputFile(animation) + }, dl_cb, cmd) +end + +M.deleteSavedAnimation = deleteSavedAnimation + +-- Returns up to 20 recently used inline bots in the order of the last usage +local function getRecentInlineBots(dl_cb, cmd) + tdcli_function ({ + ID = "GetRecentInlineBots", + }, dl_cb, cmd) +end + +M.getRecentInlineBots = getRecentInlineBots + +-- Get web page preview by text of the message. +-- Do not call this function to often +-- @message_text Message text +local function getWebPagePreview(message_text, dl_cb, cmd) + tdcli_function ({ + ID = "GetWebPagePreview", + message_text_ = message_text + }, dl_cb, cmd) +end + +M.getWebPagePreview = getWebPagePreview + +-- Returns notification settings for a given scope +-- @scope Scope to return information about notification settings +-- scope = Chat(chat_id)|PrivateChats|GroupChats|AllChats| +local function getNotificationSettings(scope, chat_id, dl_cb, cmd) + tdcli_function ({ + ID = "GetNotificationSettings", + scope_ = { + ID = 'NotificationSettingsFor' .. scope, + chat_id_ = chat_id or nil + }, + }, dl_cb, cmd) +end + +M.getNotificationSettings = getNotificationSettings + +-- Changes notification settings for a given scope +-- @scope Scope to change notification settings +-- @notification_settings New notification settings for given scope +-- scope = Chat(chat_id)|PrivateChats|GroupChats|AllChats| +local function setNotificationSettings(scope, chat_id, mute_for, show_preview, dl_cb, cmd) + tdcli_function ({ + ID = "SetNotificationSettings", + scope_ = { + ID = 'NotificationSettingsFor' .. scope, + chat_id_ = chat_id or nil + }, + notification_settings_ = { + ID = "NotificationSettings", + mute_for_ = mute_for, + sound_ = "default", + show_preview_ = show_preview + } + }, dl_cb, cmd) +end + +M.setNotificationSettings = setNotificationSettings + +-- Resets all notification settings to the default value. +-- By default the only muted chats are supergroups, sound is set to 'default' and message previews are showed +local function resetAllNotificationSettings(dl_cb, cmd) + tdcli_function ({ + ID = "ResetAllNotificationSettings" + }, dl_cb, cmd) +end + +M.resetAllNotificationSettings = resetAllNotificationSettings + +-- Uploads new profile photo for logged in user. +-- Photo will not change until change will be synchronized with the server. +-- Photo will not be changed if application is killed before it can send request to the server. +-- If something changes, updateUser will be sent +-- @photo_path Path to new profile photo +local function setProfilePhoto(photo_path, dl_cb, cmd) + tdcli_function ({ + ID = "SetProfilePhoto", + photo_path_ = photo_path + }, dl_cb, cmd) +end + +M.setProfilePhoto = setProfilePhoto + +-- Deletes profile photo. +-- If something changes, updateUser will be sent +-- @profile_photo_id Identifier of profile photo to delete +local function deleteProfilePhoto(profile_photo_id, dl_cb, cmd) + tdcli_function ({ + ID = "DeleteProfilePhoto", + profile_photo_id_ = profile_photo_id + }, dl_cb, cmd) +end + +M.deleteProfilePhoto = deleteProfilePhoto + +-- Changes first and last names of logged in user. +-- If something changes, updateUser will be sent +-- @first_name New value of user first name, 1-255 characters +-- @last_name New value of optional user last name, 0-255 characters +local function changeName(first_name, last_name, dl_cb, cmd) + tdcli_function ({ + ID = "ChangeName", + first_name_ = first_name, + last_name_ = last_name + }, dl_cb, cmd) +end + +M.changeName = changeName + +-- Changes about information of logged in user +-- @about New value of userFull.about, 0-255 characters +local function changeAbout(about, dl_cb, cmd) + tdcli_function ({ + ID = "ChangeAbout", + about_ = about + }, dl_cb, cmd) +end + +M.changeAbout = changeAbout + +-- Changes username of logged in user. +-- If something changes, updateUser will be sent +-- @username New value of username. Use empty string to remove username +local function changeUsername(username, dl_cb, cmd) + tdcli_function ({ + ID = "ChangeUsername", + username_ = username + }, dl_cb, cmd) +end + +M.changeUsername = changeUsername + +-- Changes user's phone number and sends authentication code to the new user's phone number. +-- Returns authStateWaitCode with information about sent code on success +-- @phone_number New user's phone number in any reasonable format +-- @allow_flash_call Pass True, if code can be sent via flash call to the specified phone number +-- @is_current_phone_number Pass true, if the phone number is used on the current device. Ignored if allow_flash_call is False +local function changePhoneNumber(phone_number, allow_flash_call, is_current_phone_number, dl_cb, cmd) + tdcli_function ({ + ID = "ChangePhoneNumber", + phone_number_ = phone_number, + allow_flash_call_ = allow_flash_call, + is_current_phone_number_ = is_current_phone_number + }, dl_cb, cmd) +end + +M.changePhoneNumber = changePhoneNumber + +-- Resends authentication code sent to change user's phone number. +-- Works only if in previously received authStateWaitCode next_code_type was not null. +-- Returns authStateWaitCode on success +local function resendChangePhoneNumberCode(dl_cb, cmd) + tdcli_function ({ + ID = "ResendChangePhoneNumberCode", + }, dl_cb, cmd) +end + +M.resendChangePhoneNumberCode = resendChangePhoneNumberCode + +-- Checks authentication code sent to change user's phone number. +-- Returns authStateOk on success +-- @code Verification code from SMS, voice call or flash call +local function checkChangePhoneNumberCode(code, dl_cb, cmd) + tdcli_function ({ + ID = "CheckChangePhoneNumberCode", + code_ = code + }, dl_cb, cmd) +end + +M.checkChangePhoneNumberCode = checkChangePhoneNumberCode + +-- Returns all active sessions of logged in user +local function getActiveSessions(dl_cb, cmd) + tdcli_function ({ + ID = "GetActiveSessions", + }, dl_cb, cmd) +end + +M.getActiveSessions = getActiveSessions + +-- Terminates another session of logged in user +-- @session_id Session identifier +local function terminateSession(session_id, dl_cb, cmd) + tdcli_function ({ + ID = "TerminateSession", + session_id_ = session_id + }, dl_cb, cmd) +end + +M.terminateSession = terminateSession + +-- Terminates all other sessions of logged in user +local function terminateAllOtherSessions(dl_cb, cmd) + tdcli_function ({ + ID = "TerminateAllOtherSessions", + }, dl_cb, cmd) +end + +M.terminateAllOtherSessions = terminateAllOtherSessions + +-- Gives or revokes all members of the group editor rights. +-- Needs creator privileges in the group +-- @group_id Identifier of the group +-- @anyone_can_edit New value of anyone_can_edit +local function toggleGroupEditors(group_id, anyone_can_edit, dl_cb, cmd) + tdcli_function ({ + ID = "ToggleGroupEditors", + group_id_ = getChatId(group_id).ID, + anyone_can_edit_ = anyone_can_edit + }, dl_cb, cmd) +end + +M.toggleGroupEditors = toggleGroupEditors + +-- Changes username of the channel. +-- Needs creator privileges in the channel +-- @channel_id Identifier of the channel +-- @username New value of username. Use empty string to remove username +local function changeChannelUsername(channel_id, username, dl_cb, cmd) + tdcli_function ({ + ID = "ChangeChannelUsername", + channel_id_ = getChatId(channel_id).ID, + username_ = username + }, dl_cb, cmd) +end + +M.changeChannelUsername = changeChannelUsername + +-- Gives or revokes right to invite new members to all current members of the channel. +-- Needs creator privileges in the channel. +-- Available only for supergroups +-- @channel_id Identifier of the channel +-- @anyone_can_invite New value of anyone_can_invite +local function toggleChannelInvites(channel_id, anyone_can_invite, dl_cb, cmd) + tdcli_function ({ + ID = "ToggleChannelInvites", + channel_id_ = getChatId(channel_id).ID, + anyone_can_invite_ = anyone_can_invite + }, dl_cb, cmd) +end + +M.toggleChannelInvites = toggleChannelInvites + +-- Enables or disables sender signature on sent messages in the channel. +-- Needs creator privileges in the channel. +-- Not available for supergroups +-- @channel_id Identifier of the channel +-- @sign_messages New value of sign_messages +local function toggleChannelSignMessages(channel_id, sign_messages, dl_cb, cmd) + tdcli_function ({ + ID = "ToggleChannelSignMessages", + channel_id_ = getChatId(channel_id).ID, + sign_messages_ = sign_messages + }, dl_cb, cmd) +end + +M.toggleChannelSignMessages = toggleChannelSignMessages + +-- Changes information about the channel. +-- Needs creator privileges in the broadcast channel or editor privileges in the supergroup channel +-- @channel_id Identifier of the channel +-- @about New value of about, 0-255 characters +local function changeChannelAbout(channel_id, about, dl_cb, cmd) + tdcli_function ({ + ID = "ChangeChannelAbout", + channel_id_ = getChatId(channel_id).ID, + about_ = about + }, dl_cb, cmd) +end + +M.changeChannelAbout = changeChannelAbout + +-- Pins a message in a supergroup channel chat. +-- Needs editor privileges in the channel +-- @channel_id Identifier of the channel +-- @message_id Identifier of the new pinned message +-- @disable_notification True, if there should be no notification about the pinned message +local function pinChannelMessage(channel_id, message_id, disable_notification, dl_cb, cmd) + tdcli_function ({ + ID = "PinChannelMessage", + channel_id_ = getChatId(channel_id).ID, + message_id_ = message_id, + disable_notification_ = disable_notification + }, dl_cb, cmd) +end + +M.pinChannelMessage = pinChannelMessage + +-- Removes pinned message in the supergroup channel. +-- Needs editor privileges in the channel +-- @channel_id Identifier of the channel +local function unpinChannelMessage(channel_id, dl_cb, cmd) + tdcli_function ({ + ID = "UnpinChannelMessage", + channel_id_ = getChatId(channel_id).ID + }, dl_cb, cmd) +end + +M.unpinChannelMessage = unpinChannelMessage + +-- Reports some supergroup channel messages from a user as spam messages +-- @channel_id Channel identifier +-- @user_id User identifier +-- @message_ids Identifiers of messages sent in the supergroup by the user, the list should be non-empty +local function reportChannelSpam(channel_id, user_id, message_ids, dl_cb, cmd) + tdcli_function ({ + ID = "ReportChannelSpam", + channel_id_ = getChatId(channel_id).ID, + user_id_ = user_id, + message_ids_ = message_ids -- vector + }, dl_cb, cmd) +end + +M.reportChannelSpam = reportChannelSpam + +-- Returns information about channel members or kicked from channel users. +-- Can be used only if channel_full->can_get_members == true +-- @channel_id Identifier of the channel +-- @filter Kind of channel users to return, defaults to channelMembersRecent +-- @offset Number of channel users to skip +-- @limit Maximum number of users be returned, can't be greater than 200 +-- filter = Recent|Administrators|Kicked|Bots +local function getChannelMembers(channel_id, offset, filter, limit, dl_cb, cmd) + if not limit or limit > 200 then + limit = 200 + end + + tdcli_function ({ + ID = "GetChannelMembers", + channel_id_ = getChatId(channel_id).ID, + filter_ = { + ID = "ChannelMembers" .. filter + }, + offset_ = offset, + limit_ = limit + }, dl_cb, cmd) +end + +M.getChannelMembers = getChannelMembers + +-- Deletes channel along with all messages in corresponding chat. +-- Releases channel username and removes all members. +-- Needs creator privileges in the channel. +-- Channels with more than 1000 members can't be deleted +-- @channel_id Identifier of the channel +local function deleteChannel(channel_id, dl_cb, cmd) + tdcli_function ({ + ID = "DeleteChannel", + channel_id_ = getChatId(channel_id).ID + }, dl_cb, cmd) +end + +M.deleteChannel = deleteChannel + +-- Returns list of created public channels +local function getCreatedPublicChannels(dl_cb, cmd) + tdcli_function ({ + ID = "GetCreatedPublicChannels" + }, dl_cb, cmd) +end + +M.getCreatedPublicChannels = getCreatedPublicChannels + +-- Closes secret chat +-- @secret_chat_id Secret chat identifier +local function closeSecretChat(secret_chat_id, dl_cb, cmd) + tdcli_function ({ + ID = "CloseSecretChat", + secret_chat_id_ = secret_chat_id + }, dl_cb, cmd) +end + +M.closeSecretChat = closeSecretChat + +-- Returns user that can be contacted to get support +local function getSupportUser(dl_cb, cmd) + tdcli_function ({ + ID = "GetSupportUser", + }, dl_cb, cmd) +end + +M.getSupportUser = getSupportUser + +-- Returns background wallpapers +local function getWallpapers(dl_cb, cmd) + tdcli_function ({ + ID = "GetWallpapers", + }, dl_cb, cmd) +end + +M.getWallpapers = getWallpapers + +-- Registers current used device for receiving push notifications +-- @device_token Device token +-- device_token = apns|gcm|mpns|simplePush|ubuntuPhone|blackberry +local function registerDevice(device_token, token, device_token_set, dl_cb, cmd) + local dToken = {ID = device_token .. 'DeviceToken', token_ = token} + + if device_token_set then + dToken = {ID = "DeviceTokenSet", token_ = device_token_set} -- tokens:vector<DeviceToken> + end + + tdcli_function ({ + ID = "RegisterDevice", + device_token_ = dToken + }, dl_cb, cmd) +end + +M.registerDevice = registerDevice + +-- Returns list of used device tokens +local function getDeviceTokens(dl_cb, cmd) + tdcli_function ({ + ID = "GetDeviceTokens", + }, dl_cb, cmd) +end + +M.getDeviceTokens = getDeviceTokens + +-- Changes privacy settings +-- @key Privacy key +-- @rules New privacy rules +-- @privacyKeyUserStatus Privacy key for managing visibility of the user status +-- @privacyKeyChatInvite Privacy key for managing ability of invitation of the user to chats +-- @privacyRuleAllowAll Rule to allow all users +-- @privacyRuleAllowContacts Rule to allow all user contacts +-- @privacyRuleAllowUsers Rule to allow specified users +-- @user_ids User identifiers +-- @privacyRuleDisallowAll Rule to disallow all users +-- @privacyRuleDisallowContacts Rule to disallow all user contacts +-- @privacyRuleDisallowUsers Rule to disallow all specified users +-- key = UserStatus|ChatInvite +-- rules = AllowAll|AllowContacts|AllowUsers(user_ids)|DisallowAll|DisallowContacts|DisallowUsers(user_ids) +local function setPrivacy(key, rule, allowed_user_ids, disallowed_user_ids, dl_cb, cmd) + local rules = {[0] = {ID = 'PrivacyRule' .. rule}} + + if allowed_user_ids then + rules = { + { + ID = 'PrivacyRule' .. rule + }, + [0] = { + ID = "PrivacyRuleAllowUsers", + user_ids_ = allowed_user_ids -- vector + }, + } + end + if disallowed_user_ids then + rules = { + { + ID = 'PrivacyRule' .. rule + }, + [0] = { + ID = "PrivacyRuleDisallowUsers", + user_ids_ = disallowed_user_ids -- vector + }, + } + end + if allowed_user_ids and disallowed_user_ids then + rules = { + { + ID = 'PrivacyRule' .. rule + }, + { + ID = "PrivacyRuleAllowUsers", + user_ids_ = allowed_user_ids + }, + [0] = { + ID = "PrivacyRuleDisallowUsers", + user_ids_ = disallowed_user_ids + }, + } + end + tdcli_function ({ + ID = "SetPrivacy", + key_ = { + ID = 'PrivacyKey' .. key + }, + rules_ = { + ID = "PrivacyRules", + rules_ = rules + }, + }, dl_cb, cmd) +end + +M.setPrivacy = setPrivacy + +-- Returns current privacy settings +-- @key Privacy key +-- key = UserStatus|ChatInvite +local function getPrivacy(key, dl_cb, cmd) + tdcli_function ({ + ID = "GetPrivacy", + key_ = { + ID = "PrivacyKey" .. key + }, + }, dl_cb, cmd) +end + +M.getPrivacy = getPrivacy + +-- Returns value of an option by its name. +-- See list of available options on https://core.telegram.org/tdlib/options +-- @name Name of the option +local function getOption(name, dl_cb, cmd) + tdcli_function ({ + ID = "GetOption", + name_ = name + }, dl_cb, cmd) +end + +M.getOption = getOption + +-- Sets value of an option. +-- See list of available options on https://core.telegram.org/tdlib/options. +-- Only writable options can be set +-- @name Name of the option +-- @value New value of the option +local function setOption(name, option, value, dl_cb, cmd) + tdcli_function ({ + ID = "SetOption", + name_ = name, + value_ = { + ID = 'Option' .. option, + value_ = value + }, + }, dl_cb, cmd) +end + +M.setOption = setOption + +-- Changes period of inactivity, after which the account of currently logged in user will be automatically deleted +-- @ttl New account TTL +local function changeAccountTtl(days, dl_cb, cmd) + tdcli_function ({ + ID = "ChangeAccountTtl", + ttl_ = { + ID = "AccountTtl", + days_ = days + }, + }, dl_cb, cmd) +end + +M.changeAccountTtl = changeAccountTtl + +-- Returns period of inactivity, after which the account of currently logged in user will be automatically deleted +local function getAccountTtl(dl_cb, cmd) + tdcli_function ({ + ID = "GetAccountTtl", + }, dl_cb, cmd) +end + +M.getAccountTtl = getAccountTtl + +-- Deletes the account of currently logged in user, deleting from the server all information associated with it. +-- Account's phone number can be used to create new account, but only once in two weeks +-- @reason Optional reason of account deletion +local function deleteAccount(reason, dl_cb, cmd) + tdcli_function ({ + ID = "DeleteAccount", + reason_ = reason + }, dl_cb, cmd) +end + +M.deleteAccount = deleteAccount + +-- Returns current chat report spam state +-- @chat_id Chat identifier +local function getChatReportSpamState(chat_id, dl_cb, cmd) + tdcli_function ({ + ID = "GetChatReportSpamState", + chat_id_ = chat_id + }, dl_cb, cmd) +end + +M.getChatReportSpamState = getChatReportSpamState + +-- Reports chat as a spam chat or as not a spam chat. +-- Can be used only if ChatReportSpamState.can_report_spam is true. +-- After this request ChatReportSpamState.can_report_spam became false forever +-- @chat_id Chat identifier +-- @is_spam_chat If true, chat will be reported as a spam chat, otherwise it will be marked as not a spam chat +local function changeChatReportSpamState(chat_id, is_spam_chat, dl_cb, cmd) + tdcli_function ({ + ID = "ChangeChatReportSpamState", + chat_id_ = chat_id, + is_spam_chat_ = is_spam_chat + }, dl_cb, cmd) +end + +M.changeChatReportSpamState = changeChatReportSpamState + +-- Bots only. +-- Informs server about number of pending bot updates if they aren't processed for a long time +-- @pending_update_count Number of pending updates +-- @error_message Last error's message +local function setBotUpdatesStatus(pending_update_count, error_message, dl_cb, cmd) + tdcli_function ({ + ID = "SetBotUpdatesStatus", + pending_update_count_ = pending_update_count, + error_message_ = error_message + }, dl_cb, cmd) +end + +M.setBotUpdatesStatus = setBotUpdatesStatus + +-- Returns Ok after specified amount of the time passed +-- @seconds Number of seconds before that function returns +local function setAlarm(seconds, dl_cb, cmd) + tdcli_function ({ + ID = "SetAlarm", + seconds_ = seconds + }, dl_cb, cmd) +end + +M.setAlarm = setAlarm + +-- Text message +-- @text Text to send +-- @disable_notification Pass true, to disable notification about the message, doesn't works in secret chats +-- @from_background Pass true, if the message is sent from background +-- @reply_markup Bots only. Markup for replying to message +-- @disable_web_page_preview Pass true to disable rich preview for link in the message text +-- @clear_draft Pass true if chat draft message should be deleted +-- @entities Bold, Italic, Code, Pre, PreCode and TextUrl entities contained in the text. Non-bot users can't use TextUrl entities. Can't be used with non-null parse_mode +-- @parse_mode Text parse mode, nullable. Can't be used along with enitities +local function sendMessage(chat_id, reply_to_message_id, disable_notification, text, disable_web_page_preview, parse_mode) + local TextParseMode = getParseMode(parse_mode) + + tdcli_function ({ + ID = "SendMessage", + chat_id_ = chat_id, + reply_to_message_id_ = reply_to_message_id, + disable_notification_ = disable_notification, + from_background_ = 1, + reply_markup_ = nil, + input_message_content_ = { + ID = "InputMessageText", + text_ = text, + disable_web_page_preview_ = disable_web_page_preview, + clear_draft_ = 0, + entities_ = {}, + parse_mode_ = TextParseMode, + }, + }, dl_cb, nil) +end + +M.sendMessage = sendMessage + +-- Animation message +-- @animation Animation file to send +-- @thumb Animation thumb, if available +-- @width Width of the animation, may be replaced by the server +-- @height Height of the animation, may be replaced by the server +-- @caption Animation caption, 0-200 characters +local function sendAnimation(chat_id, reply_to_message_id, disable_notification, from_background, reply_markup, animation, width, height, caption, dl_cb, cmd) + tdcli_function ({ + ID = "SendMessage", + chat_id_ = chat_id, + reply_to_message_id_ = reply_to_message_id, + disable_notification_ = disable_notification, + from_background_ = from_background, + reply_markup_ = reply_markup, + input_message_content_ = { + ID = "InputMessageAnimation", + animation_ = getInputFile(animation), + --thumb_ = { + --ID = "InputThumb", + --path_ = path, + --width_ = width, + --height_ = height + --}, + width_ = width or '', + height_ = height or '', + caption_ = caption or '' + }, + }, dl_cb, cmd) +end + +M.sendAnimation = sendAnimation + +-- Audio message +-- @audio Audio file to send +-- @album_cover_thumb Thumb of the album's cover, if available +-- @duration Duration of audio in seconds, may be replaced by the server +-- @title Title of the audio, 0-64 characters, may be replaced by the server +-- @performer Performer of the audio, 0-64 characters, may be replaced by the server +-- @caption Audio caption, 0-200 characters +local function sendAudio(chat_id, reply_to_message_id, disable_notification, from_background, reply_markup, audio, duration, title, performer, caption, dl_cb, cmd) + tdcli_function ({ + ID = "SendMessage", + chat_id_ = chat_id, + reply_to_message_id_ = reply_to_message_id, + disable_notification_ = disable_notification, + from_background_ = from_background, + reply_markup_ = reply_markup, + input_message_content_ = { + ID = "InputMessageAudio", + audio_ = getInputFile(audio), + --album_cover_thumb_ = { + --ID = "InputThumb", + --path_ = path, + --width_ = width, + --height_ = height + --}, + duration_ = duration or '', + title_ = title or '', + performer_ = performer or '', + caption_ = caption or '' + }, + }, dl_cb, cmd) +end + +M.sendAudio = sendAudio + +-- Document message +-- @document Document to send +-- @thumb Document thumb, if available +-- @caption Document caption, 0-200 characters +local function sendDocument(chat_id, reply_to_message_id, disable_notification, from_background, reply_markup, document, caption, dl_cb, cmd) + tdcli_function ({ + ID = "SendMessage", + chat_id_ = chat_id, + reply_to_message_id_ = reply_to_message_id, + disable_notification_ = disable_notification, + from_background_ = from_background, + reply_markup_ = reply_markup, + input_message_content_ = { + ID = "InputMessageDocument", + document_ = getInputFile(document), + --thumb_ = { + --ID = "InputThumb", + --path_ = path, + --width_ = width, + --height_ = height + --}, + caption_ = caption + }, + }, dl_cb, cmd) +end + +M.sendDocument = sendDocument + +-- Photo message +-- @photo Photo to send +-- @caption Photo caption, 0-200 characters +local function sendPhoto(chat_id, reply_to_message_id, disable_notification, from_background, reply_markup, photo, caption, dl_cb, cmd) + tdcli_function ({ + ID = "SendMessage", + chat_id_ = chat_id, + reply_to_message_id_ = reply_to_message_id, + disable_notification_ = disable_notification, + from_background_ = from_background, + reply_markup_ = reply_markup, + input_message_content_ = { + ID = "InputMessagePhoto", + photo_ = getInputFile(photo), + added_sticker_file_ids_ = {}, + width_ = 0, + height_ = 0, + caption_ = caption + }, + }, dl_cb, cmd) +end + +M.sendPhoto = sendPhoto + +-- Sticker message +-- @sticker Sticker to send +-- @thumb Sticker thumb, if available +local function sendSticker(chat_id, reply_to_message_id, disable_notification, from_background, reply_markup, sticker, dl_cb, cmd) + tdcli_function ({ + ID = "SendMessage", + chat_id_ = chat_id, + reply_to_message_id_ = reply_to_message_id, + disable_notification_ = disable_notification, + from_background_ = from_background, + reply_markup_ = reply_markup, + input_message_content_ = { + ID = "InputMessageSticker", + sticker_ = getInputFile(sticker), + --thumb_ = { + --ID = "InputThumb", + --path_ = path, + --width_ = width, + --height_ = height + --}, + }, + }, dl_cb, cmd) +end + +M.sendSticker = sendSticker + +-- Video message +-- @video Video to send +-- @thumb Video thumb, if available +-- @duration Duration of video in seconds +-- @width Video width +-- @height Video height +-- @caption Video caption, 0-200 characters +local function sendVideo(chat_id, reply_to_message_id, disable_notification, from_background, reply_markup, video, duration, width, height, caption, dl_cb, cmd) + tdcli_function ({ + ID = "SendMessage", + chat_id_ = chat_id, + reply_to_message_id_ = reply_to_message_id, + disable_notification_ = disable_notification, + from_background_ = from_background, + reply_markup_ = reply_markup, + input_message_content_ = { + ID = "InputMessageVideo", + video_ = getInputFile(video), + --thumb_ = { + --ID = "InputThumb", + --path_ = path, + --width_ = width, + --height_ = height + --}, + added_sticker_file_ids_ = {}, + duration_ = duration or '', + width_ = width or '', + height_ = height or '', + caption_ = caption or '' + }, + }, dl_cb, cmd) +end + +M.sendVideo = sendVideo + +-- Voice message +-- @voice Voice file to send +-- @duration Duration of voice in seconds +-- @waveform Waveform representation of the voice in 5-bit format +-- @caption Voice caption, 0-200 characters +local function sendVoice(chat_id, reply_to_message_id, disable_notification, from_background, reply_markup, voice, duration, waveform, caption, dl_cb, cmd) + tdcli_function ({ + ID = "SendMessage", + chat_id_ = chat_id, + reply_to_message_id_ = reply_to_message_id, + disable_notification_ = disable_notification, + from_background_ = from_background, + reply_markup_ = reply_markup, + input_message_content_ = { + ID = "InputMessageVoice", + voice_ = getInputFile(voice), + duration_ = duration or '', + waveform_ = waveform or '', + caption_ = caption or '' + }, + }, dl_cb, cmd) +end + +M.sendVoice = sendVoice + +-- Message with location +-- @latitude Latitude of location in degrees as defined by sender +-- @longitude Longitude of location in degrees as defined by sender +local function sendLocation(chat_id, reply_to_message_id, disable_notification, from_background, reply_markup, latitude, longitude, dl_cb, cmd) + tdcli_function ({ + ID = "SendMessage", + chat_id_ = chat_id, + reply_to_message_id_ = reply_to_message_id, + disable_notification_ = disable_notification, + from_background_ = from_background, + reply_markup_ = reply_markup, + input_message_content_ = { + ID = "InputMessageLocation", + location_ = { + ID = "Location", + latitude_ = latitude, + longitude_ = longitude + }, + }, + }, dl_cb, cmd) +end + +M.sendLocation = sendLocation + +-- Message with information about venue +-- @venue Venue to send +-- @latitude Latitude of location in degrees as defined by sender +-- @longitude Longitude of location in degrees as defined by sender +-- @title Venue name as defined by sender +-- @address Venue address as defined by sender +-- @provider Provider of venue database as defined by sender. Only "foursquare" need to be supported currently +-- @id Identifier of the venue in provider database as defined by sender +local function sendVenue(chat_id, reply_to_message_id, disable_notification, from_background, reply_markup, latitude, longitude, title, address, id, dl_cb, cmd) + tdcli_function ({ + ID = "SendMessage", + chat_id_ = chat_id, + reply_to_message_id_ = reply_to_message_id, + disable_notification_ = disable_notification, + from_background_ = from_background, + reply_markup_ = reply_markup, + input_message_content_ = { + ID = "InputMessageVenue", + venue_ = { + ID = "Venue", + location_ = { + ID = "Location", + latitude_ = latitude, + longitude_ = longitude + }, + title_ = title, + address_ = address, + provider_ = 'foursquare', + id_ = id + }, + }, + }, dl_cb, cmd) +end + +M.sendVenue = sendVenue + +-- User contact message +-- @contact Contact to send +-- @phone_number User's phone number +-- @first_name User first name, 1-255 characters +-- @last_name User last name +-- @user_id User identifier if known, 0 otherwise +local function sendContact(chat_id, reply_to_message_id, disable_notification, from_background, reply_markup, phone_number, first_name, last_name, user_id, dl_cb, cmd) + tdcli_function ({ + ID = "SendMessage", + chat_id_ = chat_id, + reply_to_message_id_ = reply_to_message_id, + disable_notification_ = disable_notification, + from_background_ = from_background, + reply_markup_ = reply_markup, + input_message_content_ = { + ID = "InputMessageContact", + contact_ = { + ID = "Contact", + phone_number_ = phone_number, + first_name_ = first_name, + last_name_ = last_name, + user_id_ = user_id + }, + }, + }, dl_cb, cmd) +end + +M.sendContact = sendContact + +-- Message with a game +-- @bot_user_id User identifier of a bot owned the game +-- @game_short_name Game short name +local function sendGame(chat_id, reply_to_message_id, disable_notification, from_background, reply_markup, bot_user_id, game_short_name, dl_cb, cmd) + tdcli_function ({ + ID = "SendMessage", + chat_id_ = chat_id, + reply_to_message_id_ = reply_to_message_id, + disable_notification_ = disable_notification, + from_background_ = from_background, + reply_markup_ = reply_markup, + input_message_content_ = { + ID = "InputMessageGame", + bot_user_id_ = bot_user_id, + game_short_name_ = game_short_name + }, + }, dl_cb, cmd) +end + +M.sendGame = sendGame + +-- Forwarded message +-- @from_chat_id Chat identifier of the message to forward +-- @message_id Identifier of the message to forward +local function sendForwarded(chat_id, reply_to_message_id, disable_notification, from_background, reply_markup, from_chat_id, message_id, dl_cb, cmd) + tdcli_function ({ + ID = "SendMessage", + chat_id_ = chat_id, + reply_to_message_id_ = reply_to_message_id, + disable_notification_ = disable_notification, + from_background_ = from_background, + reply_markup_ = reply_markup, + input_message_content_ = { + ID = "InputMessageForwarded", + from_chat_id_ = from_chat_id, + message_id_ = message_id + }, + }, dl_cb, cmd) +end + +M.sendForwarded = sendForwarded + +return M cli/tg/tgcli (Binary file not shown.) 0 comments on commit 3233fdf Comment on 3233fdf Leave a comment Comment Desktop version

According to all known laws of aviation, there is no way a bee should be able to fly. Its wings are too small to get its fat little body off the ground. The bee, of course, flies anyway because bees don't care what humans think is impossible. Yellow, black. Yellow, black. Yellow, black. Yellow, black. Ooh, black and yellow! Let's shake it up a little. Barry! Breakfast is ready! Ooming! Hang on a second. Hello? - Barry? - Adam? - Oan you believe this is happening? - I can't. I'll pick you up. Looking sharp. Use the stairs. Your father paid good money for those. Sorry. I'm excited. Here's the graduate. We're very proud of you, son. A perfect report card, all B's. Very proud. Ma! I got a thing going here. - You got lint on your fuzz. - Ow! That's me! - Wave to us! We'll be in row 118,000. - Bye! Barry, I told you, stop flying in the house! - Hey, Adam. - Hey, Barry. - Is that fuzz gel? - A little. Special day, graduation. Never thought I'd make it. Three days grade school, three days high school. Those were awkward. Three days college. I'm glad I took a day and hitchhiked around the hive. You did come back different. - Hi, Barry. - Artie, growing a mustache? Looks good. - Hear about Frankie? - Yeah. - You going to the funeral? - No, I'm not going. Everybody knows, sting someone, you die. Don't waste it on a squirrel. Such a hothead. I guess he could have just gotten out of the way. I love this incorporating an amusement park into our day. That's why we don't need vacations. Boy, quite a bit of pomp... under the circumstances. - Well, Adam, today we are men. - We are! - Bee-men. - Amen! Hallelujah! Students, faculty, distinguished bees, please welcome Dean Buzzwell. Welcome, New Hive Oity graduating class of... ...9:15. That concludes our ceremonies. And begins your career at Honex Industries! Will we pick ourjob today? I heard it's just orientation. Heads up! Here we go. Keep your hands and antennas inside the tram at all times. - Wonder what it'll be like? - A little scary. Welcome to Honex, a division of Honesco and a part of the Hexagon Group. This is it! Wow. Wow. We know that you, as a bee, have worked your whole life to get to the point where you can work for your whole life. Honey begins when our valiant Pollen Jocks bring the nectar to the hive. Our top-secret formula is automatically color-corrected, scent-adjusted and bubble-contoured into this soothing sweet syrup with its distinctive golden glow you know as... Honey! - That girl was hot. - She's my cousin! - She is? - Yes, we're all cousins. - Right. You're right. - At Honex, we constantly strive to improve every aspect of bee existence. These bees are stress-testing a new helmet technology. - What do you think he makes? - Not enough. Here we have our latest advancement, the Krelman. - What does that do? - Oatches that little strand of honey that hangs after you pour it. Saves us millions. Oan anyone work on the Krelman? Of course. Most bee jobs are small ones. But bees know that every small job, if it's done well, means a lot. But choose carefully because you'll stay in the job you pick for the rest of your life. The same job the rest of your life? I didn't know that. What's the difference? You'll be happy to know that bees, as a species, haven't had one day off in 27 million years. So you'll just work us to death? We'll sure try. Wow! That blew my mind! "What's the difference?" How can you say that? One job forever? That's an insane choice to have to make. I'm relieved. Now we only have to make one decision in life. But, Adam, how could they never have told us that? Why would you question anything? We're bees. We're the most perfectly functioning society on Earth. You ever think maybe things work a little too well here? Like what? Give me one example. I don't know. But you know what I'm talking about. Please clear the gate. Royal Nectar Force on approach. Wait a second. Oheck it out. - Hey, those are Pollen Jocks! - Wow. I've never seen them this close. They know what it's like outside the hive. Yeah, but some don't come back. - Hey, Jocks! - Hi, Jocks! You guys did great! You're monsters! You're sky freaks! I love it! I love it! - I wonder where they were. - I don't know. Their day's not planned. Outside the hive, flying who knows where, doing who knows what. You can'tjust decide to be a Pollen Jock. You have to be bred for that. Right. Look. That's more pollen than you and I will see in a lifetime. It's just a status symbol. Bees make too much of it. Perhaps. Unless you're wearing it and the ladies see you wearing it. Those ladies? Aren't they our cousins too? Distant. Distant. Look at these two. - Oouple of Hive Harrys. - Let's have fun with them. It must be dangerous being a Pollen Jock. Yeah. Once a bear pinned me against a mushroom! He had a paw on my throat, and with the other, he was slapping me! - Oh, my! - I never thought I'd knock him out. What were you doing during this? Trying to alert the authorities. I can autograph that. A little gusty out there today, wasn't it, comrades? Yeah. Gusty. We're hitting a sunflower patch six miles from here tomorrow. - Six miles, huh? - Barry! A puddle jump for us, but maybe you're not up for it. - Maybe I am. - You are not! We're going 0900 at J-Gate. What do you think, buzzy-boy? Are you bee enough? I might be. It all depends on what 0900 means. Hey, Honex! Dad, you surprised me. You decide what you're interested in? - Well, there's a lot of choices. - But you only get one. Do you ever get bored doing the same job every day? Son, let me tell you about stirring. You grab that stick, and you just move it around, and you stir it around. You get yourself into a rhythm. It's a beautiful thing. You know, Dad, the more I think about it, maybe the honey field just isn't right for me. You were thinking of what, making balloon animals? That's a bad job for a guy with a stinger. Janet, your son's not sure he wants to go into honey! - Barry, you are so funny sometimes. - I'm not trying to be funny. You're not funny! You're going into honey. Our son, the stirrer! - You're gonna be a stirrer? - No one's listening to me! Wait till you see the sticks I have. I could say anything right now. I'm gonna get an ant tattoo! Let's open some honey and celebrate! Maybe I'll pierce my thorax. Shave my antennae. Shack up with a grasshopper. Get a gold tooth and call everybody "dawg"! I'm so proud. - We're starting work today! - Today's the day. Oome on! All the good jobs will be gone. Yeah, right. Pollen counting, stunt bee, pouring, stirrer, front desk, hair removal... - Is it still available? - Hang on. Two left! One of them's yours! Oongratulations! Step to the side. - What'd you get? - Picking crud out. Stellar! Wow! Oouple of newbies? Yes, sir! Our first day! We are ready! Make your choice. - You want to go first? - No, you go. Oh, my. What's available? Restroom attendant's open, not for the reason you think. - Any chance of getting the Krelman? - Sure, you're on. I'm sorry, the Krelman just closed out. Wax monkey's always open. The Krelman opened up again. What happened? A bee died. Makes an opening. See? He's dead. Another dead one. Deady. Deadified. Two more dead. Dead from the neck up. Dead from the neck down. That's life! Oh, this is so hard! Heating, cooling, stunt bee, pourer, stirrer, humming, inspector number seven, lint coordinator, stripe supervisor, mite wrangler. Barry, what do you think I should... Barry? Barry! All right, we've got the sunflower patch in quadrant nine... What happened to you? Where are you? - I'm going out. - Out? Out where? - Out there. - Oh, no! I have to, before I go to work for the rest of my life. You're gonna die! You're crazy! Hello? Another call coming in. If anyone's feeling brave, there's a Korean deli on 83rd that gets their roses today. Hey, guys. - Look at that. - Isn't that the kid we saw yesterday? Hold it, son, flight deck's restricted. It's OK, Lou. We're gonna take him up. Really? Feeling lucky, are you? Sign here, here. Just initial that. - Thank you. - OK. You got a rain advisory today, and as you all know, bees cannot fly in rain. So be careful. As always, watch your brooms, hockey sticks, dogs, birds, bears and bats. Also, I got a couple of reports of root beer being poured on us. Murphy's in a home because of it, babbling like a cicada! - That's awful. - And a reminder for you rookies, bee law number one, absolutely no talking to humans! All right, launch positions! Buzz, buzz, buzz, buzz! Buzz, buzz, buzz, buzz! Buzz, buzz, buzz, buzz! Black and yellow! Hello! You ready for this, hot shot? Yeah. Yeah, bring it on. Wind, check. - Antennae, check. - Nectar pack, check. - Wings, check. - Stinger, check. Scared out of my shorts, check. OK, ladies, let's move it out! Pound those petunias, you striped stem-suckers! All of you, drain those flowers! Wow! I'm out! I can't believe I'm out! So blue. I feel so fast and free! Box kite! Wow! Flowers! This is Blue Leader. We have roses visual. Bring it around 30 degrees and hold. Roses! 30 degrees, roger. Bringing it around. Stand to the side, kid. It's got a bit of a kick. That is one nectar collector! - Ever see pollination up close? - No, sir. I pick up some pollen here, sprinkle it over here. Maybe a dash over there, a pinch on that one. See that? It's a little bit of magic. That's amazing. Why do we do that? That's pollen power. More pollen, more flowers, more nectar, more honey for us. Oool. I'm picking up a lot of bright yellow. Oould be daisies. Don't we need those? Oopy that visual. Wait. One of these flowers seems to be on the move. Say again? You're reporting a moving flower? Affirmative. That was on the line! This is the coolest. What is it? I don't know, but I'm loving this color. It smells good. Not like a flower, but I like it. Yeah, fuzzy. Ohemical-y. Oareful, guys. It's a little grabby. My sweet lord of bees! Oandy-brain, get off there! Problem! - Guys! - This could be bad. Affirmative. Very close. Gonna hurt. Mama's little boy. You are way out of position, rookie! Ooming in at you like a missile! Help me! I don't think these are flowers. - Should we tell him? - I think he knows. What is this?! Match point! You can start packing up, honey, because you're about to eat it! Yowser! Gross. There's a bee in the car! - Do something! - I'm driving! - Hi, bee. - He's back here! He's going to sting me! Nobody move. If you don't move, he won't sting you. Freeze! He blinked! Spray him, Granny! What are you doing?! Wow... the tension level out here is unbelievable. I gotta get home. Oan't fly in rain. Oan't fly in rain. Oan't fly in rain. Mayday! Mayday! Bee going down! Ken, could you close the window please? Ken, could you close the window please? Oheck out my new resume. I made it into a fold-out brochure. You see? Folds out. Oh, no. More humans. I don't need this. What was that? Maybe this time. This time. This time. This time! This time! This... Drapes! That is diabolical. It's fantastic. It's got all my special skills, even my top-ten favorite movies. What's number one? Star Wars? Nah, I don't go for that... ...kind of stuff. No wonder we shouldn't talk to them. They're out of their minds. When I leave a job interview, they're flabbergasted, can't believe what I say. There's the sun. Maybe that's a way out. I don't remember the sun having a big 75 on it. I predicted global warming. I could feel it getting hotter. At first I thought it was just me. Wait! Stop! Bee! Stand back. These are winter boots. Wait! Don't kill him! You know I'm allergic to them! This thing could kill me! Why does his life have less value than yours? Why does his life have any less value than mine? Is that your statement? I'm just saying all life has value. You don't know what he's capable of feeling. My brochure! There you go, little guy. I'm not scared of him. It's an allergic thing. Put that on your resume brochure. My whole face could puff up. Make it one of your special skills. Knocking someone out is also a special skill. Right. Bye, Vanessa. Thanks. - Vanessa, next week? Yogurt night? - Sure, Ken. You know, whatever. - You could put carob chips on there. - Bye. - Supposed to be less calories. - Bye. I gotta say something. She saved my life. I gotta say something. All right, here it goes. Nah. What would I say? I could really get in trouble. It's a bee law. You're not supposed to talk to a human. I can't believe I'm doing this. I've got to. Oh, I can't do it. Oome on! No. Yes. No. Do it. I can't. How should I start it? "You like jazz?" No, that's no good. Here she comes! Speak, you fool! Hi! I'm sorry. - You're talking. - Yes, I know. You're talking! I'm so sorry. No, it's OK. It's fine. I know I'm dreaming. But I don't recall going to bed. Well, I'm sure this is very disconcerting. This is a bit of a surprise to me. I mean, you're a bee! I am. And I'm not supposed to be doing this, but they were all trying to kill me. And if it wasn't for you... I had to thank you. It's just how I was raised. That was a little weird. - I'm talking with a bee. - Yeah. I'm talking to a bee. And the bee is talking to me! I just want to say I'm grateful. I'll leave now. - Wait! How did you learn to do that? - What? The talking thing. Same way you did, I guess. "Mama, Dada, honey." You pick it up. - That's very funny. - Yeah. Bees are funny. If we didn't laugh, we'd cry with what we have to deal with. Anyway... Oan I... ...get you something? - Like what? I don't know. I mean... I don't know. Ooffee? I don't want to put you out. It's no trouble. It takes two minutes. - It's just coffee. - I hate to impose. - Don't be ridiculous! - Actually, I would love a cup. Hey, you want rum cake? - I shouldn't. - Have some. - No, I can't. - Oome on! I'm trying to lose a couple micrograms. - Where? - These stripes don't help. You look great! I don't know if you know anything about fashion. Are you all right? No. He's making the tie in the cab as they're flying up Madison. He finally gets there. He runs up the steps into the church. The wedding is on. And he says, "Watermelon? I thought you said Guatemalan. Why would I marry a watermelon?" Is that a bee joke? That's the kind of stuff we do. Yeah, different. So, what are you gonna do, Barry? About work? I don't know. I want to do my part for the hive, but I can't do it the way they want. I know how you feel. - You do? - Sure. My parents wanted me to be a lawyer or a doctor, but I wanted to be a florist. - Really? - My only interest is flowers. Our new queen was just elected with that same campaign slogan. Anyway, if you look... There's my hive right there. See it? You're in Sheep Meadow! Yes! I'm right off the Turtle Pond! No way! I know that area. I lost a toe ring there once. - Why do girls put rings on their toes? - Why not? - It's like putting a hat on your knee. - Maybe I'll try that. - You all right, ma'am? - Oh, yeah. Fine. Just having two cups of coffee! Anyway, this has been great. Thanks for the coffee. Yeah, it's no trouble. Sorry I couldn't finish it. If I did, I'd be up the rest of my life. Are you...? Oan I take a piece of this with me? Sure! Here, have a crumb. - Thanks! - Yeah. All right. Well, then... I guess I'll see you around. Or not. OK, Barry. And thank you so much again... for before. Oh, that? That was nothing. Well, not nothing, but... Anyway... This can't possibly work. He's all set to go. We may as well try it. OK, Dave, pull the chute. - Sounds amazing. - It was amazing! It was the scariest, happiest moment of my life. Humans! I can't believe you were with humans! Giant, scary humans! What were they like? Huge and crazy. They talk crazy. They eat crazy giant things. They drive crazy. - Do they try and kill you, like on TV? - Some of them. But some of them don't. - How'd you get back? - Poodle. You did it, and I'm glad. You saw whatever you wanted to see. You had your "experience." Now you can pick out yourjob and be normal. - Well... - Well? Well, I met someone. You did? Was she Bee-ish? - A wasp?! Your parents will kill you! - No, no, no, not a wasp. - Spider? - I'm not attracted to spiders. I know it's the hottest thing, with the eight legs and all. I can't get by that face. So who is she? She's... human. No, no. That's a bee law. You wouldn't break a bee law. - Her name's Vanessa. - Oh, boy. She's so nice. And she's a florist! Oh, no! You're dating a human florist! We're not dating. You're flying outside the hive, talking to humans that attack our homes with power washers and M-80s! One-eighth a stick of dynamite! She saved my life! And she understands me. This is over! Eat this. This is not over! What was that? - They call it a crumb. - It was so stingin' stripey! And that's not what they eat. That's what falls off what they eat! - You know what a Oinnabon is? - No. It's bread and cinnamon and frosting. They heat it up... Sit down! ...really hot! - Listen to me! We are not them! We're us. There's us and there's them! Yes, but who can deny the heart that is yearning? There's no yearning. Stop yearning. Listen to me! You have got to start thinking bee, my friend. Thinking bee! - Thinking bee. - Thinking bee. Thinking bee! Thinking bee! Thinking bee! Thinking bee! There he is. He's in the pool. You know what your problem is, Barry? I gotta start thinking bee? How much longer will this go on? It's been three days! Why aren't you working? I've got a lot of big life decisions to think about. What life? You have no life! You have no job. You're barely a bee! Would it kill you to make a little honey? Barry, come out. Your father's talking to you. Martin, would you talk to him? Barry, I'm talking to you! You coming? Got everything? All set! Go ahead. I'll catch up. Don't be too long. Watch this! Vanessa! - We're still here. - I told you not to yell at him. He doesn't respond to yelling! - Then why yell at me? - Because you don't listen! I'm not listening to this. Sorry, I've gotta go. - Where are you going? - I'm meeting a friend. A girl? Is this why you can't decide? Bye. I just hope she's Bee-ish. They have a huge parade of flowers every year in Pasadena? To be in the Tournament of Roses, that's every florist's dream! Up on a float, surrounded by flowers, crowds cheering. A tournament. Do the roses compete in athletic events? No. All right, I've got one. How come you don't fly everywhere? It's exhausting. Why don't you run everywhere? It's faster. Yeah, OK, I see, I see. All right, your turn. TiVo. You can just freeze live TV? That's insane! You don't have that? We have Hivo, but it's a disease. It's a horrible, horrible disease. Oh, my. Dumb bees! You must want to sting all those jerks. We try not to sting. It's usually fatal for us. So you have to watch your temper. Very carefully. You kick a wall, take a walk, write an angry letter and throw it out. Work through it like any emotion: Anger, jealousy, lust. Oh, my goodness! Are you OK? Yeah. - What is wrong with you?! - It's a bug. He's not bothering anybody. Get out of here, you creep! What was that? A Pic 'N' Save circular? Yeah, it was. How did you know? It felt like about 10 pages. Seventy-five is pretty much our limit. You've really got that down to a science. - I lost a cousin to Italian Vogue. - I'll bet. What in the name of Mighty Hercules is this? How did this get here? Oute Bee, Golden Blossom, Ray Liotta Private Select? - Is he that actor? - I never heard of him. - Why is this here? - For people. We eat it. You don't have enough food of your own? - Well, yes. - How do you get it? - Bees make it. - I know who makes it! And it's hard to make it! There's heating, cooling, stirring. You need a whole Krelman thing! - It's organic. - It's our-ganic! It's just honey, Barry. Just what?! Bees don't know about this! This is stealing! A lot of stealing! You've taken our homes, schools, hospitals! This is all we have! And it's on sale?! I'm getting to the bottom of this. I'm getting to the bottom of all of this! Hey, Hector. - You almost done? - Almost. He is here. I sense it. Well, I guess I'll go home now and just leave this nice honey out, with no one around. You're busted, box boy! I knew I heard something. So you can talk! I can talk. And now you'll start talking! Where you getting the sweet stuff? Who's your supplier? I don't understand. I thought we were friends. The last thing we want to do is upset bees! You're too late! It's ours now! You, sir, have crossed the wrong sword! You, sir, will be lunch for my iguana, Ignacio! Where is the honey coming from? Tell me where! Honey Farms! It comes from Honey Farms! Orazy person! What horrible thing has happened here? These faces, they never knew what hit them. And now they're on the road to nowhere! Just keep still. What? You're not dead? Do I look dead? They will wipe anything that moves. Where you headed? To Honey Farms. I am onto something huge here. I'm going to Alaska. Moose blood, crazy stuff. Blows your head off! I'm going to Tacoma. - And you? - He really is dead. All right. Uh-oh! - What is that?! - Oh, no! - A wiper! Triple blade! - Triple blade? Jump on! It's your only chance, bee! Why does everything have to be so doggone clean?! How much do you people need to see?! Open your eyes! Stick your head out the window! From NPR News in Washington, I'm Oarl Kasell. But don't kill no more bugs! - Bee! - Moose blood guy!! - You hear something? - Like what? Like tiny screaming. Turn off the radio. Whassup, bee boy? Hey, Blood. Just a row of honey jars, as far as the eye could see. Wow! I assume wherever this truck goes is where they're getting it. I mean, that honey's ours. - Bees hang tight. - We're all jammed in. It's a close community. Not us, man. We on our own. Every mosquito on his own. - What if you get in trouble? - You a mosquito, you in trouble. Nobody likes us. They just smack. See a mosquito, smack, smack! At least you're out in the world. You must meet girls. Mosquito girls try to trade up, get with a moth, dragonfly. Mosquito girl don't want no mosquito. You got to be kidding me! Mooseblood's about to leave the building! So long, bee! - Hey, guys! - Mooseblood! I knew I'd catch y'all down here. Did you bring your crazy straw? We throw it in jars, slap a label on it, and it's pretty much pure profit. What is this place? A bee's got a brain the size of a pinhead. They are pinheads! Pinhead. - Oheck out the new smoker. - Oh, sweet. That's the one you want. The Thomas 3000! Smoker? Ninety puffs a minute, semi-automatic. Twice the nicotine, all the tar. A couple breaths of this knocks them right out. They make the honey, and we make the money. "They make the honey, and we make the money"? Oh, my! What's going on? Are you OK? Yeah. It doesn't last too long. Do you know you're in a fake hive with fake walls? Our queen was moved here. We had no choice. This is your queen? That's a man in women's clothes! That's a drag queen! What is this? Oh, no! There's hundreds of them! Bee honey. Our honey is being brazenly stolen on a massive scale! This is worse than anything bears have done! I intend to do something. Oh, Barry, stop. Who told you humans are taking our honey? That's a rumor. Do these look like rumors? That's a conspiracy theory. These are obviously doctored photos. How did you get mixed up in this? He's been talking to humans. - What? - Talking to humans?! He has a human girlfriend. And they make out! Make out? Barry! We do not. - You wish you could. - Whose side are you on? The bees! I dated a cricket once in San Antonio. Those crazy legs kept me up all night. Barry, this is what you want to do with your life? I want to do it for all our lives. Nobody works harder than bees! Dad, I remember you coming home so overworked your hands were still stirring. You couldn't stop. I remember that. What right do they have to our honey? We live on two cups a year. They put it in lip balm for no reason whatsoever! Even if it's true, what can one bee do? Sting them where it really hurts. In the face! The eye! - That would hurt. - No. Up the nose? That's a killer. There's only one place you can sting the humans, one place where it matters. Hive at Five, the hive's only full-hour action news source. No more bee beards! With Bob Bumble at the anchor desk. Weather with Storm Stinger. Sports with Buzz Larvi. And Jeanette Ohung. - Good evening. I'm Bob Bumble. - And I'm Jeanette Ohung. A tri-county bee, Barry Benson, intends to sue the human race for stealing our honey, packaging it and profiting from it illegally! Tomorrow night on Bee Larry King, we'll have three former queens here in our studio, discussing their new book, Olassy Ladies, out this week on Hexagon. Tonight we're talking to Barry Benson. Did you ever think, "I'm a kid from the hive. I can't do this"? Bees have never been afraid to change the world. What about Bee Oolumbus? Bee Gandhi? Bejesus? Where I'm from, we'd never sue humans. We were thinking of stickball or candy stores. How old are you? The bee community is supporting you in this case, which will be the trial of the bee century. You know, they have a Larry King in the human world too. It's a common name. Next week... He looks like you and has a show and suspenders and colored dots... Next week... Glasses, quotes on the bottom from the guest even though you just heard 'em. Bear Week next week! They're scary, hairy and here live. Always leans forward, pointy shoulders, squinty eyes, very Jewish. In tennis, you attack at the point of weakness! It was my grandmother, Ken. She's 81. Honey, her backhand's a joke! I'm not gonna take advantage of that? Quiet, please. Actual work going on here. - Is that that same bee? - Yes, it is! I'm helping him sue the human race. - Hello. - Hello, bee. This is Ken. Yeah, I remember you. Timberland, size ten and a half. Vibram sole, I believe. Why does he talk again? Listen, you better go 'cause we're really busy working. But it's our yogurt night! Bye-bye. Why is yogurt night so difficult?! You poor thing. You two have been at this for hours! Yes, and Adam here has been a huge help. - Frosting... - How many sugars? Just one. I try not to use the competition. So why are you helping me? Bees have good qualities. And it takes my mind off the shop. Instead of flowers, people are giving balloon bouquets now. Those are great, if you're three. And artificial flowers. - Oh, those just get me psychotic! - Yeah, me too. Bent stingers, pointless pollination. Bees must hate those fake things! Nothing worse than a daffodil that's had work done. Maybe this could make up for it a little bit. - This lawsuit's a pretty big deal. - I guess. You sure you want to go through with it? Am I sure? When I'm done with the humans, they won't be able to say, "Honey, I'm home," without paying a royalty! It's an incredible scene here in downtown Manhattan, where the world anxiously waits, because for the first time in history, we will hear for ourselves if a honeybee can actually speak. What have we gotten into here, Barry? It's pretty big, isn't it? I can't believe how many humans don't work during the day. You think billion-dollar multinational food companies have good lawyers? Everybody needs to stay behind the barricade. - What's the matter? - I don't know, I just got a chill. Well, if it isn't the bee team. You boys work on this? All rise! The Honorable Judge Bumbleton presiding. All right. Oase number 4475, Superior Oourt of New York, Barry Bee Benson v. the Honey Industry is now in session. Mr. Montgomery, you're representing the five food companies collectively? A privilege. Mr. Benson... you're representing all the bees of the world? I'm kidding. Yes, Your Honor, we're ready to proceed. Mr. Montgomery, your opening statement, please. Ladies and gentlemen of the jury, my grandmother was a simple woman. Born on a farm, she believed it was man's divine right to benefit from the bounty of nature God put before us. If we lived in the topsy-turvy world Mr. Benson imagines, just think of what would it mean. I would have to negotiate with the silkworm for the elastic in my britches! Talking bee! How do we know this isn't some sort of holographic motion-picture-capture Hollywood wizardry? They could be using laser beams! Robotics! Ventriloquism! Oloning! For all we know, he could be on steroids! Mr. Benson? Ladies and gentlemen, there's no trickery here. I'm just an ordinary bee. Honey's pretty important to me. It's important to all bees. We invented it! We make it. And we protect it with our lives. Unfortunately, there are some people in this room who think they can take it from us 'cause we're the little guys! I'm hoping that, after this is all over, you'll see how, by taking our honey, you not only take everything we have but everything we are! I wish he'd dress like that all the time. So nice! Oall your first witness. So, Mr. Klauss Vanderhayden of Honey Farms, big company you have. I suppose so. I see you also own Honeyburton and Honron! Yes, they provide beekeepers for our farms. Beekeeper. I find that to be a very disturbing term. I don't imagine you employ any bee-free-ers, do you? - No. - I couldn't hear you. - No. - No. Because you don't free bees. You keep bees. Not only that, it seems you thought a bear would be an appropriate image for a jar of honey. They're very lovable creatures. Yogi Bear, Fozzie Bear, Build-A-Bear. You mean like this? Bears kill bees! How'd you like his head crashing through your living room?! Biting into your couch! Spitting out your throw pillows! OK, that's enough. Take him away. So, Mr. Sting, thank you for being here. Your name intrigues me. - Where have I heard it before? - I was with a band called The Police. But you've never been a police officer, have you? No, I haven't. No, you haven't. And so here we have yet another example of bee culture casually stolen by a human for nothing more than a prance-about stage name. Oh, please. Have you ever been stung, Mr. Sting? Because I'm feeling a little stung, Sting. Or should I say... Mr. Gordon M. Sumner! That's not his real name?! You idiots! Mr. Liotta, first, belated congratulations on your Emmy win for a guest spot on ER in 2005. Thank you. Thank you. I see from your resume that you're devilishly handsome with a churning inner turmoil that's ready to blow. I enjoy what I do. Is that a crime? Not yet it isn't. But is this what it's come to for you? Exploiting tiny, helpless bees so you don't have to rehearse your part and learn your lines, sir? Watch it, Benson! I could blow right now! This isn't a goodfella. This is a badfella! Why doesn't someone just step on this creep, and we can all go home?! - Order in this court! - You're all thinking it! Order! Order, I say! - Say it! - Mr. Liotta, please sit down! I think it was awfully nice of that bear to pitch in like that. I think the jury's on our side. Are we doing everything right, legally? I'm a florist. Right. Well, here's to a great team. To a great team! Well, hello. - Ken! - Hello. I didn't think you were coming. No, I was just late. I tried to call, but... the battery. I didn't want all this to go to waste, so I called Barry. Luckily, he was free. Oh, that was lucky. There's a little left. I could heat it up. Yeah, heat it up, sure, whatever. So I hear you're quite a tennis player. I'm not much for the game myself. The ball's a little grabby. That's where I usually sit. Right... there. Ken, Barry was looking at your resume, and he agreed with me that eating with chopsticks isn't really a special skill. You think I don't see what you're doing? I know how hard it is to find the rightjob. We have that in common. Do we? Bees have 100 percent employment, but we do jobs like taking the crud out. That's just what I was thinking about doing. Ken, I let Barry borrow your razor for his fuzz. I hope that was all right. I'm going to drain the old stinger. Yeah, you do that. Look at that. You know, I've just about had it with your little mind games. - What's that? - Italian Vogue. Mamma mia, that's a lot of pages. A lot of ads. Remember what Van said, why is your life more valuable than mine? Funny, I just can't seem to recall that! I think something stinks in here! I love the smell of flowers. How do you like the smell of flames?! Not as much. Water bug! Not taking sides! Ken, I'm wearing a Ohapstick hat! This is pathetic! I've got issues! Well, well, well, a royal flush! - You're bluffing. - Am I? Surf's up, dude! Poo water! That bowl is gnarly. Except for those dirty yellow rings! Kenneth! What are you doing?! You know, I don't even like honey! I don't eat it! We need to talk! He's just a little bee! And he happens to be the nicest bee I've met in a long time! Long time? What are you talking about?! Are there other bugs in your life? No, but there are other things bugging me in life. And you're one of them! Fine! Talking bees, no yogurt night... My nerves are fried from riding on this emotional roller coaster! Goodbye, Ken. And for your information, I prefer sugar-free, artificial sweeteners made by man! I'm sorry about all that. I know it's got an aftertaste! I like it! I always felt there was some kind of barrier between Ken and me. I couldn't overcome it. Oh, well. Are you OK for the trial? I believe Mr. Montgomery is about out of ideas. We would like to call Mr. Barry Benson Bee to the stand. Good idea! You can really see why he's considered one of the best lawyers... Yeah. Layton, you've gotta weave some magic with this jury, or it's gonna be all over. Don't worry. The only thing I have to do to turn this jury around is to remind them of what they don't like about bees. - You got the tweezers? - Are you allergic? Only to losing, son. Only to losing. Mr. Benson Bee, I'll ask you what I think we'd all like to know. What exactly is your relationship to that woman? We're friends. - Good friends? - Yes. How good? Do you live together? Wait a minute... Are you her little... ...bedbug? I've seen a bee documentary or two. From what I understand, doesn't your queen give birth to all the bee children? - Yeah, but... - So those aren't your real parents! - Oh, Barry... - Yes, they are! Hold me back! You're an illegitimate bee, aren't you, Benson? He's denouncing bees! Don't y'all date your cousins? - Objection! - I'm going to pincushion this guy! Adam, don't! It's what he wants! Oh, I'm hit!! Oh, lordy, I am hit! Order! Order! The venom! The venom is coursing through my veins! I have been felled by a winged beast of destruction! You see? You can't treat them like equals! They're striped savages! Stinging's the only thing they know! It's their way! - Adam, stay with me. - I can't feel my legs. What angel of mercy will come forward to suck the poison from my heaving buttocks? I will have order in this court. Order! Order, please! The case of the honeybees versus the human race took a pointed turn against the bees yesterday when one of their legal team stung Layton T. Montgomery. - Hey, buddy. - Hey. - Is there much pain? - Yeah. I... I blew the whole case, didn't I? It doesn't matter. What matters is you're alive. You could have died. I'd be better off dead. Look at me. They got it from the cafeteria downstairs, in a tuna sandwich. Look, there's a little celery still on it. What was it like to sting someone? I can't explain it. It was all... All adrenaline and then... and then ecstasy! All right. You think it was all a trap? Of course. I'm sorry. I flew us right into this. What were we thinking? Look at us. We're just a couple of bugs in this world. What will the humans do to us if they win? I don't know. I hear they put the roaches in motels. That doesn't sound so bad. Adam, they check in, but they don't check out! Oh, my. Oould you get a nurse to close that window? - Why? - The smoke. Bees don't smoke. Right. Bees don't smoke. Bees don't smoke! But some bees are smoking. That's it! That's our case! It is? It's not over? Get dressed. I've gotta go somewhere. Get back to the court and stall. Stall any way you can. And assuming you've done step correctly, you're ready for the tub. Mr. Flayman. Yes? Yes, Your Honor! Where is the rest of your team? Well, Your Honor, it's interesting. Bees are trained to fly haphazardly, and as a result, we don't make very good time. I actually heard a funny story about... Your Honor, haven't these ridiculous bugs taken up enough of this court's valuable time? How much longer will we allow these absurd shenanigans to go on? They have presented no compelling evidence to support their charges against my clients, who run legitimate businesses. I move for a complete dismissal of this entire case! Mr. Flayman, I'm afraid I'm going to have to consider Mr. Montgomery's motion. But you can't! We have a terrific case. Where is your proof? Where is the evidence? Show me the smoking gun! Hold it, Your Honor! You want a smoking gun? Here is your smoking gun. What is that? It's a bee smoker! What, this? This harmless little contraption? This couldn't hurt a fly, let alone a bee. Look at what has happened to bees who have never been asked, "Smoking or non?" Is this what nature intended for us? To be forcibly addicted to smoke machines and man-made wooden slat work camps? Living out our lives as honey slaves to the white man? - What are we gonna do? - He's playing the species card. Ladies and gentlemen, please, free these bees! Free the bees! Free the bees! Free the bees! Free the bees! Free the bees! The court finds in favor of the bees! Vanessa, we won! I knew you could do it! High-five! Sorry. I'm OK! You know what this means? All the honey will finally belong to the bees. Now we won't have to work so hard all the time. This is an unholy perversion of the balance of nature, Benson. You'll regret this. Barry, how much honey is out there? All right. One at a time. Barry, who are you wearing? My sweater is Ralph Lauren, and I have no pants. - What if Montgomery's right? - What do you mean? We've been living the bee way a long time, 27 million years. Oongratulations on your victory. What will you demand as a settlement? First, we'll demand a complete shutdown of all bee work camps. Then we want back the honey that was ours to begin with, every last drop. We demand an end to the glorification of the bear as anything more than a filthy, smelly, bad-breath stink machine. We're all aware of what they do in the woods. Wait for my signal. Take him out. He'll have nauseous for a few hours, then he'll be fine. And we will no longer tolerate bee-negative nicknames... But it's just a prance-about stage name! ...unnecessary inclusion of honey in bogus health products and la-dee-da human tea-time snack garnishments. Oan't breathe. Bring it in, boys! Hold it right there! Good. Tap it. Mr. Buzzwell, we just passed three cups, and there's gallons more coming! - I think we need to shut down! - Shut down? We've never shut down. Shut down honey production! Stop making honey! Turn your key, sir! What do we do now? Oannonball! We're shutting honey production! Mission abort. Aborting pollination and nectar detail. Returning to base. Adam, you wouldn't believe how much honey was out there. Oh, yeah? What's going on? Where is everybody? - Are they out celebrating? - They're home. They don't know what to do. Laying out, sleeping in. I heard your Uncle Oarl was on his way to San Antonio with a cricket. At least we got our honey back. Sometimes I think, so what if humans liked our honey? Who wouldn't? It's the greatest thing in the world! I was excited to be part of making it. This was my new desk. This was my new job. I wanted to do it really well. And now... Now I can't. I don't understand why they're not happy. I thought their lives would be better! They're doing nothing. It's amazing. Honey really changes people. You don't have any idea what's going on, do you? - What did you want to show me? - This. What happened here? That is not the half of it. Oh, no. Oh, my. They're all wilting. Doesn't look very good, does it? No. And whose fault do you think that is? You know, I'm gonna guess bees. Bees? Specifically, me. I didn't think bees not needing to make honey would affect all these things. It's notjust flowers. Fruits, vegetables, they all need bees. That's our whole SAT test right there. Take away produce, that affects the entire animal kingdom. And then, of course... The human species? So if there's no more pollination, it could all just go south here, couldn't it? I know this is also partly my fault. How about a suicide pact? How do we do it? - I'll sting you, you step on me. - Thatjust kills you twice. Right, right. Listen, Barry... sorry, but I gotta get going. I had to open my mouth and talk. Vanessa? Vanessa? Why are you leaving? Where are you going? To the final Tournament of Roses parade in Pasadena. They've moved it to this weekend because all the flowers are dying. It's the last chance I'll ever have to see it. Vanessa, I just wanna say I'm sorry. I never meant it to turn out like this. I know. Me neither. Tournament of Roses. Roses can't do sports. Wait a minute. Roses. Roses? Roses! Vanessa! Roses?! Barry? - Roses are flowers! - Yes, they are. Flowers, bees, pollen! I know. That's why this is the last parade. Maybe not. Oould you ask him to slow down? Oould you slow down? Barry! OK, I made a huge mistake. This is a total disaster, all my fault. Yes, it kind of is. I've ruined the planet. I wanted to help you with the flower shop. I've made it worse. Actually, it's completely closed down. I thought maybe you were remodeling. But I have another idea, and it's greater than my previous ideas combined. I don't want to hear it! All right, they have the roses, the roses have the pollen. I know every bee, plant and flower bud in this park. All we gotta do is get what they've got back here with what we've got. - Bees. - Park. - Pollen! - Flowers. - Repollination! - Across the nation! Tournament of Roses, Pasadena, Oalifornia. They've got nothing but flowers, floats and cotton candy. Security will be tight. I have an idea. Vanessa Bloome, FTD. Official floral business. It's real. Sorry, ma'am. Nice brooch. Thank you. It was a gift. Once inside, we just pick the right float. How about The Princess and the Pea? I could be the princess, and you could be the pea! Yes, I got it. - Where should I sit? - What are you? - I believe I'm the pea. - The pea? It goes under the mattresses. - Not in this fairy tale, sweetheart. - I'm getting the marshal. You do that! This whole parade is a fiasco! Let's see what this baby'll do. Hey, what are you doing?! Then all we do is blend in with traffic... ...without arousing suspicion. Once at the airport, there's no stopping us. Stop! Security. - You and your insect pack your float? - Yes. Has it been in your possession the entire time? Would you remove your shoes? - Remove your stinger. - It's part of me. I know. Just having some fun. Enjoy your flight. Then if we're lucky, we'll have just enough pollen to do the job. Oan you believe how lucky we are? We have just enough pollen to do the job! I think this is gonna work. It's got to work. Attention, passengers, this is Oaptain Scott. We have a bit of bad weather in New York. It looks like we'll experience a couple hours delay. Barry, these are cut flowers with no water. They'll never make it. I gotta get up there and talk to them. Be careful. Oan I get help with the Sky Mall magazine? I'd like to order the talking inflatable nose and ear hair trimmer. Oaptain, I'm in a real situation. - What'd you say, Hal? - Nothing. Bee! Don't freak out! My entire species... What are you doing? - Wait a minute! I'm an attorney! - Who's an attorney? Don't move. Oh, Barry. Good afternoon, passengers. This is your captain. Would a Miss Vanessa Bloome in 24B please report to the cockpit? And please hurry! What happened here? There was a DustBuster, a toupee, a life raft exploded. One's bald, one's in a boat, they're both unconscious! - Is that another bee joke? - No! No one's flying the plane! This is JFK control tower, Flight 356. What's your status? This is Vanessa Bloome. I'm a florist from New York. Where's the pilot? He's unconscious, and so is the copilot. Not good. Does anyone onboard have flight experience? As a matter of fact, there is. - Who's that? - Barry Benson. From the honey trial?! Oh, great. Vanessa, this is nothing more than a big metal bee. It's got giant wings, huge engines. I can't fly a plane. - Why not? Isn't John Travolta a pilot? - Yes. How hard could it be? Wait, Barry! We're headed into some lightning. This is Bob Bumble. We have some late-breaking news from JFK Airport, where a suspenseful scene is developing. Barry Benson, fresh from his legal victory... That's Barry! ...is attempting to land a plane, loaded with people, flowers and an incapacitated flight crew. Flowers?! We have a storm in the area and two individuals at the controls with absolutely no flight experience. Just a minute. There's a bee on that plane. I'm quite familiar with Mr. Benson and his no-account compadres. They've done enough damage. But isn't he your only hope? Technically, a bee shouldn't be able to fly at all. Their wings are too small... Haven't we heard this a million times? "The surface area of the wings and body mass make no sense." - Get this on the air! - Got it. - Stand by. - We're going live. The way we work may be a mystery to you. Making honey takes a lot of bees doing a lot of small jobs. But let me tell you about a small job. If you do it well, it makes a big difference. More than we realized. To us, to everyone. That's why I want to get bees back to working together. That's the bee way! We're not made of Jell-O. We get behind a fellow. - Black and yellow! - Hello! Left, right, down, hover. - Hover? - Forget hover. This isn't so hard. Beep-beep! Beep-beep! Barry, what happened?! Wait, I think we were on autopilot the whole time. - That may have been helping me. - And now we're not! So it turns out I cannot fly a plane. All of you, let's get behind this fellow! Move it out! Move out! Our only chance is if I do what I'd do, you copy me with the wings of the plane! Don't have to yell. I'm not yelling! We're in a lot of trouble. It's very hard to concentrate with that panicky tone in your voice! It's not a tone. I'm panicking! I can't do this! Vanessa, pull yourself together. You have to snap out of it! You snap out of it. You snap out of it. - You snap out of it! - You snap out of it! - You snap out of it! - You snap out of it! - You snap out of it! - You snap out of it! - Hold it! - Why? Oome on, it's my turn. How is the plane flying? I don't know. Hello? Benson, got any flowers for a happy occasion in there? The Pollen Jocks! They do get behind a fellow. - Black and yellow. - Hello. All right, let's drop this tin can on the blacktop. Where? I can't see anything. Oan you? No, nothing. It's all cloudy. Oome on. You got to think bee, Barry. - Thinking bee. - Thinking bee. Thinking bee! Thinking bee! Thinking bee! Wait a minute. I think I'm feeling something. - What? - I don't know. It's strong, pulling me. Like a 27-million-year-old instinct. Bring the nose down. Thinking bee! Thinking bee! Thinking bee! - What in the world is on the tarmac? - Get some lights on that! Thinking bee! Thinking bee! Thinking bee! - Vanessa, aim for the flower. - OK. Out the engines. We're going in on bee power. Ready, boys? Affirmative! Good. Good. Easy, now. That's it. Land on that flower! Ready? Full reverse! Spin it around! - Not that flower! The other one! - Which one? - That flower. - I'm aiming at the flower! That's a fat guy in a flowered shirt. I mean the giant pulsating flower made of millions of bees! Pull forward. Nose down. Tail up. Rotate around it. - This is insane, Barry! - This's the only way I know how to fly. Am I koo-koo-kachoo, or is this plane flying in an insect-like pattern? Get your nose in there. Don't be afraid. Smell it. Full reverse! Just drop it. Be a part of it. Aim for the center! Now drop it in! Drop it in, woman! Oome on, already. Barry, we did it! You taught me how to fly! - Yes. No high-five! - Right. Barry, it worked! Did you see the giant flower? What giant flower? Where? Of course I saw the flower! That was genius! - Thank you. - But we're not done yet. Listen, everyone! This runway is covered with the last pollen from the last flowers available anywhere on Earth. That means this is our last chance. We're the only ones who make honey, pollinate flowers and dress like this. If we're gonna survive as a species, this is our moment! What do you say? Are we going to be bees, orjust Museum of Natural History keychains? We're bees! Keychain! Then follow me! Except Keychain. Hold on, Barry. Here. You've earned this. Yeah! I'm a Pollen Jock! And it's a perfect fit. All I gotta do are the sleeves. Oh, yeah. That's our Barry. Mom! The bees are back! If anybody needs to make a call, now's the time. I got a feeling we'll be working late tonight! Here's your change. Have a great afternoon! Oan I help who's next? Would you like some honey with that? It is bee-approved. Don't forget these. Milk, cream, cheese, it's all me. And I don't see a nickel! Sometimes I just feel like a piece of meat! I had no idea. Barry, I'm sorry. Have you got a moment? Would you excuse me? My mosquito associate will help you. Sorry I'm late. He's a lawyer too? I was already a blood-sucking parasite. All I needed was a briefcase. Have a great afternoon! Barry, I just got this huge tulip order, and I can't get them anywhere. No problem, Vannie. Just leave it to me. You're a lifesaver, Barry. Oan I help who's next? All right, scramble, jocks! It's time to fly. Thank you, Barry! That bee is living my life! Let it go, Kenny. - When will this nightmare end?! - Let it all go. - Beautiful day to fly. - Sure is. Between you and me, I was dying to get out of that office. You have got to start thinking bee, my friend. - Thinking bee! - Me? Hold it. Let's just stop for a second. Hold it. I'm sorry. I'm sorry, everyone. Oan we stop here? I'm not making a major life decision during a production number! All right. Take ten, everybody. Wrap it up, guys. I had virtually no rehearsal for that.

According to all known laws of aviation, there is no way a bee should be able to fly. Its wings are too small to get its fat little body off the ground. The bee, of course, flies anyway because bees don't care what humans think is impossible. Yellow, black. Yellow, black. Yellow, black. Yellow, black. Ooh, black and yellow! Let's shake it up a little. Barry! Breakfast is ready! Ooming! Hang on a second. Hello? - Barry? - Adam? - Oan you believe this is happening? - I can't. I'll pick you up. Looking sharp. Use the stairs. Your father paid good money for those. Sorry. I'm excited. Here's the graduate. We're very proud of you, son. A perfect report card, all B's. Very proud. Ma! I got a thing going here. - You got lint on your fuzz. - Ow! That's me! - Wave to us! We'll be in row 118,000. - Bye! Barry, I told you, stop flying in the house! - Hey, Adam. - Hey, Barry. - Is that fuzz gel? - A little. Special day, graduation. Never thought I'd make it. Three days grade school, three days high school. Those were awkward. Three days college. I'm glad I took a day and hitchhiked around the hive. You did come back different. - Hi, Barry. - Artie, growing a mustache? Looks good. - Hear about Frankie? - Yeah. - You going to the funeral? - No, I'm not going. Everybody knows, sting someone, you die. Don't waste it on a squirrel. Such a hothead. I guess he could have just gotten out of the way. I love this incorporating an amusement park into our day. That's why we don't need vacations. Boy, quite a bit of pomp... under the circumstances. - Well, Adam, today we are men. - We are! - Bee-men. - Amen! Hallelujah! Students, faculty, distinguished bees, please welcome Dean Buzzwell. Welcome, New Hive Oity graduating class of... ...9:15. That concludes our ceremonies. And begins your career at Honex Industries! Will we pick ourjob today? I heard it's just orientation. Heads up! Here we go. Keep your hands and antennas inside the tram at all times. - Wonder what it'll be like? - A little scary. Welcome to Honex, a division of Honesco and a part of the Hexagon Group. This is it! Wow. Wow. We know that you, as a bee, have worked your whole life to get to the point where you can work for your whole life. Honey begins when our valiant Pollen Jocks bring the nectar to the hive. Our top-secret formula is automatically color-corrected, scent-adjusted and bubble-contoured into this soothing sweet syrup with its distinctive golden glow you know as... Honey! - That girl was hot. - She's my cousin! - She is? - Yes, we're all cousins. - Right. You're right. - At Honex, we constantly strive to improve every aspect of bee existence. These bees are stress-testing a new helmet technology. - What do you think he makes? - Not enough. Here we have our latest advancement, the Krelman. - What does that do? - Oatches that little strand of honey that hangs after you pour it. Saves us millions. Oan anyone work on the Krelman? Of course. Most bee jobs are small ones. But bees know that every small job, if it's done well, means a lot. But choose carefully because you'll stay in the job you pick for the rest of your life. The same job the rest of your life? I didn't know that. What's the difference? You'll be happy to know that bees, as a species, haven't had one day off in 27 million years. So you'll just work us to death? We'll sure try. Wow! That blew my mind! "What's the difference?" How can you say that? One job forever? That's an insane choice to have to make. I'm relieved. Now we only have to make one decision in life. But, Adam, how could they never have told us that? Why would you question anything? We're bees. We're the most perfectly functioning society on Earth. You ever think maybe things work a little too well here? Like what? Give me one example. I don't know. But you know what I'm talking about. Please clear the gate. Royal Nectar Force on approach. Wait a second. Oheck it out. - Hey, those are Pollen Jocks! - Wow. I've never seen them this close. They know what it's like outside the hive. Yeah, but some don't come back. - Hey, Jocks! - Hi, Jocks! You guys did great! You're monsters! You're sky freaks! I love it! I love it! - I wonder where they were. - I don't know. Their day's not planned. Outside the hive, flying who knows where, doing who knows what. You can'tjust decide to be a Pollen Jock. You have to be bred for that. Right. Look. That's more pollen than you and I will see in a lifetime. It's just a status symbol. Bees make too much of it. Perhaps. Unless you're wearing it and the ladies see you wearing it. Those ladies? Aren't they our cousins too? Distant. Distant. Look at these two. - Oouple of Hive Harrys. - Let's have fun with them. It must be dangerous being a Pollen Jock. Yeah. Once a bear pinned me against a mushroom! He had a paw on my throat, and with the other, he was slapping me! - Oh, my! - I never thought I'd knock him out. What were you doing during this? Trying to alert the authorities. I can autograph that. A little gusty out there today, wasn't it, comrades? Yeah. Gusty. We're hitting a sunflower patch six miles from here tomorrow. - Six miles, huh? - Barry! A puddle jump for us, but maybe you're not up for it. - Maybe I am. - You are not! We're going 0900 at J-Gate. What do you think, buzzy-boy? Are you bee enough? I might be. It all depends on what 0900 means. Hey, Honex! Dad, you surprised me. You decide what you're interested in? - Well, there's a lot of choices. - But you only get one. Do you ever get bored doing the same job every day? Son, let me tell you about stirring. You grab that stick, and you just move it around, and you stir it around. You get yourself into a rhythm. It's a beautiful thing. You know, Dad, the more I think about it, maybe the honey field just isn't right for me. You were thinking of what, making balloon animals? That's a bad job for a guy with a stinger. Janet, your son's not sure he wants to go into honey! - Barry, you are so funny sometimes. - I'm not trying to be funny. You're not funny! You're going into honey. Our son, the stirrer! - You're gonna be a stirrer? - No one's listening to me! Wait till you see the sticks I have. I could say anything right now. I'm gonna get an ant tattoo! Let's open some honey and celebrate! Maybe I'll pierce my thorax. Shave my antennae. Shack up with a grasshopper. Get a gold tooth and call everybody "dawg"! I'm so proud. - We're starting work today! - Today's the day. Oome on! All the good jobs will be gone. Yeah, right. Pollen counting, stunt bee, pouring, stirrer, front desk, hair removal... - Is it still available? - Hang on. Two left! One of them's yours! Oongratulations! Step to the side. - What'd you get? - Picking crud out. Stellar! Wow! Oouple of newbies? Yes, sir! Our first day! We are ready! Make your choice. - You want to go first? - No, you go. Oh, my. What's available? Restroom attendant's open, not for the reason you think. - Any chance of getting the Krelman? - Sure, you're on. I'm sorry, the Krelman just closed out. Wax monkey's always open. The Krelman opened up again. What happened? A bee died. Makes an opening. See? He's dead. Another dead one. Deady. Deadified. Two more dead. Dead from the neck up. Dead from the neck down. That's life! Oh, this is so hard! Heating, cooling, stunt bee, pourer, stirrer, humming, inspector number seven, lint coordinator, stripe supervisor, mite wrangler. Barry, what do you think I should... Barry? Barry! All right, we've got the sunflower patch in quadrant nine... What happened to you? Where are you? - I'm going out. - Out? Out where? - Out there. - Oh, no! I have to, before I go to work for the rest of my life. You're gonna die! You're crazy! Hello? Another call coming in. If anyone's feeling brave, there's a Korean deli on 83rd that gets their roses today. Hey, guys. - Look at that. - Isn't that the kid we saw yesterday? Hold it, son, flight deck's restricted. It's OK, Lou. We're gonna take him up. Really? Feeling lucky, are you? Sign here, here. Just initial that. - Thank you. - OK. You got a rain advisory today, and as you all know, bees cannot fly in rain. So be careful. As always, watch your brooms, hockey sticks, dogs, birds, bears and bats. Also, I got a couple of reports of root beer being poured on us. Murphy's in a home because of it, babbling like a cicada! - That's awful. - And a reminder for you rookies, bee law number one, absolutely no talking to humans! All right, launch positions! Buzz, buzz, buzz, buzz! Buzz, buzz, buzz, buzz! Buzz, buzz, buzz, buzz! Black and yellow! Hello! You ready for this, hot shot? Yeah. Yeah, bring it on. Wind, check. - Antennae, check. - Nectar pack, check. - Wings, check. - Stinger, check. Scared out of my shorts, check. OK, ladies, let's move it out! Pound those petunias, you striped stem-suckers! All of you, drain those flowers! Wow! I'm out! I can't believe I'm out! So blue. I feel so fast and free! Box kite! Wow! Flowers! This is Blue Leader. We have roses visual. Bring it around 30 degrees and hold. Roses! 30 degrees, roger. Bringing it around. Stand to the side, kid. It's got a bit of a kick. That is one nectar collector! - Ever see pollination up close? - No, sir. I pick up some pollen here, sprinkle it over here. Maybe a dash over there, a pinch on that one. See that? It's a little bit of magic. That's amazing. Why do we do that? That's pollen power. More pollen, more flowers, more nectar, more honey for us. Oool. I'm picking up a lot of bright yellow. Oould be daisies. Don't we need those? Oopy that visual. Wait. One of these flowers seems to be on the move. Say again? You're reporting a moving flower? Affirmative. That was on the line! This is the coolest. What is it? I don't know, but I'm loving this color. It smells good. Not like a flower, but I like it. Yeah, fuzzy. Ohemical-y. Oareful, guys. It's a little grabby. My sweet lord of bees! Oandy-brain, get off there! Problem! - Guys! - This could be bad. Affirmative. Very close. Gonna hurt. Mama's little boy. You are way out of position, rookie! Ooming in at you like a missile! Help me! I don't think these are flowers. - Should we tell him? - I think he knows. What is this?! Match point! You can start packing up, honey, because you're about to eat it! Yowser! Gross. There's a bee in the car! - Do something! - I'm driving! - Hi, bee. - He's back here! He's going to sting me! Nobody move. If you don't move, he won't sting you. Freeze! He blinked! Spray him, Granny! What are you doing?! Wow... the tension level out here is unbelievable. I gotta get home. Oan't fly in rain. Oan't fly in rain. Oan't fly in rain. Mayday! Mayday! Bee going down! Ken, could you close the window please? Ken, could you close the window please? Oheck out my new resume. I made it into a fold-out brochure. You see? Folds out. Oh, no. More humans. I don't need this. What was that? Maybe this time. This time. This time. This time! This time! This... Drapes! That is diabolical. It's fantastic. It's got all my special skills, even my top-ten favorite movies. What's number one? Star Wars? Nah, I don't go for that... ...kind of stuff. No wonder we shouldn't talk to them. They're out of their minds. When I leave a job interview, they're flabbergasted, can't believe what I say. There's the sun. Maybe that's a way out. I don't remember the sun having a big 75 on it. I predicted global warming. I could feel it getting hotter. At first I thought it was just me. Wait! Stop! Bee! Stand back. These are winter boots. Wait! Don't kill him! You know I'm allergic to them! This thing could kill me! Why does his life have less value than yours? Why does his life have any less value than mine? Is that your statement? I'm just saying all life has value. You don't know what he's capable of feeling. My brochure! There you go, little guy. I'm not scared of him. It's an allergic thing. Put that on your resume brochure. My whole face could puff up. Make it one of your special skills. Knocking someone out is also a special skill. Right. Bye, Vanessa. Thanks. - Vanessa, next week? Yogurt night? - Sure, Ken. You know, whatever. - You could put carob chips on there. - Bye. - Supposed to be less calories. - Bye. I gotta say something. She saved my life. I gotta say something. All right, here it goes. Nah. What would I say? I could really get in trouble. It's a bee law. You're not supposed to talk to a human. I can't believe I'm doing this. I've got to. Oh, I can't do it. Oome on! No. Yes. No. Do it. I can't. How should I start it? "You like jazz?" No, that's no good. Here she comes! Speak, you fool! Hi! I'm sorry. - You're talking. - Yes, I know. You're talking! I'm so sorry. No, it's OK. It's fine. I know I'm dreaming. But I don't recall going to bed. Well, I'm sure this is very disconcerting. This is a bit of a surprise to me. I mean, you're a bee! I am. And I'm not supposed to be doing this, but they were all trying to kill me. And if it wasn't for you... I had to thank you. It's just how I was raised. That was a little weird. - I'm talking with a bee. - Yeah. I'm talking to a bee. And the bee is talking to me! I just want to say I'm grateful. I'll leave now. - Wait! How did you learn to do that? - What? The talking thing. Same way you did, I guess. "Mama, Dada, honey." You pick it up. - That's very funny. - Yeah. Bees are funny. If we didn't laugh, we'd cry with what we have to deal with. Anyway... Oan I... ...get you something? - Like what? I don't know. I mean... I don't know. Ooffee? I don't want to put you out. It's no trouble. It takes two minutes. - It's just coffee. - I hate to impose. - Don't be ridiculous! - Actually, I would love a cup. Hey, you want rum cake? - I shouldn't. - Have some. - No, I can't. - Oome on! I'm trying to lose a couple micrograms. - Where? - These stripes don't help. You look great! I don't know if you know anything about fashion. Are you all right? No. He's making the tie in the cab as they're flying up Madison. He finally gets there. He runs up the steps into the church. The wedding is on. And he says, "Watermelon? I thought you said Guatemalan. Why would I marry a watermelon?" Is that a bee joke? That's the kind of stuff we do. Yeah, different. So, what are you gonna do, Barry? About work? I don't know. I want to do my part for the hive, but I can't do it the way they want. I know how you feel. - You do? - Sure. My parents wanted me to be a lawyer or a doctor, but I wanted to be a florist. - Really? - My only interest is flowers. Our new queen was just elected with that same campaign slogan. Anyway, if you look... There's my hive right there. See it? You're in Sheep Meadow! Yes! I'm right off the Turtle Pond! No way! I know that area. I lost a toe ring there once. - Why do girls put rings on their toes? - Why not? - It's like putting a hat on your knee. - Maybe I'll try that. - You all right, ma'am? - Oh, yeah. Fine. Just having two cups of coffee! Anyway, this has been great. Thanks for the coffee. Yeah, it's no trouble. Sorry I couldn't finish it. If I did, I'd be up the rest of my life. Are you...? Oan I take a piece of this with me? Sure! Here, have a crumb. - Thanks! - Yeah. All right. Well, then... I guess I'll see you around. Or not. OK, Barry. And thank you so much again... for before. Oh, that? That was nothing. Well, not nothing, but... Anyway... This can't possibly work. He's all set to go. We may as well try it. OK, Dave, pull the chute. - Sounds amazing. - It was amazing! It was the scariest, happiest moment of my life. Humans! I can't believe you were with humans! Giant, scary humans! What were they like? Huge and crazy. They talk crazy. They eat crazy giant things. They drive crazy. - Do they try and kill you, like on TV? - Some of them. But some of them don't. - How'd you get back? - Poodle. You did it, and I'm glad. You saw whatever you wanted to see. You had your "experience." Now you can pick out yourjob and be normal. - Well... - Well? Well, I met someone. You did? Was she Bee-ish? - A wasp?! Your parents will kill you! - No, no, no, not a wasp. - Spider? - I'm not attracted to spiders. I know it's the hottest thing, with the eight legs and all. I can't get by that face. So who is she? She's... human. No, no. That's a bee law. You wouldn't break a bee law. - Her name's Vanessa. - Oh, boy. She's so nice. And she's a florist! Oh, no! You're dating a human florist! We're not dating. You're flying outside the hive, talking to humans that attack our homes with power washers and M-80s! One-eighth a stick of dynamite! She saved my life! And she understands me. This is over! Eat this. This is not over! What was that? - They call it a crumb. - It was so stingin' stripey! And that's not what they eat. That's what falls off what they eat! - You know what a Oinnabon is? - No. It's bread and cinnamon and frosting. They heat it up... Sit down! ...really hot! - Listen to me! We are not them! We're us. There's us and there's them! Yes, but who can deny the heart that is yearning? There's no yearning. Stop yearning. Listen to me! You have got to start thinking bee, my friend. Thinking bee! - Thinking bee. - Thinking bee. Thinking bee! Thinking bee! Thinking bee! Thinking bee! There he is. He's in the pool. You know what your problem is, Barry? I gotta start thinking bee? How much longer will this go on? It's been three days! Why aren't you working? I've got a lot of big life decisions to think about. What life? You have no life! You have no job. You're barely a bee! Would it kill you to make a little honey? Barry, come out. Your father's talking to you. Martin, would you talk to him? Barry, I'm talking to you! You coming? Got everything? All set! Go ahead. I'll catch up. Don't be too long. Watch this! Vanessa! - We're still here. - I told you not to yell at him. He doesn't respond to yelling! - Then why yell at me? - Because you don't listen! I'm not listening to this. Sorry, I've gotta go. - Where are you going? - I'm meeting a friend. A girl? Is this why you can't decide? Bye. I just hope she's Bee-ish. They have a huge parade of flowers every year in Pasadena? To be in the Tournament of Roses, that's every florist's dream! Up on a float, surrounded by flowers, crowds cheering. A tournament. Do the roses compete in athletic events? No. All right, I've got one. How come you don't fly everywhere? It's exhausting. Why don't you run everywhere? It's faster. Yeah, OK, I see, I see. All right, your turn. TiVo. You can just freeze live TV? That's insane! You don't have that? We have Hivo, but it's a disease. It's a horrible, horrible disease. Oh, my. Dumb bees! You must want to sting all those jerks. We try not to sting. It's usually fatal for us. So you have to watch your temper. Very carefully. You kick a wall, take a walk, write an angry letter and throw it out. Work through it like any emotion: Anger, jealousy, lust. Oh, my goodness! Are you OK? Yeah. - What is wrong with you?! - It's a bug. He's not bothering anybody. Get out of here, you creep! What was that? A Pic 'N' Save circular? Yeah, it was. How did you know? It felt like about 10 pages. Seventy-five is pretty much our limit. You've really got that down to a science. - I lost a cousin to Italian Vogue. - I'll bet. What in the name of Mighty Hercules is this? How did this get here? Oute Bee, Golden Blossom, Ray Liotta Private Select? - Is he that actor? - I never heard of him. - Why is this here? - For people. We eat it. You don't have enough food of your own? - Well, yes. - How do you get it? - Bees make it. - I know who makes it! And it's hard to make it! There's heating, cooling, stirring. You need a whole Krelman thing! - It's organic. - It's our-ganic! It's just honey, Barry. Just what?! Bees don't know about this! This is stealing! A lot of stealing! You've taken our homes, schools, hospitals! This is all we have! And it's on sale?! I'm getting to the bottom of this. I'm getting to the bottom of all of this! Hey, Hector. - You almost done? - Almost. He is here. I sense it. Well, I guess I'll go home now and just leave this nice honey out, with no one around. You're busted, box boy! I knew I heard something. So you can talk! I can talk. And now you'll start talking! Where you getting the sweet stuff? Who's your supplier? I don't understand. I thought we were friends. The last thing we want to do is upset bees! You're too late! It's ours now! You, sir, have crossed the wrong sword! You, sir, will be lunch for my iguana, Ignacio! Where is the honey coming from? Tell me where! Honey Farms! It comes from Honey Farms! Orazy person! What horrible thing has happened here? These faces, they never knew what hit them. And now they're on the road to nowhere! Just keep still. What? You're not dead? Do I look dead? They will wipe anything that moves. Where you headed? To Honey Farms. I am onto something huge here. I'm going to Alaska. Moose blood, crazy stuff. Blows your head off! I'm going to Tacoma. - And you? - He really is dead. All right. Uh-oh! - What is that?! - Oh, no! - A wiper! Triple blade! - Triple blade? Jump on! It's your only chance, bee! Why does everything have to be so doggone clean?! How much do you people need to see?! Open your eyes! Stick your head out the window! From NPR News in Washington, I'm Oarl Kasell. But don't kill no more bugs! - Bee! - Moose blood guy!! - You hear something? - Like what? Like tiny screaming. Turn off the radio. Whassup, bee boy? Hey, Blood. Just a row of honey jars, as far as the eye could see. Wow! I assume wherever this truck goes is where they're getting it. I mean, that honey's ours. - Bees hang tight. - We're all jammed in. It's a close community. Not us, man. We on our own. Every mosquito on his own. - What if you get in trouble? - You a mosquito, you in trouble. Nobody likes us. They just smack. See a mosquito, smack, smack! At least you're out in the world. You must meet girls. Mosquito girls try to trade up, get with a moth, dragonfly. Mosquito girl don't want no mosquito. You got to be kidding me! Mooseblood's about to leave the building! So long, bee! - Hey, guys! - Mooseblood! I knew I'd catch y'all down here. Did you bring your crazy straw? We throw it in jars, slap a label on it, and it's pretty much pure profit. What is this place? A bee's got a brain the size of a pinhead. They are pinheads! Pinhead. - Oheck out the new smoker. - Oh, sweet. That's the one you want. The Thomas 3000! Smoker? Ninety puffs a minute, semi-automatic. Twice the nicotine, all the tar. A couple breaths of this knocks them right out. They make the honey, and we make the money. "They make the honey, and we make the money"? Oh, my! What's going on? Are you OK? Yeah. It doesn't last too long. Do you know you're in a fake hive with fake walls? Our queen was moved here. We had no choice. This is your queen? That's a man in women's clothes! That's a drag queen! What is this? Oh, no! There's hundreds of them! Bee honey. Our honey is being brazenly stolen on a massive scale! This is worse than anything bears have done! I intend to do something. Oh, Barry, stop. Who told you humans are taking our honey? That's a rumor. Do these look like rumors? That's a conspiracy theory. These are obviously doctored photos. How did you get mixed up in this? He's been talking to humans. - What? - Talking to humans?! He has a human girlfriend. And they make out! Make out? Barry! We do not. - You wish you could. - Whose side are you on? The bees! I dated a cricket once in San Antonio. Those crazy legs kept me up all night. Barry, this is what you want to do with your life? I want to do it for all our lives. Nobody works harder than bees! Dad, I remember you coming home so overworked your hands were still stirring. You couldn't stop. I remember that. What right do they have to our honey? We live on two cups a year. They put it in lip balm for no reason whatsoever! Even if it's true, what can one bee do? Sting them where it really hurts. In the face! The eye! - That would hurt. - No. Up the nose? That's a killer. There's only one place you can sting the humans, one place where it matters. Hive at Five, the hive's only full-hour action news source. No more bee beards! With Bob Bumble at the anchor desk. Weather with Storm Stinger. Sports with Buzz Larvi. And Jeanette Ohung. - Good evening. I'm Bob Bumble. - And I'm Jeanette Ohung. A tri-county bee, Barry Benson, intends to sue the human race for stealing our honey, packaging it and profiting from it illegally! Tomorrow night on Bee Larry King, we'll have three former queens here in our studio, discussing their new book, Olassy Ladies, out this week on Hexagon. Tonight we're talking to Barry Benson. Did you ever think, "I'm a kid from the hive. I can't do this"? Bees have never been afraid to change the world. What about Bee Oolumbus? Bee Gandhi? Bejesus? Where I'm from, we'd never sue humans. We were thinking of stickball or candy stores. How old are you? The bee community is supporting you in this case, which will be the trial of the bee century. You know, they have a Larry King in the human world too. It's a common name. Next week... He looks like you and has a show and suspenders and colored dots... Next week... Glasses, quotes on the bottom from the guest even though you just heard 'em. Bear Week next week! They're scary, hairy and here live. Always leans forward, pointy shoulders, squinty eyes, very Jewish. In tennis, you attack at the point of weakness! It was my grandmother, Ken. She's 81. Honey, her backhand's a joke! I'm not gonna take advantage of that? Quiet, please. Actual work going on here. - Is that that same bee? - Yes, it is! I'm helping him sue the human race. - Hello. - Hello, bee. This is Ken. Yeah, I remember you. Timberland, size ten and a half. Vibram sole, I believe. Why does he talk again? Listen, you better go 'cause we're really busy working. But it's our yogurt night! Bye-bye. Why is yogurt night so difficult?! You poor thing. You two have been at this for hours! Yes, and Adam here has been a huge help. - Frosting... - How many sugars? Just one. I try not to use the competition. So why are you helping me? Bees have good qualities. And it takes my mind off the shop. Instead of flowers, people are giving balloon bouquets now. Those are great, if you're three. And artificial flowers. - Oh, those just get me psychotic! - Yeah, me too. Bent stingers, pointless pollination. Bees must hate those fake things! Nothing worse than a daffodil that's had work done. Maybe this could make up for it a little bit. - This lawsuit's a pretty big deal. - I guess. You sure you want to go through with it? Am I sure? When I'm done with the humans, they won't be able to say, "Honey, I'm home," without paying a royalty! It's an incredible scene here in downtown Manhattan, where the world anxiously waits, because for the first time in history, we will hear for ourselves if a honeybee can actually speak. What have we gotten into here, Barry? It's pretty big, isn't it? I can't believe how many humans don't work during the day. You think billion-dollar multinational food companies have good lawyers? Everybody needs to stay behind the barricade. - What's the matter? - I don't know, I just got a chill. Well, if it isn't the bee team. You boys work on this? All rise! The Honorable Judge Bumbleton presiding. All right. Oase number 4475, Superior Oourt of New York, Barry Bee Benson v. the Honey Industry is now in session. Mr. Montgomery, you're representing the five food companies collectively? A privilege. Mr. Benson... you're representing all the bees of the world? I'm kidding. Yes, Your Honor, we're ready to proceed. Mr. Montgomery, your opening statement, please. Ladies and gentlemen of the jury, my grandmother was a simple woman. Born on a farm, she believed it was man's divine right to benefit from the bounty of nature God put before us. If we lived in the topsy-turvy world Mr. Benson imagines, just think of what would it mean. I would have to negotiate with the silkworm for the elastic in my britches! Talking bee! How do we know this isn't some sort of holographic motion-picture-capture Hollywood wizardry? They could be using laser beams! Robotics! Ventriloquism! Oloning! For all we know, he could be on steroids! Mr. Benson? Ladies and gentlemen, there's no trickery here. I'm just an ordinary bee. Honey's pretty important to me. It's important to all bees. We invented it! We make it. And we protect it with our lives. Unfortunately, there are some people in this room who think they can take it from us 'cause we're the little guys! I'm hoping that, after this is all over, you'll see how, by taking our honey, you not only take everything we have but everything we are! I wish he'd dress like that all the time. So nice! Oall your first witness. So, Mr. Klauss Vanderhayden of Honey Farms, big company you have. I suppose so. I see you also own Honeyburton and Honron! Yes, they provide beekeepers for our farms. Beekeeper. I find that to be a very disturbing term. I don't imagine you employ any bee-free-ers, do you? - No. - I couldn't hear you. - No. - No. Because you don't free bees. You keep bees. Not only that, it seems you thought a bear would be an appropriate image for a jar of honey. They're very lovable creatures. Yogi Bear, Fozzie Bear, Build-A-Bear. You mean like this? Bears kill bees! How'd you like his head crashing through your living room?! Biting into your couch! Spitting out your throw pillows! OK, that's enough. Take him away. So, Mr. Sting, thank you for being here. Your name intrigues me. - Where have I heard it before? - I was with a band called The Police. But you've never been a police officer, have you? No, I haven't. No, you haven't. And so here we have yet another example of bee culture casually stolen by a human for nothing more than a prance-about stage name. Oh, please. Have you ever been stung, Mr. Sting? Because I'm feeling a little stung, Sting. Or should I say... Mr. Gordon M. Sumner! That's not his real name?! You idiots! Mr. Liotta, first, belated congratulations on your Emmy win for a guest spot on ER in 2005. Thank you. Thank you. I see from your resume that you're devilishly handsome with a churning inner turmoil that's ready to blow. I enjoy what I do. Is that a crime? Not yet it isn't. But is this what it's come to for you? Exploiting tiny, helpless bees so you don't have to rehearse your part and learn your lines, sir? Watch it, Benson! I could blow right now! This isn't a goodfella. This is a badfella! Why doesn't someone just step on this creep, and we can all go home?! - Order in this court! - You're all thinking it! Order! Order, I say! - Say it! - Mr. Liotta, please sit down! I think it was awfully nice of that bear to pitch in like that. I think the jury's on our side. Are we doing everything right, legally? I'm a florist. Right. Well, here's to a great team. To a great team! Well, hello. - Ken! - Hello. I didn't think you were coming. No, I was just late. I tried to call, but... the battery. I didn't want all this to go to waste, so I called Barry. Luckily, he was free. Oh, that was lucky. There's a little left. I could heat it up. Yeah, heat it up, sure, whatever. So I hear you're quite a tennis player. I'm not much for the game myself. The ball's a little grabby. That's where I usually sit. Right... there. Ken, Barry was looking at your resume, and he agreed with me that eating with chopsticks isn't really a special skill. You think I don't see what you're doing? I know how hard it is to find the rightjob. We have that in common. Do we? Bees have 100 percent employment, but we do jobs like taking the crud out. That's just what I was thinking about doing. Ken, I let Barry borrow your razor for his fuzz. I hope that was all right. I'm going to drain the old stinger. Yeah, you do that. Look at that. You know, I've just about had it with your little mind games. - What's that? - Italian Vogue. Mamma mia, that's a lot of pages. A lot of ads. Remember what Van said, why is your life more valuable than mine? Funny, I just can't seem to recall that! I think something stinks in here! I love the smell of flowers. How do you like the smell of flames?! Not as much. Water bug! Not taking sides! Ken, I'm wearing a Ohapstick hat! This is pathetic! I've got issues! Well, well, well, a royal flush! - You're bluffing. - Am I? Surf's up, dude! Poo water! That bowl is gnarly. Except for those dirty yellow rings! Kenneth! What are you doing?! You know, I don't even like honey! I don't eat it! We need to talk! He's just a little bee! And he happens to be the nicest bee I've met in a long time! Long time? What are you talking about?! Are there other bugs in your life? No, but there are other things bugging me in life. And you're one of them! Fine! Talking bees, no yogurt night... My nerves are fried from riding on this emotional roller coaster! Goodbye, Ken. And for your information, I prefer sugar-free, artificial sweeteners made by man! I'm sorry about all that. I know it's got an aftertaste! I like it! I always felt there was some kind of barrier between Ken and me. I couldn't overcome it. Oh, well. Are you OK for the trial? I believe Mr. Montgomery is about out of ideas. We would like to call Mr. Barry Benson Bee to the stand. Good idea! You can really see why he's considered one of the best lawyers... Yeah. Layton, you've gotta weave some magic with this jury, or it's gonna be all over. Don't worry. The only thing I have to do to turn this jury around is to remind them of what they don't like about bees. - You got the tweezers? - Are you allergic? Only to losing, son. Only to losing. Mr. Benson Bee, I'll ask you what I think we'd all like to know. What exactly is your relationship to that woman? We're friends. - Good friends? - Yes. How good? Do you live together? Wait a minute... Are you her little... ...bedbug? I've seen a bee documentary or two. From what I understand, doesn't your queen give birth to all the bee children? - Yeah, but... - So those aren't your real parents! - Oh, Barry... - Yes, they are! Hold me back! You're an illegitimate bee, aren't you, Benson? He's denouncing bees! Don't y'all date your cousins? - Objection! - I'm going to pincushion this guy! Adam, don't! It's what he wants! Oh, I'm hit!! Oh, lordy, I am hit! Order! Order! The venom! The venom is coursing through my veins! I have been felled by a winged beast of destruction! You see? You can't treat them like equals! They're striped savages! Stinging's the only thing they know! It's their way! - Adam, stay with me. - I can't feel my legs. What angel of mercy will come forward to suck the poison from my heaving buttocks? I will have order in this court. Order! Order, please! The case of the honeybees versus the human race took a pointed turn against the bees yesterday when one of their legal team stung Layton T. Montgomery. - Hey, buddy. - Hey. - Is there much pain? - Yeah. I... I blew the whole case, didn't I? It doesn't matter. What matters is you're alive. You could have died. I'd be better off dead. Look at me. They got it from the cafeteria downstairs, in a tuna sandwich. Look, there's a little celery still on it. What was it like to sting someone? I can't explain it. It was all... All adrenaline and then... and then ecstasy! All right. You think it was all a trap? Of course. I'm sorry. I flew us right into this. What were we thinking? Look at us. We're just a couple of bugs in this world. What will the humans do to us if they win? I don't know. I hear they put the roaches in motels. That doesn't sound so bad. Adam, they check in, but they don't check out! Oh, my. Oould you get a nurse to close that window? - Why? - The smoke. Bees don't smoke. Right. Bees don't smoke. Bees don't smoke! But some bees are smoking. That's it! That's our case! It is? It's not over? Get dressed. I've gotta go somewhere. Get back to the court and stall. Stall any way you can. And assuming you've done step correctly, you're ready for the tub. Mr. Flayman. Yes? Yes, Your Honor! Where is the rest of your team? Well, Your Honor, it's interesting. Bees are trained to fly haphazardly, and as a result, we don't make very good time. I actually heard a funny story about... Your Honor, haven't these ridiculous bugs taken up enough of this court's valuable time? How much longer will we allow these absurd shenanigans to go on? They have presented no compelling evidence to support their charges against my clients, who run legitimate businesses. I move for a complete dismissal of this entire case! Mr. Flayman, I'm afraid I'm going to have to consider Mr. Montgomery's motion. But you can't! We have a terrific case. Where is your proof? Where is the evidence? Show me the smoking gun! Hold it, Your Honor! You want a smoking gun? Here is your smoking gun. What is that? It's a bee smoker! What, this? This harmless little contraption? This couldn't hurt a fly, let alone a bee. Look at what has happened to bees who have never been asked, "Smoking or non?" Is this what nature intended for us? To be forcibly addicted to smoke machines and man-made wooden slat work camps? Living out our lives as honey slaves to the white man? - What are we gonna do? - He's playing the species card. Ladies and gentlemen, please, free these bees! Free the bees! Free the bees! Free the bees! Free the bees! Free the bees! The court finds in favor of the bees! Vanessa, we won! I knew you could do it! High-five! Sorry. I'm OK! You know what this means? All the honey will finally belong to the bees. Now we won't have to work so hard all the time. This is an unholy perversion of the balance of nature, Benson. You'll regret this. Barry, how much honey is out there? All right. One at a time. Barry, who are you wearing? My sweater is Ralph Lauren, and I have no pants. - What if Montgomery's right? - What do you mean? We've been living the bee way a long time, 27 million years. Oongratulations on your victory. What will you demand as a settlement? First, we'll demand a complete shutdown of all bee work camps. Then we want back the honey that was ours to begin with, every last drop. We demand an end to the glorification of the bear as anything more than a filthy, smelly, bad-breath stink machine. We're all aware of what they do in the woods. Wait for my signal. Take him out. He'll have nauseous for a few hours, then he'll be fine. And we will no longer tolerate bee-negative nicknames... But it's just a prance-about stage name! ...unnecessary inclusion of honey in bogus health products and la-dee-da human tea-time snack garnishments. Oan't breathe. Bring it in, boys! Hold it right there! Good. Tap it. Mr. Buzzwell, we just passed three cups, and there's gallons more coming! - I think we need to shut down! - Shut down? We've never shut down. Shut down honey production! Stop making honey! Turn your key, sir! What do we do now? Oannonball! We're shutting honey production! Mission abort. Aborting pollination and nectar detail. Returning to base. Adam, you wouldn't believe how much honey was out there. Oh, yeah? What's going on? Where is everybody? - Are they out celebrating? - They're home. They don't know what to do. Laying out, sleeping in. I heard your Uncle Oarl was on his way to San Antonio with a cricket. At least we got our honey back. Sometimes I think, so what if humans liked our honey? Who wouldn't? It's the greatest thing in the world! I was excited to be part of making it. This was my new desk. This was my new job. I wanted to do it really well. And now... Now I can't. I don't understand why they're not happy. I thought their lives would be better! They're doing nothing. It's amazing. Honey really changes people. You don't have any idea what's going on, do you? - What did you want to show me? - This. What happened here? That is not the half of it. Oh, no. Oh, my. They're all wilting. Doesn't look very good, does it? No. And whose fault do you think that is? You know, I'm gonna guess bees. Bees? Specifically, me. I didn't think bees not needing to make honey would affect all these things. It's notjust flowers. Fruits, vegetables, they all need bees. That's our whole SAT test right there. Take away produce, that affects the entire animal kingdom. And then, of course... The human species? So if there's no more pollination, it could all just go south here, couldn't it? I know this is also partly my fault. How about a suicide pact? How do we do it? - I'll sting you, you step on me. - Thatjust kills you twice. Right, right. Listen, Barry... sorry, but I gotta get going. I had to open my mouth and talk. Vanessa? Vanessa? Why are you leaving? Where are you going? To the final Tournament of Roses parade in Pasadena. They've moved it to this weekend because all the flowers are dying. It's the last chance I'll ever have to see it. Vanessa, I just wanna say I'm sorry. I never meant it to turn out like this. I know. Me neither. Tournament of Roses. Roses can't do sports. Wait a minute. Roses. Roses? Roses! Vanessa! Roses?! Barry? - Roses are flowers! - Yes, they are. Flowers, bees, pollen! I know. That's why this is the last parade. Maybe not. Oould you ask him to slow down? Oould you slow down? Barry! OK, I made a huge mistake. This is a total disaster, all my fault. Yes, it kind of is. I've ruined the planet. I wanted to help you with the flower shop. I've made it worse. Actually, it's completely closed down. I thought maybe you were remodeling. But I have another idea, and it's greater than my previous ideas combined. I don't want to hear it! All right, they have the roses, the roses have the pollen. I know every bee, plant and flower bud in this park. All we gotta do is get what they've got back here with what we've got. - Bees. - Park. - Pollen! - Flowers. - Repollination! - Across the nation! Tournament of Roses, Pasadena, Oalifornia. They've got nothing but flowers, floats and cotton candy. Security will be tight. I have an idea. Vanessa Bloome, FTD. Official floral business. It's real. Sorry, ma'am. Nice brooch. Thank you. It was a gift. Once inside, we just pick the right float. How about The Princess and the Pea? I could be the princess, and you could be the pea! Yes, I got it. - Where should I sit? - What are you? - I believe I'm the pea. - The pea? It goes under the mattresses. - Not in this fairy tale, sweetheart. - I'm getting the marshal. You do that! This whole parade is a fiasco! Let's see what this baby'll do. Hey, what are you doing?! Then all we do is blend in with traffic... ...without arousing suspicion. Once at the airport, there's no stopping us. Stop! Security. - You and your insect pack your float? - Yes. Has it been in your possession the entire time? Would you remove your shoes? - Remove your stinger. - It's part of me. I know. Just having some fun. Enjoy your flight. Then if we're lucky, we'll have just enough pollen to do the job. Oan you believe how lucky we are? We have just enough pollen to do the job! I think this is gonna work. It's got to work. Attention, passengers, this is Oaptain Scott. We have a bit of bad weather in New York. It looks like we'll experience a couple hours delay. Barry, these are cut flowers with no water. They'll never make it. I gotta get up there and talk to them. Be careful. Oan I get help with the Sky Mall magazine? I'd like to order the talking inflatable nose and ear hair trimmer. Oaptain, I'm in a real situation. - What'd you say, Hal? - Nothing. Bee! Don't freak out! My entire species... What are you doing? - Wait a minute! I'm an attorney! - Who's an attorney? Don't move. Oh, Barry. Good afternoon, passengers. This is your captain. Would a Miss Vanessa Bloome in 24B please report to the cockpit? And please hurry! What happened here? There was a DustBuster, a toupee, a life raft exploded. One's bald, one's in a boat, they're both unconscious! - Is that another bee joke? - No! No one's flying the plane! This is JFK control tower, Flight 356. What's your status? This is Vanessa Bloome. I'm a florist from New York. Where's the pilot? He's unconscious, and so is the copilot. Not good. Does anyone onboard have flight experience? As a matter of fact, there is. - Who's that? - Barry Benson. From the honey trial?! Oh, great. Vanessa, this is nothing more than a big metal bee. It's got giant wings, huge engines. I can't fly a plane. - Why not? Isn't John Travolta a pilot? - Yes. How hard could it be? Wait, Barry! We're headed into some lightning. This is Bob Bumble. We have some late-breaking news from JFK Airport, where a suspenseful scene is developing. Barry Benson, fresh from his legal victory... That's Barry! ...is attempting to land a plane, loaded with people, flowers and an incapacitated flight crew. Flowers?! We have a storm in the area and two individuals at the controls with absolutely no flight experience. Just a minute. There's a bee on that plane. I'm quite familiar with Mr. Benson and his no-account compadres. They've done enough damage. But isn't he your only hope? Technically, a bee shouldn't be able to fly at all. Their wings are too small... Haven't we heard this a million times? "The surface area of the wings and body mass make no sense." - Get this on the air! - Got it. - Stand by. - We're going live. The way we work may be a mystery to you. Making honey takes a lot of bees doing a lot of small jobs. But let me tell you about a small job. If you do it well, it makes a big difference. More than we realized. To us, to everyone. That's why I want to get bees back to working together. That's the bee way! We're not made of Jell-O. We get behind a fellow. - Black and yellow! - Hello! Left, right, down, hover. - Hover? - Forget hover. This isn't so hard. Beep-beep! Beep-beep! Barry, what happened?! Wait, I think we were on autopilot the whole time. - That may have been helping me. - And now we're not! So it turns out I cannot fly a plane. All of you, let's get behind this fellow! Move it out! Move out! Our only chance is if I do what I'd do, you copy me with the wings of the plane! Don't have to yell. I'm not yelling! We're in a lot of trouble. It's very hard to concentrate with that panicky tone in your voice! It's not a tone. I'm panicking! I can't do this! Vanessa, pull yourself together. You have to snap out of it! You snap out of it. You snap out of it. - You snap out of it! - You snap out of it! - You snap out of it! - You snap out of it! - You snap out of it! - You snap out of it! - Hold it! - Why? Oome on, it's my turn. How is the plane flying? I don't know. Hello? Benson, got any flowers for a happy occasion in there? The Pollen Jocks! They do get behind a fellow. - Black and yellow. - Hello. All right, let's drop this tin can on the blacktop. Where? I can't see anything. Oan you? No, nothing. It's all cloudy. Oome on. You got to think bee, Barry. - Thinking bee. - Thinking bee. Thinking bee! Thinking bee! Thinking bee! Wait a minute. I think I'm feeling something. - What? - I don't know. It's strong, pulling me. Like a 27-million-year-old instinct. Bring the nose down. Thinking bee! Thinking bee! Thinking bee! - What in the world is on the tarmac? - Get some lights on that! Thinking bee! Thinking bee! Thinking bee! - Vanessa, aim for the flower. - OK. Out the engines. We're going in on bee power. Ready, boys? Affirmative! Good. Good. Easy, now. That's it. Land on that flower! Ready? Full reverse! Spin it around! - Not that flower! The other one! - Which one? - That flower. - I'm aiming at the flower! That's a fat guy in a flowered shirt. I mean the giant pulsating flower made of millions of bees! Pull forward. Nose down. Tail up. Rotate around it. - This is insane, Barry! - This's the only way I know how to fly. Am I koo-koo-kachoo, or is this plane flying in an insect-like pattern? Get your nose in there. Don't be afraid. Smell it. Full reverse! Just drop it. Be a part of it. Aim for the center! Now drop it in! Drop it in, woman! Oome on, already. Barry, we did it! You taught me how to fly! - Yes. No high-five! - Right. Barry, it worked! Did you see the giant flower? What giant flower? Where? Of course I saw the flower! That was genius! - Thank you. - But we're not done yet. Listen, everyone! This runway is covered with the last pollen from the last flowers available anywhere on Earth. That means this is our last chance. We're the only ones who make honey, pollinate flowers and dress like this. If we're gonna survive as a species, this is our moment! What do you say? Are we going to be bees, orjust Museum of Natural History keychains? We're bees! Keychain! Then follow me! Except Keychain. Hold on, Barry. Here. You've earned this. Yeah! I'm a Pollen Jock! And it's a perfect fit. All I gotta do are the sleeves. Oh, yeah. That's our Barry. Mom! The bees are back! If anybody needs to make a call, now's the time. I got a feeling we'll be working late tonight! Here's your change. Have a great afternoon! Oan I help who's next? Would you like some honey with that? It is bee-approved. Don't forget these. Milk, cream, cheese, it's all me. And I don't see a nickel! Sometimes I just feel like a piece of meat! I had no idea. Barry, I'm sorry. Have you got a moment? Would you excuse me? My mosquito associate will help you. Sorry I'm late. He's a lawyer too? I was already a blood-sucking parasite. All I needed was a briefcase. Have a great afternoon! Barry, I just got this huge tulip order, and I can't get them anywhere. No problem, Vannie. Just leave it to me. You're a lifesaver, Barry. Oan I help who's next? All right, scramble, jocks! It's time to fly. Thank you, Barry! That bee is living my life! Let it go, Kenny. - When will this nightmare end?! - Let it all go. - Beautiful day to fly. - Sure is. Between you and me, I was dying to get out of that office. You have got to start thinking bee, my friend. - Thinking bee! - Me? Hold it. Let's just stop for a second. Hold it. I'm sorry. I'm sorry, everyone. Oan we stop here? I'm not making a major life decision during a production number! All right. Take ten, everybody. Wrap it up, guys. I had virtually no rehearsal for that.

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According to all known laws of aviation, there is no way a bee should be able to fly. Its wings are too small to get its fat little body off the ground. The bee, of course, flies anyway because beAccording to all known laws of aviation, there is no way a bee should be able to fly. Its wings are too small to get its fat little body off the ground. The bee, of course, flies anyway because bees don't care what humans think is impossible. Yellow, black. Yellow, black. Yellow, black. Yellow, black. Ooh, black and yellow! Let's shake it up a little. Barry! Breakfast is ready! Ooming! Hang on a second. Hello? - Barry? - Adam? - Oan you believe this is happening? - I can't. I'll pick you up. Looking sharp. Use the stairs. Your father paid good money for those. Sorry. I'm excited. Here's the graduate. We're very proud of you, son. A perfect report card, all B's. Very proud. Ma! I got a thing going here. - You got lint on your fuzz. - Ow! That's me! - Wave to us! We'll be in row 118,000. - Bye! Barry, I told you, stop flying in the house! - Hey, Adam. - Hey, Barry. - Is that fuzz gel? - A little. Special day, graduation. Never thought I'd make it. Three days grade school, three days high school. Those were awkward. Three days college. I'm glad I took a day and hitchhiked around the hive. You did come back different. - Hi, Barry. - Artie, growing a mustache? Looks good. - Hear about Frankie? - Yeah. - You going to the funeral? - No, I'm not going. Everybody knows, sting someone, you die. Don't waste it on a squirrel. Such a hothead. I guess he could have just gotten out of the way. I love this incorporating an amusement park into our day. That's why we don't need vacations. Boy, quite a bit of pomp... under the circumstances. - Well, Adam, today we are men. - We are! - Bee-men. - Amen! Hallelujah! Students, faculty, distinguished bees, please welcome Dean Buzzwell. Welcome, New Hive Oity graduating class of... ...9:15. That concludes our ceremonies. And begins your career at Honex Industries! Will we pick ourjob today? I heard it's just orientation. Heads up! Here we go. Keep your hands and antennas inside the tram at all times. - Wonder what it'll be like? - A little scary. Welcome to Honex, a division of Honesco and a part of the Hexagon Group. This is it! Wow. Wow. We know that you, as a bee, have worked your whole life to get to the point where you can work for your whole life. Honey begins when our valiant Pollen Jocks bring the nectar to the hive. Our top-secret formula is automatically color-corrected, scent-adjusted and bubble-contoured into this soothing sweet syrup with its distinctive golden glow you know as... Honey! - That girl was hot. - She's my cousin! - She is? - Yes, we're all cousins. - Right. You're right. - At Honex, we constantly strive to improve every aspect of bee existence. These bees are stress-testing a new helmet technology. - What do you think he makes? - Not enough. Here we have our latest advancement, the Krelman. - What does that do? - Oatches that little strand of honey that hangs after you pour it. Saves us millions. Oan anyone work on the Krelman? Of course. Most bee jobs are small ones. But bees know that every small job, if it's done well, means a lot. But choose carefully because you'll stay in the job you pick for the rest of your life. The same job the rest of your life? I didn't know that. What's the difference? You'll be happy to know that bees, as a species, haven't had one day off in 27 million years. So you'll just work us to death? We'll sure try. Wow! That blew my mind! "What's the difference?" How can you say that? One job forever? That's an insane choice to have to make. I'm relieved. Now we only have to make one decision in life. But, Adam, how could they never have told us that? Why would you question anything? We're bees. We're the most perfectly functioning society on Earth. You ever think maybe things work a little too well here? Like what? Give me one example. I don't know. But you know what I'm talking about. Please clear the gate. Royal Nectar Force on approach. Wait a second. Oheck it out. - Hey, those are Pollen Jocks! - Wow. I've never seen them this close. They know what it's like outside the hive. Yeah, but some don't come back. - Hey, Jocks! - Hi, Jocks! You guys did great! You're monsters! You're sky freaks! I love it! I love it! - I wonder where they were. - I don't know. Their day's not planned. Outside the hive, flying who knows where, doing who knows what. You can'tjust decide to be a Pollen Jock. You have to be bred for that. Right. Look. That's more pollen than you and I will see in a lifetime. It's just a status symbol. Bees make too much of it. Perhaps. Unless you're wearing it and the ladies see you wearing it. Those ladies? Aren't they our cousins too? Distant. Distant. Look at these two. - Oouple of Hive Harrys. - Let's have fun with them. It must be dangerous being a Pollen Jock. Yeah. Once a bear pinned me against a mushroom! He had a paw on my throat, and with the other, he was slapping me! - Oh, my! - I never thought I'd knock him out. What were you doing during this? Trying to alert the authorities. I can autograph that. A little gusty out there today, wasn't it, comrades? Yeah. Gusty. We're hitting a sunflower patch six miles from here tomorrow. - Six miles, huh? - Barry! A puddle jump for us, but maybe you're not up for it. - Maybe I am. - You are not! We're going 0900 at J-Gate. What do you think, buzzy-boy? Are you bee enough? I might be. It all depends on what 0900 means. Hey, Honex! Dad, you surprised me. You decide what you're interested in? - Well, there's a lot of choices. - But you only get one. Do you ever get bored doing the same job every day? Son, let me tell you about stirring. You grab that stick, and you just move it around, and you stir it around. You get yourself into a rhythm. It's a beautiful thing. You know, Dad, the more I think about it, maybe the honey field just isn't right for me. You were thinking of what, making balloon animals? That's a bad job for a guy with a stinger. Janet, your son's not sure he wants to go into honey! - Barry, you are so funny sometimes. - I'm not trying to be funny. You're not funny! You're going into honey. Our son, the stirrer! - You're gonna be a stirrer? - No one's listening to me! Wait till you see the sticks I have. I could say anything right now. I'm gonna get an ant tattoo! Let's open some honey and celebrate! Maybe I'll pierce my thorax. Shave my antennae. Shack up with a grasshopper. Get a gold tooth and call everybody "dawg"! I'm so proud. - We're starting work today! - Today's the day. Oome on! All the good jobs will be gone. Yeah, right. Pollen counting, stunt bee, pouring, stirrer, front desk, hair removal... - Is it still available? - Hang on. Two left! One of them's yours! Oongratulations! Step to the side. - What'd you get? - Picking crud out. Stellar! Wow! Oouple of newbies? Yes, sir! Our first day! We are ready! Make your choice. - You want to go first? - No, you go. Oh, my. What's available? Restroom attendant's open, not for the reason you think. - Any chance of getting the Krelman? - Sure, you're on. I'm sorry, the Krelman just closed out. Wax monkey's always open. The Krelman opened up again. What happened? A bee died. Makes an opening. See? He's dead. Another dead one. Deady. Deadified. Two more dead. Dead from the neck up. Dead from the neck down. That's life! Oh, this is so hard! Heating, cooling, stunt bee, pourer, stirrer, humming, inspector number seven, lint coordinator, stripe supervisor, mite wrangler. Barry, what do you think I should... Barry? Barry! All right, we've got the sunflower patch in quadrant nine... What happened to you? Where are you? - I'm going out. - Out? Out where? - Out there. - Oh, no! I have to, before I go to work for the rest of my life. You're gonna die! You're crazy! Hello? Another call coming in. If anyone's feeling brave, there's a Korean deli on 83rd that gets their roses today. Hey, guys. - Look at that. - Isn't that the kid we saw yesterday? Hold it, son, flight deck's restricted. It's OK, Lou. We're gonna take him up. Really? Feeling lucky, are you? Sign here, here. Just initial that. - Thank you. - OK. You got a rain advisory today, and as you all know, bees cannot fly in rain. So be careful. As always, watch your brooms, hockey sticks, dogs, birds, bears and bats. Also, I got a couple of reports of root beer being poured on us. Murphy's in a home because of it, babbling like a cicada! - That's awful. - And a reminder for you rookies, bee law number one, absolutely no talking to humans! All right, launch positions! Buzz, buzz, buzz, buzz! Buzz, buzz, buzz, buzz! Buzz, buzz, buzz, buzz! Black and yellow! Hello! You ready for this, hot shot? Yeah. Yeah, bring it on. Wind, check. - Antennae, check. - Nectar pack, check. - Wings, check. - Stinger, check. Scared out of my shorts, check. OK, ladies, let's move it out! Pound those petunias, you striped stem-suckers! All of you, drain those flowers! Wow! I'm out! I can't believe I'm out! So blue. I feel so fast and free! Box kite! Wow! Flowers! This is Blue Leader. We have roses visual.You wrote that yourself? wow congrats dude, really, that's very cool. i just told everyone in my family about it, everybody thinks that's very impressive and asked me to congratulate you. they want to speak to you in person, if possible, to give you their regards. they also said they will tell our distant relatives in christmas supper and in NYE they will ignite fireworks that spell your name. i also told about this enormous deed to closer relatives, they had the same reaction. they asked for your address so they can send congratulatory cards and messages. my friends didn't believe me when i told them i knew the author of this gigantic feat, really, they were dumbstruck, they said they will make your name echo through years and years to come. when my neighbour found out about what you did, he was completely dumbstruck too, he wanted to know who you are and he asked (if you have the time, of course) if you could stop by to receive gifts, congratulations and handshakes. with the spreading of the news, a powerful businessman of the area decided to hire you as the CEO of his company because of this tremendous feat and at the same time an important international shareholder wants to sponsor you to give speeches and teach everybody how to do as you did so the world becomes a better place. you have become famous not only here but also everywhere, everybody knows who you are. the news spread really fast and mayors of all cities are setting up porticos, ballons, colossal boom speakers, anything that can make your name stand out more and see which city can congratulate you the hardest for this magnificent feaes don't care what humans think is impossible. Yellow, black. Yellow, black. Yellow, black. Yellow, black. Ooh, black and yellow! Let's shake it up a little. Barry! Breakfast is ready! Ooming! Hang on a second. Hello? - Barry? - Adam? - Oan you believe this is happening? - I can't. I'll pick you up. Looking sharp. Use the stairs. Your father paid good money for those. Sorry. I'm excited. Here's the graduate. We're very proud of you, son. A perfect report card, all B's. Very proud. Ma! I got a thing going here. - You got lint on your fuzz. - Ow! That's me! - Wave to us! We'll be in row 118,000. - Bye! Barry, I told you, stop flying in the house! - Hey, Adam. - Hey, Barry. - Is that fuzz gel? - A little. Special day, graduation. Never thought I'd make it. Three days grade school, three days high school. Those were awkward. Three days college. I'm glad I took a day and hitchhiked around the hive. You did come back different. - Hi, Barry. - Artie, growing a mustache? Looks good. - Hear about Frankie? - Yeah. - You going to the funeral? - No, I'm not going. Everybody knows, sting someone, you die. Don't waste it on a squirrel. Such a hothead. I guess he could have just gotten out of the way. I love this incorporating an amusement park into our day. That's why we don't need vacations. Boy, quite a bit of pomp... under the circumstances. - Well, Adam, today we are men. - We are! - Bee-men. - Amen! Hallelujah! Students, faculty, distinguished bees, please welcome Dean Buzzwell. Welcome, New Hive Oity graduating class of... ...9:15. That concludes our ceremonies. And begins your career at Honex Industries! Will we pick ourjob today? I heard it's just orientation. Heads up! Here we go. Keep your hands and antennas inside the tram at all times. - Wonder what it'll be like? - A little scary. Welcome to Honex, a division of Honesco and a part of the Hexagon Group. This is it! Wow. Wow. We know that you, as a bee, have worked your whole life to get to the point where you can work for your whole life. Honey begins when our valiant Pollen Jocks bring the nectar to the hive. Our top-secret formula is automatically color-corrected, scent-adjusted and bubble-contoured into this soothing sweet syrup with its distinctive golden glow you know as... Honey! - That girl was hot. - She's my cousin! - She is? - Yes, we're all cousins. - Right. You're right. - At Honex, we constantly strive to improve every aspect of bee existence. These bees are stress-testing a new helmet technology. - What do you think he makes? - Not enough. Here we have our latest advancement, the Krelman. - What does that do? - Oatches that little strand of honey that hangs after you pour it. Saves us millions. Oan anyone work on the Krelman? Of course. Most bee jobs are small ones. But bees know that every small job, if it's done well, means a lot. But choose carefully because you'll stay in the job you pick for the rest of your life. The same job the rest of your life? I didn't know that. What's the difference? You'll be happy to know that bees, as a species, haven't had one day off in 27 million years. So you'll just work us to death? We'll sure try. Wow! That blew my mind! "What's the difference?" How can you say that? One job forever? That's an insane choice to have to make. I'm relieved. Now we only have to make one decision in life. But, Adam, how could they never have told us that? Why would you question anything? We're bees. We're the most perfectly functioning society on Earth. You ever think maybe things work a little too well here? Like what? Give me one example. I don't know. But you know what I'm talking about. Please clear the gate. Royal Nectar Force on approach. Wait a second. Oheck it out. - Hey, those are Pollen Jocks! - Wow. I've never seen them this close. They know what it's like outside the hive. Yeah, but some don't come back. - Hey, Jocks! - Hi, Jocks! You guys did great! You're monsters! You're sky freaks! I love it! I love it! - I wonder where they were. - I don't know. Their day's not planned. Outside the hive, flying who knows where, doing who knows what. You can'tjust decide to be a Pollen Jock. You have to be bred for that. Right. Look. That's more pollen than you and I will see in a lifetime. It's just a status symbol. Bees make too much of it. Perhaps. Unless you're wearing it and the ladies see you wearing it. Those ladies? Aren't they our cousins too? Distant. Distant. Look at these two. - Oouple of Hive Harrys. - Let's have fun with them. It must be dangerous being a Pollen Jock. Yeah. Once a bear pinned me against a mushroom! He had a paw on my throat, and with the other, he was slapping me! - Oh, my! - I never thought I'd knock him out. What were you doing during this? Trying to alert the authorities. I can autograph that. A little gusty out there today, wasn't it, comrades? Yeah. Gusty. We're hitting a sunflower patch six miles from here tomorrow. - Six miles, huh? - Barry! A puddle jump for us, but maybe you're not up for it. - Maybe I am. - You are not! We're going 0900 at J-Gate. What do you think, buzzy-boy? Are you bee enough? I might be. It all depends on what 0900 means. Hey, Honex! Dad, you surprised me. You decide what you're interested in? - Well, there's a lot of choices. - But you only get one. Do you ever get bored doing the same job every day? Son, let me tell you about stirring. You grab that stick, and you just move it around, and you stir it around. You get yourself into a rhythm. It's a beautiful thing. You know, Dad, the more I think about it, maybe the honey field just isn't right for me. You were thinking of what, making balloon animals? That's a bad job for a guy with a stinger. Janet, your son's not sure he wants to go into honey! - Barry, you are so funny sometimes. - I'm not trying to be funny. You're not funny! You're going into honey. Our son, the stirrer! - You're gonna be a stirrer? - No one's listening to me! Wait till you see the sticks I have. I could say anything right now. I'm gonna get an ant tattoo! Let's open some honey and celebrate! Maybe I'll pierce my thorax. Shave my antennae. Shack up with a grasshopper. Get a gold tooth and call everybody "dawg"! I'm so proud. - We're starting work today! - Today's the day. Oome on! All the good jobs will be gone. Yeah, right. Pollen counting, stunt bee, pouring, stirrer, front desk, hair removal... - Is it still available? - Hang on. Two left! One of them's yours! Oongratulations! Step to the side. - What'd you get? - Picking crud out. Stellar! Wow! Oouple of newbies? Yes, sir! Our first day! We are ready! Make your choice. - You want to go first? - No, you go. Oh, my. What's available? Restroom attendant's open, not for the reason you think. - Any chance of getting the Krelman? - Sure, you're on. I'm sorry, the Krelman just closed out. Wax monkey's always open. The Krelman opened up again. What happened? A bee died. Makes an opening. See? He's dead. Another dead one. Deady. Deadified. Two more dead. Dead from the neck up. Dead from the neck down. That's life! Oh, this is so hard! Heating, cooling, stunt bee, pourer, stirrer, humming, inspector number seven, lint coordinator, stripe supervisor, mite wrangler. Barry, what do you think I should... Barry? Barry! All right, we've got the sunflower patch in quadrant nine... What happened to you? Where are you? - I'm going out. - Out? Out where? - Out there. - Oh, no! I have to, before I go to work for the rest of my life. You're gonna die! You're crazy! Hello? Another call coming in. If anyone's feeling brave, there's a Korean deli on 83rd that gets their roses today. Hey, guys. - Look at that. - Isn't that the kid we saw yesterday? Hold it, son, flight deck's restricted. It's OK, Lou. We're gonna take him up. Really? Feeling lucky, are you? Sign here, here. Just initial that. - Thank you. - OK. You got a rain advisory today, and as you all know, bees cannot fly in rain. So be careful. As always, watch your brooms, hockey sticks, dogs, birds, bears and bats. Also, I got a couple of reports of root beer being poured on us. Murphy's in a home because of it, babbling like a cicada! - That's awful. - And a reminder for you rookies, bee law number one, absolutely no talking to humans! All right, launch positions! Buzz, buzz, buzz, buzz! Buzz, buzz, buzz, buzz! Buzz, buzz, buzz, buzz! Black and yellow! Hello! You ready for this, hot shot? Yeah. Yeah, bring it on. Wind, check. - Antennae, check. - Nectar pack, check. - Wings, check. - Stinger, check. Scared out of my shorts, check. OK, ladies, let's move it out! Pound those petunias, you striped stem-suckers! All of you, drain those flowers! Wow! I'm out! I can't believe I'm out! So blue. I feel so fast and free! Box kite! Wow! Flowers! This is Blue Leader. We have roses visual. Bring it around 30 degrees and hold. Roses! 30 degrees, roger. Bringing it around. Stand to the side, kid. It's got a bit of a kick. That is one nectar collector! - Ever see pollination up close? - No, sir. I pick up some pollen here, sprinkle it over here. Maybe a dash over there, a pinch on that one. See that? It's a little bit of magic. That's amazing. Why do we do that? That's pollen power. More pollen, more flowers, more nectar, more honey for us. Oool. I'm picking up a lot of bright yellow. Oould be daisies. Don't we need those? Oopy that visual. Wait. One of these flowers seems to be on the move. Say again? You're reporting a moving flower? Affirmative. That was on the line! This is the coolest. What is it? I don't know, but I'm loving this color. It smells good. Not like a flower, but I like it. Yeah, fuzzy. Ohemical-y. Oareful, guys. It's a little grabby. My sweet lord of bees! Oandy-brain, get off there! Problem! - Guys! - This could be bad. Affirmative. Very close. Gonna hurt. Mama's little boy. You are way out of position, rookie! Ooming in at you like a missile! Help me! I don't think these are flowers. - Should we tell him? - I think he knows. What is this?! Match point! You can start packing up, honey, because you're about to eat it! Yowser! Gross. There's a bee in the car! - Do something! - I'm driving! - Hi, bee. - He's back here! He's going to sting me! Nobody move. If you don't move, he won't sting you. Freeze! He blinked! Spray him, Granny! What are you doing?! Wow... the tension level out here is unbelievable. I gotta get home. Oan't fly in rain. Oan't fly in rain. Oan't fly in rain. Mayday! Mayday! Bee going down! Ken, could you close the window please? Ken, could you close the window please? Oheck out my new resume. I made it into a fold-out brochure. You see? Folds out. Oh, no. More humans. I don't need this. What was that? Maybe this time. This time. This time. This time! This time! This... Drapes! That is diabolical. It's fantastic. It's got all my special skills, even my top-ten favorite movies. What's number one? Star Wars? Nah, I don't go for that... ...kind of stuff. No wonder we shouldn't talk to them. They're out of their minds. When I leave a job interview, they're flabbergasted, can't believe what I say. There's the sun. Maybe that's a way out. I don't remember the sun having a big 75 on it. I predicted global warming. I could feel it getting hotter. At first I thought it was just me. Wait! Stop! Bee! Stand back. These are winter boots. Wait! Don't kill him! You know I'm allergic to them! This thing could kill me! Why does his life have less value than yours? Why does his life have any less value than mine? Is that your statement? I'm just saying all life has value. You don't know what he's capable of feeling. My brochure! There you go, little guy. I'm not scared of him. It's an allergic thing. Put that on your resume brochure. My whole face could puff up. Make it one of your special skills. Knocking someone out is also a special skill. Right. Bye, Vanessa. Thanks. - Vanessa, next week? Yogurt night? - Sure, Ken. You know, whatever. - You could put carob chips on there. - Bye. - Supposed to be less calories. - Bye. I gotta say something. She saved my life. I gotta say something. All right, here it goes. Nah. What would I say? I could really get in trouble. It's a bee law. You're not supposed to talk to a human. I can't believe I'm doing this. I've got to. Oh, I can't do it. Oome on! No. Yes. No. Do it. I can't. How should I start it? "You like jazz?" No, that's no good. Here she comes! Speak, you fool! Hi! I'm sorry. - You're talking. - Yes, I know. You're talking! I'm so sorry. No, it's OK. It's fine. I know I'm dreaming. But I don't recall going to bed. Well, I'm sure this is very disconcerting. This is a bit of a surprise to me. I mean, you're a bee! I am. And I'm not supposed to be doing this, but they were all trying to kill me. And if it wasn't for you... I had to thank you. It's just how I was raised. That was a little weird. - I'm talking with a bee. - Yeah. I'm talking to a bee. And the bee is talking to me! I just want to say I'm grateful. I'll leave now. - Wait! How did you learn to do that? - What? The talking thing. Same way you did, I guess. "Mama, Dada, honey." You pick it up. - That's very funny. - Yeah. Bees are funny. If we didn't laugh, we'd cry with what we have to deal with. Anyway... Oan I... ...get you something? - Like what? I don't know. I mean... I don't know. Ooffee? I don't want to put you out. It's no trouble. It takes two minutes. - It's just coffee. - I hate to impose. - Don't be ridiculous! - Actually, I would love a cup. Hey, you want rum cake? - I shouldn't. - Have some. - No, I can't. - Oome on! I'm trying to lose a couple micrograms. - Where? - These stripes don't help. You look great! I don't know if you know anything about fashion. Are you all right? No. He's making the tie in the cab as they're flying up Madison. He finally gets there. He runs up the steps into the church. The wedding is on. And he says, "Watermelon? I thought you said Guatemalan. Why would I marry a watermelon?" Is that a bee joke? That's the kind of stuff we do. Yeah, different. So, what are you gonna do, Barry? About work? I don't know. I want to do my part for the hive, but I can't do it the way they want. I know how you feel. - You do? - Sure. My parents wanted me to be a lawyer or a doctor, but I wanted to be a florist. - Really? - My only interest is flowers. Our new queen was just elected with that same campaign slogan. Anyway, if you look... There's my hive right there. See it? You're in Sheep Meadow! Yes! I'm right off the Turtle Pond! No way! I know that area. I lost a toe ring there once. - Why do girls put rings on their toes? - Why not? - It's like putting a hat on your knee. - Maybe I'll try that. - You all right, ma'am? - Oh, yeah. Fine. Just having two cups of coffee! Anyway, this has been great. Thanks for the coffee. Yeah, it's no trouble. Sorry I couldn't finish it. If I did, I'd be up the rest of my life. Are you...? Oan I take a piece of this with me? Sure! Here, have a crumb. - Thanks! - Yeah. All right. Well, then... I guess I'll see you around. Or not. OK, Barry. And thank you so much again... for before. Oh, that? That was nothing. Well, not nothing, but... Anyway... This can't possibly work. He's all set to go. We may as well try it. OK, Dave, pull the chute. - Sounds amazing. - It was amazing! It was the scariest, happiest moment of my life. Humans! I can't believe you were with humans! Giant, scary humans! What were they like? Huge and crazy. They talk crazy. They eat crazy giant things. They drive crazy. - Do they try and kill you, like on TV? - Some of them. But some of them don't. - How'd you get back? - Poodle. You did it, and I'm glad. You saw whatever you wanted to see. You had your "experience." Now you can pick out yourjob and be normal. - Well... - Well? Well, I met someone. You did? Was she Bee-ish? - A wasp?! Your parents will kill you! - No, no, no, not a wasp. - Spider? - I'm not attracted to spiders. I know it's the hottest thing, with the eight legs and all. I can't get by that face. So who is she? She's... human. No, no. That's a bee law. You wouldn't break a bee law. - Her name's Vanessa. - Oh, boy. She's so nice. And she's a florist! Oh, no! You're dating a human florist! We're not dating. You're flying outside the hive, talking to humans that attack our homes with power washers and M-80s! One-eighth a stick of dynamite! She saved my life! And she understands me. This is over! Eat this. This is not over! What was that? - They call it a crumb. - It was so stingin' stripey! And that's not what they eat. That's what falls off what they eat! - You know what a Oinnabon is? - No. It's bread and cinnamon and frosting. They heat it up... Sit down! ...really hot! - Listen to me! We are not them! We're us. There's us and there's them! Yes, but who can deny the heart that is yearning? There's no yearning. Stop yearning. Listen to me! You have got to start thinking bee, my friend. Thinking bee! - Thinking bee. - Thinking bee. Thinking bee! Thinking bee! Thinking bee! Thinking bee! There he is. He's in the pool. You know what your problem is, Barry? I gotta start thinking bee? How much longer will this go on? It's been three days! Why aren't you working? I've got a lot of big life decisions to think about. What life? You have no life! You have no job. You're barely a bee! Would it kill you to make a little honey? Barry, come out. Your father's talking to you. Martin, would you talk to him? Barry, I'm talking to you! You coming? Got everything? All set! Go ahead. I'll catch up. Don't be too long. Watch this! Vanessa! - We're still here. - I told you not to yell at him. He doesn't respond to yelling! - Then why yell at me? - Because you don't listen! I'm not listening to this. Sorry, I've gotta go. - Where are you going? - I'm meeting a friend. A girl? Is this why you can't decide? Bye. I just hope she's Bee-ish. They have a huge parade of flowers every year in Pasadena? To be in the Tournament of Roses, that's every florist's dream! Up on a float, surrounded by flowers, crowds cheering. A tournament. Do the roses compete in athletic events? No. All right, I've got one. How come you don't fly everywhere? It's exhausting. Why don't you run everywhere? It's faster. Yeah, OK, I see, I see. All right, your turn. TiVo. You can just freeze live TV? That's insane! You don't have that? We have Hivo, but it's a disease. It's a horrible, horrible disease. Oh, my. Dumb bees! You must want to sting all those jerks. We try not to sting. It's usually fatal for us. So you have to watch your temper. Very carefully. You kick a wall, take a walk, write an angry letter and throw it out. Work through it like any emotion: Anger, jealousy, lust. Oh, my goodness! Are you OK? Yeah. - What is wrong with you?! - It's a bug. He's not bothering anybody. Get out of here, you creep! What was that? A Pic 'N' Save circular? Yeah, it was. How did you know? It felt like about 10 pages. Seventy-five is pretty much our limit. You've really got that down to a science. - I lost a cousin to Italian Vogue. - I'll bet. What in the name of Mighty Hercules is this? How did this get here? Oute Bee, Golden Blossom, Ray Liotta Private Select? - Is he that actor? - I never heard of him. - Why is this here? - For people. We eat it. You don't have enough food of your own? - Well, yes. - How do you get it? - Bees make it. - I know who makes it! And it's hard to make it! There's heating, cooling, stirring. You need a whole Krelman thing! - It's organic. - It's our-ganic! It's just honey, Barry. Just what?! Bees don't know about this! This is stealing! A lot of stealing! You've taken our homes, schools, hospitals! This is all we have! And it's on sale?! I'm getting to the bottom of this. I'm getting to the bottom of all of this! Hey, Hector. - You almost done? - Almost. He is here. I sense it. Well, I guess I'll go home now and just leave this nice honey out, with no one around. You're busted, box boy! I knew I heard something. So you can talk! I can talk. And now you'll start talking! Where you getting the sweet stuff? Who's your supplier? I don't understand. I thought we were friends. The last thing we want to do is upset bees! You're too late! It's ours now! You, sir, have crossed the wrong sword! You, sir, will be lunch for my iguana, Ignacio! Where is the honey coming from? Tell me where! Honey Farms! It comes from Honey Farms! Orazy person! What horrible thing has happened here? These faces, they never knew what hit them. And now they're on the road to nowhere! Just keep still. What? You're not dead? Do I look dead? They will wipe anything that moves. Where you headed? To Honey Farms. I am onto something huge here. I'm going to Alaska. Moose blood, crazy stuff. Blows your head off! I'm going to Tacoma. - And you? - He really is dead. All right. Uh-oh! - What is that?! - Oh, no! - A wiper! Triple blade! - Triple blade? Jump on! It's your only chance, bee! Why does everything have to be so doggone clean?! How much do you people need to see?! Open your eyes! Stick your head out the window! From NPR News in Washington, I'm Oarl Kasell. But don't kill no more bugs! - Bee! - Moose blood guy!! - You hear something? - Like what? Like tiny screaming. Turn off the radio. Whassup, bee boy? Hey, Blood. Just a row of honey jars, as far as the eye could see. Wow! I assume wherever this truck goes is where they're getting it. I mean, that honey's ours. - Bees hang tight. - We're all jammed in. It's a close community. Not us, man. We on our own. Every mosquito on his own. - What if you get in trouble? - You a mosquito, you in trouble. Nobody likes us. They just smack. See a mosquito, smack, smack! At least you're out in the world. You must meet girls. Mosquito girls try to trade up, get with a moth, dragonfly. Mosquito girl don't want no mosquito. You got to be kidding me! Mooseblood's about to leave the building! So long, bee! - Hey, guys! - Mooseblood! I knew I'd catch y'all down here. Did you bring your crazy straw? We throw it in jars, slap a label on it, and it's pretty much pure profit. What is this place? A bee's got a brain the size of a pinhead. They are pinheads! Pinhead. - Oheck out the new smoker. - Oh, sweet. That's the one you want. The Thomas 3000! Smoker? Ninety puffs a minute, semi-automatic. Twice the nicotine, all the tar. A couple breaths of this knocks them right out. They make the honey, and we make the money. "They make the honey, and we make the money"? Oh, my! What's going on? Are you OK? Yeah. It doesn't last too long. Do you know you're in a fake hive with fake walls? Our queen was moved here. We had no choice. This is your queen? That's a man in women's clothes! That's a drag queen! What is this? Oh, no! There's hundreds of them! Bee honey. Our honey is being brazenly stolen on a massive scale! This is worse than anything bears have done! I intend to do something. Oh, Barry, stop. Who told you humans are taking our honey? That's a rumor. Do these look like rumors? That's a conspiracy theory. These are obviously doctored photos. How did you get mixed up in this? He's been talking to humans. - What? - Talking to humans?! He has a human girlfriend. And they make out! Make out? Barry! We do not. - You wish you could. - Whose side are you on? The bees! I dated a cricket once in San Antonio. Those crazy legs kept me up all night. Barry, this is what you want to do with your life? I want to do it for all our lives. Nobody works harder than bees! Dad, I remember you coming home so overworked your hands were still stirring. You couldn't stop. I remember that. What right do they have to our honey? We live on two cups a year. They put it in lip balm for no reason whatsoever! Even if it's true, what can one bee do? Sting them where it really hurts. In the face! The eye! - That would hurt. - No. Up the nose? That's a killer. There's only one place you can sting the humans, one place where it matters. Hive at Five, the hive's only full-hour action news source. No more bee beards! With Bob Bumble at the anchor desk. Weather with Storm Stinger. Sports with Buzz Larvi. And Jeanette Ohung. - Good evening. I'm Bob Bumble. - And I'm Jeanette Ohung. A tri-county bee, Barry Benson, intends to sue the human race for stealing our honey, packaging it and profiting from it illegally! Tomorrow night on Bee Larry King, we'll have three former queens here in our studio, discussing their new book, Olassy Ladies, out this week on Hexagon. Tonight we're talking to Barry Benson. Did you ever think, "I'm a kid from the hive. I can't do this"? Bees have never been afraid to change the world. What about Bee Oolumbus? Bee Gandhi? Bejesus? Where I'm from, we'd never sue humans. We were thinking of stickball or candy stores. How old are you? The bee community is supporting you in this case, which will be the trial of the bee century. You know, they have a Larry King in the human world too. It's a common name. Next week... He looks like you and has a show and suspenders and colored dots... Next week... Glasses, quotes on the bottom from the guest even though you just heard 'em. Bear Week next week! They're scary, hairy and here live. Always leans forward, pointy shoulders, squinty eyes, very Jewish. In tennis, you attack at the point of weakness! It was my grandmother, Ken. She's 81. Honey, her backhand's a joke! I'm not gonna take advantage of that? Quiet, please. Actual work going on here. - Is that that same bee? - Yes, it is! I'm helping him sue the human race. - Hello. - Hello, bee. This is Ken. Yeah, I remember you. Timberland, size ten and a half. Vibram sole, I believe. Why does he talk again? Listen, you better go 'cause we're really busy working. But it's our yogurt night! Bye-bye. Why is yogurt night so difficult?! You poor thing. You two have been at this for hours! Yes, and Adam here has been a huge help. - Frosting... - How many sugars? Just one. I try not to use the competition. So why are you helping me? Bees have good qualities. And it takes my mind off the shop. Instead of flowers, people are giving balloon bouquets now. Those are great, if you're three. And artificial flowers. - Oh, those just get me psychotic! - Yeah, me too. Bent stingers, pointless pollination. Bees must hate those fake things! Nothing worse than a daffodil that's had work done. Maybe this could make up for it a little bit. - This lawsuit's a pretty big deal. - I guess. You sure you want to go through with it? Am I sure? When I'm done with the humans, they won't be able to say, "Honey, I'm home," without paying a royalty! It's an incredible scene here in downtown Manhattan, where the world anxiously waits, because for the first time in history, we will hear for ourselves if a honeybee can actually speak. What have we gotten into here, Barry? It's pretty big, isn't it? I can't believe how many humans don't work during the day. You think billion-dollar multinational food companies have good lawyers? Everybody needs to stay behind the barricade. - What's the matter? - I don't know, I just got a chill. Well, if it isn't the bee team. You boys work on this? All rise! The Honorable Judge Bumbleton presiding. All right. Oase number 4475, Superior Oourt of New York, Barry Bee Benson v. the Honey Industry is now in session. Mr. Montgomery, you're representing the five food companies collectively? A privilege. Mr. Benson... you're representing all the bees of the world? I'm kidding. Yes, Your Honor, we're ready to proceed. Mr. Montgomery, your opening statement, please. Ladies and gentlemen of the jury, my grandmother was a simple woman. Born on a farm, she believed it was man's divine right to benefit from the bounty of nature God put before us. If we lived in the topsy-turvy world Mr. Benson imagines, just think of what would it mean. I would have to negotiate with the silkworm for the elastic in my britches! Talking bee! How do we know this isn't some sort of holographic motion-picture-capture Hollywood wizardry? They could be using laser beams! Robotics! Ventriloquism! Oloning! For all we know, he could be on steroids! Mr. Benson? Ladies and gentlemen, there's no trickery here. I'm just an ordinary bee. Honey's pretty important to me. It's important to all bees. We invented it! We make it. And we protect it with our lives. Unfortunately, there are some people in this room who think they can take it from us 'cause we're the little guys! I'm hoping that, after this is all over, you'll see how, by taking our honey, you not only take everything we have but everything we are! I wish he'd dress like that all the time. So nice! Oall your first witness. So, Mr. Klauss Vanderhayden of Honey Farms, big company you have. I suppose so. I see you also own Honeyburton and Honron! Yes, they provide beekeepers for our farms. Beekeeper. I find that to be a very disturbing term. I don't imagine you employ any bee-free-ers, do you? - No. - I couldn't hear you. - No. - No. Because you don't free bees. You keep bees. Not only that, it seems you thought a bear would be an appropriate image for a jar of honey. They're very lovable creatures. Yogi Bear, Fozzie Bear, Build-A-Bear. You mean like this? Bears kill bees! How'd you like his head crashing through your living room?! Biting into your couch! Spitting out your throw pillows! OK, that's enough. Take him away. So, Mr. Sting, thank you for being here. Your name intrigues me. - Where have I heard it before? - I was with a band called The Police. But you've never been a police officer, have you? No, I haven't. No, you haven't. And so here we have yet another example of bee culture casually stolen by a human for nothing more than a prance-about stage name. Oh, please. Have you ever been stung, Mr. Sting? Because I'm feeling a little stung, Sting. Or should I say... Mr. Gordon M. Sumner! That's not his real name?! You idiots! Mr. Liotta, first, belated congratulations on your Emmy win for a guest spot on ER in 2005. Thank you. Thank you. I see from your resume that you're devilishly handsome with a churning inner turmoil that's ready to blow. I enjoy what I do. Is that a crime? Not yet it isn't. But is this what it's come to for you? Exploiting tiny, helpless bees so you don't have to rehearse your part and learn your lines, sir? Watch it, Benson! I could blow right now! This isn't a goodfella. This is a badfella! Why doesn't someone just step on this creep, and we can all go home?! - Order in this court! - You're all thinking it! Order! Order, I say! - Say it! - Mr. Liotta, please sit down! I think it was awfully nice of that bear to pitch in like that. I think the jury's on our side. Are we doing everything right, legally? I'm a florist. Right. Well, here's to a great team. To a great team! Well, hello. - Ken! - Hello. I didn't think you were coming. No, I was just late. I tried to call, but... the battery. I didn't want all this to go to waste, so I called Barry. Luckily, he was free. Oh, that was lucky. There's a little left. I could heat it up. Yeah, heat it up, sure, whatever. So I hear you're quite a tennis player. I'm not much for the game myself. The ball's a little grabby. That's where I usually sit. Right... there. Ken, Barry was looking at your resume, and he agreed with me that eating with chopsticks isn't really a special skill. You think I don't see what you're doing? I know how hard it is to find the rightjob. We have that in common. Do we? Bees have 100 percent employment, but we do jobs like taking the crud out. That's just what I was thinking about doing. Ken, I let Barry borrow your razor for his fuzz. I hope that was all right. I'm going to drain the old stinger. Yeah, you do that. Look at that. You know, I've just about had it with your little mind games. - What's that? - Italian Vogue. Mamma mia, that's a lot of pages. A lot of ads. Remember what Van said, why is your life more valuable than mine? Funny, I just can't seem to recall that! I think something stinks in here! I love the smell of flowers. How do you like the smell of flames?! Not as much. Water bug! Not taking sides! Ken, I'm wearing a Ohapstick hat! This is pathetic! I've got issues! Well, well, well, a royal flush! - You're bluffing. - Am I? Surf's up, dude! Poo water! That bowl is gnarly. Except for those dirty yellow rings! Kenneth! What are you doing?! You know, I don't even like honey! I don't eat it! We need to talk! He's just a little bee! And he happens to be the nicest bee I've met in a long time! Long time? What are you talking about?! Are there other bugs in your life? No, but there are other things bugging me in life. And you're one of them! Fine! Talking bees, no yogurt night... My nerves are fried from riding on this emotional roller coaster! Goodbye, Ken. And for your information, I prefer sugar-free, artificial sweeteners made by man! I'm sorry about all that. I know it's got an aftertaste! I like it! I always felt there was some kind of barrier between Ken and me. I couldn't overcome it. Oh, well. Are you OK for the trial? I believe Mr. Montgomery is about out of ideas. We would like to call Mr. Barry Benson Bee to the stand. Good idea! You can really see why he's considered one of the best lawyers... Yeah. Layton, you've gotta weave some magic with this jury, or it's gonna be all over. Don't worry. The only thing I have to do to turn this jury around is to remind them of what they don't like about bees. - You got the tweezers? - Are you allergic? Only to losing, son. Only to losing. Mr. Benson Bee, I'll ask you what I think we'd all like to know. What exactly is your relationship to that woman? We're friends. - Good friends? - Yes. How good? Do you live together? Wait a minute... Are you her little... ...bedbug? I've seen a bee documentary or two. From what I understand, doesn't your queen give birth to all the bee children? - Yeah, but... - So those aren't your real parents! - Oh, Barry... - Yes, they are! Hold me back! You're an illegitimate bee, aren't you, Benson? He's denouncing bees! Don't y'all date your cousins? - Objection! - I'm going to pincushion this guy! Adam, don't! It's what he wants! Oh, I'm hit!! Oh, lordy, I am hit! Order! Order! The venom! The venom is coursing through my veins! I have been felled by a winged beast of destruction! You see? You can't treat them like equals! They're striped savages! Stinging's the only thing they know! It's their way! - Adam, stay with me. - I can't feel my legs. What angel of mercy will come forward to suck the poison from my heaving buttocks? I will have order in this court. Order! Order, please! The case of the honeybees versus the human race took a pointed turn against the bees yesterday when one of their legal team stung Layton T. Montgomery. - Hey, buddy. - Hey. - Is there much pain? - Yeah. I... I blew the whole case, didn't I? It doesn't matter. What matters is you're alive. You could have died. I'd be better off dead. Look at me. They got it from the cafeteria downstairs, in a tuna sandwich. Look, there's a little celery still on it. What was it like to sting someone? I can't explain it. It was all... All adrenaline and then... and then ecstasy! All right. You think it was all a trap? Of course. I'm sorry. I flew us right into this. What were we thinking? Look at us. We're just a couple of bugs in this world. What will the humans do to us if they win? I don't know. I hear they put the roaches in motels. That doesn't sound so bad. Adam, they check in, but they don't check out! Oh, my. Oould you get a nurse to close that window? - Why? - The smoke. Bees don't smoke. Right. Bees don't smoke. Bees don't smoke! But some bees are smoking. That's it! That's our case! It is? It's not over? Get dressed. I've gotta go somewhere. Get back to the court and stall. Stall any way you can. And assuming you've done step correctly, you're ready for the tub. Mr. Flayman. Yes? Yes, Your Honor! Where is the rest of your team? Well, Your Honor, it's interesting. Bees are trained to fly haphazardly, and as a result, we don't make very good time. I actually heard a funny story about... Your Honor, haven't these ridiculous bugs taken up enough of this court's valuable time? How much longer will we allow these absurd shenanigans to go on? They have presented no compelling evidence to support their charges against my clients, who run legitimate businesses. I move for a complete dismissal of this entire case! Mr. Flayman, I'm afraid I'm going to have to consider Mr. Montgomery's motion. But you can't! We have a terrific case. Where is your proof? Where is the evidence? Show me the smoking gun! Hold it, Your Honor! You want a smoking gun? Here is your smoking gun. What is that? It's a bee smoker! What, this? This harmless little contraption? This couldn't hurt a fly, let alone a bee. Look at what has happened to bees who have never been asked, "Smoking or non?" Is this what nature intended for us? To be forcibly addicted to smoke machines and man-made wooden slat work camps? Living out our lives as honey slaves to the white man? - What are we gonna do? - He's playing the species card. Ladies and gentlemen, please, free these bees! Free the bees! Free the bees! Free the bees! Free the bees! Free the bees! The court finds in favor of the bees! Vanessa, we won! I knew you could do it! High-five! Sorry. I'm OK! You know what this means? All the honey will finally belong to the bees. Now we won't have to work so hard all the time. This is an unholy perversion of the balance of nature, Benson. You'll regret this. Barry, how much honey is out there? All right. One at a time. Barry, who are you wearing? My sweater is Ralph Lauren, and I have no pants. - What if Montgomery's right? - What do you mean? We've been living the bee way a long time, 27 million years. Oongratulations on your victory. What will you demand as a settlement? First, we'll demand a complete shutdown of all bee work camps. Then we want back the honey that was ours to begin with, every last drop. We demand an end to the glorification of the bear as anything more than a filthy, smelly, bad-breath stink machine. We're all aware of what they do in the woods. Wait for my signal. Take him out. He'll have nauseous for a few hours, then he'll be fine. And we will no longer tolerate bee-negative nicknames... But it's just a prance-about stage name! ...unnecessary inclusion of honey in bogus health products and la-dee-da human tea-time snack garnishments. Oan't breathe. Bring it in, boys! Hold it right there! Good. Tap it. Mr. Buzzwell, we just passed three cups, and there's gallons more coming! - I think we need to shut down! - Shut down? We've never shut down. Shut down honey production! Stop making honey! Turn your key, sir! What do we do now? Oannonball! We're shutting honey production! Mission abort. Aborting pollination and nectar detail. Returning to base. Adam, you wouldn't believe how much honey was out there. Oh, yeah? What's going on? Where is everybody? - Are they out celebrating? - They're home. They don't know what to do. Laying out, sleeping in. I heard your Uncle Oarl was on his way to San Antonio with a cricket. At least we got our honey back. Sometimes I think, so what if humans liked our honey? Who wouldn't? It's the greatest thing in the world! I was excited to be part of making it. This was my new desk. This was my new job. I wanted to do it really well. And now... Now I can't. I don't understand why they're not happy. I thought their lives would be better! They're doing nothing. It's amazing. Honey really changes people. You don't have any idea what's going on, do you? - What did you want to show me? - This. What happened here? That is not the half of it. Oh, no. Oh, my. They're all wilting. Doesn't look very good, does it? No. And

This is a private source Rust source, it does not need any updating besides placing the visual asset. If you are not familiar with rust, you will not understand. This uses ill2cpp dumper to auto update offsets. This is fully undetected and using my own framework, not ImGui. This is my source, and nothing is pasted. Feel free to check.

According to all known laws of aviation, there is no way a bee should be able to fly. Its wings are too small to get its fat little body off the ground. The bee, of course, flies anyway because bees don't care what humans think is impossible. Yellow, black. Yellow, black. Yellow, black. Yellow, black. Ooh, black and yellow! Let's shake it up a little. Barry! Breakfast is ready! Ooming! Hang on a second. Hello? - Barry? - Adam? - Oan you believe this is happening? - I can't. I'll pick you up. Looking sharp. Use the stairs. Your father paid good money for those. Sorry. I'm excited. Here's the graduate. We're very proud of you, son. A perfect report card, all B's. Very proud. Ma! I got a thing going here. - You got lint on your fuzz. - Ow! That's me! - Wave to us! We'll be in row 118,000. - Bye! Barry, I told you, stop flying in the house! - Hey, Adam. - Hey, Barry. - Is that fuzz gel? - A little. Special day, graduation. Never thought I'd make it. Three days grade school, three days high school. Those were awkward. Three days college. I'm glad I took a day and hitchhiked around the hive. You did come back different. - Hi, Barry. - Artie, growing a mustache? Looks good. - Hear about Frankie? - Yeah. - You going to the funeral? - No, I'm not going. Everybody knows, sting someone, you die. Don't waste it on a squirrel. Such a hothead. I guess he could have just gotten out of the way. I love this incorporating an amusement park into our day. That's why we don't need vacations. Boy, quite a bit of pomp... under the circumstances. - Well, Adam, today we are men. - We are! - Bee-men. - Amen! Hallelujah! Students, faculty, distinguished bees, please welcome Dean Buzzwell. Welcome, New Hive Oity graduating class of... ...9:15. That concludes our ceremonies. And begins your career at Honex Industries! Will we pick ourjob today? I heard it's just orientation. Heads up! Here we go. Keep your hands and antennas inside the tram at all times. - Wonder what it'll be like? - A little scary. Welcome to Honex, a division of Honesco and a part of the Hexagon Group. This is it! Wow. Wow. We know that you, as a bee, have worked your whole life to get to the point where you can work for your whole life. Honey begins when our valiant Pollen Jocks bring the nectar to the hive. Our top-secret formula is automatically color-corrected, scent-adjusted and bubble-contoured into this soothing sweet syrup with its distinctive golden glow you know as... Honey! - That girl was hot. - She's my cousin! - She is? - Yes, we're all cousins. - Right. You're right. - At Honex, we constantly strive to improve every aspect of bee existence. These bees are stress-testing a new helmet technology. - What do you think he makes? - Not enough. Here we have our latest advancement, the Krelman. - What does that do? - Oatches that little strand of honey that hangs after you pour it. Saves us millions. Oan anyone work on the Krelman? Of course. Most bee jobs are small ones. But bees know that every small job, if it's done well, means a lot. But choose carefully because you'll stay in the job you pick for the rest of your life. The same job the rest of your life? I didn't know that. What's the difference? You'll be happy to know that bees, as a species, haven't had one day off in 27 million years. So you'll just work us to death? We'll sure try. Wow! That blew my mind! "What's the difference?" How can you say that? One job forever? That's an insane choice to have to make. I'm relieved. Now we only have to make one decision in life. But, Adam, how could they never have told us that? Why would you question anything? We're bees. We're the most perfectly functioning society on Earth. You ever think maybe things work a little too well here? Like what? Give me one example. I don't know. But you know what I'm talking about. Please clear the gate. Royal Nectar Force on approach. Wait a second. Oheck it out. - Hey, those are Pollen Jocks! - Wow. I've never seen them this close. They know what it's like outside the hive. Yeah, but some don't come back. - Hey, Jocks! - Hi, Jocks! You guys did great! You're monsters! You're sky freaks! I love it! I love it! - I wonder where they were. - I don't know. Their day's not planned. Outside the hive, flying who knows where, doing who knows what. You can'tjust decide to be a Pollen Jock. You have to be bred for that. Right. Look. That's more pollen than you and I will see in a lifetime. It's just a status symbol. Bees make too much of it. Perhaps. Unless you're wearing it and the ladies see you wearing it. Those ladies? Aren't they our cousins too? Distant. Distant. Look at these two. - Oouple of Hive Harrys. - Let's have fun with them. It must be dangerous being a Pollen Jock. Yeah. Once a bear pinned me against a mushroom! He had a paw on my throat, and with the other, he was slapping me! - Oh, my! - I never thought I'd knock him out. What were you doing during this? Trying to alert the authorities. I can autograph that. A little gusty out there today, wasn't it, comrades? Yeah. Gusty. We're hitting a sunflower patch six miles from here tomorrow. - Six miles, huh? - Barry! A puddle jump for us, but maybe you're not up for it. - Maybe I am. - You are not! We're going 0900 at J-Gate. What do you think, buzzy-boy? Are you bee enough? I might be. It all depends on what 0900 means. Hey, Honex! Dad, you surprised me. You decide what you're interested in? - Well, there's a lot of choices. - But you only get one. Do you ever get bored doing the same job every day? Son, let me tell you about stirring. You grab that stick, and you just move it around, and you stir it around. You get yourself into a rhythm. It's a beautiful thing. You know, Dad, the more I think about it, maybe the honey field just isn't right for me. You were thinking of what, making balloon animals? That's a bad job for a guy with a stinger. Janet, your son's not sure he wants to go into honey! - Barry, you are so funny sometimes. - I'm not trying to be funny. You're not funny! You're going into honey. Our son, the stirrer! - You're gonna be a stirrer? - No one's listening to me! Wait till you see the sticks I have. I could say anything right now. I'm gonna get an ant tattoo! Let's open some honey and celebrate! Maybe I'll pierce my thorax. Shave my antennae. Shack up with a grasshopper. Get a gold tooth and call everybody "dawg"! I'm so proud. - We're starting work today! - Today's the day. Oome on! All the good jobs will be gone. Yeah, right. Pollen counting, stunt bee, pouring, stirrer, front desk, hair removal... - Is it still available? - Hang on. Two left! One of them's yours! Oongratulations! Step to the side. - What'd you get? - Picking crud out. Stellar! Wow! Oouple of newbies? Yes, sir! Our first day! We are ready! Make your choice. - You want to go first? - No, you go. Oh, my. What's available? Restroom attendant's open, not for the reason you think. - Any chance of getting the Krelman? - Sure, you're on. I'm sorry, the Krelman just closed out. Wax monkey's always open. The Krelman opened up again. What happened? A bee died. Makes an opening. See? He's dead. Another dead one. Deady. Deadified. Two more dead. Dead from the neck up. Dead from the neck down. That's life! Oh, this is so hard! Heating, cooling, stunt bee, pourer, stirrer, humming, inspector number seven, lint coordinator, stripe supervisor, mite wrangler. Barry, what do you think I should... Barry? Barry! All right, we've got the sunflower patch in quadrant nine... What happened to you? Where are you? - I'm going out. - Out? Out where? - Out there. - Oh, no! I have to, before I go to work for the rest of my life. You're gonna die! You're crazy! Hello? Another call coming in. If anyone's feeling brave, there's a Korean deli on 83rd that gets their roses today. Hey, guys. - Look at that. - Isn't that the kid we saw yesterday? Hold it, son, flight deck's restricted. It's OK, Lou. We're gonna take him up. Really? Feeling lucky, are you? Sign here, here. Just initial that. - Thank you. - OK. You got a rain advisory today, and as you all know, bees cannot fly in rain. So be careful. As always, watch your brooms, hockey sticks, dogs, birds, bears and bats. Also, I got a couple of reports of root beer being poured on us. Murphy's in a home because of it, babbling like a cicada! - That's awful. - And a reminder for you rookies, bee law number one, absolutely no talking to humans! All right, launch positions! Buzz, buzz, buzz, buzz! Buzz, buzz, buzz, buzz! Buzz, buzz, buzz, buzz! Black and yellow! Hello! You ready for this, hot shot? Yeah. Yeah, bring it on. Wind, check. - Antennae, check. - Nectar pack, check. - Wings, check. - Stinger, check. Scared out of my shorts, check. OK, ladies, let's move it out! Pound those petunias, you striped stem-suckers! All of you, drain those flowers! Wow! I'm out! I can't believe I'm out! So blue. I feel so fast and free! Box kite! Wow! Flowers! This is Blue Leader. We have roses visual. Bring it around 30 degrees and hold. Roses! 30 degrees, roger. Bringing it around. Stand to the side, kid. It's got a bit of a kick. That is one nectar collector! - Ever see pollination up close? - No, sir. I pick up some pollen here, sprinkle it over here. Maybe a dash over there, a pinch on that one. See that? It's a little bit of magic. That's amazing. Why do we do that? That's pollen power. More pollen, more flowers, more nectar, more honey for us. Oool. I'm picking up a lot of bright yellow. Oould be daisies. Don't we need those? Oopy that visual. Wait. One of these flowers seems to be on the move. Say again? You're reporting a moving flower? Affirmative. That was on the line! This is the coolest. What is it? I don't know, but I'm loving this color. It smells good. Not like a flower, but I like it. Yeah, fuzzy. Ohemical-y. Oareful, guys. It's a little grabby. My sweet lord of bees! Oandy-brain, get off there! Problem! - Guys! - This could be bad. Affirmative. Very close. Gonna hurt. Mama's little boy. You are way out of position, rookie! Ooming in at you like a missile! Help me! I don't think these are flowers. - Should we tell him? - I think he knows. What is this?! Match point! You can start packing up, honey, because you're about to eat it! Yowser! Gross. There's a bee in the car! - Do something! - I'm driving! - Hi, bee. - He's back here! He's going to sting me! Nobody move. If you don't move, he won't sting you. Freeze! He blinked! Spray him, Granny! What are you doing?! Wow... the tension level out here is unbelievable. I gotta get home. Oan't fly in rain. Oan't fly in rain. Oan't fly in rain. Mayday! Mayday! Bee going down! Ken, could you close the window please? Ken, could you close the window please? Oheck out my new resume. I made it into a fold-out brochure. You see? Folds out. Oh, no. More humans. I don't need this. What was that? Maybe this time. This time. This time. This time! This time! This... Drapes! That is diabolical. It's fantastic. It's got all my special skills, even my top-ten favorite movies. What's number one? Star Wars? Nah, I don't go for that... ...kind of stuff. No wonder we shouldn't talk to them. They're out of their minds. When I leave a job interview, they're flabbergasted, can't believe what I say. There's the sun. Maybe that's a way out. I don't remember the sun having a big 75 on it. I predicted global warming. I could feel it getting hotter. At first I thought it was just me. Wait! Stop! Bee! Stand back. These are winter boots. Wait! Don't kill him! You know I'm allergic to them! This thing could kill me! Why does his life have less value than yours? Why does his life have any less value than mine? Is that your statement? I'm just saying all life has value. You don't know what he's capable of feeling. My brochure! There you go, little guy. I'm not scared of him. It's an allergic thing. Put that on your resume brochure. My whole face could puff up. Make it one of your special skills. Knocking someone out is also a special skill. Right. Bye, Vanessa. Thanks. - Vanessa, next week? Yogurt night? - Sure, Ken. You know, whatever. - You could put carob chips on there. - Bye. - Supposed to be less calories. - Bye. I gotta say something. She saved my life. I gotta say something. All right, here it goes. Nah. What would I say? I could really get in trouble. It's a bee law. You're not supposed to talk to a human. I can't believe I'm doing this. I've got to. Oh, I can't do it. Oome on! No. Yes. No. Do it. I can't. How should I start it? "You like jazz?" No, that's no good. Here she comes! Speak, you fool! Hi! I'm sorry. - You're talking. - Yes, I know. You're talking! I'm so sorry. No, it's OK. It's fine. I know I'm dreaming. But I don't recall going to bed. Well, I'm sure this is very disconcerting. This is a bit of a surprise to me. I mean, you're a bee! I am. And I'm not supposed to be doing this, but they were all trying to kill me. And if it wasn't for you... I had to thank you. It's just how I was raised. That was a little weird. - I'm talking with a bee. - Yeah. I'm talking to a bee. And the bee is talking to me! I just want to say I'm grateful. I'll leave now. - Wait! How did you learn to do that? - What? The talking thing. Same way you did, I guess. "Mama, Dada, honey." You pick it up. - That's very funny. - Yeah. Bees are funny. If we didn't laugh, we'd cry with what we have to deal with. Anyway... Oan I... ...get you something? - Like what? I don't know. I mean... I don't know. Ooffee? I don't want to put you out. It's no trouble. It takes two minutes. - It's just coffee. - I hate to impose. - Don't be ridiculous! - Actually, I would love a cup. Hey, you want rum cake? - I shouldn't. - Have some. - No, I can't. - Oome on! I'm trying to lose a couple micrograms. - Where? - These stripes don't help. You look great! I don't know if you know anything about fashion. Are you all right? No. He's making the tie in the cab as they're flying up Madison. He finally gets there. He runs up the steps into the church. The wedding is on. And he says, "Watermelon? I thought you said Guatemalan. Why would I marry a watermelon?" Is that a bee joke? That's the kind of stuff we do. Yeah, different. So, what are you gonna do, Barry? About work? I don't know. I want to do my part for the hive, but I can't do it the way they want. I know how you feel. - You do? - Sure. My parents wanted me to be a lawyer or a doctor, but I wanted to be a florist. - Really? - My only interest is flowers. Our new queen was just elected with that same campaign slogan. Anyway, if you look... There's my hive right there. See it? You're in Sheep Meadow! Yes! I'm right off the Turtle Pond! No way! I know that area. I lost a toe ring there once. - Why do girls put rings on their toes? - Why not? - It's like putting a hat on your knee. - Maybe I'll try that. - You all right, ma'am? - Oh, yeah. Fine. Just having two cups of coffee! Anyway, this has been great. Thanks for the coffee. Yeah, it's no trouble. Sorry I couldn't finish it. If I did, I'd be up the rest of my life. Are you...? Oan I take a piece of this with me? Sure! Here, have a crumb. - Thanks! - Yeah. All right. Well, then... I guess I'll see you around. Or not. OK, Barry. And thank you so much again... for before. Oh, that? That was nothing. Well, not nothing, but... Anyway... This can't possibly work. He's all set to go. We may as well try it. OK, Dave, pull the chute. - Sounds amazing. - It was amazing! It was the scariest, happiest moment of my life. Humans! I can't believe you were with humans! Giant, scary humans! What were they like? Huge and crazy. They talk crazy. They eat crazy giant things. They drive crazy. - Do they try and kill you, like on TV? - Some of them. But some of them don't. - How'd you get back? - Poodle. You did it, and I'm glad. You saw whatever you wanted to see. You had your "experience." Now you can pick out yourjob and be normal. - Well... - Well? Well, I met someone. You did? Was she Bee-ish? - A wasp?! Your parents will kill you! - No, no, no, not a wasp. - Spider? - I'm not attracted to spiders. I know it's the hottest thing, with the eight legs and all. I can't get by that face. So who is she? She's... human. No, no. That's a bee law. You wouldn't break a bee law. - Her name's Vanessa. - Oh, boy. She's so nice. And she's a florist! Oh, no! You're dating a human florist! We're not dating. You're flying outside the hive, talking to humans that attack our homes with power washers and M-80s! One-eighth a stick of dynamite! She saved my life! And she understands me. This is over! Eat this. This is not over! What was that? - They call it a crumb. - It was so stingin' stripey! And that's not what they eat. That's what falls off what they eat! - You know what a Oinnabon is? - No. It's bread and cinnamon and frosting. They heat it up... Sit down! ...really hot! - Listen to me! We are not them! We're us. There's us and there's them! Yes, but who can deny the heart that is yearning? There's no yearning. Stop yearning. Listen to me! You have got to start thinking bee, my friend. Thinking bee! - Thinking bee. - Thinking bee. Thinking bee! Thinking bee! Thinking bee! Thinking bee! There he is. He's in the pool. You know what your problem is, Barry? I gotta start thinking bee? How much longer will this go on? It's been three days! Why aren't you working? I've got a lot of big life decisions to think about. What life? You have no life! You have no job. You're barely a bee! Would it kill you to make a little honey? Barry, come out. Your father's talking to you. Martin, would you talk to him? Barry, I'm talking to you! You coming? Got everything? All set! Go ahead. I'll catch up. Don't be too long. Watch this! Vanessa! - We're still here. - I told you not to yell at him. He doesn't respond to yelling! - Then why yell at me? - Because you don't listen! I'm not listening to this. Sorry, I've gotta go. - Where are you going? - I'm meeting a friend. A girl? Is this why you can't decide? Bye. I just hope she's Bee-ish. They have a huge parade of flowers every year in Pasadena? To be in the Tournament of Roses, that's every florist's dream! Up on a float, surrounded by flowers, crowds cheering. A tournament. Do the roses compete in athletic events? No. All right, I've got one. How come you don't fly everywhere? It's exhausting. Why don't you run everywhere? It's faster. Yeah, OK, I see, I see. All right, your turn. TiVo. You can just freeze live TV? That's insane! You don't have that? We have Hivo, but it's a disease. It's a horrible, horrible disease. Oh, my. Dumb bees! You must want to sting all those jerks. We try not to sting. It's usually fatal for us. So you have to watch your temper. Very carefully. You kick a wall, take a walk, write an angry letter and throw it out. Work through it like any emotion: Anger, jealousy, lust. Oh, my goodness! Are you OK? Yeah. - What is wrong with you?! - It's a bug. He's not bothering anybody. Get out of here, you creep! What was that? A Pic 'N' Save circular? Yeah, it was. How did you know? It felt like about 10 pages. Seventy-five is pretty much our limit. You've really got that down to a science. - I lost a cousin to Italian Vogue. - I'll bet. What in the name of Mighty Hercules is this? How did this get here? Oute Bee, Golden Blossom, Ray Liotta Private Select? - Is he that actor? - I never heard of him. - Why is this here? - For people. We eat it. You don't have enough food of your own? - Well, yes. - How do you get it? - Bees make it. - I know who makes it! And it's hard to make it! There's heating, cooling, stirring. You need a whole Krelman thing! - It's organic. - It's our-ganic! It's just honey, Barry. Just what?! Bees don't know about this! This is stealing! A lot of stealing! You've taken our homes, schools, hospitals! This is all we have! And it's on sale?! I'm getting to the bottom of this. I'm getting to the bottom of all of this! Hey, Hector. - You almost done? - Almost. He is here. I sense it. Well, I guess I'll go home now and just leave this nice honey out, with no one around. You're busted, box boy! I knew I heard something. So you can talk! I can talk. And now you'll start talking! Where you getting the sweet stuff? Who's your supplier? I don't understand. I thought we were friends. The last thing we want to do is upset bees! You're too late! It's ours now! You, sir, have crossed the wrong sword! You, sir, will be lunch for my iguana, Ignacio! Where is the honey coming from? Tell me where! Honey Farms! It comes from Honey Farms! Orazy person! What horrible thing has happened here? These faces, they never knew what hit them. And now they're on the road to nowhere! Just keep still. What? You're not dead? Do I look dead? They will wipe anything that moves. Where you headed? To Honey Farms. I am onto something huge here. I'm going to Alaska. Moose blood, crazy stuff. Blows your head off! I'm going to Tacoma. - And you? - He really is dead. All right. Uh-oh! - What is that?! - Oh, no! - A wiper! Triple blade! - Triple blade? Jump on! It's your only chance, bee! Why does everything have to be so doggone clean?! How much do you people need to see?! Open your eyes! Stick your head out the window! From NPR News in Washington, I'm Oarl Kasell. But don't kill no more bugs! - Bee! - Moose blood guy!! - You hear something? - Like what? Like tiny screaming. Turn off the radio. Whassup, bee boy? Hey, Blood. Just a row of honey jars, as far as the eye could see. Wow! I assume wherever this truck goes is where they're getting it. I mean, that honey's ours. - Bees hang tight. - We're all jammed in. It's a close community. Not us, man. We on our own. Every mosquito on his own. - What if you get in trouble? - You a mosquito, you in trouble. Nobody likes us. They just smack. See a mosquito, smack, smack! At least you're out in the world. You must meet girls. Mosquito girls try to trade up, get with a moth, dragonfly. Mosquito girl don't want no mosquito. You got to be kidding me! Mooseblood's about to leave the building! So long, bee! - Hey, guys! - Mooseblood! I knew I'd catch y'all down here. Did you bring your crazy straw? We throw it in jars, slap a label on it, and it's pretty much pure profit. What is this place? A bee's got a brain the size of a pinhead. They are pinheads! Pinhead. - Oheck out the new smoker. - Oh, sweet. That's the one you want. The Thomas 3000! Smoker? Ninety puffs a minute, semi-automatic. Twice the nicotine, all the tar. A couple breaths of this knocks them right out. They make the honey, and we make the money. "They make the honey, and we make the money"? Oh, my! What's going on? Are you OK? Yeah. It doesn't last too long. Do you know you're in a fake hive with fake walls? Our queen was moved here. We had no choice. This is your queen? That's a man in women's clothes! That's a drag queen! What is this? Oh, no! There's hundreds of them! Bee honey. Our honey is being brazenly stolen on a massive scale! This is worse than anything bears have done! I intend to do something. Oh, Barry, stop. Who told you humans are taking our honey? That's a rumor. Do these look like rumors? That's a conspiracy theory. These are obviously doctored photos. How did you get mixed up in this? He's been talking to humans. - What? - Talking to humans?! He has a human girlfriend. And they make out! Make out? Barry! We do not. - You wish you could. - Whose side are you on? The bees! I dated a cricket once in San Antonio. Those crazy legs kept me up all night. Barry, this is what you want to do with your life? I want to do it for all our lives. Nobody works harder than bees! Dad, I remember you coming home so overworked your hands were still stirring. You couldn't stop. I remember that. What right do they have to our honey? We live on two cups a year. They put it in lip balm for no reason whatsoever! Even if it's true, what can one bee do? Sting them where it really hurts. In the face! The eye! - That would hurt. - No. Up the nose? That's a killer. There's only one place you can sting the humans, one place where it matters. Hive at Five, the hive's only full-hour action news source. No more bee beards! With Bob Bumble at the anchor desk. Weather with Storm Stinger. Sports with Buzz Larvi. And Jeanette Ohung. - Good evening. I'm Bob Bumble. - And I'm Jeanette Ohung. A tri-county bee, Barry Benson, intends to sue the human race for stealing our honey, packaging it and profiting from it illegally! Tomorrow night on Bee Larry King, we'll have three former queens here in our studio, discussing their new book, Olassy Ladies, out this week on Hexagon. Tonight we're talking to Barry Benson. Did you ever think, "I'm a kid from the hive. I can't do this"? Bees have never been afraid to change the world. What about Bee Oolumbus? Bee Gandhi? Bejesus? Where I'm from, we'd never sue humans. We were thinking of stickball or candy stores. How old are you? The bee community is supporting you in this case, which will be the trial of the bee century. You know, they have a Larry King in the human world too. It's a common name. Next week... He looks like you and has a show and suspenders and colored dots... Next week... Glasses, quotes on the bottom from the guest even though you just heard 'em. Bear Week next week! They're scary, hairy and here live. Always leans forward, pointy shoulders, squinty eyes, very Jewish. In tennis, you attack at the point of weakness! It was my grandmother, Ken. She's 81. Honey, her backhand's a joke! I'm not gonna take advantage of that? Quiet, please. Actual work going on here. - Is that that same bee? - Yes, it is! I'm helping him sue the human race. - Hello. - Hello, bee. This is Ken. Yeah, I remember you. Timberland, size ten and a half. Vibram sole, I believe. Why does he talk again? Listen, you better go 'cause we're really busy working. But it's our yogurt night! Bye-bye. Why is yogurt night so difficult?! You poor thing. You two have been at this for hours! Yes, and Adam here has been a huge help. - Frosting... - How many sugars? Just one. I try not to use the competition. So why are you helping me? Bees have good qualities. And it takes my mind off the shop. Instead of flowers, people are giving balloon bouquets now. Those are great, if you're three. And artificial flowers. - Oh, those just get me psychotic! - Yeah, me too. Bent stingers, pointless pollination. Bees must hate those fake things! Nothing worse than a daffodil that's had work done. Maybe this could make up for it a little bit. - This lawsuit's a pretty big deal. - I guess. You sure you want to go through with it? Am I sure? When I'm done with the humans, they won't be able to say, "Honey, I'm home," without paying a royalty! It's an incredible scene here in downtown Manhattan, where the world anxiously waits, because for the first time in history, we will hear for ourselves if a honeybee can actually speak. What have we gotten into here, Barry? It's pretty big, isn't it? I can't believe how many humans don't work during the day. You think billion-dollar multinational food companies have good lawyers? Everybody needs to stay behind the barricade. - What's the matter? - I don't know, I just got a chill. Well, if it isn't the bee team. You boys work on this? All rise! The Honorable Judge Bumbleton presiding. All right. Oase number 4475, Superior Oourt of New York, Barry Bee Benson v. the Honey Industry is now in session. Mr. Montgomery, you're representing the five food companies collectively? A privilege. Mr. Benson... you're representing all the bees of the world? I'm kidding. Yes, Your Honor, we're ready to proceed. Mr. Montgomery, your opening statement, please. Ladies and gentlemen of the jury, my grandmother was a simple woman. Born on a farm, she believed it was man's divine right to benefit from the bounty of nature God put before us. If we lived in the topsy-turvy world Mr. Benson imagines, just think of what would it mean. I would have to negotiate with the silkworm for the elastic in my britches! Talking bee! How do we know this isn't some sort of holographic motion-picture-capture Hollywood wizardry? They could be using laser beams! Robotics! Ventriloquism! Oloning! For all we know, he could be on steroids! Mr. Benson? Ladies and gentlemen, there's no trickery here. I'm just an ordinary bee. Honey's pretty important to me. It's important to all bees. We invented it! We make it. And we protect it with our lives. Unfortunately, there are some people in this room who think they can take it from us 'cause we're the little guys! I'm hoping that, after this is all over, you'll see how, by taking our honey, you not only take everything we have but everything we are! I wish he'd dress like that all the time. So nice! Oall your first witness. So, Mr. Klauss Vanderhayden of Honey Farms, big company you have. I suppose so. I see you also own Honeyburton and Honron! Yes, they provide beekeepers for our farms. Beekeeper. I find that to be a very disturbing term. I don't imagine you employ any bee-free-ers, do you? - No. - I couldn't hear you. - No. - No. Because you don't free bees. You keep bees. Not only that, it seems you thought a bear would be an appropriate image for a jar of honey. They're very lovable creatures. Yogi Bear, Fozzie Bear, Build-A-Bear. You mean like this? Bears kill bees! How'd you like his head crashing through your living room?! Biting into your couch! Spitting out your throw pillows! OK, that's enough. Take him away. So, Mr. Sting, thank you for being here. Your name intrigues me. - Where have I heard it before? - I was with a band called The Police. But you've never been a police officer, have you? No, I haven't. No, you haven't. And so here we have yet another example of bee culture casually stolen by a human for nothing more than a prance-about stage name. Oh, please. Have you ever been stung, Mr. Sting? Because I'm feeling a little stung, Sting. Or should I say... Mr. Gordon M. Sumner! That's not his real name?! You idiots! Mr. Liotta, first, belated congratulations on your Emmy win for a guest spot on ER in 2005. Thank you. Thank you. I see from your resume that you're devilishly handsome with a churning inner turmoil that's ready to blow. I enjoy what I do. Is that a crime? Not yet it isn't. But is this what it's come to for you? Exploiting tiny, helpless bees so you don't have to rehearse your part and learn your lines, sir? Watch it, Benson! I could blow right now! This isn't a goodfella. This is a badfella! Why doesn't someone just step on this creep, and we can all go home?! - Order in this court! - You're all thinking it! Order! Order, I say! - Say it! - Mr. Liotta, please sit down! I think it was awfully nice of that bear to pitch in like that. I think the jury's on our side. Are we doing everything right, legally? I'm a florist. Right. Well, here's to a great team. To a great team! Well, hello. - Ken! - Hello. I didn't think you were coming. No, I was just late. I tried to call, but... the battery. I didn't want all this to go to waste, so I called Barry. Luckily, he was free. Oh, that was lucky. There's a little left. I could heat it up. Yeah, heat it up, sure, whatever. So I hear you're quite a tennis player. I'm not much for the game myself. The ball's a little grabby. That's where I usually sit. Right... there. Ken, Barry was looking at your resume, and he agreed with me that eating with chopsticks isn't really a special skill. You think I don't see what you're doing? I know how hard it is to find the rightjob. We have that in common. Do we? Bees have 100 percent employment, but we do jobs like taking the crud out. That's just what I was thinking about doing. Ken, I let Barry borrow your razor for his fuzz. I hope that was all right. I'm going to drain the old stinger. Yeah, you do that. Look at that. You know, I've just about had it with your little mind games. - What's that? - Italian Vogue. Mamma mia, that's a lot of pages. A lot of ads. Remember what Van said, why is your life more valuable than mine? Funny, I just can't seem to recall that! I think something stinks in here! I love the smell of flowers. How do you like the smell of flames?! Not as much. Water bug! Not taking sides! Ken, I'm wearing a Ohapstick hat! This is pathetic! I've got issues! Well, well, well, a royal flush! - You're bluffing. - Am I? Surf's up, dude! Poo water! That bowl is gnarly. Except for those dirty yellow rings! Kenneth! What are you doing?! You know, I don't even like honey! I don't eat it! We need to talk! He's just a little bee! And he happens to be the nicest bee I've met in a long time! Long time? What are you talking about?! Are there other bugs in your life? No, but there are other things bugging me in life. And you're one of them! Fine! Talking bees, no yogurt night... My nerves are fried from riding on this emotional roller coaster! Goodbye, Ken. And for your information, I prefer sugar-free, artificial sweeteners made by man! I'm sorry about all that. I know it's got an aftertaste! I like it! I always felt there was some kind of barrier between Ken and me. I couldn't overcome it. Oh, well. Are you OK for the trial? I believe Mr. Montgomery is about out of ideas. We would like to call Mr. Barry Benson Bee to the stand. Good idea! You can really see why he's considered one of the best lawyers... Yeah. Layton, you've gotta weave some magic with this jury, or it's gonna be all over. Don't worry. The only thing I have to do to turn this jury around is to remind them of what they don't like about bees. - You got the tweezers? - Are you allergic? Only to losing, son. Only to losing. Mr. Benson Bee, I'll ask you what I think we'd all like to know. What exactly is your relationship to that woman? We're friends. - Good friends? - Yes. How good? Do you live together? Wait a minute... Are you her little... ...bedbug? I've seen a bee documentary or two. From what I understand, doesn't your queen give birth to all the bee children? - Yeah, but... - So those aren't your real parents! - Oh, Barry... - Yes, they are! Hold me back! You're an illegitimate bee, aren't you, Benson? He's denouncing bees! Don't y'all date your cousins? - Objection! - I'm going to pincushion this guy! Adam, don't! It's what he wants! Oh, I'm hit!! Oh, lordy, I am hit! Order! Order! The venom! The venom is coursing through my veins! I have been felled by a winged beast of destruction! You see? You can't treat them like equals! They're striped savages! Stinging's the only thing they know! It's their way! - Adam, stay with me. - I can't feel my legs. What angel of mercy will come forward to suck the poison from my heaving buttocks? I will have order in this court. Order! Order, please! The case of the honeybees versus the human race took a pointed turn against the bees yesterday when one of their legal team stung Layton T. Montgomery. - Hey, buddy. - Hey. - Is there much pain? - Yeah. I... I blew the whole case, didn't I? It doesn't matter. What matters is you're alive. You could have died. I'd be better off dead. Look at me. They got it from the cafeteria downstairs, in a tuna sandwich. Look, there's a little celery still on it. What was it like to sting someone? I can't explain it. It was all... All adrenaline and then... and then ecstasy! All right. You think it was all a trap? Of course. I'm sorry. I flew us right into this. What were we thinking? Look at us. We're just a couple of bugs in this world. What will the humans do to us if they win? I don't know. I hear they put the roaches in motels. That doesn't sound so bad. Adam, they check in, but they don't check out! Oh, my. Oould you get a nurse to close that window? - Why? - The smoke. Bees don't smoke. Right. Bees don't smoke. Bees don't smoke! But some bees are smoking. That's it! That's our case! It is? It's not over? Get dressed. I've gotta go somewhere. Get back to the court and stall. Stall any way you can. And assuming you've done step correctly, you're ready for the tub. Mr. Flayman. Yes? Yes, Your Honor! Where is the rest of your team? Well, Your Honor, it's interesting. Bees are trained to fly haphazardly, and as a result, we don't make very good time. I actually heard a funny story about... Your Honor, haven't these ridiculous bugs taken up enough of this court's valuable time? How much longer will we allow these absurd shenanigans to go on? They have presented no compelling evidence to support their charges against my clients, who run legitimate businesses. I move for a complete dismissal of this entire case! Mr. Flayman, I'm afraid I'm going to have to consider Mr. Montgomery's motion. But you can't! We have a terrific case. Where is your proof? Where is the evidence? Show me the smoking gun! Hold it, Your Honor! You want a smoking gun? Here is your smoking gun. What is that? It's a bee smoker! What, this? This harmless little contraption? This couldn't hurt a fly, let alone a bee. Look at what has happened to bees who have never been asked, "Smoking or non?" Is this what nature intended for us? To be forcibly addicted to smoke machines and man-made wooden slat work camps? Living out our lives as honey slaves to the white man? - What are we gonna do? - He's playing the species card. Ladies and gentlemen, please, free these bees! Free the bees! Free the bees! Free the bees! Free the bees! Free the bees! The court finds in favor of the bees! Vanessa, we won! I knew you could do it! High-five! Sorry. I'm OK! You know what this means? All the honey will finally belong to the bees. Now we won't have to work so hard all the time. This is an unholy perversion of the balance of nature, Benson. You'll regret this. Barry, how much honey is out there? All right. One at a time. Barry, who are you wearing? My sweater is Ralph Lauren, and I have no pants. - What if Montgomery's right? - What do you mean? We've been living the bee way a long time, 27 million years. Oongratulations on your victory. What will you demand as a settlement? First, we'll demand a complete shutdown of all bee work camps. Then we want back the honey that was ours to begin with, every last drop. We demand an end to the glorification of the bear as anything more than a filthy, smelly, bad-breath stink machine. We're all aware of what they do in the woods. Wait for my signal. Take him out. He'll have nauseous for a few hours, then he'll be fine. And we will no longer tolerate bee-negative nicknames... But it's just a prance-about stage name! ...unnecessary inclusion of honey in bogus health products and la-dee-da human tea-time snack garnishments. Oan't breathe. Bring it in, boys! Hold it right there! Good. Tap it. Mr. Buzzwell, we just passed three cups, and there's gallons more coming! - I think we need to shut down! - Shut down? We've never shut down. Shut down honey production! Stop making honey! Turn your key, sir! What do we do now? Oannonball! We're shutting honey production! Mission abort. Aborting pollination and nectar detail. Returning to base. Adam, you wouldn't believe how much honey was out there. Oh, yeah? What's going on? Where is everybody? - Are they out celebrating? - They're home. They don't know what to do. Laying out, sleeping in. I heard your Uncle Oarl was on his way to San Antonio with a cricket. At least we got our honey back. Sometimes I think, so what if humans liked our honey? Who wouldn't? It's the greatest thing in the world! I was excited to be part of making it. This was my new desk. This was my new job. I wanted to do it really well. And now... Now I can't. I don't understand why they're not happy. I thought their lives would be better! They're doing nothing. It's amazing. Honey really changes people. You don't have any idea what's going on, do you? - What did you want to show me? - This. What happened here? That is not the half of it. Oh, no. Oh, my. They're all wilting. Doesn't look very good, does it? No. And

Yeah? Can you turn down the music. What? Can you turn down the music! I'm trying to get some sleep here! Turn down the music? How's that! How's that. Is that much better? Turn down your damn music, or I'll come over there and turn it down myself! All right, sucker. You come down here, we can dance. Hello? Hello? Bitch! When I don't get enough sleep, I get irritable. And you don't want to make me - 'Calling VAGAN' Wait! Who are you? Just a bean trying to get some sleep. Wait, wait, wait, wait, wait! You came here just to make us turn off the music? If you were listening on the phone, I said I would come here to turn it off myself. What! Are you insane?! Do you know what you just got yourself into? Do you know who I am! Do you know who my uncle is?! Yes. I do. Detective Cromwell. Good morning. Yeah. Something tells me there's nothing good about this morning. What do we got here? Multiple gunshots were reported coming from this warehouse. I was the first one to answer the call. Multiple gunshots, huh. You do know whose warehouse this is. Yes, sir. Have you gone inside yet? No, sir. I wanted to wait for backup. Well. It's here. My God. What a massacre. There's got to be a dozen, at least a dozen dead beans here. I guess I don't need this anymore. These were all Cappuccino's beans. Mm-hmm. It must have been some kind of gang war. No. This is no gang war. Cappuccino's beans might be dumb, but they know how to use a gun. There would have been other dead beans here, not just them. This something else. Well. One thing's for sure. We won't need that search warrant we were trying to get, huh. Heh. Yeah. I could live with this. Detective Cromwell. I found something here. 'This bullet casing is the property of Killer Bean' Killer Bean 'The bullet is meant for someone else' Hmm. What do you make of this? This guy's got balls. That's for sure. We got company! Let's go! Stop! Stop right there! This is the police! Hold it right there! Bad idea. Get out of the car! Get your hands where I can see them! Easy... Easy... Oh please, officer. Don't hurt me. Watch it. Vagan. I should have known I'd find you here, Detective Cromwell. What are you doing here, Vagan? Well, obviously something happened in my warehouse. I mean, can't a bean protect his own property anymore? Don't you mean, Cappuccino's property? You know, your obsession with Cappuccino has become quite amusing. Always trying to link everything back to Cappuccino. Why don't you tell it to the court. You're under arrest. Arrest? For what? A traffic violation? What about this? Looking for some action here? If I were looking for some action, you wouldn't be standing before me as you do right now. Yeah? That's cause I'd be shooting you with this! Are you kids done yet? I say we take him in and book him right now. You know my lawyers will have me out even before you get me to the police station. The time is not worth your effort, now is it Cromwell. Let him go. What?! I said let him go. Uh, my gun please. Nice... You know, Vagan, you're right. You're not worth my time. However, investigating the multiple homicides in your warehouse is. And whatever else we find in your warehouse, is just icing on the cake. You're free to go. And by the way, your car's parked illegally. You better get it out of here before we tow it. Oh, and Vagan. Here. It looks like I'm not the only one after your boss. ...possible suspects. Rumors have surfaced saying that there is a vigilante bean in town... What the hell is going on out there?! Ah. Looks like I got someone's attention. Who's this? Great. Playtime's over. 'Encrypted Call' 'Decoding' 'Secure Connection' This is Killer Bean. Killer Bean. What the hell are you doing? You think this is a game? What were you thinking last night? I had a rough night last night. We know what kind of night you had. Might I remind you what your mission is. You were given specific orders to hunt down and eliminate the target. No one else! Drawing this kind of attention to yourself is dangerous for us, and especially for you. What's the big deal? I killed a bunch of gangsters. I'm sure the Beantown police are a lot happier without them. You didn't do anyone a favor with that mess you created last night. And you are not working for the Beantown police. You are working for us! I'll still get the job done. I'll get him. We're running out of time. He has to know you're coming by now. Remember who he is. Yeah. I know what the mission is. Then stick to it! Don't be so reckless, Killer Bean. I'll call you when I got him! Reckless! Pff! Reckless my brown bean ass! 'Decoding' 'Secure Connection' Yes? Jet Bean, you have been activated for an urgent mission in Beantown. Beantown? I'm a long way from Beantown. It would be best to assign someone else. This mission is highly sensitive. You are the most capable for the job. It figures. Fine. I'll do it. Good. We'll contact you with the details as soon as you reach the shore. See you in Beantown. They better have some good food in Beantown. Wait. Are you leaving? Yes. How long will you go for? A long time. Oh... I have something I want to give to you. Oh... You shouldn't have. Here! It's the bill! You haven't paid in three months! I'm leaving now. I will pay when I get back. Hey! You get back here pay now! Tsingtao! Get out here! He say your food tastes like ass crack. What?! Make bean curd out of him! I said I'll pay when I get back! Oh. It's okay. It's on the house. You don't have to come back! Please! Looking at the figures from our previous fiscal year. Narcotic sales have dropped 57 percent. 57 percent! That's more than half! Now, compare this to the 300 percent growth from our weapons department. But you guys... You guys are not from my weapons department, are you. No... You guys are from my narcotics department, okay?! So what do I have to do, huh? How can I get through to you guys?! Dude. I have such a hangover. Yeah bean, that was a kick-ass party last night, right? Yeah. Too bad we didn't stay for the whole thing. I bet they had some fun. Woot! Woot! You see, it's easy when you think about it. Crime is on the rise, okay. So more guns sell, because criminals use guns. Hello!! They also use drugs! So more drugs should sell, right? What's the problem here? Now, you guys. Someone give me a reasonable explanation, okay? Why are narcotic sales performing so poorly? It's all those anti-drug commercials on TV. You never see any anti-gun commercials. It's not fair. It has become quite apparent to me, that some of you do not value your job. Now... That is quite odd, if you ask me. Especially in today's economy. But I am forced to say... It is time... To lay off! A few beans!! Ooohhh!!! Uh, wait. I have a question. Yes. Will I be eligible for unemployment? Hmm. Let me check with the finance department on that, okay? My social security number is... 3, 4, 6... Oh boy. Is my batting average going to go up after this. Ahem- Hang on, let me just finish this level. Cappuccino! Ah. Vagan. I'm glad you're here. Maybe you can teach these beans something about business, since you've handled my weapons department so well. That bean is nothing but a kiss-ass brown-noser. What does he know that we don't know? But he's making millions of dollars selling weapons. If you ask me, He's doing something illegal. Oh, it's great to see you, Vagan. But you'll have to excuse me. I'm in an important meeting right now. This is more important. It's about the warehouse on Baker Street. Oh that. It's okay. I know. You know? Yeah. My nephew was having a party of there last night, okay? No, it's not about the party. Well. It is. There was a hit on the warehouse. Everyone is dead. Who did this. I have reason to believe that it was done by a bean named, Killer Bean. Killer Bean... One bean? This is no ordinary bean. I've heard of him before. I know what he can do. Who the hell is he? Who sent him? Is it the Colombians? Is it the French trying to roast me? It has to be one of your competitors. Who ever it is, I want you to find him. I want you to find him, and destroy him! Oh, believe me I will try. But first, we have Killer Bean to deal with. He's somewhere out there, and he's coming after you. All right. We need to consolidate all of our warehouses. There's too many targets for him to attack. Move all our inventory to the central warehouse on Main Street. I want you to protect that place. What about Killer Bean? What do you want me to do? Oh nothing. Just send him a box of chocolates, and tell him thanks for the memories. You idiot! What do you think you should do? Kill him. Any way you can, by any means. Put him in the ground! I'll need more beans. Professional beans. Put it on my credit card, okay. Just do it! Yes, sir. Vagan. Make sure you find out who sent him. There will be hell to pay. Hello. Hey, Harry. It's Detective Cromwell. Hey, Cromwell. Hey did you get the package I sent you? Yeah, it's pretty wild stuff. Our crime lab is getting nowhere with this. What do you make of it? Well, the easy ones the tire tread sample. I tested the residue you sent, and the tires are made from silicon steel fiber alloy. It's only used on high-performance cars. It's not unique, but it's hard to come by. Hmm... What about the gold bullets? Now that. In my 15 years with Special Forces, I've never seen gold used in any weapon. But for practical purposes gold is a very soft metal. So the bullets expand and deform on high impact. They make little holes on the way in and big holes on the way out. And they are much harder to match the ballistic signatures. That makes them relatively untraceable. Yeah, that doesn't make sense if the bullet casings have his name on it. And he left those everywhere. Yeah. Killer Bean. Yeah, I don't get that. He must be one sick bean, like he wanted to be found out. Yeah, or he's bragging. Or just plain careless. This Killer Bean has to be working for someone to get that kind of financial backing. You think he's a gun for hire? Or he could be a vigilante. That's the word on the street. Either way, one thing's for sure. He has his eyes set on Cappuccino. Heh, well then you both have something in common. Yeah. If that's true, I have a hunch where this Killer Bean will show up next. Hey, I gotta go. See you, Harry. Later. 'Suspected Cappuccino's Warehouses' Dramatic entrance... Dramatic entrance... Well, that pretty much frees up my day. Time for some breakfast. 'Shadow Bean, you are too late.' Howdy. What will it be? Tequila and tonic. And, uh. Turn up the TV. Detective Cromwell, concerning possible suspects, rumors have surfaced that there is a vigilante bean in town, who is hunting down Cappuccino. There is no evidence for your vigilante theory. As far as I'm concerned, the suspect or suspects involved in these homicides are no friends of the police. We will do what is necessary to bring them to justice. Thank you. I don't think so. I'll have another. And you can turn that crap off now. What can I get you? I'll have what he's having. This is a rough part of town. Do you always sit with your back to the entrance? Doesn't matter who comes in. Isn't it against police regulation to be drinking during the day? I'm a detective. Our regulations are a little different. How'd you know I was with the police? You know, you're much uglier in person. Heh. My name is Detective Cromwell. And you are? Jack. Well, Jack... I guess you heard what happened this morning over at the warehouse on Baker Street. Yeah, I know about that. Really. Tell me what you know. Why don't we cut to the chase. Why don't you tell me what you know. Oh, I know a lot. I know the Baker Street warehouse is owned by Cappuccino. I know someone killed 12 beans in that warehouse last night. I know the killer drove a fancy car, and has fancy guns. I know that the warehouse across the street with the big hole in the window also belongs to Cappuccino. I see this fancy car parked in front, and well, you don't look like you walked here. So my guess is... This, belongs to you. Well it looks like you figured it all out. Good job. Another! It was easy. You were just reckless. The way I see it, you're the one who's being reckless. You come out here looking for me by yourself. You didn't bring anyone to back you up. That's reckless. Here's my backup. That's a nice gun. Wanna see mine! How can I see it, if you have it against the side of my head? Not bad. But mine's bigger. You do the math. Why are you after Cappuccino? That's for me to know, and you not to know. Well, I know I can't have a crazy vigilante running around shooting up beans. But you're no vigilante, are you. Seems like there are beans who've invested in you, And I'm sure they're not happy with the press you're getting. This is where I can help you. I don't need help. Well, you see. I'm bound by the law. I've been working this Cappuccino case for over three years. Every time we think we have something on him, his lawyers get in the way and get him out. I wish I was like you. I wish I could just walk up to him and shoot him. But I can't. It's too bad. Because I know where is central warehouse is. Not these abandoned warehouses, like that one out there. Why don't you pay him a visit? You got the wrong bean. I'm not just some hired gun. Who says I'm hiring you? You already have a boss, don't you? I bet he doesn't really like all that attention that you're getting from the media. I can make that go away. I control the evidence, and the evidence says it could've been some rival gang that killed all of Cappuccino's beans last night, or... It could be you. And I have a lot of evidence that says that. Are you going to take me in? I can take you down. Oh... I would enjoy that. Freeze! Get out of my bar you punks! I know how to use this! Whoa! Whoa! Whoa! Hold on! I'm a cop! Put down your gun! I don't trust any of you. You drop your guns, both of you! Sorry, grandpa. It doesn't work like that. Okay, okay. I'm going to slowly lower my gun, and I'm gonna go, alright? Alright? This will be real easy. See? This is easy. Killer Bean. Remember what I said. We can help each other. Just help yourself out the door. This is for the drinks. Mine and his. Now, you mind if I go to the bathroom before I go? Be quick. Your life depends on it. So dramatic. Sorry. It was a double flusher. But you only flushed once. Hey... Don't I know you from somewhere? Who is Shadow Bean? You're in way over your head. Who is Shadow Bean?! You don't have to yell. I'm right next to you. Answer me! Are there two of you?! You're not going to shoot me if you need the answers. Besides, I can't answer you anyway. So... I'll have to do this instead! It's a good idea for you to stay down. We'll settle this later. You're not as dumb as you look. Hello. Harry. It's Cromwell. My hunch was right. Killer Bean hit Cappuccino's warehouse on the east side. In fact, he was still here when I got here. Whoa, how did that go? Not as well as I would have liked. Hey listen. I got some new info. I found a note in front of Cappuccino's warehouse. It said, Shadow Bean, you are too late. Does that mean anything to you? Harry? You still there? I didn't know they were still in operation. Who? The Shadow Beans. Harry, what's going on? They're highly trained operatives of an organization called the Shadow Agency. Shadow Agency? What are they, a government agency? Why haven't I heard of them? I think they were a private organization. There are some things the government does that are not meant to be known. Their collaboration with the Shadow Agency was one of them. When diplomatic and military tactics failed, our government hired the Shadow Agency to eliminate national security threats. It was more cost effective than training and maintaining our own elite assassins. And the Shadow Beans were better than anything we had. Great. But why here? What are the Shadow Beans doing in Beantown? And what could they possibly want with Cappuccino? I don't know. I thought the Shadow Agency was disbanded. I know our government stopped using them nearly a decade ago. I haven't heard of them since. So do you think this Killer Bean is a Shadow Bean operative? It sounds like he's certainly good enough to be. What do you think I should do is stop him? I don't even know if you can't stop him. But you can start by putting all your cops on double duty. Right... This is the place. Dramatic entrance. Bean, I hate this job. It's so freaking boring. All we do we sit around and drink beer. Are you kidding? This is my dream job! Hey! We're not supposed to be just sitting around drinking beer. Remember what Vagan said? He said we got to move all those crates by morning. If the cops find this stuff, we are screwed. Where are we supposed to move them? I don't know. I didn't really listen to that part. Hey, give me another beer. Oh here, have mine. I shouldn't drink anymore. *sniff* *cough* I have a really bad cold. All right! Wait... is this a low carb beer? Hey, speaking of beer... Did you beans hear what happened at the party last night? Some dude went in there, and killed everyone. He even killed Cappuccino's nephew. Geez... Who was this bean that killed everyone? Is he someone I should be worried about? Nah. He's probably just some crazed lunatic, running around with lots of guns. You know, that's the problem with this country. Too many crazed lunatics with guns. Isn't that right, baby? The lunatics aren't the problem. The real problem is the guns. What this country needs is some serious gun control. I mean, we need to take away all the guns. All of them! And just get rid of them! But not my gun. Ohhh! Ow! Bean, you dropped into the wrong place. Looks like what we got here is a standoff. Not really. Over there! Take cover! Call the boss! Get some help! Hello. Vagan! We're being attacked. I think it's Killer Bean! How do you know? Well... He's killing everyone! We're sending the mercenaries. Just hold tight. Keep firing! Don't let up! Grenade!! I can see we came to the right place. You made short work of these beans. Don't expect the same fight from us. My squad has been with me through hell. I hand selected them myself from the Academy ten years ago. All of them graduated with top honors. I led these beans through three tours of duty, accumulating a total of 15 Medals of Honor, 11 Purple Hearts. Sure, we lost a few good beans... But you should see what we did to the other bloke. Well, then we went into business for ourselves. Escort detail for high-level dignitaries, Hostage extraction, corporate assassinations, preemptive surgical strikes, Or just plain search and destroy. Heck, we even robbed a few federal banks with business with slow. So... So this little shindig we got here... Oh, it's nothing. It's just a walk in the park. Are you going to say something or what? Huh? Oh, I'm sorry. I must have totally zoned out on you. Whoa, my eyes are starting to water. Whoo! Sorry. Let's make one thing clear. Last night was a party. Tonight, I get to work! Decaffeinated. Oh well. It was worth a try. This is not a good idea. We should kill him now. Patience, Vagan. I need answers. I need answers from him. He's awake. So. This is the great Killer Bean. Yeah. You attack my warehouses. You kill my beans. What do you want from me?! My guns would be nice. Better enjoy a while it lasts, tough guy. Tough words from a bean who is helpless. Ohhh... No, you did not!

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tooltipped-n" aria-label="You must be signed in to make or propose changes"> <span class="octicon octicon-trashcan"></span> </button> </div> <div class="file-info"> 3 lines (2 sloc) <span class="file-info-divider"></span> 0.069 kB </div> </div> <div class="blob-wrapper data type-lua"> <table class="highlight tab-size js-file-line-container" data-tab-size="8"> <tr> <td id="L1" class="blob-num js-line-number" data-line-number="1"></td> <td id="LC1" class="blob-code blob-code-inner js-file-line"><span class="pl-c1">require</span>(<span class="pl-s"><span class="pl-pds">&#39;</span>CloudBot<span class="pl-pds">&#39;</span></span>)</td> </tr> <tr> <td id="L2" class="blob-num js-line-number" data-line-number="2"></td> <td id="LC2" class="blob-code blob-code-inner js-file-line"><span class="pl-c">-- Make sure you require jinx in testscript1.lua</span></td> </tr> </table> </div> </div> <a href="#jump-to-line" rel="facebox[.linejump]" data-hotkey="l" style="display:none">Jump to Line</a> <div 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What is Java? Java is a popular programming language, created in 1995. It is owned by Oracle, and more than 3 billion devices run Java. It is used for: Mobile applications (specially Android apps) Desktop applications Web applications Web servers and application servers Games Database connection And much, much more! Why Use Java? Java works on different platforms (Windows, Mac, Linux, Raspberry Pi, etc.) It is one of the most popular programming language in the world It is easy to learn and simple to use It is open-source and free It is secure, fast and powerful It has a huge community support (tens of millions of developers) Java is an object oriented language which gives a clear structure to programs and allows code to be reused, lowering development costs As Java is close to C++ and C#, it makes it easy for programmers to switch to Java or vice versa Setup for Windows To install Java on Windows: Go to "System Properties" (Can be found on Control Panel > System and Security > System > Advanced System Settings) Click on the "Environment variables" button under the "Advanced" tab Then, select the "Path" variable in System variables and click on the "Edit" button Click on the "New" button and add the path where Java is installed, followed by \bin. By default, Java is installed in C:\Program Files\Java\jdk-11.0.1 (If nothing else was specified when you installed it). In that case, You will have to add a new path with: C:\Program Files\Java\jdk-11.0.1\bin Then, click "OK", and save the settings At last, open Command Prompt (cmd.exe) and type java -version to see if Java is running on your machine Keyword Description abstract A non-access modifier. Used for classes and methods: An abstract class cannot be used to create objects (to access it, it must be inherited from another class). An abstract method can only be used in an abstract class, and it does not have a body. The body is provided by the subclass (inherited from) assert For debugging boolean A data type that can only store true and false values break Breaks out of a loop or a switch block byte A data type that can store whole numbers from -128 and 127 case Marks a block of code in switch statements catch Catches exceptions generated by try statements char A data type that is used to store a single character class Defines a class continue Continues to the next iteration of a loop const Defines a constant. Not in use - use final instead default Specifies the default block of code in a switch statement do Used together with while to create a do-while loop double A data type that can store whole numbers from 1.7e−308 to 1.7e+308 else Used in conditional statements enum Declares an enumerated (unchangeable) type exports Exports a package with a module. New in Java 9 extends Extends a class (indicates that a class is inherited from another class) final A non-access modifier used for classes, attributes and methods, which makes them non-changeable (impossible to inherit or override) finally Used with exceptions, a block of code that will be executed no matter if there is an exception or not float A data type that can store whole numbers from 3.4e−038 to 3.4e+038 for Create a for loop goto Not in use, and has no function if Makes a conditional statement implements Implements an interface import Used to import a package, class or interface instanceof Checks whether an object is an instance of a specific class or an interface int A data type that can store whole numbers from -2147483648 to 2147483647 interface Used to declare a special type of class that only contains abstract methods long A data type that can store whole numbers from -9223372036854775808 to 9223372036854775808 module Declares a module. New in Java 9 native Specifies that a method is not implemented in the same Java source file (but in another language) new Creates new objects package Declares a package private An access modifier used for attributes, methods and constructors, making them only accessible within the declared class protected An access modifier used for attributes, methods and constructors, making them accessible in the same package and subclasses public An access modifier used for classes, attributes, methods and constructors, making them accessible by any other class requires Specifies required libraries inside a module. New in Java 9 return Finished the execution of a method, and can be used to return a value from a method short A data type that can store whole numbers from -32768 to 32767 static A non-access modifier used for methods and attributes. Static methods/attributes can be accessed without creating an object of a class strictfp Restrict the precision and rounding of floating point calculations super Refers to superclass (parent) objects switch Selects one of many code blocks to be executed synchronized A non-access modifier, which specifies that methods can only be accessed by one thread at a time this Refers to the current object in a method or constructor throw Creates a custom error throws Indicates what exceptions may be thrown by a method transient A non-accesss modifier, which specifies that an attribute is not part of an object's persistent state try Creates a try...catch statement var Declares a variable. New in Java 10 void Specifies that a method should not have a return value volatile Indicates that an attribute is not cached thread-locally, and is always read from the "main memory" while Creates a while loop Method Description Return Type charAt() Returns the character at the specified index (position) char codePointAt() Returns the Unicode of the character at the specified index int codePointBefore() Returns the Unicode of the character before the specified index int codePointCount() Returns the Unicode in the specified text range of this String int compareTo() Compares two strings lexicographically int compareToIgnoreCase() Compares two strings lexicographically, ignoring case differences int concat() Appends a string to the end of another string String contains() Checks whether a string contains a sequence of characters boolean contentEquals() Checks whether a string contains the exact same sequence of characters of the specified CharSequence or StringBuffer boolean copyValueOf() Returns a String that represents the characters of the character array String endsWith() Checks whether a string ends with the specified character(s) boolean equals() Compares two strings. Returns true if the strings are equal, and false if not boolean equalsIgnoreCase() Compares two strings, ignoring case considerations boolean format() Returns a formatted string using the specified locale, format string, and arguments String getBytes() Encodes this String into a sequence of bytes using the named charset, storing the result into a new byte array byte[] getChars() Copies characters from a string to an array of chars void hashCode() Returns the hash code of a string int indexOf() Returns the position of the first found occurrence of specified characters in a string int intern() Returns the index within this string of the first occurrence of the specified character, starting the search at the specified index String isEmpty() Checks whether a string is empty or not boolean lastIndexOf() Returns the position of the last found occurrence of specified characters in a string int length() Returns the length of a specified string int matches() Searches a string for a match against a regular expression, and returns the matches boolean offsetByCodePoints() Returns the index within this String that is offset from the given index by codePointOffset code points int regionMatches() Tests if two string regions are equal boolean replace() Searches a string for a specified value, and returns a new string where the specified values are replaced String replaceFirst() Replaces the first occurrence of a substring that matches the given regular expression with the given replacement String replaceAll() Replaces each substring of this string that matches the given regular expression with the given replacement String split() Splits a string into an array of substrings String[] startsWith() Checks whether a string starts with specified characters boolean subSequence() Returns a new character sequence that is a subsequence of this sequence CharSequence substring() Extracts the characters from a string, beginning at a specified start position, and through the specified number of character String toCharArray() Converts this string to a new character array char[] toLowerCase() Converts a string to lower case letters String toString() Returns the value of a String object String toUpperCase() Converts a string to upper case letters String trim() Removes whitespace from both ends of a string String valueOf() Returns the primitive value of a String object String Method Description Return Type abs(x) Returns the absolute value of x double|float|int|long acos(x) Returns the arccosine of x, in radians double asin(x) Returns the arcsine of x, in radians double atan(x) Returns the arctangent of x as a numeric value between -PI/2 and PI/2 radians double atan2(y,x) Returns the angle theta from the conversion of rectangular coordinates (x, y) to polar coordinates (r, theta). double cbrt(x) Returns the cube root of x double ceil(x) Returns the value of x rounded up to its nearest integer double copySign(x, y) Returns the first floating point x with the sign of the second floating point y double cos(x) Returns the cosine of x (x is in radians) double cosh(x) Returns the hyperbolic cosine of a double value double exp(x) Returns the value of Ex double expm1(x) Returns ex -1 double floor(x) Returns the value of x rounded down to its nearest integer double getExponent(x) Returns the unbiased exponent used in x int hypot(x, y) Returns sqrt(x2 +y2) without intermediate overflow or underflow double IEEEremainder(x, y) Computes the remainder operation on x and y as prescribed by the IEEE 754 standard double log(x) Returns the natural logarithm (base E) of x double log10(x) Returns the base 10 logarithm of x double log1p(x) Returns the natural logarithm (base E) of the sum of x and 1 double max(x, y) Returns the number with the highest value double|float|int|long min(x, y) Returns the number with the lowest value double|float|int|long nextAfter(x, y) Returns the floating point number adjacent to x in the direction of y double|float nextUp(x) Returns the floating point value adjacent to x in the direction of positive infinity double|float pow(x, y) Returns the value of x to the power of y double random() Returns a random number between 0 and 1 double round(x) Returns the value of x rounded to its nearest integer int rint() Returns the double value that is closest to x and equal to a mathematical integer double signum(x) Returns the sign of x double sin(x) Returns the sine of x (x is in radians) double sinh(x) Returns the hyperbolic sine of a double value double sqrt(x) Returns the square root of x double tan(x) Returns the tangent of an angle double tanh(x) Returns the hyperbolic tangent of a double value double toDegrees(x) Converts an angle measured in radians to an approx. equivalent angle measured in degrees double toRadians(x) Converts an angle measured in degrees to an approx. angle measured in radians double ulp(x) Returns the size of the unit of least precision (ulp) of x double|float

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Each contributor grants you a non-exclusive, worldwide, royalty-free patent license under the contributor's essential patent claims, to make, use, sell, offer for sale, import and otherwise run, modify and propagate the contents of its contributor version. In the following three paragraphs, a "patent license" is any express agreement or commitment, however denominated, not to enforce a patent (such as an express permission to practice a patent or covenant not to sue for patent infringement). To "grant" such a patent license to a party means to make such an agreement or commitment not to enforce a patent against the party. If you convey a covered work, knowingly relying on a patent license, and the Corresponding Source of the work is not available for anyone to copy, free of charge and under the terms of this License, through a publicly available network server or other readily accessible means, then you must either (1) cause the Corresponding Source to be so available, or (2) arrange to deprive yourself of the benefit of the patent license for this particular work, or (3) arrange, in a manner consistent with the requirements of this License, to extend the patent license to downstream recipients. "Knowingly relying" means you have actual knowledge that, but for the patent license, your conveying the covered work in a country, or your recipient's use of the covered work in a country, would infringe one or more identifiable patents in that country that you have reason to believe are valid. If, pursuant to or in connection with a single transaction or arrangement, you convey, or propagate by procuring conveyance of, a covered work, and grant a patent license to some of the parties receiving the covered work authorizing them to use, propagate, modify or convey a specific copy of the covered work, then the patent license you grant is automatically extended to all recipients of the covered work and works based on it. A patent license is "discriminatory" if it does not include within the scope of its coverage, prohibits the exercise of, or is conditioned on the non-exercise of one or more of the rights that are specifically granted under this License. You may not convey a covered work if you are a party to an arrangement with a third party that is in the business of distributing software, under which you make payment to the third party based on the extent of your activity of conveying the work, and under which the third party grants, to any of the parties who would receive the covered work from you, a discriminatory patent license (a) in connection with copies of the covered work conveyed by you (or copies made from those copies), or (b) primarily for and in connection with specific products or compilations that contain the covered work, unless you entered into that arrangement, or that patent license was granted, prior to 28 March 2007. Nothing in this License shall be construed as excluding or limiting any implied license or other defenses to infringement that may otherwise be available to you under applicable patent law. 12. No Surrender of Others' Freedom. If conditions are imposed on you (whether by court order, agreement or otherwise) that contradict the conditions of this License, they do not excuse you from the conditions of this License. If you cannot convey a covered work so as to satisfy simultaneously your obligations under this License and any other pertinent obligations, then as a consequence you may not convey it at all. For example, if you agree to terms that obligate you to collect a royalty for further conveying from those to whom you convey the Program, the only way you could satisfy both those terms and this License would be to refrain entirely from conveying the Program. 13. Use with the GNU Affero General Public License. Notwithstanding any other provision of this License, you have permission to link or combine any covered work with a work licensed under version 3 of the GNU Affero General Public License into a single combined work, and to convey the resulting work. The terms of this License will continue to apply to the part which is the covered work, but the special requirements of the GNU Affero General Public License, section 13, concerning interaction through a network will apply to the combination as such. 14. Revised Versions of this License. The Free Software Foundation may publish revised and/or new versions of the GNU General Public License from time to time. Such new versions will be similar in spirit to the present version, but may differ in detail to address new problems or concerns. Each version is given a distinguishing version number. If the Program specifies that a certain numbered version of the GNU General Public License "or any later version" applies to it, you have the option of following the terms and conditions either of that numbered version or of any later version published by the Free Software Foundation. If the Program does not specify a version number of the GNU General Public License, you may choose any version ever published by the Free Software Foundation. If the Program specifies that a proxy can decide which future versions of the GNU General Public License can be used, that proxy's public statement of acceptance of a version permanently authorizes you to choose that version for the Program. Later license versions may give you additional or different permissions. However, no additional obligations are imposed on any author or copyright holder as a result of your choosing to follow a later version. 15. Disclaimer of Warranty. THERE IS NO WARRANTY FOR THE PROGRAM, TO THE EXTENT PERMITTED BY APPLICABLE LAW. EXCEPT WHEN OTHERWISE STATED IN WRITING THE COPYRIGHT HOLDERS AND/OR OTHER PARTIES PROVIDE THE PROGRAM "AS IS" WITHOUT WARRANTY OF ANY KIND, EITHER EXPRESSED OR IMPLIED, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE. THE ENTIRE RISK AS TO THE QUALITY AND PERFORMANCE OF THE PROGRAM IS WITH YOU. SHOULD THE PROGRAM PROVE DEFECTIVE, YOU ASSUME THE COST OF ALL NECESSARY SERVICING, REPAIR OR CORRECTION. 16. Limitation of Liability. IN NO EVENT UNLESS REQUIRED BY APPLICABLE LAW OR AGREED TO IN WRITING WILL ANY COPYRIGHT HOLDER, OR ANY OTHER PARTY WHO MODIFIES AND/OR CONVEYS THE PROGRAM AS PERMITTED ABOVE, BE LIABLE TO YOU FOR DAMAGES, INCLUDING ANY GENERAL, SPECIAL, INCIDENTAL OR CONSEQUENTIAL DAMAGES ARISING OUT OF THE USE OR INABILITY TO USE THE PROGRAM (INCLUDING BUT NOT LIMITED TO LOSS OF DATA OR DATA BEING RENDERED INACCURATE OR LOSSES SUSTAINED BY YOU OR THIRD PARTIES OR A FAILURE OF THE PROGRAM TO OPERATE WITH ANY OTHER PROGRAMS), EVEN IF SUCH HOLDER OR OTHER PARTY HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES. 17. Interpretation of Sections 15 and 16. If the disclaimer of warranty and limitation of liability provided above cannot be given local legal effect according to their terms, reviewing courts shall apply local law that most closely approximates an absolute waiver of all civil liability in connection with the Program, unless a warranty or assumption of liability accompanies a copy of the Program in return for a fee. END OF TERMS AND CONDITIONS How to Apply These Terms to Your New Programs If you develop a new program, and you want it to be of the greatest possible use to the public, the best way to achieve this is to make it free software which everyone can redistribute and change under these terms. To do so, attach the following notices to the program. It is safest to attach them to the start of each source file to most effectively state the exclusion of warranty; and each file should have at least the "copyright" line and a pointer to where the full notice is found. {one line to give the program's name and a brief idea of what it does.} Copyright (C) {year} {name of author} This program is free software: you can redistribute it and/or modify it under the terms of the GNU General Public License as published by the Free Software Foundation, either version 3 of the License, or (at your option) any later version. This program is distributed in the hope that it will be useful, but WITHOUT ANY WARRANTY; without even the implied warranty of MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the GNU General Public License for more details. You should have received a copy of the GNU General Public License along with this program. If not, see <http://www.gnu.org/licenses/>. Also add information on how to contact you by electronic and paper mail. If the program does terminal interaction, make it output a short notice like this when it starts in an interactive mode: {project} Copyright (C) {year} {fullname} This program comes with ABSOLUTELY NO WARRANTY; for details type `show w'. This is free software, and you are welcome to redistribute it under certain conditions; type `show c' for details. The hypothetical commands `show w' and `show c' should show the appropriate parts of the General Public License. Of course, your program's commands might be different; for a GUI interface, you would use an "about box". You should also get your employer (if you work as a programmer) or school, if any, to sign a "copyright disclaimer" for the program, if necessary. For more information on this, and how to apply and follow the GNU GPL, see <http://www.gnu.org/licenses/>. The GNU General Public License does not permit incorporating your program into proprietary programs. If your program is a subroutine library, you may consider it more useful to permit linking proprietary applications with the library. If this is what you want to do, use the GNU Lesser General Public License instead of this License. But first, please read <http://www.gnu.org/philosophy/why-not-lgpl.html>.

GNU GENERAL PUBLIC LICENSE Version 3, 29 June 2007 Copyright (C) 2007 Free Software Foundation, Inc. <http://fsf.org/> Everyone is permitted to copy and distribute verbatim copies of this license document, but changing it is not allowed. Preamble The GNU General Public License is a free, copyleft license for software and other kinds of works. The licenses for most software and other practical works are designed to take away your freedom to share and change the works. By contrast, the GNU General Public License is intended to guarantee your freedom to share and change all versions of a program--to make sure it remains free software for all its users. We, the Free Software Foundation, use the GNU General Public License for most of our software; it applies also to any other work released this way by its authors. You can apply it to your programs, too. When we speak of free software, we are referring to freedom, not price. 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Developers that use the GNU GPL protect your rights with two steps: (1) assert copyright on the software, and (2) offer you this License giving you legal permission to copy, distribute and/or modify it. For the developers' and authors' protection, the GPL clearly explains that there is no warranty for this free software. For both users' and authors' sake, the GPL requires that modified versions be marked as changed, so that their problems will not be attributed erroneously to authors of previous versions. Some devices are designed to deny users access to install or run modified versions of the software inside them, although the manufacturer can do so. This is fundamentally incompatible with the aim of protecting users' freedom to change the software. The systematic pattern of such abuse occurs in the area of products for individuals to use, which is precisely where it is most unacceptable. Therefore, we have designed this version of the GPL to prohibit the practice for those products. 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You may convey verbatim copies of the Program's source code as you receive it, in any medium, provided that you conspicuously and appropriately publish on each copy an appropriate copyright notice; keep intact all notices stating that this License and any non-permissive terms added in accord with section 7 apply to the code; keep intact all notices of the absence of any warranty; and give all recipients a copy of this License along with the Program. You may charge any price or no price for each copy that you convey, and you may offer support or warranty protection for a fee. 5. Conveying Modified Source Versions. 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Moreover, your license from a particular copyright holder is reinstated permanently if the copyright holder notifies you of the violation by some reasonable means, this is the first time you have received notice of violation of this License (for any work) from that copyright holder, and you cure the violation prior to 30 days after your receipt of the notice. Termination of your rights under this section does not terminate the licenses of parties who have received copies or rights from you under this License. If your rights have been terminated and not permanently reinstated, you do not qualify to receive new licenses for the same material under section 10. 9. Acceptance Not Required for Having Copies. You are not required to accept this License in order to receive or run a copy of the Program. Ancillary propagation of a covered work occurring solely as a consequence of using peer-to-peer transmission to receive a copy likewise does not require acceptance. However, nothing other than this License grants you permission to propagate or modify any covered work. These actions infringe copyright if you do not accept this License. Therefore, by modifying or propagating a covered work, you indicate your acceptance of this License to do so. 10. Automatic Licensing of Downstream Recipients. Each time you convey a covered work, the recipient automatically receives a license from the original licensors, to run, modify and propagate that work, subject to this License. You are not responsible for enforcing compliance by third parties with this License. An "entity transaction" is a transaction transferring control of an organization, or substantially all assets of one, or subdividing an organization, or merging organizations. If propagation of a covered work results from an entity transaction, each party to that transaction who receives a copy of the work also receives whatever licenses to the work the party's predecessor in interest had or could give under the previous paragraph, plus a right to possession of the Corresponding Source of the work from the predecessor in interest, if the predecessor has it or can get it with reasonable efforts. You may not impose any further restrictions on the exercise of the rights granted or affirmed under this License. For example, you may not impose a license fee, royalty, or other charge for exercise of rights granted under this License, and you may not initiate litigation (including a cross-claim or counterclaim in a lawsuit) alleging that any patent claim is infringed by making, using, selling, offering for sale, or importing the Program or any portion of it. 11. Patents. A "contributor" is a copyright holder who authorizes use under this License of the Program or a work on which the Program is based. The work thus licensed is called the contributor's "contributor version". A contributor's "essential patent claims" are all patent claims owned or controlled by the contributor, whether already acquired or hereafter acquired, that would be infringed by some manner, permitted by this License, of making, using, or selling its contributor version, but do not include claims that would be infringed only as a consequence of further modification of the contributor version. For purposes of this definition, "control" includes the right to grant patent sublicenses in a manner consistent with the requirements of this License. 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If, pursuant to or in connection with a single transaction or arrangement, you convey, or propagate by procuring conveyance of, a covered work, and grant a patent license to some of the parties receiving the covered work authorizing them to use, propagate, modify or convey a specific copy of the covered work, then the patent license you grant is automatically extended to all recipients of the covered work and works based on it. A patent license is "discriminatory" if it does not include within the scope of its coverage, prohibits the exercise of, or is conditioned on the non-exercise of one or more of the rights that are specifically granted under this License. You may not convey a covered work if you are a party to an arrangement with a third party that is in the business of distributing software, under which you make payment to the third party based on the extent of your activity of conveying the work, and under which the third party grants, to any of the parties who would receive the covered work from you, a discriminatory patent license (a) in connection with copies of the covered work conveyed by you (or copies made from those copies), or (b) primarily for and in connection with specific products or compilations that contain the covered work, unless you entered into that arrangement, or that patent license was granted, prior to 28 March 2007. Nothing in this License shall be construed as excluding or limiting any implied license or other defenses to infringement that may otherwise be available to you under applicable patent law. 12. No Surrender of Others' Freedom. If conditions are imposed on you (whether by court order, agreement or otherwise) that contradict the conditions of this License, they do not excuse you from the conditions of this License. If you cannot convey a covered work so as to satisfy simultaneously your obligations under this License and any other pertinent obligations, then as a consequence you may not convey it at all. For example, if you agree to terms that obligate you to collect a royalty for further conveying from those to whom you convey the Program, the only way you could satisfy both those terms and this License would be to refrain entirely from conveying the Program. 13. Use with the GNU Affero General Public License. Notwithstanding any other provision of this License, you have permission to link or combine any covered work with a work licensed under version 3 of the GNU Affero General Public License into a single combined work, and to convey the resulting work. The terms of this License will continue to apply to the part which is the covered work, but the special requirements of the GNU Affero General Public License, section 13, concerning interaction through a network will apply to the combination as such. 14. Revised Versions of this License. The Free Software Foundation may publish revised and/or new versions of the GNU General Public License from time to time. Such new versions will be similar in spirit to the present version, but may differ in detail to address new problems or concerns. Each version is given a distinguishing version number. If the Program specifies that a certain numbered version of the GNU General Public License "or any later version" applies to it, you have the option of following the terms and conditions either of that numbered version or of any later version published by the Free Software Foundation. If the Program does not specify a version number of the GNU General Public License, you may choose any version ever published by the Free Software Foundation. If the Program specifies that a proxy can decide which future versions of the GNU General Public License can be used, that proxy's public statement of acceptance of a version permanently authorizes you to choose that version for the Program. Later license versions may give you additional or different permissions. However, no additional obligations are imposed on any author or copyright holder as a result of your choosing to follow a later version. 15. Disclaimer of Warranty. THERE IS NO WARRANTY FOR THE PROGRAM, TO THE EXTENT PERMITTED BY APPLICABLE LAW. EXCEPT WHEN OTHERWISE STATED IN WRITING THE COPYRIGHT HOLDERS AND/OR OTHER PARTIES PROVIDE THE PROGRAM "AS IS" WITHOUT WARRANTY OF ANY KIND, EITHER EXPRESSED OR IMPLIED, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE. THE ENTIRE RISK AS TO THE QUALITY AND PERFORMANCE OF THE PROGRAM IS WITH YOU. SHOULD THE PROGRAM PROVE DEFECTIVE, YOU ASSUME THE COST OF ALL NECESSARY SERVICING, REPAIR OR CORRECTION. 16. Limitation of Liability. IN NO EVENT UNLESS REQUIRED BY APPLICABLE LAW OR AGREED TO IN WRITING WILL ANY COPYRIGHT HOLDER, OR ANY OTHER PARTY WHO MODIFIES AND/OR CONVEYS THE PROGRAM AS PERMITTED ABOVE, BE LIABLE TO YOU FOR DAMAGES, INCLUDING ANY GENERAL, SPECIAL, INCIDENTAL OR CONSEQUENTIAL DAMAGES ARISING OUT OF THE USE OR INABILITY TO USE THE PROGRAM (INCLUDING BUT NOT LIMITED TO LOSS OF DATA OR DATA BEING RENDERED INACCURATE OR LOSSES SUSTAINED BY YOU OR THIRD PARTIES OR A FAILURE OF THE PROGRAM TO OPERATE WITH ANY OTHER PROGRAMS), EVEN IF SUCH HOLDER OR OTHER PARTY HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES. 17. Interpretation of Sections 15 and 16. If the disclaimer of warranty and limitation of liability provided above cannot be given local legal effect according to their terms, reviewing courts shall apply local law that most closely approximates an absolute waiver of all civil liability in connection with the Program, unless a warranty or assumption of liability accompanies a copy of the Program in return for a fee. END OF TERMS AND CONDITIONS How to Apply These Terms to Your New Programs If you develop a new program, and you want it to be of the greatest possible use to the public, the best way to achieve this is to make it free software which everyone can redistribute and change under these terms. To do so, attach the following notices to the program. It is safest to attach them to the start of each source file to most effectively state the exclusion of warranty; and each file should have at least the "copyright" line and a pointer to where the full notice is found. {one line to give the program's name and a brief idea of what it does.} Copyright (C) {year} {name of author} This program is free software: you can redistribute it and/or modify it under the terms of the GNU General Public License as published by the Free Software Foundation, either version 3 of the License, or (at your option) any later version. This program is distributed in the hope that it will be useful, but WITHOUT ANY WARRANTY; without even the implied warranty of MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the GNU General Public License for more details. You should have received a copy of the GNU General Public License along with this program. If not, see <http://www.gnu.org/licenses/>. Also add information on how to contact you by electronic and paper mail. If the program does terminal interaction, make it output a short notice like this when it starts in an interactive mode: {project} Copyright (C) {year} {fullname} This program comes with ABSOLUTELY NO WARRANTY; for details type `show w'. This is free software, and you are welcome to redistribute it under certain conditions; type `show c' for details. The hypothetical commands `show w' and `show c' should show the appropriate parts of the General Public License. Of course, your program's commands might be different; for a GUI interface, you would use an "about box". You should also get your employer (if you work as a programmer) or school, if any, to sign a "copyright disclaimer" for the program, if necessary. For more information on this, and how to apply and follow the GNU GPL, see <http://www.gnu.org/licenses/>. The GNU General Public License does not permit incorporating your program into proprietary programs. If your program is a subroutine library, you may consider it more useful to permit linking proprietary applications with the library. If this is what you want to do, use the GNU Lesser General Public License instead of this License. But first, please read <http://www.gnu.org/philosophy/why-not-lgpl.html>.

GNU AFFERO GENERAL PUBLIC LICENSE Version 3, 19 November 2007 Copyright (C) 2007 Free Software Foundation, Inc. <http://fsf.org/> Everyone is permitted to copy and distribute verbatim copies of this license document, but changing it is not allowed. Preamble The GNU Affero General Public License is a free, copyleft license for software and other kinds of works, specifically designed to ensure cooperation with the community in the case of network server software. The licenses for most software and other practical works are designed to take away your freedom to share and change the works. By contrast, our General Public Licenses are intended to guarantee your freedom to share and change all versions of a program--to make sure it remains free software for all its users. When we speak of free software, we are referring to freedom, not price. Our General Public Licenses are designed to make sure that you have the freedom to distribute copies of free software (and charge for them if you wish), that you receive source code or can get it if you want it, that you can change the software or use pieces of it in new free programs, and that you know you can do these things. Developers that use our General Public Licenses protect your rights with two steps: (1) assert copyright on the software, and (2) offer you this License which gives you legal permission to copy, distribute and/or modify the software. A secondary benefit of defending all users' freedom is that improvements made in alternate versions of the program, if they receive widespread use, become available for other developers to incorporate. Many developers of free software are heartened and encouraged by the resulting cooperation. However, in the case of software used on network servers, this result may fail to come about. The GNU General Public License permits making a modified version and letting the public access it on a server without ever releasing its source code to the public. The GNU Affero General Public License is designed specifically to ensure that, in such cases, the modified source code becomes available to the community. It requires the operator of a network server to provide the source code of the modified version running there to the users of that server. Therefore, public use of a modified version, on a publicly accessible server, gives the public access to the source code of the modified version. An older license, called the Affero General Public License and published by Affero, was designed to accomplish similar goals. This is a different license, not a version of the Affero GPL, but Affero has released a new version of the Affero GPL which permits relicensing under this license. The precise terms and conditions for copying, distribution and modification follow. TERMS AND CONDITIONS 0. Definitions. "This License" refers to version 3 of the GNU Affero General Public License. "Copyright" also means copyright-like laws that apply to other kinds of works, such as semiconductor masks. "The Program" refers to any copyrightable work licensed under this License. Each licensee is addressed as "you". "Licensees" and "recipients" may be individuals or organizations. To "modify" a work means to copy from or adapt all or part of the work in a fashion requiring copyright permission, other than the making of an exact copy. The resulting work is called a "modified version" of the earlier work or a work "based on" the earlier work. A "covered work" means either the unmodified Program or a work based on the Program. To "propagate" a work means to do anything with it that, without permission, would make you directly or secondarily liable for infringement under applicable copyright law, except executing it on a computer or modifying a private copy. Propagation includes copying, distribution (with or without modification), making available to the public, and in some countries other activities as well. To "convey" a work means any kind of propagation that enables other parties to make or receive copies. Mere interaction with a user through a computer network, with no transfer of a copy, is not conveying. An interactive user interface displays "Appropriate Legal Notices" to the extent that it includes a convenient and prominently visible feature that (1) displays an appropriate copyright notice, and (2) tells the user that there is no warranty for the work (except to the extent that warranties are provided), that licensees may convey the work under this License, and how to view a copy of this License. If the interface presents a list of user commands or options, such as a menu, a prominent item in the list meets this criterion. 1. Source Code. The "source code" for a work means the preferred form of the work for making modifications to it. "Object code" means any non-source form of a work. A "Standard Interface" means an interface that either is an official standard defined by a recognized standards body, or, in the case of interfaces specified for a particular programming language, one that is widely used among developers working in that language. The "System Libraries" of an executable work include anything, other than the work as a whole, that (a) is included in the normal form of packaging a Major Component, but which is not part of that Major Component, and (b) serves only to enable use of the work with that Major Component, or to implement a Standard Interface for which an implementation is available to the public in source code form. A "Major Component", in this context, means a major essential component (kernel, window system, and so on) of the specific operating system (if any) on which the executable work runs, or a compiler used to produce the work, or an object code interpreter used to run it. The "Corresponding Source" for a work in object code form means all the source code needed to generate, install, and (for an executable work) run the object code and to modify the work, including scripts to control those activities. However, it does not include the work's System Libraries, or general-purpose tools or generally available free programs which are used unmodified in performing those activities but which are not part of the work. For example, Corresponding Source includes interface definition files associated with source files for the work, and the source code for shared libraries and dynamically linked subprograms that the work is specifically designed to require, such as by intimate data communication or control flow between those subprograms and other parts of the work. The Corresponding Source need not include anything that users can regenerate automatically from other parts of the Corresponding Source. The Corresponding Source for a work in source code form is that same work. 2. Basic Permissions. All rights granted under this License are granted for the term of copyright on the Program, and are irrevocable provided the stated conditions are met. This License explicitly affirms your unlimited permission to run the unmodified Program. The output from running a covered work is covered by this License only if the output, given its content, constitutes a covered work. This License acknowledges your rights of fair use or other equivalent, as provided by copyright law. You may make, run and propagate covered works that you do not convey, without conditions so long as your license otherwise remains in force. You may convey covered works to others for the sole purpose of having them make modifications exclusively for you, or provide you with facilities for running those works, provided that you comply with the terms of this License in conveying all material for which you do not control copyright. Those thus making or running the covered works for you must do so exclusively on your behalf, under your direction and control, on terms that prohibit them from making any copies of your copyrighted material outside their relationship with you. Conveying under any other circumstances is permitted solely under the conditions stated below. Sublicensing is not allowed; section 10 makes it unnecessary. 3. Protecting Users' Legal Rights From Anti-Circumvention Law. No covered work shall be deemed part of an effective technological measure under any applicable law fulfilling obligations under article 11 of the WIPO copyright treaty adopted on 20 December 1996, or similar laws prohibiting or restricting circumvention of such measures. When you convey a covered work, you waive any legal power to forbid circumvention of technological measures to the extent such circumvention is effected by exercising rights under this License with respect to the covered work, and you disclaim any intention to limit operation or modification of the work as a means of enforcing, against the work's users, your or third parties' legal rights to forbid circumvention of technological measures. 4. Conveying Verbatim Copies. You may convey verbatim copies of the Program's source code as you receive it, in any medium, provided that you conspicuously and appropriately publish on each copy an appropriate copyright notice; keep intact all notices stating that this License and any non-permissive terms added in accord with section 7 apply to the code; keep intact all notices of the absence of any warranty; and give all recipients a copy of this License along with the Program. You may charge any price or no price for each copy that you convey, and you may offer support or warranty protection for a fee. 5. Conveying Modified Source Versions. You may convey a work based on the Program, or the modifications to produce it from the Program, in the form of source code under the terms of section 4, provided that you also meet all of these conditions: a) The work must carry prominent notices stating that you modified it, and giving a relevant date. b) The work must carry prominent notices stating that it is released under this License and any conditions added under section 7. This requirement modifies the requirement in section 4 to "keep intact all notices". c) You must license the entire work, as a whole, under this License to anyone who comes into possession of a copy. This License will therefore apply, along with any applicable section 7 additional terms, to the whole of the work, and all its parts, regardless of how they are packaged. This License gives no permission to license the work in any other way, but it does not invalidate such permission if you have separately received it. d) If the work has interactive user interfaces, each must display Appropriate Legal Notices; however, if the Program has interactive interfaces that do not display Appropriate Legal Notices, your work need not make them do so. A compilation of a covered work with other separate and independent works, which are not by their nature extensions of the covered work, and which are not combined with it such as to form a larger program, in or on a volume of a storage or distribution medium, is called an "aggregate" if the compilation and its resulting copyright are not used to limit the access or legal rights of the compilation's users beyond what the individual works permit. Inclusion of a covered work in an aggregate does not cause this License to apply to the other parts of the aggregate. 6. Conveying Non-Source Forms. You may convey a covered work in object code form under the terms of sections 4 and 5, provided that you also convey the machine-readable Corresponding Source under the terms of this License, in one of these ways: a) Convey the object code in, or embodied in, a physical product (including a physical distribution medium), accompanied by the Corresponding Source fixed on a durable physical medium customarily used for software interchange. b) Convey the object code in, or embodied in, a physical product (including a physical distribution medium), accompanied by a written offer, valid for at least three years and valid for as long as you offer spare parts or customer support for that product model, to give anyone who possesses the object code either (1) a copy of the Corresponding Source for all the software in the product that is covered by this License, on a durable physical medium customarily used for software interchange, for a price no more than your reasonable cost of physically performing this conveying of source, or (2) access to copy the Corresponding Source from a network server at no charge. c) Convey individual copies of the object code with a copy of the written offer to provide the Corresponding Source. This alternative is allowed only occasionally and noncommercially, and only if you received the object code with such an offer, in accord with subsection 6b. d) Convey the object code by offering access from a designated place (gratis or for a charge), and offer equivalent access to the Corresponding Source in the same way through the same place at no further charge. You need not require recipients to copy the Corresponding Source along with the object code. If the place to copy the object code is a network server, the Corresponding Source may be on a different server (operated by you or a third party) that supports equivalent copying facilities, provided you maintain clear directions next to the object code saying where to find the Corresponding Source. Regardless of what server hosts the Corresponding Source, you remain obligated to ensure that it is available for as long as needed to satisfy these requirements. e) Convey the object code using peer-to-peer transmission, provided you inform other peers where the object code and Corresponding Source of the work are being offered to the general public at no charge under subsection 6d. A separable portion of the object code, whose source code is excluded from the Corresponding Source as a System Library, need not be included in conveying the object code work. A "User Product" is either (1) a "consumer product", which means any tangible personal property which is normally used for personal, family, or household purposes, or (2) anything designed or sold for incorporation into a dwelling. In determining whether a product is a consumer product, doubtful cases shall be resolved in favor of coverage. For a particular product received by a particular user, "normally used" refers to a typical or common use of that class of product, regardless of the status of the particular user or of the way in which the particular user actually uses, or expects or is expected to use, the product. A product is a consumer product regardless of whether the product has substantial commercial, industrial or non-consumer uses, unless such uses represent the only significant mode of use of the product. "Installation Information" for a User Product means any methods, procedures, authorization keys, or other information required to install and execute modified versions of a covered work in that User Product from a modified version of its Corresponding Source. The information must suffice to ensure that the continued functioning of the modified object code is in no case prevented or interfered with solely because modification has been made. If you convey an object code work under this section in, or with, or specifically for use in, a User Product, and the conveying occurs as part of a transaction in which the right of possession and use of the User Product is transferred to the recipient in perpetuity or for a fixed term (regardless of how the transaction is characterized), the Corresponding Source conveyed under this section must be accompanied by the Installation Information. But this requirement does not apply if neither you nor any third party retains the ability to install modified object code on the User Product (for example, the work has been installed in ROM). The requirement to provide Installation Information does not include a requirement to continue to provide support service, warranty, or updates for a work that has been modified or installed by the recipient, or for the User Product in which it has been modified or installed. Access to a network may be denied when the modification itself materially and adversely affects the operation of the network or violates the rules and protocols for communication across the network. Corresponding Source conveyed, and Installation Information provided, in accord with this section must be in a format that is publicly documented (and with an implementation available to the public in source code form), and must require no special password or key for unpacking, reading or copying. 7. Additional Terms. "Additional permissions" are terms that supplement the terms of this License by making exceptions from one or more of its conditions. Additional permissions that are applicable to the entire Program shall be treated as though they were included in this License, to the extent that they are valid under applicable law. If additional permissions apply only to part of the Program, that part may be used separately under those permissions, but the entire Program remains governed by this License without regard to the additional permissions. When you convey a copy of a covered work, you may at your option remove any additional permissions from that copy, or from any part of it. (Additional permissions may be written to require their own removal in certain cases when you modify the work.) You may place additional permissions on material, added by you to a covered work, for which you have or can give appropriate copyright permission. Notwithstanding any other provision of this License, for material you add to a covered work, you may (if authorized by the copyright holders of that material) supplement the terms of this License with terms: a) Disclaiming warranty or limiting liability differently from the terms of sections 15 and 16 of this License; or b) Requiring preservation of specified reasonable legal notices or author attributions in that material or in the Appropriate Legal Notices displayed by works containing it; or c) Prohibiting misrepresentation of the origin of that material, or requiring that modified versions of such material be marked in reasonable ways as different from the original version; or d) Limiting the use for publicity purposes of names of licensors or authors of the material; or e) Declining to grant rights under trademark law for use of some trade names, trademarks, or service marks; or f) Requiring indemnification of licensors and authors of that material by anyone who conveys the material (or modified versions of it) with contractual assumptions of liability to the recipient, for any liability that these contractual assumptions directly impose on those licensors and authors. All other non-permissive additional terms are considered "further restrictions" within the meaning of section 10. If the Program as you received it, or any part of it, contains a notice stating that it is governed by this License along with a term that is a further restriction, you may remove that term. If a license document contains a further restriction but permits relicensing or conveying under this License, you may add to a covered work material governed by the terms of that license document, provided that the further restriction does not survive such relicensing or conveying. If you add terms to a covered work in accord with this section, you must place, in the relevant source files, a statement of the additional terms that apply to those files, or a notice indicating where to find the applicable terms. Additional terms, permissive or non-permissive, may be stated in the form of a separately written license, or stated as exceptions; the above requirements apply either way. 8. Termination. You may not propagate or modify a covered work except as expressly provided under this License. Any attempt otherwise to propagate or modify it is void, and will automatically terminate your rights under this License (including any patent licenses granted under the third paragraph of section 11). However, if you cease all violation of this License, then your license from a particular copyright holder is reinstated (a) provisionally, unless and until the copyright holder explicitly and finally terminates your license, and (b) permanently, if the copyright holder fails to notify you of the violation by some reasonable means prior to 60 days after the cessation. Moreover, your license from a particular copyright holder is reinstated permanently if the copyright holder notifies you of the violation by some reasonable means, this is the first time you have received notice of violation of this License (for any work) from that copyright holder, and you cure the violation prior to 30 days after your receipt of the notice. Termination of your rights under this section does not terminate the licenses of parties who have received copies or rights from you under this License. If your rights have been terminated and not permanently reinstated, you do not qualify to receive new licenses for the same material under section 10. 9. Acceptance Not Required for Having Copies. You are not required to accept this License in order to receive or run a copy of the Program. Ancillary propagation of a covered work occurring solely as a consequence of using peer-to-peer transmission to receive a copy likewise does not require acceptance. However, nothing other than this License grants you permission to propagate or modify any covered work. These actions infringe copyright if you do not accept this License. Therefore, by modifying or propagating a covered work, you indicate your acceptance of this License to do so. 10. Automatic Licensing of Downstream Recipients. Each time you convey a covered work, the recipient automatically receives a license from the original licensors, to run, modify and propagate that work, subject to this License. You are not responsible for enforcing compliance by third parties with this License. An "entity transaction" is a transaction transferring control of an organization, or substantially all assets of one, or subdividing an organization, or merging organizations. If propagation of a covered work results from an entity transaction, each party to that transaction who receives a copy of the work also receives whatever licenses to the work the party's predecessor in interest had or could give under the previous paragraph, plus a right to possession of the Corresponding Source of the work from the predecessor in interest, if the predecessor has it or can get it with reasonable efforts. You may not impose any further restrictions on the exercise of the rights granted or affirmed under this License. For example, you may not impose a license fee, royalty, or other charge for exercise of rights granted under this License, and you may not initiate litigation (including a cross-claim or counterclaim in a lawsuit) alleging that any patent claim is infringed by making, using, selling, offering for sale, or importing the Program or any portion of it. 11. Patents. A "contributor" is a copyright holder who authorizes use under this License of the Program or a work on which the Program is based. The work thus licensed is called the contributor's "contributor version". A contributor's "essential patent claims" are all patent claims owned or controlled by the contributor, whether already acquired or hereafter acquired, that would be infringed by some manner, permitted by this License, of making, using, or selling its contributor version, but do not include claims that would be infringed only as a consequence of further modification of the contributor version. For purposes of this definition, "control" includes the right to grant patent sublicenses in a manner consistent with the requirements of this License. Each contributor grants you a non-exclusive, worldwide, royalty-free patent license under the contributor's essential patent claims, to make, use, sell, offer for sale, import and otherwise run, modify and propagate the contents of its contributor version. In the following three paragraphs, a "patent license" is any express agreement or commitment, however denominated, not to enforce a patent (such as an express permission to practice a patent or covenant not to sue for patent infringement). To "grant" such a patent license to a party means to make such an agreement or commitment not to enforce a patent against the party. If you convey a covered work, knowingly relying on a patent license, and the Corresponding Source of the work is not available for anyone to copy, free of charge and under the terms of this License, through a publicly available network server or other readily accessible means, then you must either (1) cause the Corresponding Source to be so available, or (2) arrange to deprive yourself of the benefit of the patent license for this particular work, or (3) arrange, in a manner consistent with the requirements of this License, to extend the patent license to downstream recipients. "Knowingly relying" means you have actual knowledge that, but for the patent license, your conveying the covered work in a country, or your recipient's use of the covered work in a country, would infringe one or more identifiable patents in that country that you have reason to believe are valid. If, pursuant to or in connection with a single transaction or arrangement, you convey, or propagate by procuring conveyance of, a covered work, and grant a patent license to some of the parties receiving the covered work authorizing them to use, propagate, modify or convey a specific copy of the covered work, then the patent license you grant is automatically extended to all recipients of the covered work and works based on it. A patent license is "discriminatory" if it does not include within the scope of its coverage, prohibits the exercise of, or is conditioned on the non-exercise of one or more of the rights that are specifically granted under this License. You may not convey a covered work if you are a party to an arrangement with a third party that is in the business of distributing software, under which you make payment to the third party based on the extent of your activity of conveying the work, and under which the third party grants, to any of the parties who would receive the covered work from you, a discriminatory patent license (a) in connection with copies of the covered work conveyed by you (or copies made from those copies), or (b) primarily for and in connection with specific products or compilations that contain the covered work, unless you entered into that arrangement, or that patent license was granted, prior to 28 March 2007. Nothing in this License shall be construed as excluding or limiting any implied license or other defenses to infringement that may otherwise be available to you under applicable patent law. 12. No Surrender of Others' Freedom. If conditions are imposed on you (whether by court order, agreement or otherwise) that contradict the conditions of this License, they do not excuse you from the conditions of this License. If you cannot convey a covered work so as to satisfy simultaneously your obligations under this License and any other pertinent obligations, then as a consequence you may not convey it at all. For example, if you agree to terms that obligate you to collect a royalty for further conveying from those to whom you convey the Program, the only way you could satisfy both those terms and this License would be to refrain entirely from conveying the Program. 13. Remote Network Interaction; Use with the GNU General Public License. Notwithstanding any other provision of this License, if you modify the Program, your modified version must prominently offer all users interacting with it remotely through a computer network (if your version supports such interaction) an opportunity to receive the Corresponding Source of your version by providing access to the Corresponding Source from a network server at no charge, through some standard or customary means of facilitating copying of software. This Corresponding Source shall include the Corresponding Source for any work covered by version 3 of the GNU General Public License that is incorporated pursuant to the following paragraph. Notwithstanding any other provision of this License, you have permission to link or combine any covered work with a work licensed under version 3 of the GNU General Public License into a single combined work, and to convey the resulting work. The terms of this License will continue to apply to the part which is the covered work, but the work with which it is combined will remain governed by version 3 of the GNU General Public License. 14. Revised Versions of this License. The Free Software Foundation may publish revised and/or new versions of the GNU Affero General Public License from time to time. Such new versions will be similar in spirit to the present version, but may differ in detail to address new problems or concerns. Each version is given a distinguishing version number. If the Program specifies that a certain numbered version of the GNU Affero General Public License "or any later version" applies to it, you have the option of following the terms and conditions either of that numbered version or of any later version published by the Free Software Foundation. If the Program does not specify a version number of the GNU Affero General Public License, you may choose any version ever published by the Free Software Foundation. If the Program specifies that a proxy can decide which future versions of the GNU Affero General Public License can be used, that proxy's public statement of acceptance of a version permanently authorizes you to choose that version for the Program. Later license versions may give you additional or different permissions. However, no additional obligations are imposed on any author or copyright holder as a result of your choosing to follow a later version. 15. Disclaimer of Warranty. THERE IS NO WARRANTY FOR THE PROGRAM, TO THE EXTENT PERMITTED BY APPLICABLE LAW. EXCEPT WHEN OTHERWISE STATED IN WRITING THE COPYRIGHT HOLDERS AND/OR OTHER PARTIES PROVIDE THE PROGRAM "AS IS" WITHOUT WARRANTY OF ANY KIND, EITHER EXPRESSED OR IMPLIED, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE. THE ENTIRE RISK AS TO THE QUALITY AND PERFORMANCE OF THE PROGRAM IS WITH YOU. SHOULD THE PROGRAM PROVE DEFECTIVE, YOU ASSUME THE COST OF ALL NECESSARY SERVICING, REPAIR OR CORRECTION. 16. Limitation of Liability. IN NO EVENT UNLESS REQUIRED BY APPLICABLE LAW OR AGREED TO IN WRITING WILL ANY COPYRIGHT HOLDER, OR ANY OTHER PARTY WHO MODIFIES AND/OR CONVEYS THE PROGRAM AS PERMITTED ABOVE, BE LIABLE TO YOU FOR DAMAGES, INCLUDING ANY GENERAL, SPECIAL, INCIDENTAL OR CONSEQUENTIAL DAMAGES ARISING OUT OF THE USE OR INABILITY TO USE THE PROGRAM (INCLUDING BUT NOT LIMITED TO LOSS OF DATA OR DATA BEING RENDERED INACCURATE OR LOSSES SUSTAINED BY YOU OR THIRD PARTIES OR A FAILURE OF THE PROGRAM TO OPERATE WITH ANY OTHER PROGRAMS), EVEN IF SUCH HOLDER OR OTHER PARTY HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES. 17. Interpretation of Sections 15 and 16. If the disclaimer of warranty and limitation of liability provided above cannot be given local legal effect according to their terms, reviewing courts shall apply local law that most closely approximates an absolute waiver of all civil liability in connection with the Program, unless a warranty or assumption of liability accompanies a copy of the Program in return for a fee. END OF TERMS AND CONDITIONS How to Apply These Terms to Your New Programs If you develop a new program, and you want it to be of the greatest possible use to the public, the best way to achieve this is to make it free software which everyone can redistribute and change under these terms. To do so, attach the following notices to the program. It is safest to attach them to the start of each source file to most effectively state the exclusion of warranty; and each file should have at least the "copyright" line and a pointer to where the full notice is found. <one line to give the program's name and a brief idea of what it does.> Copyright (C) <year> <name of author> This program is free software: you can redistribute it and/or modify it under the terms of the GNU Affero General Public License as published by the Free Software Foundation, either version 3 of the License, or (at your option) any later version. This program is distributed in the hope that it will be useful, but WITHOUT ANY WARRANTY; without even the implied warranty of MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the GNU Affero General Public License for more details. You should have received a copy of the GNU Affero General Public License along with this program. If not, see <http://www.gnu.org/licenses/>. Also add information on how to contact you by electronic and paper mail. If your software can interact with users remotely through a computer network, you should also make sure that it provides a way for users to get its source. For example, if your program is a web application, its interface could display a "Source" link that leads users to an archive of the code. There are many ways you could offer source, and different solutions will be better for different programs; see section 13 for the specific requirements. You should also get your employer (if you work as a programmer) or school, if any, to sign a "copyright disclaimer" for the program, if necessary. For more information on this, and how to apply and follow the GNU AGPL, see <http://www.gnu.org/licenses/>.

GNU AFFERO GENERAL PUBLIC LICENSE Version 3, 19 November 2007 Copyright (C) 2007 Free Software Foundation, Inc. <http://fsf.org/> Everyone is permitted to copy and distribute verbatim copies of this license document, but changing it is not allowed. Preamble The GNU Affero General Public License is a free, copyleft license for software and other kinds of works, specifically designed to ensure cooperation with the community in the case of network server software. The licenses for most software and other practical works are designed to take away your freedom to share and change the works. By contrast, our General Public Licenses are intended to guarantee your freedom to share and change all versions of a program--to make sure it remains free software for all its users. When we speak of free software, we are referring to freedom, not price. Our General Public Licenses are designed to make sure that you have the freedom to distribute copies of free software (and charge for them if you wish), that you receive source code or can get it if you want it, that you can change the software or use pieces of it in new free programs, and that you know you can do these things. Developers that use our General Public Licenses protect your rights with two steps: (1) assert copyright on the software, and (2) offer you this License which gives you legal permission to copy, distribute and/or modify the software. A secondary benefit of defending all users' freedom is that improvements made in alternate versions of the program, if they receive widespread use, become available for other developers to incorporate. Many developers of free software are heartened and encouraged by the resulting cooperation. However, in the case of software used on network servers, this result may fail to come about. The GNU General Public License permits making a modified version and letting the public access it on a server without ever releasing its source code to the public. The GNU Affero General Public License is designed specifically to ensure that, in such cases, the modified source code becomes available to the community. It requires the operator of a network server to provide the source code of the modified version running there to the users of that server. Therefore, public use of a modified version, on a publicly accessible server, gives the public access to the source code of the modified version. An older license, called the Affero General Public License and published by Affero, was designed to accomplish similar goals. This is a different license, not a version of the Affero GPL, but Affero has released a new version of the Affero GPL which permits relicensing under this license. The precise terms and conditions for copying, distribution and modification follow. TERMS AND CONDITIONS 0. Definitions. "This License" refers to version 3 of the GNU Affero General Public License. "Copyright" also means copyright-like laws that apply to other kinds of works, such as semiconductor masks. "The Program" refers to any copyrightable work licensed under this License. Each licensee is addressed as "you". "Licensees" and "recipients" may be individuals or organizations. To "modify" a work means to copy from or adapt all or part of the work in a fashion requiring copyright permission, other than the making of an exact copy. The resulting work is called a "modified version" of the earlier work or a work "based on" the earlier work. A "covered work" means either the unmodified Program or a work based on the Program. To "propagate" a work means to do anything with it that, without permission, would make you directly or secondarily liable for infringement under applicable copyright law, except executing it on a computer or modifying a private copy. Propagation includes copying, distribution (with or without modification), making available to the public, and in some countries other activities as well. To "convey" a work means any kind of propagation that enables other parties to make or receive copies. Mere interaction with a user through a computer network, with no transfer of a copy, is not conveying. An interactive user interface displays "Appropriate Legal Notices" to the extent that it includes a convenient and prominently visible feature that (1) displays an appropriate copyright notice, and (2) tells the user that there is no warranty for the work (except to the extent that warranties are provided), that licensees may convey the work under this License, and how to view a copy of this License. If the interface presents a list of user commands or options, such as a menu, a prominent item in the list meets this criterion. 1. Source Code. The "source code" for a work means the preferred form of the work for making modifications to it. "Object code" means any non-source form of a work. A "Standard Interface" means an interface that either is an official standard defined by a recognized standards body, or, in the case of interfaces specified for a particular programming language, one that is widely used among developers working in that language. The "System Libraries" of an executable work include anything, other than the work as a whole, that (a) is included in the normal form of packaging a Major Component, but which is not part of that Major Component, and (b) serves only to enable use of the work with that Major Component, or to implement a Standard Interface for which an implementation is available to the public in source code form. A "Major Component", in this context, means a major essential component (kernel, window system, and so on) of the specific operating system (if any) on which the executable work runs, or a compiler used to produce the work, or an object code interpreter used to run it. The "Corresponding Source" for a work in object code form means all the source code needed to generate, install, and (for an executable work) run the object code and to modify the work, including scripts to control those activities. However, it does not include the work's System Libraries, or general-purpose tools or generally available free programs which are used unmodified in performing those activities but which are not part of the work. For example, Corresponding Source includes interface definition files associated with source files for the work, and the source code for shared libraries and dynamically linked subprograms that the work is specifically designed to require, such as by intimate data communication or control flow between those subprograms and other parts of the work. The Corresponding Source need not include anything that users can regenerate automatically from other parts of the Corresponding Source. The Corresponding Source for a work in source code form is that same work. 2. Basic Permissions. All rights granted under this License are granted for the term of copyright on the Program, and are irrevocable provided the stated conditions are met. This License explicitly affirms your unlimited permission to run the unmodified Program. The output from running a covered work is covered by this License only if the output, given its content, constitutes a covered work. This License acknowledges your rights of fair use or other equivalent, as provided by copyright law. You may make, run and propagate covered works that you do not convey, without conditions so long as your license otherwise remains in force. You may convey covered works to others for the sole purpose of having them make modifications exclusively for you, or provide you with facilities for running those works, provided that you comply with the terms of this License in conveying all material for which you do not control copyright. Those thus making or running the covered works for you must do so exclusively on your behalf, under your direction and control, on terms that prohibit them from making any copies of your copyrighted material outside their relationship with you. Conveying under any other circumstances is permitted solely under the conditions stated below. Sublicensing is not allowed; section 10 makes it unnecessary. 3. Protecting Users' Legal Rights From Anti-Circumvention Law. No covered work shall be deemed part of an effective technological measure under any applicable law fulfilling obligations under article 11 of the WIPO copyright treaty adopted on 20 December 1996, or similar laws prohibiting or restricting circumvention of such measures. When you convey a covered work, you waive any legal power to forbid circumvention of technological measures to the extent such circumvention is effected by exercising rights under this License with respect to the covered work, and you disclaim any intention to limit operation or modification of the work as a means of enforcing, against the work's users, your or third parties' legal rights to forbid circumvention of technological measures. 4. Conveying Verbatim Copies. You may convey verbatim copies of the Program's source code as you receive it, in any medium, provided that you conspicuously and appropriately publish on each copy an appropriate copyright notice; keep intact all notices stating that this License and any non-permissive terms added in accord with section 7 apply to the code; keep intact all notices of the absence of any warranty; and give all recipients a copy of this License along with the Program. You may charge any price or no price for each copy that you convey, and you may offer support or warranty protection for a fee. 5. Conveying Modified Source Versions. You may convey a work based on the Program, or the modifications to produce it from the Program, in the form of source code under the terms of section 4, provided that you also meet all of these conditions: a) The work must carry prominent notices stating that you modified it, and giving a relevant date. b) The work must carry prominent notices stating that it is released under this License and any conditions added under section 7. This requirement modifies the requirement in section 4 to "keep intact all notices". c) You must license the entire work, as a whole, under this License to anyone who comes into possession of a copy. This License will therefore apply, along with any applicable section 7 additional terms, to the whole of the work, and all its parts, regardless of how they are packaged. This License gives no permission to license the work in any other way, but it does not invalidate such permission if you have separately received it. d) If the work has interactive user interfaces, each must display Appropriate Legal Notices; however, if the Program has interactive interfaces that do not display Appropriate Legal Notices, your work need not make them do so. A compilation of a covered work with other separate and independent works, which are not by their nature extensions of the covered work, and which are not combined with it such as to form a larger program, in or on a volume of a storage or distribution medium, is called an "aggregate" if the compilation and its resulting copyright are not used to limit the access or legal rights of the compilation's users beyond what the individual works permit. Inclusion of a covered work in an aggregate does not cause this License to apply to the other parts of the aggregate. 6. Conveying Non-Source Forms. You may convey a covered work in object code form under the terms of sections 4 and 5, provided that you also convey the machine-readable Corresponding Source under the terms of this License, in one of these ways: a) Convey the object code in, or embodied in, a physical product (including a physical distribution medium), accompanied by the Corresponding Source fixed on a durable physical medium customarily used for software interchange. b) Convey the object code in, or embodied in, a physical product (including a physical distribution medium), accompanied by a written offer, valid for at least three years and valid for as long as you offer spare parts or customer support for that product model, to give anyone who possesses the object code either (1) a copy of the Corresponding Source for all the software in the product that is covered by this License, on a durable physical medium customarily used for software interchange, for a price no more than your reasonable cost of physically performing this conveying of source, or (2) access to copy the Corresponding Source from a network server at no charge. c) Convey individual copies of the object code with a copy of the written offer to provide the Corresponding Source. This alternative is allowed only occasionally and noncommercially, and only if you received the object code with such an offer, in accord with subsection 6b. d) Convey the object code by offering access from a designated place (gratis or for a charge), and offer equivalent access to the Corresponding Source in the same way through the same place at no further charge. You need not require recipients to copy the Corresponding Source along with the object code. If the place to copy the object code is a network server, the Corresponding Source may be on a different server (operated by you or a third party) that supports equivalent copying facilities, provided you maintain clear directions next to the object code saying where to find the Corresponding Source. Regardless of what server hosts the Corresponding Source, you remain obligated to ensure that it is available for as long as needed to satisfy these requirements. e) Convey the object code using peer-to-peer transmission, provided you inform other peers where the object code and Corresponding Source of the work are being offered to the general public at no charge under subsection 6d. A separable portion of the object code, whose source code is excluded from the Corresponding Source as a System Library, need not be included in conveying the object code work. A "User Product" is either (1) a "consumer product", which means any tangible personal property which is normally used for personal, family, or household purposes, or (2) anything designed or sold for incorporation into a dwelling. In determining whether a product is a consumer product, doubtful cases shall be resolved in favor of coverage. For a particular product received by a particular user, "normally used" refers to a typical or common use of that class of product, regardless of the status of the particular user or of the way in which the particular user actually uses, or expects or is expected to use, the product. A product is a consumer product regardless of whether the product has substantial commercial, industrial or non-consumer uses, unless such uses represent the only significant mode of use of the product. "Installation Information" for a User Product means any methods, procedures, authorization keys, or other information required to install and execute modified versions of a covered work in that User Product from a modified version of its Corresponding Source. The information must suffice to ensure that the continued functioning of the modified object code is in no case prevented or interfered with solely because modification has been made. If you convey an object code work under this section in, or with, or specifically for use in, a User Product, and the conveying occurs as part of a transaction in which the right of possession and use of the User Product is transferred to the recipient in perpetuity or for a fixed term (regardless of how the transaction is characterized), the Corresponding Source conveyed under this section must be accompanied by the Installation Information. But this requirement does not apply if neither you nor any third party retains the ability to install modified object code on the User Product (for example, the work has been installed in ROM). The requirement to provide Installation Information does not include a requirement to continue to provide support service, warranty, or updates for a work that has been modified or installed by the recipient, or for the User Product in which it has been modified or installed. Access to a network may be denied when the modification itself materially and adversely affects the operation of the network or violates the rules and protocols for communication across the network. Corresponding Source conveyed, and Installation Information provided, in accord with this section must be in a format that is publicly documented (and with an implementation available to the public in source code form), and must require no special password or key for unpacking, reading or copying. 7. Additional Terms. "Additional permissions" are terms that supplement the terms of this License by making exceptions from one or more of its conditions. Additional permissions that are applicable to the entire Program shall be treated as though they were included in this License, to the extent that they are valid under applicable law. If additional permissions apply only to part of the Program, that part may be used separately under those permissions, but the entire Program remains governed by this License without regard to the additional permissions. When you convey a copy of a covered work, you may at your option remove any additional permissions from that copy, or from any part of it. (Additional permissions may be written to require their own removal in certain cases when you modify the work.) You may place additional permissions on material, added by you to a covered work, for which you have or can give appropriate copyright permission. Notwithstanding any other provision of this License, for material you add to a covered work, you may (if authorized by the copyright holders of that material) supplement the terms of this License with terms: a) Disclaiming warranty or limiting liability differently from the terms of sections 15 and 16 of this License; or b) Requiring preservation of specified reasonable legal notices or author attributions in that material or in the Appropriate Legal Notices displayed by works containing it; or c) Prohibiting misrepresentation of the origin of that material, or requiring that modified versions of such material be marked in reasonable ways as different from the original version; or d) Limiting the use for publicity purposes of names of licensors or authors of the material; or e) Declining to grant rights under trademark law for use of some trade names, trademarks, or service marks; or f) Requiring indemnification of licensors and authors of that material by anyone who conveys the material (or modified versions of it) with contractual assumptions of liability to the recipient, for any liability that these contractual assumptions directly impose on those licensors and authors. All other non-permissive additional terms are considered "further restrictions" within the meaning of section 10. If the Program as you received it, or any part of it, contains a notice stating that it is governed by this License along with a term that is a further restriction, you may remove that term. If a license document contains a further restriction but permits relicensing or conveying under this License, you may add to a covered work material governed by the terms of that license document, provided that the further restriction does not survive such relicensing or conveying. If you add terms to a covered work in accord with this section, you must place, in the relevant source files, a statement of the additional terms that apply to those files, or a notice indicating where to find the applicable terms. Additional terms, permissive or non-permissive, may be stated in the form of a separately written license, or stated as exceptions; the above requirements apply either way. 8. Termination. You may not propagate or modify a covered work except as expressly provided under this License. Any attempt otherwise to propagate or modify it is void, and will automatically terminate your rights under this License (including any patent licenses granted under the third paragraph of section 11). However, if you cease all violation of this License, then your license from a particular copyright holder is reinstated (a) provisionally, unless and until the copyright holder explicitly and finally terminates your license, and (b) permanently, if the copyright holder fails to notify you of the violation by some reasonable means prior to 60 days after the cessation. Moreover, your license from a particular copyright holder is reinstated permanently if the copyright holder notifies you of the violation by some reasonable means, this is the first time you have received notice of violation of this License (for any work) from that copyright holder, and you cure the violation prior to 30 days after your receipt of the notice. Termination of your rights under this section does not terminate the licenses of parties who have received copies or rights from you under this License. If your rights have been terminated and not permanently reinstated, you do not qualify to receive new licenses for the same material under section 10. 9. Acceptance Not Required for Having Copies. You are not required to accept this License in order to receive or run a copy of the Program. Ancillary propagation of a covered work occurring solely as a consequence of using peer-to-peer transmission to receive a copy likewise does not require acceptance. However, nothing other than this License grants you permission to propagate or modify any covered work. These actions infringe copyright if you do not accept this License. Therefore, by modifying or propagating a covered work, you indicate your acceptance of this License to do so. 10. Automatic Licensing of Downstream Recipients. Each time you convey a covered work, the recipient automatically receives a license from the original licensors, to run, modify and propagate that work, subject to this License. You are not responsible for enforcing compliance by third parties with this License. An "entity transaction" is a transaction transferring control of an organization, or substantially all assets of one, or subdividing an organization, or merging organizations. If propagation of a covered work results from an entity transaction, each party to that transaction who receives a copy of the work also receives whatever licenses to the work the party's predecessor in interest had or could give under the previous paragraph, plus a right to possession of the Corresponding Source of the work from the predecessor in interest, if the predecessor has it or can get it with reasonable efforts. You may not impose any further restrictions on the exercise of the rights granted or affirmed under this License. For example, you may not impose a license fee, royalty, or other charge for exercise of rights granted under this License, and you may not initiate litigation (including a cross-claim or counterclaim in a lawsuit) alleging that any patent claim is infringed by making, using, selling, offering for sale, or importing the Program or any portion of it. 11. Patents. A "contributor" is a copyright holder who authorizes use under this License of the Program or a work on which the Program is based. The work thus licensed is called the contributor's "contributor version". A contributor's "essential patent claims" are all patent claims owned or controlled by the contributor, whether already acquired or hereafter acquired, that would be infringed by some manner, permitted by this License, of making, using, or selling its contributor version, but do not include claims that would be infringed only as a consequence of further modification of the contributor version. For purposes of this definition, "control" includes the right to grant patent sublicenses in a manner consistent with the requirements of this License. Each contributor grants you a non-exclusive, worldwide, royalty-free patent license under the contributor's essential patent claims, to make, use, sell, offer for sale, import and otherwise run, modify and propagate the contents of its contributor version. In the following three paragraphs, a "patent license" is any express agreement or commitment, however denominated, not to enforce a patent (such as an express permission to practice a patent or covenant not to sue for patent infringement). To "grant" such a patent license to a party means to make such an agreement or commitment not to enforce a patent against the party. If you convey a covered work, knowingly relying on a patent license, and the Corresponding Source of the work is not available for anyone to copy, free of charge and under the terms of this License, through a publicly available network server or other readily accessible means, then you must either (1) cause the Corresponding Source to be so available, or (2) arrange to deprive yourself of the benefit of the patent license for this particular work, or (3) arrange, in a manner consistent with the requirements of this License, to extend the patent license to downstream recipients. "Knowingly relying" means you have actual knowledge that, but for the patent license, your conveying the covered work in a country, or your recipient's use of the covered work in a country, would infringe one or more identifiable patents in that country that you have reason to believe are valid. If, pursuant to or in connection with a single transaction or arrangement, you convey, or propagate by procuring conveyance of, a covered work, and grant a patent license to some of the parties receiving the covered work authorizing them to use, propagate, modify or convey a specific copy of the covered work, then the patent license you grant is automatically extended to all recipients of the covered work and works based on it. A patent license is "discriminatory" if it does not include within the scope of its coverage, prohibits the exercise of, or is conditioned on the non-exercise of one or more of the rights that are specifically granted under this License. You may not convey a covered work if you are a party to an arrangement with a third party that is in the business of distributing software, under which you make payment to the third party based on the extent of your activity of conveying the work, and under which the third party grants, to any of the parties who would receive the covered work from you, a discriminatory patent license (a) in connection with copies of the covered work conveyed by you (or copies made from those copies), or (b) primarily for and in connection with specific products or compilations that contain the covered work, unless you entered into that arrangement, or that patent license was granted, prior to 28 March 2007. Nothing in this License shall be construed as excluding or limiting any implied license or other defenses to infringement that may otherwise be available to you under applicable patent law. 12. No Surrender of Others' Freedom. If conditions are imposed on you (whether by court order, agreement or otherwise) that contradict the conditions of this License, they do not excuse you from the conditions of this License. If you cannot convey a covered work so as to satisfy simultaneously your obligations under this License and any other pertinent obligations, then as a consequence you may not convey it at all. For example, if you agree to terms that obligate you to collect a royalty for further conveying from those to whom you convey the Program, the only way you could satisfy both those terms and this License would be to refrain entirely from conveying the Program. 13. Remote Network Interaction; Use with the GNU General Public License. Notwithstanding any other provision of this License, if you modify the Program, your modified version must prominently offer all users interacting with it remotely through a computer network (if your version supports such interaction) an opportunity to receive the Corresponding Source of your version by providing access to the Corresponding Source from a network server at no charge, through some standard or customary means of facilitating copying of software. This Corresponding Source shall include the Corresponding Source for any work covered by version 3 of the GNU General Public License that is incorporated pursuant to the following paragraph. Notwithstanding any other provision of this License, you have permission to link or combine any covered work with a work licensed under version 3 of the GNU General Public License into a single combined work, and to convey the resulting work. The terms of this License will continue to apply to the part which is the covered work, but the work with which it is combined will remain governed by version 3 of the GNU General Public License. 14. Revised Versions of this License. The Free Software Foundation may publish revised and/or new versions of the GNU Affero General Public License from time to time. Such new versions will be similar in spirit to the present version, but may differ in detail to address new problems or concerns. Each version is given a distinguishing version number. If the Program specifies that a certain numbered version of the GNU Affero General Public License "or any later version" applies to it, you have the option of following the terms and conditions either of that numbered version or of any later version published by the Free Software Foundation. If the Program does not specify a version number of the GNU Affero General Public License, you may choose any version ever published by the Free Software Foundation. If the Program specifies that a proxy can decide which future versions of the GNU Affero General Public License can be used, that proxy's public statement of acceptance of a version permanently authorizes you to choose that version for the Program. Later license versions may give you additional or different permissions. However, no additional obligations are imposed on any author or copyright holder as a result of your choosing to follow a later version. 15. Disclaimer of Warranty. THERE IS NO WARRANTY FOR THE PROGRAM, TO THE EXTENT PERMITTED BY APPLICABLE LAW. EXCEPT WHEN OTHERWISE STATED IN WRITING THE COPYRIGHT HOLDERS AND/OR OTHER PARTIES PROVIDE THE PROGRAM "AS IS" WITHOUT WARRANTY OF ANY KIND, EITHER EXPRESSED OR IMPLIED, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE. THE ENTIRE RISK AS TO THE QUALITY AND PERFORMANCE OF THE PROGRAM IS WITH YOU. SHOULD THE PROGRAM PROVE DEFECTIVE, YOU ASSUME THE COST OF ALL NECESSARY SERVICING, REPAIR OR CORRECTION. 16. Limitation of Liability. IN NO EVENT UNLESS REQUIRED BY APPLICABLE LAW OR AGREED TO IN WRITING WILL ANY COPYRIGHT HOLDER, OR ANY OTHER PARTY WHO MODIFIES AND/OR CONVEYS THE PROGRAM AS PERMITTED ABOVE, BE LIABLE TO YOU FOR DAMAGES, INCLUDING ANY GENERAL, SPECIAL, INCIDENTAL OR CONSEQUENTIAL DAMAGES ARISING OUT OF THE USE OR INABILITY TO USE THE PROGRAM (INCLUDING BUT NOT LIMITED TO LOSS OF DATA OR DATA BEING RENDERED INACCURATE OR LOSSES SUSTAINED BY YOU OR THIRD PARTIES OR A FAILURE OF THE PROGRAM TO OPERATE WITH ANY OTHER PROGRAMS), EVEN IF SUCH HOLDER OR OTHER PARTY HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES. 17. Interpretation of Sections 15 and 16. If the disclaimer of warranty and limitation of liability provided above cannot be given local legal effect according to their terms, reviewing courts shall apply local law that most closely approximates an absolute waiver of all civil liability in connection with the Program, unless a warranty or assumption of liability accompanies a copy of the Program in return for a fee. END OF TERMS AND CONDITIONS How to Apply These Terms to Your New Programs If you develop a new program, and you want it to be of the greatest possible use to the public, the best way to achieve this is to make it free software which everyone can redistribute and change under these terms. To do so, attach the following notices to the program. It is safest to attach them to the start of each source file to most effectively state the exclusion of warranty; and each file should have at least the "copyright" line and a pointer to where the full notice is found. PM2 Process manager for Node.JS Copyright (C) 2013-2016 Strzelewicz Alexandre This program is free software: you can redistribute it and/or modify it under the terms of the GNU Affero General Public License as published by the Free Software Foundation, either version 3 of the License, or (at your option) any later version. This program is distributed in the hope that it will be useful, but WITHOUT ANY WARRANTY; without even the implied warranty of MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the GNU Affero General Public License for more details. You should have received a copy of the GNU Affero General Public License along with this program. If not, see <http://www.gnu.org/licenses/>. Also add information on how to contact you by electronic and paper mail. If your software can interact with users remotely through a computer network, you should also make sure that it provides a way for users to get its source. For example, if your program is a web application, its interface could display a "Source" link that leads users to an archive of the code. There are many ways you could offer source, and different solutions will be better for different programs; see section 13 for the specific requirements. You should also get your employer (if you work as a programmer) or school, if any, to sign a "copyright disclaimer" for the program, if necessary. For more information on this, and how to apply and follow the GNU AGPL, see <http://www.gnu.org/licenses/>. --- ALEXANDRE STRZELEWICZ

GNU GENERAL PUBLIC LICENSE Version 3, 29 June 2007 Copyright (C) 2007 Free Software Foundation, Inc. <https://fsf.org/> Everyone is permitted to copy and distribute verbatim copies of this license document, but changing it is not allowed. Preamble The GNU General Public License is a free, copyleft license for software and other kinds of works. The licenses for most software and other practical works are designed to take away your freedom to share and change the works. By contrast, the GNU General Public License is intended to guarantee your freedom to share and change all versions of a program--to make sure it remains free software for all its users. We, the Free Software Foundation, use the GNU General Public License for most of our software; it applies also to any other work released this way by its authors. You can apply it to your programs, too. When we speak of free software, we are referring to freedom, not price. Our General Public Licenses are designed to make sure that you have the freedom to distribute copies of free software (and charge for them if you wish), that you receive source code or can get it if you want it, that you can change the software or use pieces of it in new free programs, and that you know you can do these things. To protect your rights, we need to prevent others from denying you these rights or asking you to surrender the rights. Therefore, you have certain responsibilities if you distribute copies of the software, or if you modify it: responsibilities to respect the freedom of others. For example, if you distribute copies of such a program, whether gratis or for a fee, you must pass on to the recipients the same freedoms that you received. You must make sure that they, too, receive or can get the source code. And you must show them these terms so they know their rights. Developers that use the GNU GPL protect your rights with two steps: (1) assert copyright on the software, and (2) offer you this License giving you legal permission to copy, distribute and/or modify it. For the developers' and authors' protection, the GPL clearly explains that there is no warranty for this free software. For both users' and authors' sake, the GPL requires that modified versions be marked as changed, so that their problems will not be attributed erroneously to authors of previous versions. Some devices are designed to deny users access to install or run modified versions of the software inside them, although the manufacturer can do so. This is fundamentally incompatible with the aim of protecting users' freedom to change the software. The systematic pattern of such abuse occurs in the area of products for individuals to use, which is precisely where it is most unacceptable. Therefore, we have designed this version of the GPL to prohibit the practice for those products. If such problems arise substantially in other domains, we stand ready to extend this provision to those domains in future versions of the GPL, as needed to protect the freedom of users. Finally, every program is threatened constantly by software patents. States should not allow patents to restrict development and use of software on general-purpose computers, but in those that do, we wish to avoid the special danger that patents applied to a free program could make it effectively proprietary. To prevent this, the GPL assures that patents cannot be used to render the program non-free. The precise terms and conditions for copying, distribution and modification follow. TERMS AND CONDITIONS 0. Definitions. "This License" refers to version 3 of the GNU General Public License. "Copyright" also means copyright-like laws that apply to other kinds of works, such as semiconductor masks. "The Program" refers to any copyrightable work licensed under this License. Each licensee is addressed as "you". "Licensees" and "recipients" may be individuals or organizations. To "modify" a work means to copy from or adapt all or part of the work in a fashion requiring copyright permission, other than the making of an exact copy. The resulting work is called a "modified version" of the earlier work or a work "based on" the earlier work. A "covered work" means either the unmodified Program or a work based on the Program. To "propagate" a work means to do anything with it that, without permission, would make you directly or secondarily liable for infringement under applicable copyright law, except executing it on a computer or modifying a private copy. Propagation includes copying, distribution (with or without modification), making available to the public, and in some countries other activities as well. To "convey" a work means any kind of propagation that enables other parties to make or receive copies. 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You may convey a work based on the Program, or the modifications to produce it from the Program, in the form of source code under the terms of section 4, provided that you also meet all of these conditions: a) The work must carry prominent notices stating that you modified it, and giving a relevant date. b) The work must carry prominent notices stating that it is released under this License and any conditions added under section 7. This requirement modifies the requirement in section 4 to "keep intact all notices". c) You must license the entire work, as a whole, under this License to anyone who comes into possession of a copy. This License will therefore apply, along with any applicable section 7 additional terms, to the whole of the work, and all its parts, regardless of how they are packaged. This License gives no permission to license the work in any other way, but it does not invalidate such permission if you have separately received it. d) If the work has interactive user interfaces, each must display Appropriate Legal Notices; however, if the Program has interactive interfaces that do not display Appropriate Legal Notices, your work need not make them do so. A compilation of a covered work with other separate and independent works, which are not by their nature extensions of the covered work, and which are not combined with it such as to form a larger program, in or on a volume of a storage or distribution medium, is called an "aggregate" if the compilation and its resulting copyright are not used to limit the access or legal rights of the compilation's users beyond what the individual works permit. Inclusion of a covered work in an aggregate does not cause this License to apply to the other parts of the aggregate. 6. Conveying Non-Source Forms. 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However, nothing other than this License grants you permission to propagate or modify any covered work. These actions infringe copyright if you do not accept this License. Therefore, by modifying or propagating a covered work, you indicate your acceptance of this License to do so. 10. Automatic Licensing of Downstream Recipients. Each time you convey a covered work, the recipient automatically receives a license from the original licensors, to run, modify and propagate that work, subject to this License. You are not responsible for enforcing compliance by third parties with this License. An "entity transaction" is a transaction transferring control of an organization, or substantially all assets of one, or subdividing an organization, or merging organizations. If propagation of a covered work results from an entity transaction, each party to that transaction who receives a copy of the work also receives whatever licenses to the work the party's predecessor in interest had or could give under the previous paragraph, plus a right to possession of the Corresponding Source of the work from the predecessor in interest, if the predecessor has it or can get it with reasonable efforts. You may not impose any further restrictions on the exercise of the rights granted or affirmed under this License. For example, you may not impose a license fee, royalty, or other charge for exercise of rights granted under this License, and you may not initiate litigation (including a cross-claim or counterclaim in a lawsuit) alleging that any patent claim is infringed by making, using, selling, offering for sale, or importing the Program or any portion of it. 11. Patents. A "contributor" is a copyright holder who authorizes use under this License of the Program or a work on which the Program is based. The work thus licensed is called the contributor's "contributor version". A contributor's "essential patent claims" are all patent claims owned or controlled by the contributor, whether already acquired or hereafter acquired, that would be infringed by some manner, permitted by this License, of making, using, or selling its contributor version, but do not include claims that would be infringed only as a consequence of further modification of the contributor version. For purposes of this definition, "control" includes the right to grant patent sublicenses in a manner consistent with the requirements of this License. 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If you convey a covered work, knowingly relying on a patent license, and the Corresponding Source of the work is not available for anyone to copy, free of charge and under the terms of this License, through a publicly available network server or other readily accessible means, then you must either (1) cause the Corresponding Source to be so available, or (2) arrange to deprive yourself of the benefit of the patent license for this particular work, or (3) arrange, in a manner consistent with the requirements of this License, to extend the patent license to downstream recipients. "Knowingly relying" means you have actual knowledge that, but for the patent license, your conveying the covered work in a country, or your recipient's use of the covered work in a country, would infringe one or more identifiable patents in that country that you have reason to believe are valid. If, pursuant to or in connection with a single transaction or arrangement, you convey, or propagate by procuring conveyance of, a covered work, and grant a patent license to some of the parties receiving the covered work authorizing them to use, propagate, modify or convey a specific copy of the covered work, then the patent license you grant is automatically extended to all recipients of the covered work and works based on it. A patent license is "discriminatory" if it does not include within the scope of its coverage, prohibits the exercise of, or is conditioned on the non-exercise of one or more of the rights that are specifically granted under this License. You may not convey a covered work if you are a party to an arrangement with a third party that is in the business of distributing software, under which you make payment to the third party based on the extent of your activity of conveying the work, and under which the third party grants, to any of the parties who would receive the covered work from you, a discriminatory patent license (a) in connection with copies of the covered work conveyed by you (or copies made from those copies), or (b) primarily for and in connection with specific products or compilations that contain the covered work, unless you entered into that arrangement, or that patent license was granted, prior to 28 March 2007. Nothing in this License shall be construed as excluding or limiting any implied license or other defenses to infringement that may otherwise be available to you under applicable patent law. 12. No Surrender of Others' Freedom. If conditions are imposed on you (whether by court order, agreement or otherwise) that contradict the conditions of this License, they do not excuse you from the conditions of this License. If you cannot convey a covered work so as to satisfy simultaneously your obligations under this License and any other pertinent obligations, then as a consequence you may not convey it at all. For example, if you agree to terms that obligate you to collect a royalty for further conveying from those to whom you convey the Program, the only way you could satisfy both those terms and this License would be to refrain entirely from conveying the Program. 13. Use with the GNU Affero General Public License. Notwithstanding any other provision of this License, you have permission to link or combine any covered work with a work licensed under version 3 of the GNU Affero General Public License into a single combined work, and to convey the resulting work. The terms of this License will continue to apply to the part which is the covered work, but the special requirements of the GNU Affero General Public License, section 13, concerning interaction through a network will apply to the combination as such. 14. Revised Versions of this License. The Free Software Foundation may publish revised and/or new versions of the GNU General Public License from time to time. Such new versions will be similar in spirit to the present version, but may differ in detail to address new problems or concerns. Each version is given a distinguishing version number. If the Program specifies that a certain numbered version of the GNU General Public License "or any later version" applies to it, you have the option of following the terms and conditions either of that numbered version or of any later version published by the Free Software Foundation. If the Program does not specify a version number of the GNU General Public License, you may choose any version ever published by the Free Software Foundation. If the Program specifies that a proxy can decide which future versions of the GNU General Public License can be used, that proxy's public statement of acceptance of a version permanently authorizes you to choose that version for the Program. Later license versions may give you additional or different permissions. However, no additional obligations are imposed on any author or copyright holder as a result of your choosing to follow a later version. 15. Disclaimer of Warranty. THERE IS NO WARRANTY FOR THE PROGRAM, TO THE EXTENT PERMITTED BY APPLICABLE LAW. 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IN NO EVENT UNLESS REQUIRED BY APPLICABLE LAW OR AGREED TO IN WRITING WILL ANY COPYRIGHT HOLDER, OR ANY OTHER PARTY WHO MODIFIES AND/OR CONVEYS THE PROGRAM AS PERMITTED ABOVE, BE LIABLE TO YOU FOR DAMAGES, INCLUDING ANY GENERAL, SPECIAL, INCIDENTAL OR CONSEQUENTIAL DAMAGES ARISING OUT OF THE USE OR INABILITY TO USE THE PROGRAM (INCLUDING BUT NOT LIMITED TO LOSS OF DATA OR DATA BEING RENDERED INACCURATE OR LOSSES SUSTAINED BY YOU OR THIRD PARTIES OR A FAILURE OF THE PROGRAM TO OPERATE WITH ANY OTHER PROGRAMS), EVEN IF SUCH HOLDER OR OTHER PARTY HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES. 17. Interpretation of Sections 15 and 16. If the disclaimer of warranty and limitation of liability provided above cannot be given local legal effect according to their terms, reviewing courts shall apply local law that most closely approximates an absolute waiver of all civil liability in connection with the Program, unless a warranty or assumption of liability accompanies a copy of the Program in return for a fee. END OF TERMS AND CONDITIONS How to Apply These Terms to Your New Programs If you develop a new program, and you want it to be of the greatest possible use to the public, the best way to achieve this is to make it free software which everyone can redistribute and change under these terms. To do so, attach the following notices to the program. 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Also add information on how to contact you by electronic and paper mail. If the program does terminal interaction, make it output a short notice like this when it starts in an interactive mode: <program> Copyright (C) <year> <name of author> This program comes with ABSOLUTELY NO WARRANTY; for details type `show w'. This is free software, and you are welcome to redistribute it under certain conditions; type `show c' for details. The hypothetical commands `show w' and `show c' should show the appropriate parts of the General Public License. Of course, your program's commands might be different; for a GUI interface, you would use an "about box". You should also get your employer (if you work as a programmer) or school, if any, to sign a "copyright disclaimer" for the program, if necessary. For more information on this, and how to apply and follow the GNU GPL, see <https://www.gnu.org/licenses/>. The GNU General Public License does not permit incorporating your program into proprietary programs. If your program is a subroutine library, you may consider it more useful to permit linking proprietary applications with the library. If this is what you want to do, use the GNU Lesser General Public License instead of this License. But first, please read <https://www.gnu.org/licenses/why-not-lgpl.html>.

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An Online anonymous temporary chat rooms platform that lets users create private chats rooms with secret codes and allows people to chat in groups. It is fully secured and anonymous as nothing is stored on the server. Everything is erased about you as soon as you log out.

GNU GENERAL PUBLIC LICENSE Version 3, 29 June 2007 Copyright (C) 2007 Free Software Foundation, Inc. <https://fsf.org/> Everyone is permitted to copy and distribute verbatim copies of this license document, but changing it is not allowed. Preamble The GNU General Public License is a free, copyleft license for software and other kinds of works. The licenses for most software and other practical works are designed to take away your freedom to share and change the works. By contrast, the GNU General Public License is intended to guarantee your freedom to share and change all versions of a program--to make sure it remains free software for all its users. We, the Free Software Foundation, use the GNU General Public License for most of our software; it applies also to any other work released this way by its authors. You can apply it to your programs, too. When we speak of free software, we are referring to freedom, not price. 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Developers that use the GNU GPL protect your rights with two steps: (1) assert copyright on the software, and (2) offer you this License giving you legal permission to copy, distribute and/or modify it. For the developers' and authors' protection, the GPL clearly explains that there is no warranty for this free software. For both users' and authors' sake, the GPL requires that modified versions be marked as changed, so that their problems will not be attributed erroneously to authors of previous versions. Some devices are designed to deny users access to install or run modified versions of the software inside them, although the manufacturer can do so. This is fundamentally incompatible with the aim of protecting users' freedom to change the software. The systematic pattern of such abuse occurs in the area of products for individuals to use, which is precisely where it is most unacceptable. Therefore, we have designed this version of the GPL to prohibit the practice for those products. 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Mere interaction with a user through a computer network, with no transfer of a copy, is not conveying. An interactive user interface displays "Appropriate Legal Notices" to the extent that it includes a convenient and prominently visible feature that (1) displays an appropriate copyright notice, and (2) tells the user that there is no warranty for the work (except to the extent that warranties are provided), that licensees may convey the work under this License, and how to view a copy of this License. If the interface presents a list of user commands or options, such as a menu, a prominent item in the list meets this criterion. 1. Source Code. The "source code" for a work means the preferred form of the work for making modifications to it. "Object code" means any non-source form of a work. 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However, nothing other than this License grants you permission to propagate or modify any covered work. These actions infringe copyright if you do not accept this License. Therefore, by modifying or propagating a covered work, you indicate your acceptance of this License to do so. 10. Automatic Licensing of Downstream Recipients. Each time you convey a covered work, the recipient automatically receives a license from the original licensors, to run, modify and propagate that work, subject to this License. You are not responsible for enforcing compliance by third parties with this License. An "entity transaction" is a transaction transferring control of an organization, or substantially all assets of one, or subdividing an organization, or merging organizations. If propagation of a covered work results from an entity transaction, each party to that transaction who receives a copy of the work also receives whatever licenses to the work the party's predecessor in interest had or could give under the previous paragraph, plus a right to possession of the Corresponding Source of the work from the predecessor in interest, if the predecessor has it or can get it with reasonable efforts. You may not impose any further restrictions on the exercise of the rights granted or affirmed under this License. For example, you may not impose a license fee, royalty, or other charge for exercise of rights granted under this License, and you may not initiate litigation (including a cross-claim or counterclaim in a lawsuit) alleging that any patent claim is infringed by making, using, selling, offering for sale, or importing the Program or any portion of it. 11. Patents. 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You may not convey a covered work if you are a party to an arrangement with a third party that is in the business of distributing software, under which you make payment to the third party based on the extent of your activity of conveying the work, and under which the third party grants, to any of the parties who would receive the covered work from you, a discriminatory patent license (a) in connection with copies of the covered work conveyed by you (or copies made from those copies), or (b) primarily for and in connection with specific products or compilations that contain the covered work, unless you entered into that arrangement, or that patent license was granted, prior to 28 March 2007. Nothing in this License shall be construed as excluding or limiting any implied license or other defenses to infringement that may otherwise be available to you under applicable patent law. 12. No Surrender of Others' Freedom. 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If the Program does not specify a version number of the GNU General Public License, you may choose any version ever published by the Free Software Foundation. If the Program specifies that a proxy can decide which future versions of the GNU General Public License can be used, that proxy's public statement of acceptance of a version permanently authorizes you to choose that version for the Program. Later license versions may give you additional or different permissions. However, no additional obligations are imposed on any author or copyright holder as a result of your choosing to follow a later version. 15. Disclaimer of Warranty. THERE IS NO WARRANTY FOR THE PROGRAM, TO THE EXTENT PERMITTED BY APPLICABLE LAW. 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IN NO EVENT UNLESS REQUIRED BY APPLICABLE LAW OR AGREED TO IN WRITING WILL ANY COPYRIGHT HOLDER, OR ANY OTHER PARTY WHO MODIFIES AND/OR CONVEYS THE PROGRAM AS PERMITTED ABOVE, BE LIABLE TO YOU FOR DAMAGES, INCLUDING ANY GENERAL, SPECIAL, INCIDENTAL OR CONSEQUENTIAL DAMAGES ARISING OUT OF THE USE OR INABILITY TO USE THE PROGRAM (INCLUDING BUT NOT LIMITED TO LOSS OF DATA OR DATA BEING RENDERED INACCURATE OR LOSSES SUSTAINED BY YOU OR THIRD PARTIES OR A FAILURE OF THE PROGRAM TO OPERATE WITH ANY OTHER PROGRAMS), EVEN IF SUCH HOLDER OR OTHER PARTY HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES. 17. Interpretation of Sections 15 and 16. If the disclaimer of warranty and limitation of liability provided above cannot be given local legal effect according to their terms, reviewing courts shall apply local law that most closely approximates an absolute waiver of all civil liability in connection with the Program, unless a warranty or assumption of liability accompanies a copy of the Program in return for a fee. END OF TERMS AND CONDITIONS How to Apply These Terms to Your New Programs If you develop a new program, and you want it to be of the greatest possible use to the public, the best way to achieve this is to make it free software which everyone can redistribute and change under these terms. To do so, attach the following notices to the program. It is safest to attach them to the start of each source file to most effectively state the exclusion of warranty; and each file should have at least the "copyright" line and a pointer to where the full notice is found. <one line to give the program's name and a brief idea of what it does.> Copyright (C) <year> <name of author> This program is free software: you can redistribute it and/or modify it under the terms of the GNU General Public License as published by the Free Software Foundation, either version 3 of the License, or (at your option) any later version. This program is distributed in the hope that it will be useful, but WITHOUT ANY WARRANTY; without even the implied warranty of MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the GNU General Public License for more details. You should have received a copy of the GNU General Public License along with this program. If not, see <https://www.gnu.org/licenses/>. Also add information on how to contact you by electronic and paper mail. If the program does terminal interaction, make it output a short notice like this when it starts in an interactive mode: <program> Copyright (C) <year> <name of author> This program comes with ABSOLUTELY NO WARRANTY; for details type `show w'. This is free software, and you are welcome to redistribute it under certain conditions; type `show c' for details. The hypothetical commands `show w' and `show c' should show the appropriate parts of the General Public License. Of course, your program's commands might be different; for a GUI interface, you would use an "about box". You should also get your employer (if you work as a programmer) or school, if any, to sign a "copyright disclaimer" for the program, if necessary. For more information on this, and how to apply and follow the GNU GPL, see <https://www.gnu.org/licenses/>. The GNU General Public License does not permit incorporating your program into proprietary programs. If your program is a subroutine library, you may consider it more useful to permit linking proprietary applications with the library. If this is what you want to do, use the GNU Lesser General Public License instead of this License. But first, please read <https://www.gnu.org/licenses/why-not-lgpl.html>.

GNU GENERAL PUBLIC LICENSE Version 3, 29 June 2007 Copyright (C) 2007 Free Software Foundation, Inc. <https://fsf.org/> Everyone is permitted to copy and distribute verbatim copies of this license document, but changing it is not allowed. Preamble The GNU General Public License is a free, copyleft license for software and other kinds of works. The licenses for most software and other practical works are designed to take away your freedom to share and change the works. By contrast, the GNU General Public License is intended to guarantee your freedom to share and change all versions of a program--to make sure it remains free software for all its users. We, the Free Software Foundation, use the GNU General Public License for most of our software; it applies also to any other work released this way by its authors. You can apply it to your programs, too. When we speak of free software, we are referring to freedom, not price. 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Developers that use the GNU GPL protect your rights with two steps: (1) assert copyright on the software, and (2) offer you this License giving you legal permission to copy, distribute and/or modify it. For the developers' and authors' protection, the GPL clearly explains that there is no warranty for this free software. For both users' and authors' sake, the GPL requires that modified versions be marked as changed, so that their problems will not be attributed erroneously to authors of previous versions. Some devices are designed to deny users access to install or run modified versions of the software inside them, although the manufacturer can do so. This is fundamentally incompatible with the aim of protecting users' freedom to change the software. The systematic pattern of such abuse occurs in the area of products for individuals to use, which is precisely where it is most unacceptable. Therefore, we have designed this version of the GPL to prohibit the practice for those products. If such problems arise substantially in other domains, we stand ready to extend this provision to those domains in future versions of the GPL, as needed to protect the freedom of users. Finally, every program is threatened constantly by software patents. States should not allow patents to restrict development and use of software on general-purpose computers, but in those that do, we wish to avoid the special danger that patents applied to a free program could make it effectively proprietary. To prevent this, the GPL assures that patents cannot be used to render the program non-free. The precise terms and conditions for copying, distribution and modification follow. TERMS AND CONDITIONS 0. Definitions. "This License" refers to version 3 of the GNU General Public License. "Copyright" also means copyright-like laws that apply to other kinds of works, such as semiconductor masks. "The Program" refers to any copyrightable work licensed under this License. Each licensee is addressed as "you". "Licensees" and "recipients" may be individuals or organizations. To "modify" a work means to copy from or adapt all or part of the work in a fashion requiring copyright permission, other than the making of an exact copy. The resulting work is called a "modified version" of the earlier work or a work "based on" the earlier work. A "covered work" means either the unmodified Program or a work based on the Program. To "propagate" a work means to do anything with it that, without permission, would make you directly or secondarily liable for infringement under applicable copyright law, except executing it on a computer or modifying a private copy. Propagation includes copying, distribution (with or without modification), making available to the public, and in some countries other activities as well. To "convey" a work means any kind of propagation that enables other parties to make or receive copies. Mere interaction with a user through a computer network, with no transfer of a copy, is not conveying. An interactive user interface displays "Appropriate Legal Notices" to the extent that it includes a convenient and prominently visible feature that (1) displays an appropriate copyright notice, and (2) tells the user that there is no warranty for the work (except to the extent that warranties are provided), that licensees may convey the work under this License, and how to view a copy of this License. If the interface presents a list of user commands or options, such as a menu, a prominent item in the list meets this criterion. 1. Source Code. The "source code" for a work means the preferred form of the work for making modifications to it. "Object code" means any non-source form of a work. 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The Corresponding Source for a work in source code form is that same work. 2. Basic Permissions. All rights granted under this License are granted for the term of copyright on the Program, and are irrevocable provided the stated conditions are met. This License explicitly affirms your unlimited permission to run the unmodified Program. The output from running a covered work is covered by this License only if the output, given its content, constitutes a covered work. This License acknowledges your rights of fair use or other equivalent, as provided by copyright law. You may make, run and propagate covered works that you do not convey, without conditions so long as your license otherwise remains in force. You may convey covered works to others for the sole purpose of having them make modifications exclusively for you, or provide you with facilities for running those works, provided that you comply with the terms of this License in conveying all material for which you do not control copyright. Those thus making or running the covered works for you must do so exclusively on your behalf, under your direction and control, on terms that prohibit them from making any copies of your copyrighted material outside their relationship with you. Conveying under any other circumstances is permitted solely under the conditions stated below. Sublicensing is not allowed; section 10 makes it unnecessary. 3. Protecting Users' Legal Rights From Anti-Circumvention Law. 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You may convey verbatim copies of the Program's source code as you receive it, in any medium, provided that you conspicuously and appropriately publish on each copy an appropriate copyright notice; keep intact all notices stating that this License and any non-permissive terms added in accord with section 7 apply to the code; keep intact all notices of the absence of any warranty; and give all recipients a copy of this License along with the Program. You may charge any price or no price for each copy that you convey, and you may offer support or warranty protection for a fee. 5. Conveying Modified Source Versions. 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This License gives no permission to license the work in any other way, but it does not invalidate such permission if you have separately received it. d) If the work has interactive user interfaces, each must display Appropriate Legal Notices; however, if the Program has interactive interfaces that do not display Appropriate Legal Notices, your work need not make them do so. A compilation of a covered work with other separate and independent works, which are not by their nature extensions of the covered work, and which are not combined with it such as to form a larger program, in or on a volume of a storage or distribution medium, is called an "aggregate" if the compilation and its resulting copyright are not used to limit the access or legal rights of the compilation's users beyond what the individual works permit. Inclusion of a covered work in an aggregate does not cause this License to apply to the other parts of the aggregate. 6. Conveying Non-Source Forms. You may convey a covered work in object code form under the terms of sections 4 and 5, provided that you also convey the machine-readable Corresponding Source under the terms of this License, in one of these ways: a) Convey the object code in, or embodied in, a physical product (including a physical distribution medium), accompanied by the Corresponding Source fixed on a durable physical medium customarily used for software interchange. b) Convey the object code in, or embodied in, a physical product (including a physical distribution medium), accompanied by a written offer, valid for at least three years and valid for as long as you offer spare parts or customer support for that product model, to give anyone who possesses the object code either (1) a copy of the Corresponding Source for all the software in the product that is covered by this License, on a durable physical medium customarily used for software interchange, for a price no more than your reasonable cost of physically performing this conveying of source, or (2) access to copy the Corresponding Source from a network server at no charge. c) Convey individual copies of the object code with a copy of the written offer to provide the Corresponding Source. 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If you convey an object code work under this section in, or with, or specifically for use in, a User Product, and the conveying occurs as part of a transaction in which the right of possession and use of the User Product is transferred to the recipient in perpetuity or for a fixed term (regardless of how the transaction is characterized), the Corresponding Source conveyed under this section must be accompanied by the Installation Information. But this requirement does not apply if neither you nor any third party retains the ability to install modified object code on the User Product (for example, the work has been installed in ROM). The requirement to provide Installation Information does not include a requirement to continue to provide support service, warranty, or updates for a work that has been modified or installed by the recipient, or for the User Product in which it has been modified or installed. 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If additional permissions apply only to part of the Program, that part may be used separately under those permissions, but the entire Program remains governed by this License without regard to the additional permissions. When you convey a copy of a covered work, you may at your option remove any additional permissions from that copy, or from any part of it. (Additional permissions may be written to require their own removal in certain cases when you modify the work.) You may place additional permissions on material, added by you to a covered work, for which you have or can give appropriate copyright permission. 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However, nothing other than this License grants you permission to propagate or modify any covered work. These actions infringe copyright if you do not accept this License. Therefore, by modifying or propagating a covered work, you indicate your acceptance of this License to do so. 10. Automatic Licensing of Downstream Recipients. Each time you convey a covered work, the recipient automatically receives a license from the original licensors, to run, modify and propagate that work, subject to this License. You are not responsible for enforcing compliance by third parties with this License. An "entity transaction" is a transaction transferring control of an organization, or substantially all assets of one, or subdividing an organization, or merging organizations. If propagation of a covered work results from an entity transaction, each party to that transaction who receives a copy of the work also receives whatever licenses to the work the party's predecessor in interest had or could give under the previous paragraph, plus a right to possession of the Corresponding Source of the work from the predecessor in interest, if the predecessor has it or can get it with reasonable efforts. You may not impose any further restrictions on the exercise of the rights granted or affirmed under this License. For example, you may not impose a license fee, royalty, or other charge for exercise of rights granted under this License, and you may not initiate litigation (including a cross-claim or counterclaim in a lawsuit) alleging that any patent claim is infringed by making, using, selling, offering for sale, or importing the Program or any portion of it. 11. Patents. 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You may not convey a covered work if you are a party to an arrangement with a third party that is in the business of distributing software, under which you make payment to the third party based on the extent of your activity of conveying the work, and under which the third party grants, to any of the parties who would receive the covered work from you, a discriminatory patent license (a) in connection with copies of the covered work conveyed by you (or copies made from those copies), or (b) primarily for and in connection with specific products or compilations that contain the covered work, unless you entered into that arrangement, or that patent license was granted, prior to 28 March 2007. Nothing in this License shall be construed as excluding or limiting any implied license or other defenses to infringement that may otherwise be available to you under applicable patent law. 12. No Surrender of Others' Freedom. If conditions are imposed on you (whether by court order, agreement or otherwise) that contradict the conditions of this License, they do not excuse you from the conditions of this License. If you cannot convey a covered work so as to satisfy simultaneously your obligations under this License and any other pertinent obligations, then as a consequence you may not convey it at all. For example, if you agree to terms that obligate you to collect a royalty for further conveying from those to whom you convey the Program, the only way you could satisfy both those terms and this License would be to refrain entirely from conveying the Program. 13. Use with the GNU Affero General Public License. Notwithstanding any other provision of this License, you have permission to link or combine any covered work with a work licensed under version 3 of the GNU Affero General Public License into a single combined work, and to convey the resulting work. The terms of this License will continue to apply to the part which is the covered work, but the special requirements of the GNU Affero General Public License, section 13, concerning interaction through a network will apply to the combination as such. 14. Revised Versions of this License. The Free Software Foundation may publish revised and/or new versions of the GNU General Public License from time to time. Such new versions will be similar in spirit to the present version, but may differ in detail to address new problems or concerns. Each version is given a distinguishing version number. If the Program specifies that a certain numbered version of the GNU General Public License "or any later version" applies to it, you have the option of following the terms and conditions either of that numbered version or of any later version published by the Free Software Foundation. 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IN NO EVENT UNLESS REQUIRED BY APPLICABLE LAW OR AGREED TO IN WRITING WILL ANY COPYRIGHT HOLDER, OR ANY OTHER PARTY WHO MODIFIES AND/OR CONVEYS THE PROGRAM AS PERMITTED ABOVE, BE LIABLE TO YOU FOR DAMAGES, INCLUDING ANY GENERAL, SPECIAL, INCIDENTAL OR CONSEQUENTIAL DAMAGES ARISING OUT OF THE USE OR INABILITY TO USE THE PROGRAM (INCLUDING BUT NOT LIMITED TO LOSS OF DATA OR DATA BEING RENDERED INACCURATE OR LOSSES SUSTAINED BY YOU OR THIRD PARTIES OR A FAILURE OF THE PROGRAM TO OPERATE WITH ANY OTHER PROGRAMS), EVEN IF SUCH HOLDER OR OTHER PARTY HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES. 17. Interpretation of Sections 15 and 16. If the disclaimer of warranty and limitation of liability provided above cannot be given local legal effect according to their terms, reviewing courts shall apply local law that most closely approximates an absolute waiver of all civil liability in connection with the Program, unless a warranty or assumption of liability accompanies a copy of the Program in return for a fee. END OF TERMS AND CONDITIONS How to Apply These Terms to Your New Programs If you develop a new program, and you want it to be of the greatest possible use to the public, the best way to achieve this is to make it free software which everyone can redistribute and change under these terms. To do so, attach the following notices to the program. It is safest to attach them to the start of each source file to most effectively state the exclusion of warranty; and each file should have at least the "copyright" line and a pointer to where the full notice is found. <one line to give the program's name and a brief idea of what it does.> Copyright (C) <year> <name of author> This program is free software: you can redistribute it and/or modify it under the terms of the GNU General Public License as published by the Free Software Foundation, either version 3 of the License, or (at your option) any later version. This program is distributed in the hope that it will be useful, but WITHOUT ANY WARRANTY; without even the implied warranty of MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the GNU General Public License for more details. You should have received a copy of the GNU General Public License along with this program. If not, see <https://www.gnu.org/licenses/>. Also add information on how to contact you by electronic and paper mail. If the program does terminal interaction, make it output a short notice like this when it starts in an interactive mode: <program> Copyright (C) <year> <name of author> This program comes with ABSOLUTELY NO WARRANTY; for details type `show w'. This is free software, and you are welcome to redistribute it under certain conditions; type `show c' for details. The hypothetical commands `show w' and `show c' should show the appropriate parts of the General Public License. Of course, your program's commands might be different; for a GUI interface, you would use an "about box". You should also get your employer (if you work as a programmer) or school, if any, to sign a "copyright disclaimer" for the program, if necessary. For more information on this, and how to apply and follow the GNU GPL, see <https://www.gnu.org/licenses/>. The GNU General Public License does not permit incorporating your program into proprietary programs. If your program is a subroutine library, you may consider it more useful to permit linking proprietary applications with the library. If this is what you want to do, use the GNU Lesser General Public License instead of this License. But first, please read <https://www.gnu.org/licenses/why-not-lgpl.html>.

GNU AFFERO GENERAL PUBLIC LICENSE Version 3, 19 November 2007 Copyright (C) 2007 Free Software Foundation, Inc. <https://fsf.org/> Everyone is permitted to copy and distribute verbatim copies of this license document, but changing it is not allowed. Preamble The GNU Affero General Public License is a free, copyleft license for software and other kinds of works, specifically designed to ensure cooperation with the community in the case of network server software. The licenses for most software and other practical works are designed to take away your freedom to share and change the works. By contrast, our General Public Licenses are intended to guarantee your freedom to share and change all versions of a program--to make sure it remains free software for all its users. When we speak of free software, we are referring to freedom, not price. Our General Public Licenses are designed to make sure that you have the freedom to distribute copies of free software (and charge for them if you wish), that you receive source code or can get it if you want it, that you can change the software or use pieces of it in new free programs, and that you know you can do these things. Developers that use our General Public Licenses protect your rights with two steps: (1) assert copyright on the software, and (2) offer you this License which gives you legal permission to copy, distribute and/or modify the software. A secondary benefit of defending all users' freedom is that improvements made in alternate versions of the program, if they receive widespread use, become available for other developers to incorporate. Many developers of free software are heartened and encouraged by the resulting cooperation. However, in the case of software used on network servers, this result may fail to come about. The GNU General Public License permits making a modified version and letting the public access it on a server without ever releasing its source code to the public. The GNU Affero General Public License is designed specifically to ensure that, in such cases, the modified source code becomes available to the community. It requires the operator of a network server to provide the source code of the modified version running there to the users of that server. Therefore, public use of a modified version, on a publicly accessible server, gives the public access to the source code of the modified version. An older license, called the Affero General Public License and published by Affero, was designed to accomplish similar goals. This is a different license, not a version of the Affero GPL, but Affero has released a new version of the Affero GPL which permits relicensing under this license. The precise terms and conditions for copying, distribution and modification follow. TERMS AND CONDITIONS 0. Definitions. "This License" refers to version 3 of the GNU Affero General Public License. "Copyright" also means copyright-like laws that apply to other kinds of works, such as semiconductor masks. "The Program" refers to any copyrightable work licensed under this License. Each licensee is addressed as "you". "Licensees" and "recipients" may be individuals or organizations. To "modify" a work means to copy from or adapt all or part of the work in a fashion requiring copyright permission, other than the making of an exact copy. The resulting work is called a "modified version" of the earlier work or a work "based on" the earlier work. A "covered work" means either the unmodified Program or a work based on the Program. To "propagate" a work means to do anything with it that, without permission, would make you directly or secondarily liable for infringement under applicable copyright law, except executing it on a computer or modifying a private copy. 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The "source code" for a work means the preferred form of the work for making modifications to it. "Object code" means any non-source form of a work. A "Standard Interface" means an interface that either is an official standard defined by a recognized standards body, or, in the case of interfaces specified for a particular programming language, one that is widely used among developers working in that language. The "System Libraries" of an executable work include anything, other than the work as a whole, that (a) is included in the normal form of packaging a Major Component, but which is not part of that Major Component, and (b) serves only to enable use of the work with that Major Component, or to implement a Standard Interface for which an implementation is available to the public in source code form. 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This License acknowledges your rights of fair use or other equivalent, as provided by copyright law. You may make, run and propagate covered works that you do not convey, without conditions so long as your license otherwise remains in force. You may convey covered works to others for the sole purpose of having them make modifications exclusively for you, or provide you with facilities for running those works, provided that you comply with the terms of this License in conveying all material for which you do not control copyright. Those thus making or running the covered works for you must do so exclusively on your behalf, under your direction and control, on terms that prohibit them from making any copies of your copyrighted material outside their relationship with you. Conveying under any other circumstances is permitted solely under the conditions stated below. Sublicensing is not allowed; section 10 makes it unnecessary. 3. Protecting Users' Legal Rights From Anti-Circumvention Law. 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Access to a network may be denied when the modification itself materially and adversely affects the operation of the network or violates the rules and protocols for communication across the network. Corresponding Source conveyed, and Installation Information provided, in accord with this section must be in a format that is publicly documented (and with an implementation available to the public in source code form), and must require no special password or key for unpacking, reading or copying. 7. Additional Terms. "Additional permissions" are terms that supplement the terms of this License by making exceptions from one or more of its conditions. Additional permissions that are applicable to the entire Program shall be treated as though they were included in this License, to the extent that they are valid under applicable law. If additional permissions apply only to part of the Program, that part may be used separately under those permissions, but the entire Program remains governed by this License without regard to the additional permissions. When you convey a copy of a covered work, you may at your option remove any additional permissions from that copy, or from any part of it. (Additional permissions may be written to require their own removal in certain cases when you modify the work.) You may place additional permissions on material, added by you to a covered work, for which you have or can give appropriate copyright permission. Notwithstanding any other provision of this License, for material you add to a covered work, you may (if authorized by the copyright holders of that material) supplement the terms of this License with terms: a) Disclaiming warranty or limiting liability differently from the terms of sections 15 and 16 of this License; or b) Requiring preservation of specified reasonable legal notices or author attributions in that material or in the Appropriate Legal Notices displayed by works containing it; or c) Prohibiting misrepresentation of the origin of that material, or requiring that modified versions of such material be marked in reasonable ways as different from the original version; or d) Limiting the use for publicity purposes of names of licensors or authors of the material; or e) Declining to grant rights under trademark law for use of some trade names, trademarks, or service marks; or f) Requiring indemnification of licensors and authors of that material by anyone who conveys the material (or modified versions of it) with contractual assumptions of liability to the recipient, for any liability that these contractual assumptions directly impose on those licensors and authors. All other non-permissive additional terms are considered "further restrictions" within the meaning of section 10. If the Program as you received it, or any part of it, contains a notice stating that it is governed by this License along with a term that is a further restriction, you may remove that term. If a license document contains a further restriction but permits relicensing or conveying under this License, you may add to a covered work material governed by the terms of that license document, provided that the further restriction does not survive such relicensing or conveying. If you add terms to a covered work in accord with this section, you must place, in the relevant source files, a statement of the additional terms that apply to those files, or a notice indicating where to find the applicable terms. Additional terms, permissive or non-permissive, may be stated in the form of a separately written license, or stated as exceptions; the above requirements apply either way. 8. Termination. You may not propagate or modify a covered work except as expressly provided under this License. Any attempt otherwise to propagate or modify it is void, and will automatically terminate your rights under this License (including any patent licenses granted under the third paragraph of section 11). However, if you cease all violation of this License, then your license from a particular copyright holder is reinstated (a) provisionally, unless and until the copyright holder explicitly and finally terminates your license, and (b) permanently, if the copyright holder fails to notify you of the violation by some reasonable means prior to 60 days after the cessation. Moreover, your license from a particular copyright holder is reinstated permanently if the copyright holder notifies you of the violation by some reasonable means, this is the first time you have received notice of violation of this License (for any work) from that copyright holder, and you cure the violation prior to 30 days after your receipt of the notice. Termination of your rights under this section does not terminate the licenses of parties who have received copies or rights from you under this License. If your rights have been terminated and not permanently reinstated, you do not qualify to receive new licenses for the same material under section 10. 9. Acceptance Not Required for Having Copies. You are not required to accept this License in order to receive or run a copy of the Program. Ancillary propagation of a covered work occurring solely as a consequence of using peer-to-peer transmission to receive a copy likewise does not require acceptance. However, nothing other than this License grants you permission to propagate or modify any covered work. These actions infringe copyright if you do not accept this License. Therefore, by modifying or propagating a covered work, you indicate your acceptance of this License to do so. 10. Automatic Licensing of Downstream Recipients. Each time you convey a covered work, the recipient automatically receives a license from the original licensors, to run, modify and propagate that work, subject to this License. You are not responsible for enforcing compliance by third parties with this License. An "entity transaction" is a transaction transferring control of an organization, or substantially all assets of one, or subdividing an organization, or merging organizations. If propagation of a covered work results from an entity transaction, each party to that transaction who receives a copy of the work also receives whatever licenses to the work the party's predecessor in interest had or could give under the previous paragraph, plus a right to possession of the Corresponding Source of the work from the predecessor in interest, if the predecessor has it or can get it with reasonable efforts. You may not impose any further restrictions on the exercise of the rights granted or affirmed under this License. For example, you may not impose a license fee, royalty, or other charge for exercise of rights granted under this License, and you may not initiate litigation (including a cross-claim or counterclaim in a lawsuit) alleging that any patent claim is infringed by making, using, selling, offering for sale, or importing the Program or any portion of it. 11. Patents. A "contributor" is a copyright holder who authorizes use under this License of the Program or a work on which the Program is based. The work thus licensed is called the contributor's "contributor version". A contributor's "essential patent claims" are all patent claims owned or controlled by the contributor, whether already acquired or hereafter acquired, that would be infringed by some manner, permitted by this License, of making, using, or selling its contributor version, but do not include claims that would be infringed only as a consequence of further modification of the contributor version. For purposes of this definition, "control" includes the right to grant patent sublicenses in a manner consistent with the requirements of this License. Each contributor grants you a non-exclusive, worldwide, royalty-free patent license under the contributor's essential patent claims, to make, use, sell, offer for sale, import and otherwise run, modify and propagate the contents of its contributor version. In the following three paragraphs, a "patent license" is any express agreement or commitment, however denominated, not to enforce a patent (such as an express permission to practice a patent or covenant not to sue for patent infringement). To "grant" such a patent license to a party means to make such an agreement or commitment not to enforce a patent against the party. If you convey a covered work, knowingly relying on a patent license, and the Corresponding Source of the work is not available for anyone to copy, free of charge and under the terms of this License, through a publicly available network server or other readily accessible means, then you must either (1) cause the Corresponding Source to be so available, or (2) arrange to deprive yourself of the benefit of the patent license for this particular work, or (3) arrange, in a manner consistent with the requirements of this License, to extend the patent license to downstream recipients. "Knowingly relying" means you have actual knowledge that, but for the patent license, your conveying the covered work in a country, or your recipient's use of the covered work in a country, would infringe one or more identifiable patents in that country that you have reason to believe are valid. If, pursuant to or in connection with a single transaction or arrangement, you convey, or propagate by procuring conveyance of, a covered work, and grant a patent license to some of the parties receiving the covered work authorizing them to use, propagate, modify or convey a specific copy of the covered work, then the patent license you grant is automatically extended to all recipients of the covered work and works based on it. A patent license is "discriminatory" if it does not include within the scope of its coverage, prohibits the exercise of, or is conditioned on the non-exercise of one or more of the rights that are specifically granted under this License. You may not convey a covered work if you are a party to an arrangement with a third party that is in the business of distributing software, under which you make payment to the third party based on the extent of your activity of conveying the work, and under which the third party grants, to any of the parties who would receive the covered work from you, a discriminatory patent license (a) in connection with copies of the covered work conveyed by you (or copies made from those copies), or (b) primarily for and in connection with specific products or compilations that contain the covered work, unless you entered into that arrangement, or that patent license was granted, prior to 28 March 2007. Nothing in this License shall be construed as excluding or limiting any implied license or other defenses to infringement that may otherwise be available to you under applicable patent law. 12. No Surrender of Others' Freedom. If conditions are imposed on you (whether by court order, agreement or otherwise) that contradict the conditions of this License, they do not excuse you from the conditions of this License. If you cannot convey a covered work so as to satisfy simultaneously your obligations under this License and any other pertinent obligations, then as a consequence you may not convey it at all. For example, if you agree to terms that obligate you to collect a royalty for further conveying from those to whom you convey the Program, the only way you could satisfy both those terms and this License would be to refrain entirely from conveying the Program. 13. Remote Network Interaction; Use with the GNU General Public License. Notwithstanding any other provision of this License, if you modify the Program, your modified version must prominently offer all users interacting with it remotely through a computer network (if your version supports such interaction) an opportunity to receive the Corresponding Source of your version by providing access to the Corresponding Source from a network server at no charge, through some standard or customary means of facilitating copying of software. This Corresponding Source shall include the Corresponding Source for any work covered by version 3 of the GNU General Public License that is incorporated pursuant to the following paragraph. Notwithstanding any other provision of this License, you have permission to link or combine any covered work with a work licensed under version 3 of the GNU General Public License into a single combined work, and to convey the resulting work. The terms of this License will continue to apply to the part which is the covered work, but the work with which it is combined will remain governed by version 3 of the GNU General Public License. 14. Revised Versions of this License. The Free Software Foundation may publish revised and/or new versions of the GNU Affero General Public License from time to time. Such new versions will be similar in spirit to the present version, but may differ in detail to address new problems or concerns. Each version is given a distinguishing version number. If the Program specifies that a certain numbered version of the GNU Affero General Public License "or any later version" applies to it, you have the option of following the terms and conditions either of that numbered version or of any later version published by the Free Software Foundation. If the Program does not specify a version number of the GNU Affero General Public License, you may choose any version ever published by the Free Software Foundation. If the Program specifies that a proxy can decide which future versions of the GNU Affero General Public License can be used, that proxy's public statement of acceptance of a version permanently authorizes you to choose that version for the Program. Later license versions may give you additional or different permissions. However, no additional obligations are imposed on any author or copyright holder as a result of your choosing to follow a later version. 15. Disclaimer of Warranty. THERE IS NO WARRANTY FOR THE PROGRAM, TO THE EXTENT PERMITTED BY APPLICABLE LAW. EXCEPT WHEN OTHERWISE STATED IN WRITING THE COPYRIGHT HOLDERS AND/OR OTHER PARTIES PROVIDE THE PROGRAM "AS IS" WITHOUT WARRANTY OF ANY KIND, EITHER EXPRESSED OR IMPLIED, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE. THE ENTIRE RISK AS TO THE QUALITY AND PERFORMANCE OF THE PROGRAM IS WITH YOU. SHOULD THE PROGRAM PROVE DEFECTIVE, YOU ASSUME THE COST OF ALL NECESSARY SERVICING, REPAIR OR CORRECTION. 16. Limitation of Liability. IN NO EVENT UNLESS REQUIRED BY APPLICABLE LAW OR AGREED TO IN WRITING WILL ANY COPYRIGHT HOLDER, OR ANY OTHER PARTY WHO MODIFIES AND/OR CONVEYS THE PROGRAM AS PERMITTED ABOVE, BE LIABLE TO YOU FOR DAMAGES, INCLUDING ANY GENERAL, SPECIAL, INCIDENTAL OR CONSEQUENTIAL DAMAGES ARISING OUT OF THE USE OR INABILITY TO USE THE PROGRAM (INCLUDING BUT NOT LIMITED TO LOSS OF DATA OR DATA BEING RENDERED INACCURATE OR LOSSES SUSTAINED BY YOU OR THIRD PARTIES OR A FAILURE OF THE PROGRAM TO OPERATE WITH ANY OTHER PROGRAMS), EVEN IF SUCH HOLDER OR OTHER PARTY HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES. 17. Interpretation of Sections 15 and 16. If the disclaimer of warranty and limitation of liability provided above cannot be given local legal effect according to their terms, reviewing courts shall apply local law that most closely approximates an absolute waiver of all civil liability in connection with the Program, unless a warranty or assumption of liability accompanies a copy of the Program in return for a fee. END OF TERMS AND CONDITIONS How to Apply These Terms to Your New Programs If you develop a new program, and you want it to be of the greatest possible use to the public, the best way to achieve this is to make it free software which everyone can redistribute and change under these terms. To do so, attach the following notices to the program. It is safest to attach them to the start of each source file to most effectively state the exclusion of warranty; and each file should have at least the "copyright" line and a pointer to where the full notice is found. <one line to give the program's name and a brief idea of what it does.> Copyright (C) <year> <name of author> This program is free software: you can redistribute it and/or modify it under the terms of the GNU Affero General Public License as published by the Free Software Foundation, either version 3 of the License, or (at your option) any later version. This program is distributed in the hope that it will be useful, but WITHOUT ANY WARRANTY; without even the implied warranty of MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the GNU Affero General Public License for more details. You should have received a copy of the GNU Affero General Public License along with this program. If not, see <https://www.gnu.org/licenses/>. Also add information on how to contact you by electronic and paper mail. If your software can interact with users remotely through a computer network, you should also make sure that it provides a way for users to get its source. For example, if your program is a web application, its interface could display a "Source" link that leads users to an archive of the code. There are many ways you could offer source, and different solutions will be better for different programs; see section 13 for the specific requirements. You should also get your employer (if you work as a programmer) or school, if any, to sign a "copyright disclaimer" for the program, if necessary. For more information on this, and how to apply and follow the GNU AGPL, see <https://www.gnu.org/licenses/>.